New Mexico - Still-life Sculptures

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massachusetts. Joubert gained hi...

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massachusetts. Joubert gained hi...

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massachusetts. Joubert gained hi...

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massachusetts. Joubert gained hi...

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massachusetts. Joubert gained hi...

BarkerLee Yazzie Keeps Cool at Ganado Lake, Navajo, Dog, bronze, sculpture, by Melanie A Yazzie numbered, open edition As a printmaker, painter, and sculptor, my work draws upon my rich Diné (Navajo) heritage. The work I make attempts to follow the Diné (Navajo) dictum “walk in beauty” literally, creating beauty and harmony. As an artist, I work to serve as an agent of change by encouraging others to learn about social, cultural, and political phenomena shaping the contemporary lives of Native peoples...

Hand carved pine wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massachusetts. Joubert gained his...

This recent body of work from Jeff Suina (Cochiti Pueblo) presents a series of complex clay vessels and forms that utilize traditional Cochiti techniques in unexpected ways. As an ar...

This recent body of work from Jeff Suina (Cochiti Pueblo) presents a series of complex clay vessels and forms that utilize traditional Cochiti techniques in unexpected ways. As an ar...

Kitty, sculpture, by Allan Houser, bronze, cat, gold, Nambe, Santa Fe, edition lifetime casting Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of...

This recent body of work from Jeff Suina (Cochiti Pueblo) presents a series of complex clay vessels and forms that utilize traditional Cochiti techniques in unexpected ways. As an ar...

Debra Baxter's precarious piles of precious stones are a material investigation of our continually strained relation to labor, beauty and domesticity.

This recent body of work from Jeff Suina (Cochiti Pueblo) presents a series of complex clay vessels and forms that utilize traditional Cochiti techniques in unexpected ways. As an ar...

Debra Baxter's precarious piles of precious stones are a material investigation of our continually strained relation to labor, beauty and domesticity.

An exact, cast alabaster likeness of one of the components of Albrecht Dürer's 1493 drawing, "Six Studies of Pillows," a drawing which exists on the bac...

This piece is a hologram encased in hand-ground glass and can be hung from the ceiling (in front of a window) or displayed as a singular sculptural object. C Alex...

"There's inevitable pain in every form of love." Debra Baxter's new body of work, Love Tears, embodies the entanglement of love, mortality and the natural world. Taking cues from Victorian mourning...

C Alex Clark's creative practice spans traditional and experimental methods of photography, video, conceptual and installation work. In their glass hologr...

C Alex Clark's creative practice spans traditional and experimental methods of photography, video, conceptual and installation work. In their glass hologr...

Brush Strokes, abstract sculpture by Glenn Green, Santa Fe, black, metal, zen Limited edition of 24 fabricated aluminum with powder coat finish in black Custom sizes and colors are...

Heart + Cloud, sculpture by Kerry Green, contemporary,indoor, outdoor, red, silver limited edition 18, fabricated aluminum Interlocking sculpture for indoor display. Contact us for information about current delivery times. Since childhood, Kerry Green has always been creative; painting, drawing, sculpting, and sewing. Her family provided her with materials and encouraged her efforts. She literally grew up in her parents’ art galleries, and with them toured the U.S., Europe, Mexico, Japan, and New Zealand, seeing museums and visiting artists’ studios. Growing up in Arizona and New Mexico gave her the opportunity to explore the Native reservations there where she has made life-long friendships. Several of her very early influences were Dr. Harry Wood...

Cwtch, hug, hearts sculpture by Kerry Green, turquoise,blue, silver,contemporary Since childhood, Kerry Green has always been creative; painting, drawing, sculpting, and sewing. Her family provided her with materials and encouraged her efforts. She literally grew up in her parents’ art galleries, and with them toured the U.S., Europe, Mexico, Japan, and New Zealand, seeing museums and visiting artists’ studios. Growing up in Arizona and New Mexico gave her the opportunity to explore the Native reservations there where she has made life-long friendships. Several of her very early influences were Dr. Harry Wood...

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massac...

Disconnect, wood sculpture by Troy Williams, telephone, cell phone tower, steel Hand-carved wood bust on a fabricated steel cell phone tower. The figure is talking into a cell phone...

Hand carved aspen wood sculpture torched burnished and painted 5 carved pieces, 16"h 36" inches wide, 3" deep roughly 40 inches wide with 3 inch spacing, ...

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massac...

Listening, bronze sculpture, childs portrait, black granite base, green patina 35 lbs

Almost Asleep by Allan Houser, mother and child bronze sculpture, limited edition, brown patina, walnut base, lifetime casting Allan...

Indian Ponies, realistic bronze sculpture, dark brown patina, horses, Nambe Foundry limited edition bronze solid casting Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selec...

Little Blue Yazzie Sits at the Ganado Post Office,bronze sculpture, Navajo bunny This sculpture is on order from the foundry. Contact the gallery for delivery times and to place an ...

Slumber, Rodger Jacobsen bronze sculpture skinny man sleeping bed with a big head Slumber, small bronze sculpture skinny man sleeping bed with a big head...

John Blackhorse Hangs Out At Earl's, bronze rez dog sculpture, blue, Navajo limited edition of 15

Slumber, Rodger Jacobsen bronze sculpture skinny man sleeping bed with a big head Slumber, small bronze sculpture skinny man sleeping bed with a big head...

End of the Hunt, by Allan Houser, bronze, sculpture, wildlife, eagle, rabbit Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, P...

Somewhere on the Reservation, Bronze,Sculpture, by Allan Houser, Apache, Singers Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist in that he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the warpath. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is many international collections including the Georges Pompidou Centre, The Smithsonian National Portrait Gallery, The Dahlem Museum among others. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

Lovers of Chimayo by Eduardo Oropeza, Bronze Sculpture, Couple, Edition,Chicano Lovers of Chimayo by Eduardo Oropeza, bronze sculpture, couple, edition 25 © 1993 Sculptor, painter,...

Contemplating the Angel by Eduardo Oropeza, bronze sculpture, angel, church limited edition of 25 bronze and straw/twigs Sculptor, painter, printmaker, & photographer, Eduardo Orope...

The Ballerina Before the Mirror of Life, Eduardo Oropeza, woman, ballerina The Ballerina Before the Mirror of Life, Eduardo Oropeza bronze sculpture brown limited bronze edition of 25 Cast in the USA Sculptor, painter, printmaker, & photographer, Eduardo Oropeza remains a commanding presence in contemporary art. He applied a high level of devotion and integrity to his artwork. After the many years he had been working at his chosen profession, he saw being an artist as a tremendous gift, which honored and humbled him. A native of California's San Joaquin Valley and long time resident of East Los Angeles, Oropeza's academic training began with the study of Sociology. After taking an art course, he ultimately changed majors and received a Master of Fine Arts degree in sculpture from San Jose State. Postgraduate work followed at San Jose, San Diego State at Long Beach, and Palomar College. Oropeza’s contribution to public art in Los Angeles can be seen in a ceramic mosaic covering the 2 story Self Help Graphics Workshop building located at Ceasar Chavez and Gage streets in East Los Angeles. Oropeza donated his time and artistic talent to complete this multi-year project. The second phase of this project was the creation of a Virgin of Guadalupe shrine, for the community. Selected collections: Los Angeles County Museum of Art (LACMA), Hispanic Research Center, Arizona State University, City of Sacramento, California, Mary Tyler Moore, Eartha Kitt, Juanita Jordan, BET Television, St. Regis Hotel, San Francisco Time draws a line across the end of the day like a sunset and gently approaches the woman. The reflection on the mirror finds her leaning on the ballet bar...