New York City - Drawings and Watercolor Paintings

Eve Nethercott, American (1925 - 2015) - Still Life (P3.24), Year: 1960, Medium: Watercolor on Paper, Size: 13 x 17 in. (33.02 x 43.18 cm), Description: Set across a white ta...

Louis Wolchonok (1898 - 1973) Gondolas at the Dock, Venice, Italy, 1928 Watercolor on paper Sight 18 x 23 1/2 inches Signed and dated lower right Louis Wolchonok was an author of ar...

Eve Nethercott, American (1925 - 2015) - Red Flowers in Green Vase (P1.6), Year: circa 1960, Medium: Watercolor on Paper, Size: 22.5 x 15 in. (57.15 x 38.1 cm), Description: ...

Hand signed and numbered out of 20 by Tuymans. Printed on Hahnemühle Bright White 300 gsm paper. Comes in a blue linen folder. The four colour etchings Isabel, Diorama, Scramble, and...

Eve Nethercott, American (1925 - 2015) - Bronx (P5.32), Year: 1959, Medium: Watercolor on Paper, Size: 11 x 22 in. (27.94 x 55.88 cm), Description: Looking out over the park,...

Eve Nethercott, American (1925 - 2015) - Winter Farm Landscape (P3.30), Year: circa 1960, Medium: Watercolor on Paper, Size: 15 x 22 in. (38.1 x 55.88 cm), Description: Overl...

Eve Nethercott, American (1925 - 2015) - Still Life (P5.56), Year: 1960, Medium: Watercolor on Paper, Size: 15 x 20 in. (38.1 x 50.8 cm), Description: Eve Nethercott's still ...

"#70 – I AM TIRED" is from Amy Williams' series "A Farewell to Arms" – wherein the artist works directly onto page 70 of a found copy of Ernest Hemingway'...

Eve Nethercott, American (1925 - 2015) - Stony Brook (P4.15), Year: 1960, Medium: Watercolor on Paper, Size: 14 x 21 in. (35.56 x 53.34 cm), Description: Cutting through the ...

Eve Nethercott, American (1925 - 2015) - Hamptons (P4.19), Year: 1958, Medium: Watercolor on Paper, Size: 12 x 19.5 in. (30.48 x 49.53 cm), Description: Focusing on two blue ...

Eve Nethercott, American (1925 - 2015) - Hampton Bays (P6.63), Year: 1958, Medium: Watercolor on Paper, Size: 22 x 15 in. (55.88 x 38.1 cm), Description: Covering almost thre...

Eve Nethercott, American (1925 - 2015) - Still Life with Fruit (P1.29), Year: 1960, Medium: Watercolor on Paper, Size: 15 x 22 in. (38.1 x 55.88 cm), Description: Scattered a...

Eve Nethercott, American (1925 - 2015) - Pines (P5.33), Year: 1958, Medium: Watercolor on Paper, Size: 15 x 21.5 in. (38.1 x 54.61 cm), Description: Scattered over the rollin...

Antoniucci Volti (French, 1915-1989) Untitled, 1969 Red chalk on paper 14 3/4 x 11 in. Signed: Volti Sculptor, painter, and printmaker Antoniucci Volti was born in Albano, Italy, in 1915. His family lived in there until 1920 when the family moved to France to stay. Volti studied at the Ecole des Arts Decoratifs in Nice from 1928 to 1920. By 1932 the young artist had won a gold medal for two polychrome bas-reliefs before going to Paris, where he entered the studio of Jean Boucher at the Ecole Nationale des Beaux-Arts in Paris at the age of only fifteen. After serving in the Second World War, when he was interned as a prisoner of war in Bavaria, he returned in poor health to Paris, only to find his studio destroyed. From 1947 he showed work at various Paris Salons and, in 1954 and 1955 at the Brussels and Antwerp Biennales. In 1957 a retrospective of his work was organized at the Museum Rodin in Paris. He died in Paris in 1989 Works by Volti are in leading museums such as the Musee National d'Art Moderne, Paris. Antoniucci Volti is one of the most important Late Modern sculptors...

Eve Nethercott, American (1925 - 2015) - Red Flowers in Vase (P1.9), Year: circa 1960, Medium: Watercolor on Paper, Size: 22.5 x 15 in. (57.15 x 38.1 cm), Description: Washed...

Eve Nethercott, American (1925 - 2015) - Windy Day (P6.14), Year: 1950, Medium: Watercolor on Paper, Size: 17.5 x 21.5 in. (44.45 x 54.61 cm), Description: Eve Nethercott's w...

Oil on canvas

Eve Nethercott, American (1925 - 2015) - Winter Trees (P2.41), Year: 1958, Medium: Watercolor on Paper, Size: 14 x 20 in. (35.56 x 50.8 cm), Description: Illuminated by the s...

Eve Nethercott, American (1925 - 2015) - Yellow House (P6.44), Year: circa 1948, Medium: Watercolor on Paper, Size: 15 x 20 in. (38.1 x 50.8 cm), Description: Situated on a s...

Eve Nethercott, American (1925 - 2015) - House with Banisters (P1.32), Year: circa 1960, Medium: Watercolor on Paper, Size: 15.5 x 22 in. (39.37 x 55.88 cm), Description: Vie...

Eve Nethercott, American (1925 - 2015) - Red Flowers in Vase (P1.21), Year: 1956, Medium: Watercolor on Paper, Size: 22 x 15 in. (55.88 x 38.1 cm), Description: Reflecting the sunlight, the apple green vase...

Eve Nethercott, American (1925 - 2015) - Portrait of a Blonde Woman (P1.4), Year: 1961, Medium: Watercolor on Paper, Size: 22.5 x 15 in. (57.15 x 38.1 cm), Description: This sumptuous portrait of a woman with cropped, curly blonde hair is imbued with luxury and elegance. As she lifts her hands to her shoulder, the woman's decadent fur robe...

Eve Nethercott, American (1925 - 2015) - River Side (57), Year: circa 1961, Medium: Watercolor, Size: 15 in. x 22 in. (38.1 cm x 55.88 cm), Description: Bobbing beside the moor...

Eve Nethercott, American (1925 - 2015) - Vase of Pink Flowers (P3.22), Year: 1959, Medium: Watercolor on Paper, Size: 17.5 x 13.5 in. (44.45 x 34.29 cm), Description: A uniqu...

Eve Nethercott, American (1925 - 2015) - Vase of Flowers (P3.19), Year: 1960, Medium: Watercolor on Paper, Size: 17 x 13 in. (43.18 x 33.02 cm), Description: This stunning di...

Eve Nethercott, American (1925 - 2015) - Vase of Flowers (P3.20), Year: 1960, Medium: Watercolor on Paper, Size: 19.5 x 13 in. (49.53 x 33.02 cm), Description: Illuminated by...

Eve Nethercott, American (1925 - 2015) - Provincetown (P5.16), Year: circa 1950, Medium: Watercolor on Paper, Size: 13.5 x 19 in. (34.29 x 48.26 cm), Description: Looking out...

Eve Nethercott, American (1925 - 2015) - Still Life with Carrots (P6.3), Year: 1949, Medium: Watercolor on Paper, Size: 18 x 20.5 in. (45.72 x 52.07 cm), Description: Set on ...

Eve Nethercott, American (1925 - 2015) - Rockport (P4.5), Year: 1948, Medium: Watercolor on Paper, Size: 12.5 x 15.5 in. (31.75 x 39.37 cm), Description: Lining the beaches o...

Allan Rohan Crite Animal Illustrations Signed lower left Pen and ink on paper 23 1/2 x 16 inches Brought up in Boston, Crite received his art training al the School of the Museum of Fine Arts and earned a Bachelor of Arts degree at the Harvard University Extension School in 1968. He worked for most of his life as an illustrator in the Planning Department of the Boston Naval Shipyards, retiring in 1976, but continued to paint at the same time. His work has been widely exhibited and well received in Boston, where a square is named after him. Crite's early paintings depict the daily life of Boston's African-American community, a community that was to be transformed in the following decade by urban renewal and housing projects. In his later paintings, magic-realist visions in which a black Virgin and Child ride on public transportation or float above the city streets, Crite used a bright palette rather than the more somber tones of his "neighborhood paintings...

Graphite on paper Dated in pencil, l.r. Numbered 257 in pencil, verso This artwork is offered by ClampArt, located in New York City. John Button (1929-1982) was a fine draftsman an...

About the Series: Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fas...

Julian Schnabel Hand Painted Leather Jacket 1991: Julian Schnabel hand-painted this timeless, vintage leather motorcycle jacket in ...

Artist: Helene Alison, American (XXth) Title: Battlesea, The T-More Mare Year: 1977 Medium: Oil on Canvas, signed l.l. Size: 20 x 20 inches

Cahuilla/Soboba Band of Luiseño Indians/Apache Billy Soza War Soldier was a pioneering Native American artist and activist whose work powerfully reflects the intersections of Indige...

Raymond Pettibon (untitled) Clock drawing 1995: Medium: ink and graphite on paper. 1995. Dimensions: 121⁄4 x 12 7/8 inches (31 x 33 cm.) Dimensions including frame: 16x16 inches. Very good overall vintage condition; floated in a wood glass frame. Hand signed and dated 'Raymond Pettibon 95' (on the reverse). Provenance: Private collection, acquired directly from the artist; Phillips, London 2014; Christie’s 2023. Raymond Pettibon emerged from Southern California DIY culture and its punk-rock sensibility, and his work still embraces a youthful edginess and sense of political engagement. Drawing from disparate cultural sources—which range from Marcel Proust and William Blake to the Bible—the artist makes cartoon-inspired ink drawings on paper which evoke the aesthetics of fanzines and concert flyers...

Medium: Oil stick, wax pencil, graphite, archival pigment print on 100% Hahnemuhle cotton-rag paper. PLEASE NOTE ACTUAL Paper Size: 24” h x 42” w Image Size: 20” x 37” includes a 2”...

Ink on paper Signed and dated, l.l. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now...

This drawing by James Childs is offered by CLAMP in New York City.

"Since my early childhood, nature has had a profound affect on me in ways that I cherish. The state of mind that is instilled within me when walking through the woods, or on a seclud...

This exquisite miniature painting by Dina Brodsky captures the striking presence of a Drongo bird, rendered in gouache and watercolor on authentic calf parchment. Known for her metic...

"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...

American artist Chris Maynard gives homage to nature through the plumage of birds -using feathers acquired from legal sources such as zoos and private aviaries all naturally shed by ...

Artist: Kim Jones, American (1944 - ) Title: Don't Cry For Me Argentina Year: 1988 Medium: Ink and Gouache, signed and dated verso Size: 20 x 15.5 in. (50.8 x 39.37 cm) Frame Size: 2...

Wheeler Williams (American, 1897-1972) Study for Twilight, 1947 Pencil on paper 9 1/4 x 12 1/4 in. Signed lower right: Wheeler Williams, 1947 Inscribed: Study for Twilight A native of Chicago, Wheeler Williams is known for his allegorical, narrative work including "Tablets to Pioneers" on the Michigan Avenue bridge in Chicago, and "Settlers of the Seaboard" in Fairmount Park in Philadelphia. He graduated with honors from Yale University in 1919 and earned a Master of Architecture degree from Harvard in 1922. He studied at the Art Institute of Chicago with sculptor Albin Polasek...

Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...

Wheeler Williams (American, 1897-1972) Untitled Study, 1944 (Polo Players) Pencil on paper 15 1/2 x 19 1/4 in. Signed lower right: Wheeler Williams, 1944 A native of Chicago, Wheeler Williams is known for his allegorical, narrative work including "Tablets to Pioneers" on the Michigan Avenue bridge in Chicago, and "Settlers of the Seaboard" in Fairmount Park in Philadelphia. He graduated with...

Finesse and delicacy are what characterize best Antonin Anzil’s artistic practice. Paper as a medium seems incompatible with the idea of engraving or sculpturing; and yet. Using a sh...

These oversize pastels on archival papers were created working quickly, in pastel. The series shows the last existing observational drawings prior to the artists switch to working w...

"Tobacco Road" Mid 20th Century Realism 1940 Drawing from the Novel WPA Literary 19 1/4 x 11 1/2 (sight), Signed David Fredenthal lower right. Framed by ...

Painter Crouching on a Chair Conté crayon on paper 15 x 10 inches (38.1 x 25.4 cm) This work is offered by ClampArt in New York City.

5125 Antique charcoal drawing of a landscape as viewed from the Charles River in Boston from 1827 Signed J.G.Berry

Margot Glass explores the fragility of communication, and people’s natural drive to find narrative in even the most ordinary of objects. In her Envelopes series, Glass works in water...

Yiddish Theatre Cubist Costume Design 1924 Deco Color Field Modernism Broadway. Boris Aronson (1898 – 1980) "Day and Night," 17 ½ x 13 inches. Gouache ...

Charcoal with red and white conté crayon on Rives BFK paper Signed and dated, recto This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt ...

Leonor Fini La Sorcière, ca. 1960 Ink on paper 21 x 15.5 cm 8 1/4 x 5 7/8 in. 41.5 x 36 cm 16 1/8 x 14 1/8 in. (Frame included) Unique work Exhibition History: Leonor Fini: Small ...

Max Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie. Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically. Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...

BLADE subway graffiti drawing 1992: A stunning, highly collectible original work from Blade - King of Graffiti. Executed in 1992, the work was created ...

Dimensions are for sheet size. The drawing is signed in pencil at the lower right. Agnes Weinrich was one of the artists who settled in Provincetown, Cape Cod, Massachusetts, at the ...

Conté crayon on paper Signed, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in New York City. His works ...