New York City - Wall Decorations

Charming Art Deco Wire Haired Terrier Illustration from the 1930's. Wonderfully vibrant oil portrait of a wire haired terrier with immense personality. Possibly made as an illustrati...

Domenick Capobianco (American, b. 1928), Abstract Expressionist Composition, Oil on Canvas, apparently unsigned, "Studio Domenick Capobianco" stamps to verso, unframed. 41.25" H x 44...

Colorful still life oil on canvas by Raymond Guerrier. Signed: "Guerrier".

Miklos Mihalovits, Hungarian, 1888 to 1960, an oil painting on canvas, Portrait of an old Rabbi. Signed lower left. Framed. Miklos Mihalovits is known for Figure, genre paintings. Miklos Mihalovits was a Hungarian painter born in 1888. Miklos pursued his studies at the High School of Applied Arts and the Benczur Master School, in Budapest. He also took in study tours in Italy and Germany. Miklos Mihalovits art is characterized by bright colours and temperamental shaping, which can be seen in his paintings of study heads for biblical compositions and nude figures. His work was exhibited from 1912 on. Miklos also participated in collective exhibitions in Budapest from 1929 through 1930. He was one of the founders of the National Saloon. European Fine Art...

Sculpture made from Swarovski crystals and a found, car-flattened "Raptor Energy" can by Los Angeles-based artist Sam Keller. The backside is signed and features a D-ring anchor for ...

Give any room an angelic French flair with this framed vintage lithograph from the Musée National Marc Chagall in Nice, France. Featuring a closeup scene from his iconic 1961 Christi...

Charles Domsky always knew that art was the door to the depth of his self-expression. He won 2 scholarships to Philadelphia College of Art, where he graduated in 1959. The rigors of ...

Original hand-wrought Islamic ironwork from French North Africa serving as wall-mounted sculptures / decorative art panels. Sober, beautiful, timeless. 5 pieces. Priced and sold ...

Contemporary French plaster wall sculpture. Plaster applied to tissue forming abstract design. Newly framed in a natural wood frame.

1970's abstract oil painting on canvas, signed Mabel Swan. Please confirm item location (NY or NJ) with dealer.

Contemporary abstract black and white etching by English artist Oliver Gaiger. Named " Here We Are". Matted and framed in a black wood frame. Part of a large collection of black and ...

Great framed French 19th century watercolor of a Louis XIV chair covered in a red velvet fabric.

1968 Pop Art "The Marilyn Monroe Trip" #5 & 6 print by Bert Stern Bert Stern was the last man to photograph Marilyn Monroe. Stern made this image from one of the photographs of that ...

Each charger depicting a not-unwilling maiden being carried off by centaurs. Signed in Greek and Cyrillic by artist G. Landgraf. As stated in the Royal ...

Framed, color screen-print on silk scarf. Untitled. 138/150. Measures: 37" W x 36.5" H.

Late 16th century-early 17th century Flemish tapestry.

Charming modern tapestry designed and handwoven by Steve Chavez (b. 20th Century, American). Attributed, titled and dated to fabric tag verso: Steve Chavez/ "The Elements"/Ribbon Series/ copyright 1989 S. Chavez/Jan '89 Provenance: "New Mexico Tapestry...

Domenick Capobianco (American, born 1928) abstract pop art acrylic on canvas depicting a black circle on white ground surrounded by a rainbow, apparently unsigned, "Studio Domenick Capobianco" stamp to verso, unframed. 10" H x 10" W. Provenance: Property from the estate of the artist. Note: Domenick Capobianco (American, b. 1928) artist, is a graduate of Washington University at St. Louis and a Rutgers Fellow (1979) , and a Guggeheim Fellow (1984/85). Capobianco taught for many years on the faculty at Rutgers University, N.J. His work is in the collections of the Academie des Beaux-Arts, Ljubjana, Slovenia; the Sammlung Albertina, Vienna, Austria ; L’Instituto per la Culturea e L’Arte, Catania, Italy; The Kharkiv Museum, Kharkiv, Ukraine; Le Musee d’Art Contemporain, Skopje, Macedonia; The M.V. Nesterov Museum, Ufa, Russia; The Newark Public Library, Newark, NJ; The Robert Blackburn Collection, Library of Congress, Washington, DC; and the Weatherspoon Museum, Greensboro, N.C., among many others in Europe, Asia, and the U.S. Long a regular exhibitor at the famed 55 Mercer Gallery...

Oil on canvas "linens on line in the sun" signed Erik Sääf 1910 Sweden This painting represents a scene in nature where a pulled thread holds hanging laundry. This painting with poet...

Sculpture made from Swarovski crystals and a found, car-flattened “Natural Light” beer can by Los Angeles-based artist Sam Keller. The backside is signed and features a D-ring anchor...

Sculpture made from Swarovski crystals and a found, car-flattened “Budweiser Freedom” beer can by Los Angeles-based artist Sam Keller. The backside is signed...

American Art Deco Modernist Social Realism Paul Raphael Meltsner Portrait of a Youth Oil on canvas Circa 1940 DIMENSIONS CANVAS: 26 x 20 inches FRAMED: 30 .5 x 24.5 inches DETAIL...

One of a series of drawings Bernard Boutet de Monvel made circa 1922 while participating in the Croisière Citroën, an expedition comprising scientists and artists who traversed the S...

Japanese hand carved and painted wood mask of Tengu, the legendary Japanese folk religion creature. Traditionally depicted as a human-bird of prey hy...

Pair of giltwood wall bracket.

"19 K Sustaining," is a white, gray, pink, orange and green archival Fine Art print in a limited edition of 75 by Renée Rey. Each signed Archival Pigment numbered work is printed on ...

A romantic collection of dried, pressed Botanicals, well preserved with calligraphy and Latin description, describing each piece, place found and date. One may purchase as many as on...

- Title: Seasons - Set of 5 Aubusson tapestries - Beginning of 19th century - circa 1810-1820 - Wool and silk with wooden frames - Dimensions of each panel: 58 x 205 cm - Origin: A...

Rustic style taxidermy ram's head wall plaque

Sculpture made from Swarovski crystals and a found, car-flattened “Arizona Fruit Punch” can by Los Angeles-based artist Sam Keller. The backside is signed and features a D-ring ancho...

Title: Stump Speech, #8 Year: 2015 A to-scale rendering of the cross section of a tree discovered in Prospect Park, Brooklyn, this work is the newest ...

Algonquin captures the profound quiet of Canada’s oldest provincial park—a mist-laden landscape where shadow and form dissolve into pure atmosphere. This limited edition fine art pri...

Black and Tan Abstract Oil Painting by Joe Stefanelli (1921-2017) C. 1962 in a gold metal and wooden frame. Signed "J. Stefanelli" and dated on back.

English Victorian style (modern) birds eye maple and gilt trimmed framed oil painting of a fruit tree in porcelain jardiniere Sold AS IS. (See related ite...

Concert poster of Sun Ra on tour at Larry's Hideaway in Ontario, Canada, in September 1983.

DIMENSIONS: Height: 16.25 inches Width: 13.5 inches Depth: 2.25 inches Frame width: 2.5 inches ABOUT MODEL Encarnación López Júlvez, known as La Argentinita (Buenos Aires, March 3, 1898 – New York, September 24, 1945) was a Spanish-Argentine flamenco dancer (bailaora), choreographer and singer. La Argentinita was considered the highest expression of this art form during that time. López Júlvez was the daughter of Spanish immigrants in Argentina, where her father had a fabric business. While living there, two of her siblings died in a scarlet fever epidemic. Consequently, she was brought to the north coast of Spain in 1901, where she began to learn Spanish regional dances. When she was only four years old, she started learning flamenco from Julia Castelao. Her first public performance was at the age of eight at the Teatro-Circo de San Sebastián, in the Basque Country. She chose the name "La Argentinita" in deference to the famous flamenco dancer Antonia Mercé (La Argentina). After travelling throughout Spain as a child prodigy, she settled in Madrid to perform at Teatro La Latina, Teatro de la Comedia, Teatro de La Princesa, Teatro Apolo and Teatro Príncipe Alfonso. Her success led her to tour in Barcelona, Portugal and Paris, and then Latin America. In the early 1920s, she returned to Spain, where she worked in Madrid. Among her early performances was the 1920 premiere of Federico García Lorca's musical play El maleficio de la mariposa as "the Butterfly". She announced her retirement in 1926, but would quickly return to the show business as part of the artistic renewal that led her to the Generation of ‘27, in which she combined flamenco, tango, bulerías and boleros. She danced to the compositions of Manuel de Falla, Joaquín Turina, Isaac Albéniz, Enrique Granados and Maurice Ravel. She helped in the development of Ballet Español. Adapting pieces to popular tradition, she toured Europe, triumphing in Paris and Berlin and participating in the artistic movements of that time along with Spanish poets such as Rafael Alberti, Federico García Lorca, Edgar Neville and Ignacio Sanchez Mejias. Sánchez Mejías, an intellectual and bullfighter, was a married man and her lover. La Argentinita retired a second time to maintain her clandestine relationship with him. However, she would return to the stage with the aid of Sánchez Mejías, who participated in the search and employment of interpreters for her subsequent performances. In 1931, López Júlvez and García Lorca recorded five gramophone slate records, which were accompanied by García Lorca's piano. The selection of songs was prepared, adapted and titled Colección de Canciones Populares Españolas by García Lorca. Among the ten songs were "Los cuatro muleros", "Zorongo gitano", "Anda Jaleo" and "En el Café de Chinitas". With the beginning of the Second Spanish Republic, López Júlvez formed her own ballet company called Bailes Españoles de la Argentinita together with her sister, Pilar López Júlvez, and García Lorca. López Júlvez staged several flamenco theatrical shows, including an adaption of Falla's El amor brujo (Love, the Magician) in 1933, and Las Calles de Cádiz (The Streets of Cadiz) in 1933 and 1940.[7] She travelled through Spain and Paris, where she was recognized as one of the most important flamenco artists of her time. Her company included the flamenco figures Juana la Macarrona, La Malena, Fernanda Antúnez, Rafael Ortega and Antonio de Triana, who was her first dancing partner until the 1940s. At the end of her tour around Spain, her lover Sánchez Mejías was gored to death in 1934 in the Manzanares bullring. She sought refuge in her work and moved to Buenos Aires to dance at the Teatro Colón; from there she embarked on a long American tour. In 1936 she achieved success in New York. Afterwards, she returned to Spain but was forced to flee the country shortly before the outbreak of the Spanish Civil War. She travelled through Morocco, France, the UK, the Netherlands, Belgium and the USA, where she remained in exile in New York. From then until her death in 1945, she developed her career and became one of the biggest stars of international dance, and even participated in movies. In 1943, she presented the flamenco troupe El Café de Chinitas at the Metropolitan Opera House in New York, with her own choreography, texts by García Lorca, scenery by Salvador Dalí and the orchestra directed by José Iturbi. In addition, she performed at the Washington DC Watergate complex with her sister. On May 28, 1945, she gave her last performance at the Metropolitan of the orchestral work El Capricho Español, composed in 1887 by Nikolai Rimsky-Korsakov and based on Spanish melodies. At the end of the event, she had to be admitted to a hospital, where she died on September 24 from a tumor in her abdomen. She did not want to have it operated on because she did not wish to abandon dancing. Her body was repatriated to Spain in December and buried in the Spanish capital. That same year, the company of Bailes Españoles de la Argentinita was dissolved. Among the honors she received after her death was a plaque consecrated at the Metropolitan Opera House, positioned among the medals of Alfonso X El Sabio and La Orden de Isabel la Católica to honor her merits in the field of culture. ABOUT ARTIST Emmanuel Fougerat (French, 1869 – 1958) was a renowned French painter, museum curator and art historian. A former student of the Regional School of Fine Arts in Rennes, Fougerat studied in the studio of Albert Maignan and that of Jean-Paul Laurens in Paris. He was appointed director of the Nantes School of Fine Arts and was also the founder and curator of the Museum of Fine Arts in the same city. Emmanuel Fougerat was named Chevalier of the Legion of Honor in 1912. In 1923, he was placed on temporary leave from the French State in order to carry out a mandate as director of fine arts education in the Province of Quebec, Canada; where he served as an art teacher and director of the École des beaux-arts de Montréal from 1923 to 1925. Emmanuel Fougerat’s paintings are in the following public collections: • Nantes Museum of Fine Arts, France. • Museum of Modern Art in Paris, France. • Rennes Town Hall: permanent decorations. • Museum of Fine Arts of Saint-Nazaire (destroyed in 1944), France • National Museum of Fine Arts of Quebec, Canada. Emmanuel Fougerat is also the author of works on several French painters, including Albert Besnard, Paul Baudry...

Executed with a Degas-like sight-line and with a clear influence of the Japanese woodblock prints that so fascinated him, Henri de Toulouse-Lautrec created this incredible lithograph, composed of deep contrasts at the behest of the performer whose name appears on the print, "May Milton...

Norwegian wall hanging Norway, circa 1920. Possibly designed by Frida Hansen. Polychrome composition with floral motif.

A set of five original antique etchings depicting horses by Antonio Tempesta, Italian, 1555 to 1630. Engraved circa 1590. Antonio Tempesta, also called il Tempestino, was an Italian ...

Contemporary Belgian artist Diane Petry creates her own three layer canvas using pima cotton, gauze and fine paper. Raw edges and applied threads add texture and dimension. All artwo...

Swedish wall hanging Sweden, circa 1960 Signed: GYNNING PF (Lars Gynning, Pinton Frères).

-The Great Water Fall (La Grande Cascade) by René Perrot -Polychrome wool -150 x 810 cm ; 5 x 27 ft -circa 1950 for Atelier Pinton -The label on the back i...

Midcentury, Folk Art, double sided, painted wood "Doll Furniture" sign with jagged edges.

Keith Haring AIDS Dance-A-Thon New York, NY 1990: Rare early 1990s Keith Haring foundation sponsored event poster - published on the occasion of AIDS Dance-A-Thon shortly after Hari...

Japanese Edo Period Ko-jo Mask of an Old Man, ca. 1820 Edo Period (1603-1868) DIMENSIONS: Length: 15” (with beard) Length: 8” (without beard) Height: 4” Width: 5.5” ABOUT A Japanese Edo Period (1603-1868) Ko-jo Mask of an Old Man refers to a traditional theatrical or ceremonial mask crafted during Japan’s Edo period (1603–1868). Here's a breakdown of what this object typically represents and why it's significant: The term "Ko-jo" (or Kojo) roughly translates to "old man" or "aged person" in Japanese. A Ko-jo mask often portrays the face of an elderly man, typically with exaggerated age features: deep wrinkles, sagging skin, a long nose, bushy eyebrows, and sometimes a beard. These masks are usually used in Noh, Kyogen, or folk performances, and occasionally in Shinto rituals. In Noh theater, masks are used to express character types, moods, and spiritual roles. The Ko-jo mask might represent a wise elder, a spirit of age and wisdom, or even a deity. In Kyogen, which is the comedic counterpart to Noh, old-man masks are used more playfully, often satirizing elderly characters in lighthearted scenes. The Ko-jo mask may also symbolize ancestral reverence or longevity, tying it to folk beliefs and ritual performances. Edo period masks...

Elfi Schuselka (Austrian, born 1940) "Fall" contemporary abstract oil on canvas in the manner of Cy Twombly (American, 1928-2011), signed to verso, unfr...

Kiko Lopez is one of the few artisans working today in the traditional craft of églomisé. With this beautiful well of glass, which changes dramatically from whichever perspective one...

Pair of framed Wedgwood circular plaques, circa 1875. Marked 'Wedgwood' on the verso.

Alain Le Yaouanc, a visionary artist renowned for his innovative approach to composition, skillfully crafts a mesmerizing collage that seamlessly combines parquet panels and an array...

Cubist Painting by Hungarian Painter, Koroly Glonczy. Oil on cardboard. References: Modern and contemporary art. European 20th century, Mid-Century Modern.

Midcentury French abstract painting in thin vintage black wood frame. Multi colors include shades of yellow and gold, shades of blue, red, white and...

JudScott New York hand-printed ultramarine blue, yellow striped wallpaper, 1970s. Judscott was a small high-end paper and textile company based in Ne...

Contemporary Belgian artist Diane Petry creates her own three layer canvas using pima cotton, gauze and fine paper. Raw edges and applied threads add texture and dimension. All artwo...

Vintage cast iron wall art featuring a variety of symbols and shapes. This art would make a great addition to any home. Please confirm it...

Domenick Capobianco (American, born 1928) colorful abstract oil on canvas, apparently unsigned, "Studio Domenick Capobianco" stamp to side, unframed. 16" H x 22" W. Provenance: Property from the estate of the artist. Note: Domenick Capobianco (American, b. 1928) artist, is a graduate of Washington University at St. Louis and a Rutgers Fellow (1979) , and a Guggeheim Fellow (1984/85). Capobianco taught for many years on the faculty at Rutgers University, N.J. His work is in the collections of the Academie des Beaux-Arts, Ljubjana, Slovenia; the Sammlung Albertina, Vienna, Austria ; L’Instituto per la Culturea e L’Arte, Catania, Italy; The Kharkiv Museum, Kharkiv, Ukraine; Le Musee d’Art Contemporain, Skopje, Macedonia; The M.V. Nesterov Museum, Ufa, Russia; The Newark Public Library, Newark, NJ; The Robert Blackburn Collection, Library of Congress, Washington, DC; and the Weatherspoon Museum, Greensboro, N.C., among many others in Europe, Asia, and the U.S. Long a regular exhibitor at the famed 55 Mercer Gallery, Capobianco is well-known in New York art circles together with his wife, the artist Elfi...

Beautiful modern oil on canvas Peruvian modern 1980's artwork in vintage original condition with minor wear and patina due to age and use. Artwork without...

Large scale 17 inch by 14 inch 19th century Grand Tour photography album comprised of 92 photographs which include a number of rare images, many of which are signed. 53 photographs...

Portrait of a woman painted in oil on canvas from the impressionist period. This pictorial movement appeared in 1860 in opposition to academic art and aimed at representing the ephem...

Pair of gilded Italian Rococo-style wall brackets (ca. 1950). Deeply carved in high relief with rocaille c scroll accents and acanthus leaf decoration supporting shallow shelf surfac...

Mid-Century Modern oil painting of trees signed by artist Wegener. Please confirm the item location (NY or NJ).