New Mexico - Sculptures

Hand Built and glazed ceramic. Free standing, two pieces (sphere and stand). My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused ...

Hand Built and glazed ceramic. Free standing, two pieces (sphere and stand). My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused ...

Hand fabricated bronze with patina. Sealed with lacquer and wax. Large pyramid- 20"h x 8 x 8 x 4" base, small pyramid 18"h x 7 x 7 x 4" base 2 separate pyramids. Total size together ...

Hand Built and glazed ceramic. Free standing, two pieces (sphere and stand). My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused ...

FRANCES PARKER Clay Pearls 88”h x 8”dia (diptych) glazed ceramic $ 12,500. Hand Built and glazed ceramic. Free standing, safe for outdoors. My inter...

Hand Built and glazed ceramic. Free standing, safe for outdoors. My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused on creating ...

Hand Built and glazed ceramic. My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused on creating wheel thrown vessels. After several...

Dragonflies, sculpture by Glenn Green, silver, metal, round, sculpture, abstract limited edition of 24 aluminum with powder coat finish Contact us for custom sizes.

Waita - Song, Contemporary Maori Sculpture, Aotearoa, facial moko, tattoo, male

Resin Running Heart

Truckin', by Rodger Jacobsen, female figure, bronze sculpture, steel base,brown bronze sculpture on a fabricated steel pedestal Truckin' by Rodger Jacobsen, female figure, bronze ...

Hand Built and glazed ceramic. Free standing, two pieces (sphere and stand). My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused ...

Textured, abstract, pedestal sculpture in cast bronze. Created with rich brown and mottled green patina over a patterned design. The work is inspired by Ancient Greek weaponry. Fran...

Cast Glasswork

Artist Statement I absolutely love working with clay. Creating forms with a chunk of moist earth is a tangible way to cultivate beauty and delight. Through my work, I hope to touch ...

Hand Built and glazed ceramic. Free standing, two pieces (sphere and stand). My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused ...

Hand Built and glazed ceramic. My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused on creating wheel thrown vessels. After several...

Hand Built and glazed ceramic. Free standing, two pieces (sphere and stand). My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused ...

Hand Built and glazed ceramic. My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused on creating wheel thrown vessels. After several...

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massachusetts. Joubert gained hi...

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massachusetts. Joubert gained hi...

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massachusetts. Joubert gained hi...

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massachusetts. Joubert gained hi...

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massachusetts. Joubert gained hi...

Spirit of the Wind, by Allan Houser, apache, abstract, sculpture, limited edition lifetime bronze casting excellent condition

Apache Lovers, bronze, sculpture, Allan Houser, figurative, limited edition

Pleasant Memories, bronze, sculpture, Allan Houser, Apache, contemporary, modern GLENN GREEN GALLERIES' LONG ASSOCIATION WITH ALLAN HOUSER Allan Houser was represented by Glenn Gree...

The Shy One, bronze, sculpture, by Allan Houser, mother, child, Apache, Native limited edition bronze casting lifetime casting wood base GLENN GREEN GALLERIES' LONG ASSOCIATION WIT...

My Children, by Allan Houser, Apache, Mother, children, bronze, sculpture lifetime bronze casting limited edition of 8

Reclining Figure II, by Allan Houser, Apache, abstract, figurative, bronze Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty...

The Reader, by Rodger Jacobsen, bronze, large, big head, book, glasses, chair limited edition of 12 Please allow 9-12 weeks for delivery from foundry

Observant, by Allan Houser, bronze, sculpture, limited edition, blanketed figure GLENN GREEN GALLERIES' LONG ASSOCIATION WITH ALLAN HOUSER Allan Houser was represented by Glenn Gre...

End of the Hunt, by Allan Houser, bronze, sculpture, wildlife, eagle, rabbit Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party...

Grandfather, by Melanie Yazzie, red, sculpture, small, vertical, Navajo limited edition of 40. Other colors may be available. Contact the gallery for more information. As a printm...

Grandmother, by Melanie Yazzie, sculpture, edition, aluminum, red, abstract limited edition of 40. Available in red or silver. Inquire with the gallery for additional color options...

Grandmother, by Melanie Yazzie, sculpture, edition, aluminum, silver, abstract limited edition of 40. Available in red or silver. Inquire with the gallery for additional color opti...

BarkerLee Yazzie Keeps Cool at Ganado Lake, Navajo, Dog, bronze, sculpture, by Melanie A Yazzie numbered, open edition As a printmaker, painter, and sculptor, my work draws upon my rich Diné (Navajo) heritage. The work I make attempts to follow the Diné (Navajo) dictum “walk in beauty” literally, creating beauty and harmony. As an artist, I work to serve as an agent of change by encouraging others to learn about social, cultural, and political phenomena shaping the contemporary lives of Native peoples...

Somewhere on the Reservation, Bronze,Sculpture, by Allan Houser, Apache, Singers Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist in that he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the warpath. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is many international collections including the Georges Pompidou Centre, The Smithsonian National Portrait Gallery, The Dahlem Museum among others. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

A Soul Consoled, Sculpture, by Khang Pham-New, Marble, White, Mother, Child "My childhood experiences growing up in Vietnam have paradoxically become a driving force in my artistic creations. I am impassioned with biomorphic abstract forms. As an artist, I am aware of and respect the art movements of my time, but to create, I remove myself from the influences of this time and retreat into a private space where I can experiment and explore the possibilities of each phase of my inner life." - Khang Pham-New Khang Pham was born in war-torn South Vietnam...

Lead Singer, bronze, sculpture, Allan Houser, Native American, Drummer, Apache Allan Houser Haozous Warm Springs Chiricahua Apache 1914-1994 National Medal of Arts awardee Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

Rain Bird, by, Glenn Green, Steel, Sculpture, Outdoor, Silver, Sandstone, Base

Whirling Bird, Sculpture, by Glenn Green, Santa Fe, Steel, Outdoor, Abstract

Animal Stack-They Help Each Other, sculpture by Melanie Yazzie, Navajo, Silver limited edition of 8 As a printmaker, painter, and sculptor, my work draws...

Shared Dreams, stone, sculpture, by Allan Houser, Texas steatite, mother, child signed by the artist at the base of the child's blanket Allan Houser (Haozous), Chiricahua Apache 191...

Grandfather, sculpture by Melanie Yazzie, turquoise,contemporary,Native American limited edition As a printmaker, painter, and sculptor, my work draws upon my rich Diné heritage. T...

Animal Stack - They Help Each Other, sculpture by Melanie Yazzie multi-color limited edition sculpture 40 Contact the gallery for completion times and de...

They Help Each Other - Animal Stack Sculpture, by Melanie Yazzie, Navajo, teal limited edition aluminum with powder coat finish The animals rest on a ba...

Desert Breeze, Sculpture by Allan Houser Haozous, Bronze, Cloaked Figures,Apache Allan Houser was represented by Glenn Green Galleries (formerly known a...

Water Woman Pollinator Series, aluminum sculpture by Melanie A. Yazzie, Navajo clear powder-coat finish Contact the gallery for the current schedule for delivery. As a printmaker, painter, and sculptor, my work draws upon my rich Diné (Navajo) heritage. The work I make attempts to follow the Diné dictum “walk in beauty” literally, creating beauty and harmony. As an artist, I work to serve as an agent of change by encouraging others to learn about social, cultural, and political phenomena shaping the contemporary lives of Native peoples...

Pollen Keeper II, by Melanie Yazzie, sculpture, aluminum, orange, vertical Once the order is received via 1st Dibs, the sculpture will be fabricated. Allow 6 to 8 weeks for completion.

Disconnect, wood sculpture by Troy Williams, telephone, cell phone tower, steel Hand-carved wood bust on a fabricated steel cell phone tower. The figure is talking into a cell phone...

Pollen Keeper, medium, aluminum, powder coat, sculpture, Navajo, Female, red limited edition sculpture of 12 When the sculpture order has been placed, please allow 4 to 6 weeks for...

Grandmother, Fuschia totem, abstract, sculpture, Navajo, contemporary ,indoor, outdoor limited edition of 8 Contact the gallery for availability and timing for delivery. Base measures 1.5" thick aluminum 36 wide 29 depth tapers to 21 As a printmaker, painter, and sculptor, my work draws upon my rich Diné (Navajo) heritage. The work I make attempts to follow the Diné dictum “walk in beauty” literally, creating beauty and harmony. As an artist, I work to serve as an agent of change by encouraging others to learn about social, cultural, and political phenomena shaping the contemporary lives of Native peoples...

Matrimony, red granite sculpture, heart, by Khang Pham-New, indoor, outdoor Contact us about delivery options. 1,500 lbs

Tropikos, marble sculpture by Donald Davis, white marble, vertical, stone Shipping times may be longer due to covid-19 restrictions Contact us with questions.

"C" by Gino Miles Abstract sculpture in high-polish stainless steel (dimensions include 12" x 30" x 30" base) Working primarily in fabricated stainless steel and bronze, Gino Miles ...

Pollen Keeper II, sculpture, Navajo turquoise Contemporary Melanie Yazzie fabricated steel sculpture with powder coat finish edition of 8 450 lbs As a printmaker, painter, and scu...

Two Minds Meeting, small turquoise sculpture ltd. edition Native American animal Melanie A. Yazzie "Two Minds Meeting" fabricated aluminum with a po...

Grandmother, Melanie Yazzie aluminum sculpture powder coat finish red Navajo *This sculpture is available for order. Contact the gallery for available col...

Red Ray, abstract sculpture, red Turkish Marble, black stone, geometric, carving