New York City - Drawings and Watercolor Paintings

Eve Nethercott, American (1925 - 2015) - Flowers (P5.9), Year: 1948, Medium: Watercolor on Paper, Size: 22 x 15 in. (55.88 x 38.1 cm), Description: Set on a small wooden tabl...

Eve Nethercott, American (1925 - 2015) - Rockport (P3.28), Year: 1948, Medium: Watercolor on Paper, Size: 11 x 16.5 in. (27.94 x 41.91 cm), Description: Eve Nethercott's wate...

Male nude ink drawing, study for the Amphibian Man painting. 70x50cm / 27.5x19.5in Shipped rolled in a tube directly from the artist. Part of my previous Nude Men series.

Hans Hofmann Untitled, circa 1943 Signed lower right Oil and watercolor on paper 22 1/4 x 30 3/4 inches The only artist of the New York school to participate directly in European m...

Diana Kurz Green Square #19 Gouache on paper 25 x 19 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family fled Austria, first to England...

Eve Nethercott, American (1925 - 2015) - Bronx Park (P5.1), Year: circa 1950, Medium: Watercolor on Paper, Size: 11.5 x 9 in. (29.21 x 22.86 cm), Description: Eve Nethercott'...

Diana Kurz Green Square #14 Gouache on paper 11 x 14 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family fled Austria, first to England...

Part of my "Nude in Interior" series. Sepia Ink, Pencil and Graphite on Paper. Original sepia ink drawing on watercolor paper. Size is 48x33cm /19x13in. Size in mat and framed 70x5...

In an Art Brut style Down by the River, 2022 by a.muse is a contemporary watercolor collage work on paper. The art on paper is a collection of vibrant images arranged like a patchwor...

Arman Boom Boom (unique variation from New York International Portfolio), 1965 Screenprint with pencil additions. Pencil signed and numbered 12/225 on the front Published by Chiron ...

"I make quiet paintings in a noisy world. My work is an intimate meditation on humble objects and the detritus of studio life. I aim to promote a reengagement with the mundane while ...

Eve Nethercott, American (1925 - 2015) - Flea Market (P2.46), Year: 1961, Medium: Watercolor on Paper, Image Size: 14 x 21 inches, Size: 15 x 22.5 in. (38.1 x 57.15 cm), Desc...

Artist: Yasmin Brandolini d'Adda, South African/Italian (1929 - ) Title: 2 Year: 1984 Medium: Tempera on Paper, signed and dated Size: 40 in. x 25 in. (101.6 cm x 63.5 cm)

Blanche Grambs, whose career started with the WPA, was an extremely skilled draftsperson. Her birds are masterful. Although we use the word 'pencil' fo...

Lois Dodd Untitled Landscape, 1990 Colored chalk on grey wove paper Signed, dated and inscribed "For Beverly & Howard", lower right. Original artist's frame included This unique work...

Eve Nethercott, American (1925 - 2015) - Rockport (P5.48), Year: 1948, Medium: Watercolor on Paper, Size: 17 x 20 in. (43.18 x 50.8 cm), Description: This view of Rockport, M...

Robert Morris Investigations (with Guggenheim Museum Labels), 1990 Graphite drawing on Mylar. Framed with the original Guggenheim Museum label (lent by Sonnabend), & Castelli Gallery...

Grisha Bruskin Study 8, 1990 Ink and Gouache on paper Hand signed and inscribed by the artist on the front Original vintage frame with Marlborough Gallery label included This work is...

Colorful image of a powerful woman enjoying the dance. This painting is in a series called the Wild Woman which is also printed in a pocket sized book. Watercolor, mixed media, usi...

Tess Michalik Birfday Cake, 2023 oil on panel 25.5 x 30.25 in. (mic039AP)

Charles Burchfield Drawing Study Graphite on paper 5 1/2 x 8 inches Charles Ephraim Burchfield (1893–1967) was an American painter, best known for his watercolor landscapes. Burchfi...

A colorful painting by Russian artist, Anatole Krasnyansky. His Contemporary style uses elements from Constructivism as well as Cubism wi...

Jean-Michel Basquiat Lounge Lizards 1979:
 Impossibly rare original hand-drafted flyer by Basquiat for a performance by his close friend, John Lurie & the Lounge Lizards at Squat The...

Larry Zox Dexter's Choice, State II, ca. 1990 Mixed media, Watercolor pochoir, and Oil stick Wax, Water-Based Crayons, on heavy Arches museum watercolor rag paper with deckled edges 40 × 60 in 101.6 × 152.4 cm Edition 8/30 (unique variant) Frame included Measurements: Sheet: 40 inches (vertical) by 60 inches (horizontal) Frame: 42 inches x 62 inches x 1 inch Dexter's Choice, State # II is a unique, mixed media work from an edition of 30 unique variants done in pochoir, (25 stencils, 14 colors). Here, Zox uses watercolor instead of inks, which is applied to heavy 300 lb. watercolor paper. Although it is a multiple signed and numbered from the edition of 30, each work of art is unique because of how the paper receives the watercolor brush. In addition, this work is created like a mixed media painting because it has 11 lines added by hand with wax and water based crayons and oil sticks. The unique watercolor technique that Zox employed in making "Dexter's Choice" is documented in the textbook, "Screen Printing: Water Based Techniques,Roni Henning, NYIT ". Dexter's Choice was published by Images Gallery, and this work was acquired directly from the publisher before they sold out. This work is elegantly floated and framed in a white wood frame. Accompanied by gallery issued Certificate of Guarantee Larry Zox Biography: A PAINTER who played an essential role in the Color Field discourse of the 1960s and 1970s, Larry Zox is best known for his intensely and brilliantly colored geometric abstractions that question and violate symmetry.1 Zox stated in 1965: “Being contrary is the only way I can get at anything.” To Zox, this position was not necessarily arbitrary, but instead meant “responding to something in an examination of it [such as] using
a mechanical format with X number of possibilities.”2 What he sought was to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his introductory essay in the catalogue for Zox’s 1973–1974 solo exhibition at the Whitney Museum of American Art.3 Zox’s robust paintings reveal
a celebrated artist and master of composition who is explored and challenged the possibilities of Post-Painterly Abstraction and Minimalist pictorial conventions. Zox began to receive attention in the 1960s when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler and Frank Stella for Tibor de Nagy, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Solomon R. Guggenheim Museum, New York. In 1973–1974, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, he was represented in the inaugural exhibition of the Hirshhorn Museum and Sculpture Garden, Wahsington, DC, which acquired fourteen of his works.
 Zox was born in Des Moines, Iowa in 1937. He attended the University of Oklahoma and Drake University, Des Moines, Iowa, and then studied under George Grosz at the Des Moines Art Center. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers, and he occasionally sparred with visiting fighters. He later established a studio in East Hampton, a former black smithy used previously by Jackson Pollock. In his earliest works, such as Banner (1962) Zox created
collages consisting of pieces of painted paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of strong hues that created ambiguous surfaces. In paintings such as For Jean (1963), he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. He then replaced these torn and expressive edges with clean and impersonal lines that would define his work for the next decade. From 1962 to 1965, he produced his Rotation series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times in 1964 wrote of the works in show such as Rotation B (1964) and of the artist: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.”4 In 1965, he began the Scissor Jack series, in which he arranged opposing triangular shapes with inverted Vs of bare canvas at their centers that threaten to split their compositions apart. In several works from this series, Zox was inspired by ancient Chinese water vessels. With a mathematical precision and a poetic license, Zox flattened the three dimensional object onto graph paper, and later translated his interpretation of the vessel’s lines onto canvas with masking tape, forming the structure of the painting. The Diamond Cut and Diamond Drill paintings...

Larry Zox Study for Scissors Jack Series, 1965 Mixed media and colored ink drawing on draft paper Hand signed and dated on lower right recto (front). Bears Forager House Collection s...

Acrylic and mixed media on paper - Unframed Werfel employs expressive, lyrical gestures that create bursts of movement and energy. Her color choices create a range of tones from the...

Juanita Guccione (1904 - 1999) Study for Ladders, 1948 Gouache on paper 17 x 13 inches Signed lower left, dated, and inscribed “Study for Oil Painting...

Linda Stein, Profile Palette 426.006 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Drawing Profile Palette 426.006 is from Linda Stein's Profiles series--drawings, collages and...

Eve Nethercott, American (1925 - 2015) - Red Flowers (P5.38), Year: 1960, Medium: Watercolor on Paper, Size: 22 x 15 in. (55.88 x 38.1 cm), Description: Held within a small r...

Eve Nethercott, American (1925 - 2015) - Maine Dock and House (37), Year: 1959, Medium: Double-Sided Watercolor, Size: 11 in. x 15 in. (27.94 cm x 38.1 cm), Description: This d...

Conté crayon on paper Signed, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in New York City. His works ...

Giuseppe Casciaro, Ischia, 1929. Giuseppe Casciaro (1861-1941) Amalfi coast landscape with watchtower on the island of Ischia. Pastel and gouache on card. Signed and dated 19 Feb VII...

James Siena Untitled t-nail drawing (reference: two against two), 1999 Graphite on paper Pencil signed, titled, annotated and dated on the reverse of the sheet (see photos) also penc...

This exquisite miniature painting by Dina Brodsky captures the striking presence of a Drongo bird, rendered in gouache and watercolor on authentic calf parchment. Known for her metic...

42nd Street NYC 1923 Deco WPA Ashcan American Modern Cityscape Realism Broadway. 10 x 7 1/2 inches. Graphite on paper. Signed, titled "42nd Street" and dated July 26, 1923, lower l...

Lyman Kipp Untitled drawing, 1993 Unique Colored Ink Drawing on paper with two deckled edges Hand signed, inscribed and dated by the artist on lower front 26 1/4 × 20 inches Unframed...

Daniel Brice has exhibited throughout the United States including at The Riverside Museum of Art and the University of New Mexico Art Museum. He is a four-time “Artist in Residence” honoree at the Tamarind Institute in New Mexico. His work is in the collections of Allentown Museum, Ohio Wesleyan University, Smith College...

Robert Mangold Untitled minimalist drawing, ca. 1980 Drawing in Ink on Paper Hand signed and inscribed on lower front Inscription reads as follows: Best Wishes David Bob Mangold...

Maeve D’Arcy practice explores mark-making as language. In a contemplative process, her random thoughts are turned into dashes, x’s, dots and various sorts of repetitive marks. D'A...

Robert Andrew Parker, American (1927 - 2024) - Trees, Year: circa 1961, Medium: Gouache on thin wove paper, signed and titled in pencil on verso, Size: 17.75 x 23 in. (45.09 x 58.42...

Artist: Helene Alison, American (XXth) Title: Battlesea, The T-More Mare Year: 1977 Medium: Oil on Canvas, signed l.l. Size: 20 x 20 inches

Robert Cottingham Don't Walk, 1985 Three color Linoleum Cut on Paper Pencil signed, inscribed to Bryan and annotated TP Published by Chip Elwell Fine Prints Trial Proof (unique) This is a Trial Proof that Robert Cottingham inscribed, annotated and gifted to Bryan Konefsky, his longtime studio assistant in both Newtown, CT and Santa Fe New Mexico. Only one other example - a variant - of this early print, exists and is in the collection of the Smithsonian. Due to the untimely death of printer Chip Elwell in October of 1986, only two proofs in the woodcut medium were pulled: the present work, which Cottingham gifted to his longtime studio assistant, and the one at the Smithsonian. Furthermore and in another interesting turn of events, Elwell's studio was burglarized shortly after his death and among the items stolen were the original wood blocks for DON'T WALK. This is an historic work; and the only one available on the market. Measurements: Framed: 15 inches x 13.5 inches x .3 inches Artwork 12 inches x 10.5 inches Robert Cottingham Biography Robert Cottingham (b.1935, Brooklyn, NY) is recognised for his Photorealist paintings of American urban landscapes, particularly his depictions of painted and neon shop signs...

Jennifer Losch Bartlett Ocean piece: Untitled painting studies, 1975 Ink and pastel, mixed media on graph paper Boldly signed and dated "Summer 75" by Jennifer Bartlett on the lower right front Frame included: held in a museum quality wood frame with UV plexiglass Ink and pastel on graph paper drawing. Boldly signed and dated "Summer 75" by Jennifer Bartlett on the lower right front. Some of the artist's annotations on the drawings say: Ocean piece Sky Water Beach Sometimes looking from water maybe see mountain two people on beach lying down sometimes they face each other ... bwhitefree hand drawing from water beach w/ towel sky sand water on a diagonal on a curve sky water sand...

Eve Nethercott, American (1925 - 2015) - Still Life with Fruit (P1.29), Year: 1960, Medium: Watercolor on Paper, Size: 15 x 22 in. (38.1 x 55.88 cm), Description: Scattered a...

Eve Nethercott, American (1925 - 2015) - Seascape (P2.52), Year: circa 1960, Medium: Watercolor on Paper, Size: 11 x 15 in. (27.94 x 38.1 cm), Description: Eve Nethercott's p...

Eve Nethercott, American (1925 - 2015) - Fruit Still Life (P5.19), Year: 1960, Medium: Watercolor on Paper, Size: 10.5 x 14 in. (26.67 x 35.56 cm), Description: Arranged arou...

Eve Nethercott, American (1925 - 2015) - Still Life with Fruit (P4.20), Year: circa 1960, Medium: Watercolor on Paper, Size: 14 x 18 in. (35.56 x 45.72 cm), Description: Fill...

Signed, titled, and dated, verso India ink and watercolor on paper This work is offered by ClampArt in New York City.

Eve Nethercott, American (1925 - 2015) - Rocky Seascape (P1.14), Year: 1957, Medium: Watercolor on Paper, Size: 15 x 22 in. (38.1 x 55.88 cm), Description: Looking out onto t...

Eve Nethercott, American (1925 - 2015) - Pines (P5.33), Year: 1958, Medium: Watercolor on Paper, Size: 15 x 21.5 in. (38.1 x 54.61 cm), Description: Scattered over the rollin...

Gouache on paper This artwork is offered by ClampArt, located in New York City Born in California, John Button (1929-1982) was educated at University of California, Berkeley. After...

Winold Reiss The Red Silo Signed lower left Watercolor on paper 20 x 29 inches Winold Reiss (1886-1953) was an artist and designer who emigrated to the United States from Germany in 1913. Probably best known as a portraitist, Reiss was a pioneer of modernism and well known for his brilliant work in graphic and interior design. A compassionate man who greatly respected all people as human beings, he believed that his art could help break down racial prejudices. Like his father Fritz Reiss (1857-1915), who was also an artist and who was his son's first teacher, Winold Reiss was artistically moved by diverse cultures. The elder Reiss focused on folk life in Germany while Winold drew substantial inspiration from a range of cultures, particularly Native American, Mexican, and African-American. As did many young aspiring artists, Winold Reiss studied with the esteemed painter and teacher Franz von Stuck at the Royal Academy of Fine Arts in Munich, which was at that time a center of the decorative and fine-arts movement. It is not known whether Reiss met E. Martin Hennings...

Eve Nethercott, American (1925 - 2015) - Red Flowers in Vase (P1.9), Year: circa 1960, Medium: Watercolor on Paper, Size: 22.5 x 15 in. (57.15 x 38.1 cm), Description: Washed...

Eve Nethercott, American (1925 - 2015) - Rockport (P5.54), Year: 1948, Medium: Watercolor on Paper, Size: 18 x 20 in. (45.72 x 50.8 cm), Description: This view of Rockport, M...

Eve Nethercott, American (1925 - 2015) - Salt Marsh (P6.29), Year: 1959, Medium: Ink and Watercolor on Paper, Size: 13 x 18 in. (33.02 x 45.72 cm), Description: Rendered with...

Unknown Artist - Flower in a Field, Year: 1964, Medium: Marker on Paper, signed and dated in pencil, Image Size: 14 x 18.5 inches, Size: 16 x 20 in. (40.64 x 50.8 cm), Description: ...

Eve Nethercott, American (1925 - 2015) - Windy Day (P6.14), Year: 1950, Medium: Watercolor on Paper, Size: 17.5 x 21.5 in. (44.45 x 54.61 cm), Description: Eve Nethercott's w...

Eve Nethercott, American (1925 - 2015) - Tree (P5.61), Year: circa 1960, Medium: Watercolor on Paper, Size: 22 x 15 in. (55.88 x 38.1 cm), Description: Eve Nethercott's adept...