New Mexico - Sculptures

BarkerLee Yazzie Keeps Cool at Ganado Lake, Navajo, Dog, bronze, sculpture, by Melanie A Yazzie numbered, open edition As a printmaker, painter, and sculptor, my work draws upon my rich Diné (Navajo) heritage. The work I make attempts to follow the Diné (Navajo) dictum “walk in beauty” literally, creating beauty and harmony. As an artist, I work to serve as an agent of change by encouraging others to learn about social, cultural, and political phenomena shaping the contemporary lives of Native peoples...

Somewhere on the Reservation, Bronze,Sculpture, by Allan Houser, Apache, Singers Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist in that he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the warpath. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is many international collections including the Georges Pompidou Centre, The Smithsonian National Portrait Gallery, The Dahlem Museum among others. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

A Soul Consoled, Sculpture, by Khang Pham-New, Marble, White, Mother, Child "My childhood experiences growing up in Vietnam have paradoxically become a driving force in my artistic creations. I am impassioned with biomorphic abstract forms. As an artist, I am aware of and respect the art movements of my time, but to create, I remove myself from the influences of this time and retreat into a private space where I can experiment and explore the possibilities of each phase of my inner life." - Khang Pham-New Khang Pham was born in war-torn South Vietnam...

Lead Singer, bronze, sculpture, Allan Houser, Native American, Drummer, Apache Allan Houser Haozous Warm Springs Chiricahua Apache 1914-1994 National Medal of Arts awardee Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

Rain Bird, by, Glenn Green, Steel, Sculpture, Outdoor, Silver, Sandstone, Base

Whirling Bird, Sculpture, by Glenn Green, Santa Fe, Steel, Outdoor, Abstract

Animal Stack-They Help Each Other, sculpture by Melanie Yazzie, Navajo, Silver limited edition of 8 As a printmaker, painter, and sculptor, my work draws...

Shared Dreams, stone, sculpture, by Allan Houser, Texas steatite, mother, child signed by the artist at the base of the child's blanket Allan Houser (Haozous), Chiricahua Apache 191...

Grandfather, sculpture by Melanie Yazzie, turquoise,contemporary,Native American limited edition As a printmaker, painter, and sculptor, my work draws upon my rich Diné heritage. T...

Animal Stack - They Help Each Other, sculpture by Melanie Yazzie multi-color limited edition sculpture 40 Contact the gallery for completion times and de...

They Help Each Other - Animal Stack Sculpture, by Melanie Yazzie, Navajo, teal limited edition aluminum with powder coat finish The animals rest on a ba...

Desert Breeze, Sculpture by Allan Houser Haozous, Bronze, Cloaked Figures,Apache Allan Houser was represented by Glenn Green Galleries (formerly known a...

Water Woman Pollinator Series, aluminum sculpture by Melanie A. Yazzie, Navajo clear powder-coat finish Contact the gallery for the current schedule for delivery. As a printmaker, painter, and sculptor, my work draws upon my rich Diné (Navajo) heritage. The work I make attempts to follow the Diné dictum “walk in beauty” literally, creating beauty and harmony. As an artist, I work to serve as an agent of change by encouraging others to learn about social, cultural, and political phenomena shaping the contemporary lives of Native peoples...

Pollen Keeper II, by Melanie Yazzie, sculpture, aluminum, orange, vertical Once the order is received via 1st Dibs, the sculpture will be fabricated. Allow 6 to 8 weeks for completion.

Disconnect, wood sculpture by Troy Williams, telephone, cell phone tower, steel Hand-carved wood bust on a fabricated steel cell phone tower. The figure is talking into a cell phone...

Pollen Keeper, medium, aluminum, powder coat, sculpture, Navajo, Female, red limited edition sculpture of 12 When the sculpture order has been placed, please allow 4 to 6 weeks for...

Grandmother, Fuschia totem, abstract, sculpture, Navajo, contemporary ,indoor, outdoor limited edition of 8 Contact the gallery for availability and timing for delivery. Base measures 1.5" thick aluminum 36 wide 29 depth tapers to 21 As a printmaker, painter, and sculptor, my work draws upon my rich Diné (Navajo) heritage. The work I make attempts to follow the Diné dictum “walk in beauty” literally, creating beauty and harmony. As an artist, I work to serve as an agent of change by encouraging others to learn about social, cultural, and political phenomena shaping the contemporary lives of Native peoples...

Matrimony, red granite sculpture, heart, by Khang Pham-New, indoor, outdoor Contact us about delivery options. 1,500 lbs

Tropikos, marble sculpture by Donald Davis, white marble, vertical, stone Shipping times may be longer due to covid-19 restrictions Contact us with questions.

"C" by Gino Miles Abstract sculpture in high-polish stainless steel (dimensions include 12" x 30" x 30" base) Working primarily in fabricated stainless steel and bronze, Gino Miles ...

Pollen Keeper II, sculpture, Navajo turquoise Contemporary Melanie Yazzie fabricated steel sculpture with powder coat finish edition of 8 450 lbs As a printmaker, painter, and scu...

Two Minds Meeting, small turquoise sculpture ltd. edition Native American animal Melanie A. Yazzie "Two Minds Meeting" fabricated aluminum with a po...

Grandmother, Melanie Yazzie aluminum sculpture powder coat finish red Navajo *This sculpture is available for order. Contact the gallery for available col...

Red Ray, abstract sculpture, red Turkish Marble, black stone, geometric, carving

Grandmother, Melanie Yazzie, red sculpture, abstract, Navajo, outdoor, indoor Melanie Yazzie GRANDMOTHER 60" fabricated aluminum © 2018 60...

Slumber, Rodger Jacobsen bronze sculpture skinny man sleeping bed with a big head Slumber, small bronze sculpture skinny man sleeping bed with a big head...

The Reader (small),Rodger Jacobsen gold bronze sculpture, reading book, glasses The Reader (small), gold bronze sculpture, reading book, glass...

Making New Friends, medium, aluminum sculpture, Female figures, Korean, Navajo Limited edition of 8 Once an order is received, the sculpture will be...

Making New Friends, figurative sculpture, Korean and Navajo Women, teal, female limited edition of 8 fabricated aluminum edition with powder coat f...

After the Dance, bronze sculpture, realism, Native American, Man, Woman, Embrace limited bronze edition, lifetime casting Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green   The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party...

Little Blue Yazzie Sits at the Ganado Post Office,bronze sculpture, Navajo bunny This sculpture is on order from the foundry. Contact the gallery for delivery times and to place an ...

Almost Asleep by Allan Houser, mother and child bronze sculpture, limited edition, brown patina, walnut base, lifetime casting Allan...

Lovers of Chimayo by Eduardo Oropeza, Bronze Sculpture, Couple, Edition,Chicano Lovers of Chimayo by Eduardo Oropeza, bronze sculpture, couple, edition 25 © 1993 Sculptor, painter,...

Contemplating the Angel by Eduardo Oropeza, bronze sculpture, angel, church limited edition of 25 bronze and straw/twigs Sculptor, painter, printmaker, & photographer, Eduardo Oropeza remains a commanding presence in contemporary art. He applied a high level of devotion and integrity to his artwork. After the many years he had been working at his chosen profession, he saw being an artist as a tremendous gift, which honored and humbled him. A native of California's San Joaquin Valley and long time resident of East Los Angeles, Oropeza's academic training began with the study of Sociology. After taking an art course, he ultimately changed majors and received a Master of Fine Arts degree in sculpture from San Jose State. Post graduate work followed at San Jose, San Diego State at Long Beach and Palomar College. Oropeza’s contribution to public art in Los Angeles can be seen in a ceramic mosaic covering the 2 story Self Help...

Untitled Figure with X on Chest by Charlie Willeto, Navajo Folk Art, wood, paint Vintage

Two Minds Meeting sculpture by Melanie Yazzie, blue aluminum people animals edition of 24 Please allow 6 weeks for completion by the foundry. Contac...

Tina Begay in the Cornfield at Wide Ruins, bronze by Melanie Yazzie rez dog blue numbered, open bronze edition numbered, open edition As a printmaker, paint...

Silhouette Embraced, Khang Pham-New, monumental abstract red granite sculpture We first saw his sculptures when they were featured in an outdoor sculpture Biennale in Vancouver with many notable and established sculptors (like Magdalena Abakanowicz, Dennis Oppenheim, Albert Paley, Bill Reid, and Yoko Ono). His work stood out to us and we’ve represented Khang internationally ever since, exhibiting and placing his sculptures in public and private collections for the last 11 years. The response has been amazing. His abstract biomorphic shapes are contemplative and beautiful to view. Khang Pham was born in war-torn South Vietnam...

David L. Deming’s world of lively canine sculptures captures the artist’s love for dogs and presents a whimsical look at four-legged behavior at its best. His extensive and unique collection of painted steel and lacquered steel dog sculptures...

Making New Friends, sculpture by Melanie Yazzie, teal, Navajo, Korean women dog Maquette (small) for the sculpture featured in the exhibit for Mela...

Curvilinearity, monumental granite abstract sculpture Khang Pham-New outdoor Khang Pham-New studied at the Ontario College of Art where he majored in sculpture installation. Amongst...

Jealousy, bronze edition sculpture of a man with two women, Eduardo Oropeza Jealousy, bronze and straw sculpture of a man with two women edition of 12

Empty Cupboard (Alacena Vacia), bronze and straw sculpture, Eduardo Oropeza bronze sculpture with straw In my hollow abode I wait for you, oh soul of hope, that you can be so bold....

Strength From Within, aluminum, turquoise, Navajo, sculpture, Melanie Yazzie limited edition of 8 powder coated​ aluminum This sculpture is a self-portrait of my state of mind when...

Two Minds Meeting, Melanie Yazzie large red sculpture, animals, people, Navajo Melanie A. Yazzie "Two Minds Meeting" fabricated aluminum with powder...

Two Minds Meeting, small red sculpture Melanie Yazzie Native American animals Melanie A. Yazzie "Two Minds Meeting" fabricated aluminum with powder...

Grandmother, raspberry color, Melanie Yazzie sculpture abstract metal outdoor/indoor art limited edition of 8 Contact the gallery for color options and delivery time from foundry. ...

Navajo Folk Art Figure, Charlie Willetto, Native American Orange White Effigy Vintage Navajo medicine man Charlie Willeto (1897-1964) was also an art...

Awatovi Visual Prayers,Michael Kabotie sculpture large silver black Hopi abstract This sculpture is shown as it was made to be inset into a large glass door. It has also been created as a large gate...

Grandmother, silver totem abstract sculpture Navajo contemporary,indoor, outdoor limited edition of 8 Base measures 1.5" thick aluminum 36 wide 29 depth tapers to 21 As a printma...

This new sculpture is based on a linoleum block she cut for a print. It is now in aluminum. It can be displayed as shown or mounted on a wall.

Making New Friends, teal aluminum sculpture Korean & Navajo Women outdoor heart New sculpture featured in the exhibit for Melanie Yazzie at the Whe...

Fabricated steel or aluminum with powder coat finish limited edition of 8 signed and numbered on the bottom of the base plate Melanie A Yazzie Additional delivery time may be re...

Canto, copper sculpture,red, black, abstract rabbit, Jeffrey Maron, NYC unique, etched copper alloy with polychrome oxides Jeffrey Maron's sculptures are unique works, each made directly in metal by him. Constructed from a copper alloy that he forms, shapes, welds, and finishes, until each sculpture acquire an energy of its own. It is this unique quality and energy that defines his work. "I want my sculptures to speak for themselves visually." JM PUBLIC COLLECTIONS U.S. Embassy, Tokyo,Japan Mountain Bell...

Awatovi Visual Prayers, II, Hopi overlay, silver, black, contemporary, Kabotie limited edition of 40 The Heard Museum in Phoenix, Arizona commissioned Michael Kabotie to do a large sculpture/gate for them in 2006. It is done in his signature Hopi overlay style. Kabotie calls it “Visual Prayers” and he describes it as being loosely related to the ancient kiva murals at the Hopi village of Awatovi. His version shows the woven forms of smoke and feathers that the Hopi use to convey prayers that are for the health, long life and blessings for all people. Michael Kabotie was born on September 3, 1942 on the Hopi Indian Reservation in northeastern Arizona. He grew up in the village of Shungopavi and attended school on the reservation until the Hopi high school was closed. He graduated from Haskell Indian School in Lawrence, Kansas in 1961. While in his junior year there he was invited to spend the summer at the Southwest Indian Art Project at the University of Arizona. Participants included Fritz Scholder, Helen Hardin, Charles Loloma and Joe Hererra (who became a lifelong friend and his primary artist mentor). After high school, Michael attended the University of Arizona, studying engineering. After dropping out of college he held a one-man show at the Heard Museum and his work was on the cover of Arizona Highways magazine. In 1967 Michael underwent his Hopi manhood initiation into the Wuwutsim Society and was given his Hopi name, Lomawywesa (Walking in Harmony). Both Michael and his father, Fred Kabotie, have been innovators in the Native American Fine Arts Movement, creating paintings that reflect traditional Hopi life in contemporary media. Fred Kabotie was one of the Hopi art...

Nuska, Portrait of a Girl, bronze portrait, 1924, unique Isamu Noguchi (Japanese American 1904 - 1988); "Nuska, The Deaf Girl"; cire perdu cast bronze with complex dark patina on bronze base; 15 x lOx 8 inches; base 4.5 x 5.75 x 5,75 inches; signature quilled under and at back - "Isamu"; foundry stamp quilled in wax at the back - "Roman Bronze Works N.Y." Excellent condition. "Nuska, The Deaf Girl" is included in the Catalogue Raisonne of Noguchi's sculpture by Nancy Grove and Dianne Botnick (Garland, 1980) as Number 21. It is currently listed in the digital catalogue being assembled by the Isamu Noguchi Museum in Long Island City, New York as Number 10. This is apparently a unique casting, not part of an edition. This is an apparently early, cire perdu bronze cast by Roman Bronze Works, probably when the foundry was located in the Louis Comfort Tiffany red...

Escutcheon, large scale abstract granite sculpture by Khang Pham-New The granite is so dense the quarry closed because it is harder than normal granite. Khang fell in love with the ...

Andromeda, white marble, female figure, waves, chain, nude, classical sculpture In Greek mythology, Andromeda is the daughter of Cepheus and Cassiopeia, king and queen of ancient Et...