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Item Ships From: New York City
Two Wood Ducks on a Flowering Branch
By Joseph Stella
Located in New York, NY
Joseph Stella was a visionary artist who painted what he saw, an idiosyncratic and individual experience of his time and place. Stella arrived in New York in 1896, part of a wave of Italian immigrants from poverty-stricken Southern Italy. But Stella was not a child of poverty. His father was a notary and respected citizen in Muro Locano, a small town in the southern Appenines. The five Stella brothers were all properly educated in Naples. Stella’s older brother, Antonio, was the first of the family to come to America. Antonio Stella trained as a physician in Italy, and was a successful and respected doctor in the Italian community centered in Greenwich Village. He sponsored and supported his younger brother, Joseph, first sending him to medical school in New York, then to study pharmacology, and then sustaining him through the early days of his artistic career. Antonio Stella specialized in the treatment of tuberculosis and was active in social reform circles. His connections were instrumental in Joseph Stella’s early commissions for illustrations in reform journals. Joseph Stella, from the beginning, was an outsider. He was of the Italian-American community, but did not share its overwhelming poverty and general lack of education. He went back to Italy on several occasions, but was no longer an Italian. His art incorporated many influences. At various times his work echoed the concerns and techniques of the so-called Ashcan School, of New York Dada, of Futurism and, of Cubism, among others. These are all legitimate influences, but Stella never totally committed himself to any group. He was a convivial, but ultimately solitary figure, with a lifelong mistrust of any authority external to his own personal mandate. He was in Europe during the time that Alfred Stieglitz established his 291 Gallery. When Stella returned he joined the international coterie of artists who gathered at the West Side apartment of the art patron Conrad Arensberg. It was here that Stella became close friends with Marcel Duchamp. Stella was nineteen when he arrived in America and studied in the early years of the century at the Art Students League, and with William Merritt Chase, under whose tutelage he received rigorous training as a draftsman. His love of line, and his mastery of its techniques, is apparent early in his career in the illustrations he made for various social reform journals. Stella, whose later work as a colorist is breathtakingly lush, never felt obliged to choose between line and color. He drew throughout his career, and unlike other modernists, whose work evolved inexorably to more and more abstract form, Stella freely reverted to earlier realist modes of representation whenever it suited him. This was because, in fact, his “realist” work was not “true to nature,” but true to Stella’s own unique interpretation. Stella began to draw flowers, vegetables, butterflies, and birds in 1919, after he had finished the Brooklyn Bridge series of paintings, which are probably his best-known works. These drawings of flora and fauna were initially coincidental with his fantastical, nostalgic and spiritual vision of his native Italy which he called Tree of My Life (Mr. and Mrs. Barney A. Ebsworth Foundation and Windsor, Inc., St. Louis, illus. in Barbara Haskell, Joseph Stella, exh. cat. [New York: Whitney Museum of American Art, 1994], p. 111 no. 133). Two Wood Ducks...
Category

20th Century American Modern New York City - Still-life Drawings and Watercolors

Materials

Color Pencil

African Agapanthus, or Blue Lily, a native of the Cape
By Frances Jauncey Ketchum
Located in New York, NY
Signed (at lower right): FJK
Category

Early 19th Century American Realist New York City - Still-life Drawings and Watercolors

Materials

Watercolor

Bitter Quassia, a native of Surinam
By Frances Jauncey Ketchum
Located in New York, NY
Signed (at lower right): FJK
Category

Early 19th Century American Realist New York City - Still-life Drawings and Watercolors

Materials

Watercolor

A Pair of 18th cent Dutch Still Life Watercolors Flowers in a Glass Vase 1797
Located in Rancho Santa Fe, CA
Cornelis Johannes de Bruyn (c. 1763- c. 1828) A lovely pair of 18th century Dutch still life watercolors depicting assorted flowers in a glass vase. Watercolor on paper 13 5/8 x 9 ...
Category

1790s Dutch School New York City - Still-life Drawings and Watercolors

Materials

Paper, Watercolor

ELKHORN FERN - Drawing, Plant, Still Life
By Elizabeth McGhee
Located in New York, NY
Original drawing by Elizabeth McGhee
Category

2010s Contemporary New York City - Still-life Drawings and Watercolors

Materials

Color Pencil

BULB - Drawing, Still Life, Plant
By Elizabeth McGhee
Located in New York, NY
Original drawing by Elizabeth McGhee
Category

2010s Contemporary New York City - Still-life Drawings and Watercolors

Materials

Color Pencil

Still Life, Charcoal on Paper drawing by St. Julian Fishburne
Located in Long Island City, NY
This is a charcoal on paper still life is by St. Julin Fishburn. It features a simple pile of fresh pears atop a paper bag. Still Life St. Julian Fishburne, American (1927–2011) Dat...
Category

1960s New York City - Still-life Drawings and Watercolors

Materials

Charcoal

Summer Set 8, watercolor monoprint (unique) on Dieu Donne handmade paper, signed
By Arlene Shechet
Located in New York, NY
Arlene Shechet Summer Set 8, 2005 Watercolor monoprint on dieu donné hand made paper 21 × 27 1/2 inches Signed and dated in graphite on the front Exquisite watercolor monoprint on di...
Category

Early 2000s Contemporary New York City - Still-life Drawings and Watercolors

Materials

Watercolor, Handmade Paper, Monoprint, Mixed Media, Graphite

Ginkgo Twig No.2, 2023, hyper-realist, colored pencil drawing
By David Morrison
Located in New York, NY
David Morrison was born in Council Bluffs, Iowa in 1956. He received his MFA in Printmaking from the University of Wisconsin-Madison in 1985. A visiting lecturer and guest artist at numerous universities, he is very involved in the world of printmaking, specifically stone lithography, and he is the Professor Emeritus at Indiana University’s Herron School of Art and Design in Indianapolis. Morrison has exhibited widely, and his work is included in numerous public collections including The Whitney Museum of American Art, The New-York Historical Society, The National Gallery of Art, The Smithsonian American Art Museum, The Nelson-Atkins Museum of Art, the Figge Art Museum, the Arkansas Museum of Fine Arts, the Portland Museum of Art, Collection of Eau Palm Beach Resort & Spa, to name a few. 'David Morrison’s drawings are in the Old Master tradition of still-life and natura morte, whose surface beauty with its signs of decay warn viewers about the transitory nature of all life. In many ways the artist’s refined drawings can be connected to the works of John James Audubon in the N-YHS collection, which, along with their birds, showcase fruit, leaves, and flowers whose signs of decay allude to the cycle of nature and the temporal nature of life. Audubon also tended to isolate his birds and settings against empty white backgrounds. Morrison’s portrayals of leaves also tie into the poetic celebration of nature and landscape found in the works of the Hudson River School. Most profoundly they relate to Asher B. Durand’s obsession with trees (see the 2010 Durand catalogue and the essay “‘A Magnificent Obsession’: Durand’s Trees as Spiritual Sentinels of Nature”). Nevertheless, in the case of the over-lifesize measurements and the leaf's and branch's isolation on the page, Morrison's watercolors are contemporary and modern in appearance, yet profoundly evocative of both past and future.' (Roberta Olson, Curator of Drawings The New-York Historical Society). Artist Statement My drawings of tree branches and trunks embrace nature. I love the springtime when there are eruptive explosions of buds with new leaves and berries. I am seduced by the sensual shape and color of the buds protruding from the branches. I love the firecracker explosion of the red and yellow berries of the crabapple. My drawings capture a moment of this existence. I am also fascinated with fallen tree branches with their scarification left by diseases, infestation, decomposition and storm damage. My drawings capture the degeneration cycle of plant materials and how they echo the living conditions of man and nature. I am interested in capturing the reality of their existence, with all the imperfections, echoing their fragile existence in nature, not an idealized beautification of nature like botanical illustrations. The drawings are hyper realistic: they capture minute details of the subjects that I portray, but they are only an illusion of the actual reality. I became obsessed with drawing branches...
Category

2010s American Realist New York City - Still-life Drawings and Watercolors

Materials

Color Pencil

Gingko No.4, 2023, hyper-realist drawing, colored pencil on paper
By David Morrison
Located in New York, NY
David Morrison was born in Council Bluffs, Iowa in 1956. He received his MFA in Printmaking from the University of Wisconsin-Madison in 1985. A visiting lecturer and guest artist at numerous universities, he is very involved in the world of printmaking, specifically stone lithography, and he is the Professor Emeritus at Indiana University’s Herron School of Art and Design in Indianapolis. Morrison has exhibited widely, and his work is included in numerous public collections including The Whitney Museum of American Art, The New-York Historical Society, The National Gallery of Art, The Smithsonian American Art Museum, The Nelson-Atkins Museum of Art, the Figge Art Museum, the Arkansas Museum of Fine Arts, the Portland Museum of Art, Collection of Eau Palm Beach Resort & Spa, to name a few. 'David Morrison’s drawings are in the Old Master tradition of still-life and natura morte, whose surface beauty with its signs of decay warn viewers about the transitory nature of all life. In many ways the artist’s refined drawings can be connected to the works of John James Audubon in the N-YHS collection, which, along with their birds, showcase fruit, leaves, and flowers whose signs of decay allude to the cycle of nature and the temporal nature of life. Audubon also tended to isolate his birds and settings against empty white backgrounds. Morrison’s portrayals of leaves also tie into the poetic celebration of nature and landscape found in the works of the Hudson River School. Most profoundly they relate to Asher B. Durand’s obsession with trees (see the 2010 Durand catalogue and the essay “‘A Magnificent Obsession’: Durand’s Trees as Spiritual Sentinels of Nature”). Nevertheless, in the case of the over-lifesize measurements and the leaf's and branch's isolation on the page, Morrison's watercolors are contemporary and modern in appearance, yet profoundly evocative of both past and future.' (Roberta Olson, Curator of Drawings The New-York Historical Society). Artist Statement My drawings of tree branches and trunks embrace nature. I love the springtime when there are eruptive explosions of buds with new leaves and berries. I am seduced by the sensual shape and color of the buds protruding from the branches. I love the firecracker explosion of the red and yellow berries of the crabapple. My drawings capture a moment of this existence. I am also fascinated with fallen tree branches with their scarification left by diseases, infestation, decomposition and storm damage. My drawings capture the degeneration cycle of plant materials and how they echo the living conditions of man and nature. I am interested in capturing the reality of their existence, with all the imperfections, echoing their fragile existence in nature, not an idealized beautification of nature like botanical illustrations. The drawings are hyper realistic: they capture minute details of the subjects that I portray, but they are only an illusion of the actual reality. I became obsessed with drawing branches...
Category

2010s American Realist New York City - Still-life Drawings and Watercolors

Materials

Color Pencil, Paper

Just Go (Sunflowers), 2020, oil on canvas, yellow, floral still-life painting
By Daisy Craddock
Located in New York, NY
Craddock’s floral paintings are loci for memory, spanning more than a decade and various dwellings. Sharing a kindred spirit with such artists as Jane Freilicher and Lois Dodd, Cradd...
Category

2010s Impressionist New York City - Still-life Drawings and Watercolors

Materials

Oil, Canvas

"Flowers" Mary Abbott, Colorful Floral Still Life, Female Abstract Expressionism
By Mary Abbott
Located in New York, NY
Mary Abbott Flowers, circa 1950 Signed lower left Pastel on paper 30 x 22 1/4 inches Provenance: Aaron Galleries, Glenview, Illinois Among the early exponents of Abstract Expressio...
Category

1950s Abstract New York City - Still-life Drawings and Watercolors

Materials

Paper, Pastel

Exquisite Rose Drawing (unique) done in graphite, hand signed with provenance
By Lowell Nesbitt
Located in New York, NY
Lowell Nesbitt Untitled Rose, 1983 Graphite on Lanaquarelle Watercolor Paper Signed and dated on the front Framed Unique, poignant, exquisitely rendered graphite drawing on watercolor paper with deckled edges. This work is framed and ready to hang; frame bears Alan Brown Gallery (Hartsdale) label verso. It was acquired from the Estate of Noel Frackman, renowned art historian, scholar, writer, and professor with a lifelong passion for 20th Century Art - and a close personal friend of Lowell Nesbitt. She earned a M.A. from Sarah Lawrence College in English Literature and a M.A. and Ph.D. in Art History from the Institute of Fine Arts of New York University. She was an art critic for the Patent Trader Newspaper and the Scarsdale Inquirer, contributing editor for Arts Magazine, author of numerous catalogs including ''John Storrs'', for the Whitney Museum of American Art. For 19 years she was a faculty member at Purchase College, State University of New York. Measurements: Framed: 13 inches by 13 inches x .5 Artwork: approx. 10.5 inches by 10.5 inches Lowell Nesbitt Biography: Lowell Blair Nesbitt, painter, printmaker, draughtsman, and sculptor, was born in Baltimore, Maryland on 4 October 1933. He studied at Tyler School of Art at Temple University in Philadelphia and at the Royal Academy of Arts in London. Nesbitt worked in abstraction until Robert Indiana suggested in the early 1960s that he explore realism in his paintings. As subjects for his work he favored studio interiors, articles of clothing, piles of shoes, his Rottweiler, the Neo-Classical facades of 19th century cast iron buildings, and Manhattan's bridges. He was also famous for his enormous paintings and prints of roses, lilies, irises, and other flowers. In 1980, the United States Post Office issued...
Category

1880s Realist New York City - Still-life Drawings and Watercolors

Materials

Graphite, Mixed Media

Illustration Framed on Canvas: 'Mr February'
Located in New York, NY
The murder of John Lennon. The birth of my children. Nixon’s resignation. Brain surgery. Driven by the desire to express myself, and leave a physical record of my life and times, I’v...
Category

1990s Contemporary New York City - Still-life Drawings and Watercolors

Materials

Wood, Canvas, Color Pencil

Illustration Framed on Canvas: 'Minute Maid'
Located in New York, NY
The murder of John Lennon. The birth of my children. Nixon’s resignation. Brain surgery. Driven by the desire to express myself, and leave a physical record of my life and times, I’v...
Category

1980s Contemporary New York City - Still-life Drawings and Watercolors

Materials

Canvas, Wood, Color Pencil, Mixed Media

Blue Hour
By Angela A'Court
Located in New York, NY
28.25 X 25.75 Inches framed This piece is featured in A’Court’’s 2024 solo exhibition at Susan Eley Fine Art titled, “Keeping Memories”. Artist Biography:...
Category

2010s Contemporary New York City - Still-life Drawings and Watercolors

Materials

Pastel, Paper

This Morning
By Angela A'Court
Located in New York, NY
34.5 X 35 Inches framed This piece is featured in A’Court’’s 2024 solo exhibition at Susan Eley Fine Art titled, “Keeping Memories”. Artist Biography: A...
Category

2010s Contemporary New York City - Still-life Drawings and Watercolors

Materials

Paper, Pastel

Illustration Framed on Canvas: 'Glass Menagerie'
Located in New York, NY
The murder of John Lennon. The birth of my children. Nixon’s resignation. Brain surgery. Driven by the desire to express myself, and leave a physical record of my life and times, I’v...
Category

1990s Contemporary New York City - Still-life Drawings and Watercolors

Materials

Canvas, Wood, Color Pencil

Untitled (Rose) Unique original signed graphite drawing from MOCA Detroit Framed
By Donald Baechler
Located in New York, NY
Donald Baechler Untitled (Rose), 2015 Original Graphite drawing on archival bond paper. Framed, with museum provenance Signed and dated in graphite pencil on the front Provenance: Do...
Category

2010s Pop Art New York City - Still-life Drawings and Watercolors

Materials

Graphite, Charcoal, Pencil

Eucalyptus Leaves/Bolinas (exhibited at the Denver Art Museum and U of T Museum)
By Joe Brainard
Located in New York, NY
Joe Brainard Eucalyptus Leaves/Bolinas, 1971 Collage on thin board (with original labels from Fischbach Gallery, The Denver Art Museum and University...
Category

1970s Modern New York City - Still-life Drawings and Watercolors

Materials

Mixed Media

Jeff Koons Original Signed & Inscribed Flower Drawing and Limited Edition Plate
By Jeff Koons
Located in New York, NY
Mixed Media Boxed Set includes original signed and inscribed drawing plus limited edition plate held in bespoke Bernardaud presentation plate Jeff Koons ...
Category

2010s Pop Art New York City - Still-life Drawings and Watercolors

Materials

Porcelain, Mixed Media, Permanent Marker

Unique signed flower drawing on Michael Jackson & Bubbles poster from SFMOMA
By Jeff Koons
Located in New York, NY
JEFF KOONS Original Flower drawing on Michael Jackson and Bubbles poster (Hand Signed), 1992 Drawing done in marker on offset lithograph 25 × 39 inches Hand signed and dated '92 in b...
Category

1990s Pop Art New York City - Still-life Drawings and Watercolors

Materials

Felt Pen, Permanent Marker, Offset

Untitled flower monotype
By James Nares
Located in New York, NY
James Nares Untitled flower monotype, 1988 Monotype on hand made paper Pencil signed and dated by James Nares on the lower right front Frame included: floated in the original wood fr...
Category

1980s Contemporary New York City - Still-life Drawings and Watercolors

Materials

Monotype, Handmade Paper

Unknown Flower (Sketch)
By Rachel Burgess
Located in New York, NY
Install images by Em Joseph Artist Statement Rachel Burgess makes autobiographical works on paper of landscapes and domestic scenes. Window-like in scale, her pieces combine elements of oil painting, folk art and commercial illustration, exploring our attempts to impose narratives on our lives. Attracted by the accessible, democratic nature of printmaking, she works primarily in monotype, straddling the divide between popular and elite forms of storytelling. “Deli Flowers My Husband Bought Me” is based on flowers that Burgess’ husband, an NYPD detective, has brought home over the years from their local corner deli. Through iconic renderings of these simple gifts, Burgess pays tribute to the things we take for granted – to the city, to its essential workers...
Category

2010s Pop Art New York City - Still-life Drawings and Watercolors

Materials

Paper, Color Pencil

Daisies VII (Sketch)
By Rachel Burgess
Located in New York, NY
Install images by Em Joseph Artist Statement Rachel Burgess makes autobiographical works on paper of landscapes and domestic scenes. Window-like in scale, her pieces combine elemen...
Category

2010s Pop Art New York City - Still-life Drawings and Watercolors

Materials

Paper, Color Pencil

Pink Carnations (Sketch)
By Rachel Burgess
Located in New York, NY
Install images by Em Joseph Artist Statement Rachel Burgess makes autobiographical works on paper of landscapes and domestic scenes. Window-like in scale, her pieces combine elemen...
Category

2010s Pop Art New York City - Still-life Drawings and Watercolors

Materials

Paper, Color Pencil

Lilies III (Sketch)
By Rachel Burgess
Located in New York, NY
Install images by Em Joseph Artist Statement Rachel Burgess makes autobiographical works on paper of landscapes and domestic scenes. Window-like in scale, her pieces combine elemen...
Category

2010s Pop Art New York City - Still-life Drawings and Watercolors

Materials

Paper, Wax Crayon

Yayoi's Guitar unique signed work on paper by internationally renowned sculptor
By Mark di Suvero
Located in New York, NY
Mark di Suvero Yayoi's Guitar, 1980 Ink wash drawing Signed and titled in red ink on the front Frame included (held in original vintage frame) Unique 1980 drawing by sculptor Mark di...
Category

1980s Abstract Expressionist New York City - Still-life Drawings and Watercolors

Materials

Ink, Watercolor, Permanent Marker, Mixed Media

Watercolor on Paper Painting, by Charles Burchfield, 1919
Located in New York, NY
Charles Burchfield 1893-1967 Trilliums and Rock Ledge, 1919 Gouache and watercolor on paper Provenance: The artist until at least 1963 Private collection, New York Private Collectio...
Category

1910s New York City - Still-life Drawings and Watercolors

Materials

Watercolor, Gouache

Lilies IV (Sketch)
By Rachel Burgess
Located in New York, NY
Install images by Em Joseph Artist Statement Rachel Burgess makes autobiographical works on paper of landscapes and domestic scenes. Window-like in scale, her pieces combine elemen...
Category

2010s Pop Art New York City - Still-life Drawings and Watercolors

Materials

Paper, Wax Crayon

Untitled (Wasserzeichnung / Water drawing)
Located in New York, NY
In her 1980s series of 'Wasserzeichnungen' (Water Drawings), Heidi Bucher used gestural marks in gouache on paper to create what can be described as "wate...
Category

1980s Contemporary New York City - Still-life Drawings and Watercolors

Materials

Paper, Gouache

Dandelions with Two Buds, 2023, black walnut ink botanical still life drawing
By Sandy Litchfield
Located in New York, NY
Margot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...
Category

2010s New York City - Still-life Drawings and Watercolors

Materials

Cotton, Walnut, Paper, Ink

Untitled (Wasserzeichnung / Water drawing)
Located in New York, NY
In her 1980s series of 'Wasserzeichnungen' (Water Drawings), Heidi Bucher used gestural marks in gouache on paper to create what can be described as "wate...
Category

1980s Contemporary New York City - Still-life Drawings and Watercolors

Materials

Paper, Gouache

Tower of Glamour fanciful still life hats mirror and colorful sunglasses
By Stephen Basso
Located in Brooklyn, NY
This pastel is part of an ongoing series referred to restless still life in which the artist embodies inanimate objects with a life of their own. It is signed and dated on the bottom...
Category

2010s Neo-Expressionist New York City - Still-life Drawings and Watercolors

Materials

Pastel, Archival Paper

The Cocktail
By Max Weber
Located in Greenwich, CT
Max Weber was a Russian-born Jewish-American painter best known for introducing Cubism to the United States. Weber’s abstracted depictions of interiors, landscapes, and portraits, we...
Category

1910s Abstract New York City - Still-life Drawings and Watercolors

Materials

Paper, Pastel

Clover 1, 2023, graphite on prepared panel, botanical still life drawing
By Margot Glass
Located in New York, NY
Margot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...
Category

2010s American Realist New York City - Still-life Drawings and Watercolors

Materials

Panel, Graphite

Clover 4, 2023, graphite on prepared panel, botanical still life drawing
By Margot Glass
Located in New York, NY
Margot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...
Category

2010s American Realist New York City - Still-life Drawings and Watercolors

Materials

Panel, Graphite

Clover 2, 2023, graphite on prepared panel, botanical still life drawing
By Margot Glass
Located in New York, NY
Margot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...
Category

2010s American Realist New York City - Still-life Drawings and Watercolors

Materials

Graphite, Panel

Clover 3, 2023, graphite on prepared panel, botanical still life drawing
By Margot Glass
Located in New York, NY
Margot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...
Category

2010s American Realist New York City - Still-life Drawings and Watercolors

Materials

Panel, Graphite

Clover 5, 2023, graphite on prepared panel, botanical still life drawing
By Margot Glass
Located in New York, NY
Margot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...
Category

2010s American Realist New York City - Still-life Drawings and Watercolors

Materials

Panel, Graphite

Wild Foxtail, 2023, graphite on prepared panel, botanical still life drawing
By Margot Glass
Located in New York, NY
Margot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...
Category

2010s American Realist New York City - Still-life Drawings and Watercolors

Materials

Panel, Graphite

Snapshot Series No. 2 (Iris), photorealist colored pencil still life drawing
By David Morrison
Located in New York, NY
David Morrison's freshly bloomed Magnolia and Iris drawings further his play with artifice and hyperrealism. Cream and rose-colored blossoms seem to jump boldly from their branches. ...
Category

2010s Photorealist New York City - Still-life Drawings and Watercolors

Materials

Paper, Color Pencil

Original Painting Published Fortune Mag Cover 1935 Jewels Jewelry Illustration
By Antonio Petruccelli
Located in New York, NY
Original Painting Published Fortune Mag Cover 1935 Jewels Jewelry Illustration Antonio Petruccelli (1907 – 1994) Fortune cover published, Decembe...
Category

1930s American Modern New York City - Still-life Drawings and Watercolors

Materials

Gouache, Board

Clippings: hardback monograph, hand signed with the artist's baseball drawing
By Jonas Wood
Located in New York, NY
Jonas Wood Original basketball drawing bound in monograph (Hand Signed Book), 2017 Original drawing. hand signed and dated. held in limited edition hardback monograph. Boldly signed ...
Category

2010s Pop Art New York City - Still-life Drawings and Watercolors

Materials

Mixed Media, Permanent Marker, Offset

Blanche Grambs, (Cooking Still Life: Bread, Olives, Potato, Mushrooms)
Located in New York, NY
In the 1950s and 60s Grambs worked on many commissions. This drawing was probably for a magazine, perhaps House and Garden or House Beautiful. It is signed and dated in pencil on the...
Category

Mid-20th Century American Modern New York City - Still-life Drawings and Watercolors

Materials

Ink, Pencil

Blanche Grambs, (Shell Fish: Lobster, Crab, and Shrimp)
Located in New York, NY
In the 1950s and 60s Grambs worked on many commissions. This ink drawing with a lobster, crab, and a shrimp, was probably for a cookbook; the sheet is cut in a free-form, modernist...
Category

Mid-20th Century American Modern New York City - Still-life Drawings and Watercolors

Materials

Ink

Blanche Grambs, (Study for a Souffle)
Located in New York, NY
In the 1950s and 60s Grambs worked on many commissions. The symmetrical nature of the drawing suggests it was for a book or magazine project with facing pages -- possibly a cookboo...
Category

Mid-20th Century American Modern New York City - Still-life Drawings and Watercolors

Materials

Ink

Blanche Grambs, (Lazy Susan)
Located in New York, NY
In the 1950s and 60s Grambs worked on many commissions. This was probably for a cookbook. The dimensions are for the drawing. The sheet is somewhat larger, 7 x 6 1/2 inches.
Category

Mid-20th Century American Modern New York City - Still-life Drawings and Watercolors

Materials

Ink

Blue Vase, Ink on Watercolor Paper, Original Work on Paper, Signed
Located in New york, NY
Inspired by Greek vases, Blue Vase, 2023 is an original (unique) work on 25" x 20" 260g watercolor paper signed by Israeli born woman artist Yifat Gat. Title, date, and signature on ...
Category

2010s Contemporary New York City - Still-life Drawings and Watercolors

Materials

Rag Paper, Ink

Sunflower Study
By Charles E. Burchfield
Located in New York, NY
Estate stamp lower right: C-139
Category

Early 20th Century American Modern New York City - Still-life Drawings and Watercolors

Materials

Paper, Pencil

Tall Vase, Ink on Watercolor Paper, Original Work on Paper, Signed
Located in New york, NY
Tall Vase, 2023 is an original (unique) work on 25" x 20" 260g watercolor paper signed by Israeli born woman artist Yifat Gat. Title, date, and signature on recto (front of work) - o...
Category

2010s Contemporary New York City - Still-life Drawings and Watercolors

Materials

Ink, Rag Paper

Two Bowls, Ink on Watercolor Paper, Original Work on Paper, Signed
Located in New york, NY
Inspired by chinoiserie, Two Bowls, 2023 is an original (unique) work on 25" x 20" 260g watercolor paper signed by Israeli born woman artist Yifat Gat. Title, date, and signature on ...
Category

2010s Contemporary New York City - Still-life Drawings and Watercolors

Materials

Ink, Rag Paper

Watch Gears, Ink Drawing
By Arman
Located in Long Island City, NY
Artist: Arman Title: Watch Gears Year: circa 1979 Medium: Ink on Paper Drawing, signed l.r. Paper Size: 25 x 19 inches Frame Size: 34 x 27.5 inches
Category

1970s Conceptual New York City - Still-life Drawings and Watercolors

Materials

Ink

Pomegranate, photorealist fruit still life drawing, colored pencil
By David Morrison
Located in New York, NY
David Morrison’s new series of drawings are regal in their naturalism. Morrison uses his extreme attention to detail to give equal weight to both the fruit's delicate features and si...
Category

2010s Photorealist New York City - Still-life Drawings and Watercolors

Materials

Paper, Color Pencil

SHRIVELING DAHLIAS, IN GLASS JAR, 10.19.16
Located in New York, NY
Colored Pencil on Museum Board Signed and Dated; Impressed with artist's stamp lower right
Category

2010s Expressionist New York City - Still-life Drawings and Watercolors

Materials

Board, Color Pencil

LITTLE WHITE CHRYSANTHEMUMS, IN GLASS JAR, 3.21.17
Located in New York, NY
Colored Pencil on Museum Board Signed and Dated; Impressed with artist's stamp lower right Archivally framed with black float mount and bleached maple surround.
Category

2010s Expressionist New York City - Still-life Drawings and Watercolors

Materials

Board, Color Pencil

Red Roses In Red Glass Beaker 12.29.08
Located in New York, NY
Colored Pencil on Museum Board Signed and Dated; Impressed with artist's stamp lower right Archivally framed with black float mount and bleached maple surround.
Category

Early 2000s Expressionist New York City - Still-life Drawings and Watercolors

Materials

Board, Color Pencil

Red Roses In Red Glass Beaker 4.19.09
Located in New York, NY
Colored Pencil on Museum Board Signed and Dated; Impressed with artist's stamp lower right Archivally framed with black float mount and bleached maple surround.
Category

Early 2000s Expressionist New York City - Still-life Drawings and Watercolors

Materials

Board, Color Pencil

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