New York City - Drawings

Anonymous, Drawing of Stretching Man, French, c. 1930 ink, graphite H: 16.6 by 13 by 2.75 in. Original Frame

WHAT ARE LITTLE GIRLS MADE OF ? Dan Ouellete THE ORIGINAL Sci-Fantasy This is an original drawing by the artist. Truly a one of a kind drawing. Size of the frame is 31 inches hig...

ORIGINAL ALLEN WILLIAMS DRAWING THE GOOD DOG Original pencil on paper art work Size 16 wide by 20 tall Allen Williams is an award winning illustrator, concept designer and fine artist. From a young age a pencil and paper were an escape and a refuge for Allen. Now nationally and internationally known, for over 28 years Allen has applied his talents to everything from illustration for gaming companies and book covers, to concept work for major motion pictures and television. His vision for such projects ranges from illustration to concept work and creature and character designs. His first book, both illustrated and authored by Allen, is titled “The Witches’ Kitchen” and was published by Little Brown Books in 2010 with a German edition released in 2014. His most recent book illustration project is with Guillermo del Toro and Cornelia Funke on Pan’s Labyrinth...

ORIGINAL acrylic On Board Illustrator SIMON BISLEY ART Jesus Christ A first appearance of a rare subject in Mr.Bisley’s oeuvre. Jesus in agony… no ...

Lombard School ink figural study of the Three Graces inscribed "Le Parmesan," and "Ecole Lombard." Pen and brown ink. Girolamo Francesco Maria Mazzola, Il Parmigianino (1503-1540.) P...

Graphite drawing by the American artist David Roth. This painting is numbered #33 and was created by the artist on masonite in 2000. Singed on verso. The artist created this piece w...

Set of three architectural furniture drawings by the Sweedish arquitect Carl G. Bergsten. Circa 1930. Pencil on paper. Dimenssions: WITH FRAME Motto Gesundheit: W 31.5" x H 23.75" ...

Richard Diebenkorn (American, 1922-1993) "Tri-Color" drypoint etching in colors, numbered in pencil edition 16/35 lower left, pencil signed and dated lower right, housed under Plexig...

Rare Yves Saint Laurent Original Pencil Croquis from the 1960's. Gifted to an American business partner who help to launch YSL Rive Gauche ...

A fantastic gouache on paper from 2008 by Michael Glier, a recipient of a National Endowment Fellowship in drawing and a Guggenheim Fellowship in painting. The drawing "Wall Street,...

Walter Henry Williams Sunflowers at Sunset woodcut, signed, numbered, 1959, USA. Walter Henry Williams, Sunflowers, 1959 woodcut in colors on thi...

Monica Perez "Yes" Original Charcoal on Canvas, 2023. W 80" x H 48" Monica Perez’s works are expressions of emotion—impulsive, spontaneous gestures of h...

Original watercolor opera costume design by Charles Betout, the principal costume designer for the Comédie-Française in Paris from 1919 til his death in 1939. Betout was renowned for...

Original watercolor opera costume design by Charles Betout, the principal costume designer for the Comédie-Française in Paris from 1919 til his death in 1939. Betout was renowned for...

Original watercolor opera costume design by Charles Betout, the principal costume designer for the Comédie-Française in Paris from 1919 til his death in 1939. Betout was renowned for...

Original watercolor opera costume design by Charles Betout, the principal costume designer for the Comédie-Française in Paris from 1919 til his death in 1939. Betout was renowned for...

19th century French hand-colored engraving after Grandville, titled and numbered LXIV. L'innocence en danger, signed in engraving FJ. Grandville. One other engraving available in sim...

Original watercolor opera costume design by Charles Betout, the principal costume designer for the Comédie-Française in Paris from 1919 til his death in 1939. Betout was renowned for...

19th century French hand-colored engraving after Grandville, titled and numbered LVII. Un enlevement, ou un ruse compere, signed in engraving FJ. Grandville. One other engravinge av...

Ash wood frame, glass, charcoal on paper. Charcoal study of sculpture.

Abstract charcoal sketch on paper. Created by combining different charcoal textures and strokes this sketch create a dramatic image of a nude ...

Contemporary abstract black and white etching by English artist Oliver Gaiger. Matted and framed in a charcoal grey wood frame. Part of a large collection of black and white etchings...

Contemporary abstract black and white etching by English artist Oliver Gaiger. Matted and framed in a black wood frame. Part of a large collection of black and white etchings by th...

White Bunny Drawing by Oleg Cassini for Playboy October 1979, Signed. Illustration of a woman wearing a white body suit, choker, and hat. Signed by Oleg Cassini. Notice the body suit is in the shape of the head of a bunny with clever use of the 'whiskers'. Approximate Measurements: Length: 11" Width: 14" Property from the Collection of Steven Rosengard, Chicago, Illinois This original drawing was commissioned by Playboy and included in the October 1979 issue of Playboy Magazine (pages 225-227) in a feature that included works from designers such as Bill Blass, Oleg Cassini, Edith Head, Fernando Sanchez, and Monika Tilley, among others, who create their versions of the Playboy bunny costume. Candace Collins can be seen modeling some of the designs in the feature. Oleg Cassini is an icon of twentieth-century fashion. Though born to Russian aristocracy and raised in Italy, he built a fashion empire that was unmistakably American. Cassini is perhaps best known for the hundreds of designs he created for First Lady Jacqueline Kennedy (see images 4-8), but his achievements as a collector, connoisseur, and quintessential twentieth-century man go far beyond Camelot. In 1913, Oleg Cassini was born in Paris to the Russian diplomat Count Alexander Loiewski and Countess Marguerite Cassini, a Russian aristocrat of Italian ancestry who also had an interesting link to America. The daughter of Count Arthur Cassini, Russian Ambassador to the United States during the McKinley and Roosevelt administrations, Marguerite dazzled turn-of-the-century Washington as her father’s official hostess and left her mark on the capital city. Stationed in Denmark when the Russian Revolution toppled the czar, Ambassador Cassini and family were exiled to Switzerland before settling in Florence, Italy, where young Oleg was raised. A true Renaissance man, he spoke Russian, French, and Danish before adding Italian and English; he studied medieval and modern European military history and costume and learned to draw; he learned horseback riding, fencing, and the art of chivalry; and, most importantly, he came to understand the struggles of the Russian titled class and other European aristocrats in the wake of the Russian Revolution and World War I. Countess Cassini started a successful fashion business in Florence, and soon the talented young Oleg was sent to Paris to sketch the latest collections for recreation in Italy. In Rome in his early 20s, Cassini created fashions for high society women and designed for a few films, which planted the seed for his move to Hollywood. The drive to reinvent himself brought Cassini to America in the 1930s; in his autobiography he describes arriving nearly penniless in mid-Depression New York City where his title as an exiled Russian Count meant even less than in war-devastated Europe. Down and out, Cassini struggled for employment, having sketching skills but no knowledge of the wholesale trade required for survival in Manhattan’s Seventh Avenue fashion district. However, he excelled at making connections, and Cassini slowly entered New York society. He was soon joined by younger brother Igor (who had studied in America and travelled with the young Emilio Pucci) and his parents, the once-dazzling Countess and his father, the displaced diplomat still loyal to Russia. The family settled in Washington, D.C., and Igor worked his way up the Hearst newspaper chain to become the famous society columnist Cholly Knickerbocker. In New York, Oleg Cassini married the troubled socialite Merry Fahrney (who would go on to marry eight times), but the marriage ended in scandal for Oleg, and he decided to follow his original intention and head for Hollywood. Despite initial difficulties, Cassini gained access to Hollywood’s elite (partially through his skills on the tennis court), and was soon hired as a designer at Paramount Pictures alongside the redoubtable Edith Head. In her 1941 film debut I Wanted Wings, Veronica Lake wore a memorable Cassini design. That same year, Cassini met and married the newest young Hollywood star on the scene, the beautiful 20th Century Fox–talent Gene Tierney. With the outbreak of World War II, Cassini enlisted in the Coast Guard but was transferred to the U.S. Army Cavalry which allowed officers of foreign birth. He attended basic training at Fort Riley, Kansas, and the horsemanship he learned as a boy served him greatly. He attended Officer Candidate School and reached the rank of First Lieutenant (he also became an American citizen at this time, losing his title of Count). Cassini spent several years posted at Fort Riley, where Tierney joined him before he landed a convenient military post in Hollywood. As Tierney’s career thrived (she played the title role in Otto Preminger’s Laura in 1944), she was able to assert her influence over 20th Century Fox’s head Daryl Zanuck, who hired Cassini as designer for Tierney on her 1946 film The Razor’s Edge, which proved to be a brilliant showcase for his talents. The pair separated the same year and, again seeking reinvention, Cassini re-established himself in New York City as a fashion designer. By 1950, the Oleg Cassini label was born. Combining his knowledge of Old World and modern Europe, Hollywood, the tennis courts of Palm Beach and Newport, and of course, New York City, Oleg Cassini invented a new brand of fashion that was distinctly American and of its moment. For his first collection, Cassini took to the stage, narrating the looks and imbuing the scene with his personality, unusual in an industry where the designers typically remained backstage and the models were called by number over a PA. The first collection was a smash — the president of Lord & Taylor devoted all of their storefront windows to his designs — and by 1955 sales had reached $5,000,000. Oleg Cassini’s career had turned a very positive corner. Cassini spent the early 1950s traversing the country, personally selling his collections to department stores in the interior, something his predecessors had never done, and moving between the Hollywood and New York scenes. Cassini’s brother Igor coined the term “the Jet Set” for this generation that constantly flew from New York to Los Angeles (then a ten-hour flight), Las Vegas, Paris, Rome, and the Riviera. In 1954, Cassini set out to woo Grace Kelly and sent her roses every day. The two were briefly engaged before her marriage to Prince Rainier of Monaco. In December 1960, Cassini’s career-defining opportunity came when he was chosen by Jacqueline Kennedy to design her fashions for the White House. Cassini had long known Joe Kennedy and his war-hero son John, and had first met Jacqueline Bouvier before her marriage in the early 1950s. Invited by President-Elect Kennedy to meet Jacqueline at Georgetown Hospital (she had just given birth to son John Jr.) to present to her drawings of potential dresses and First Lady looks, Cassini worked furiously to prepare a new line for the First Lady. Mrs. Kennedy had always had her clothes made by the top French couturiers of the day, but for the White House she wanted an American designer. Cassini wrote in his autobiography that he told the First Lady: “‘You have an opportunity here,’ I said, ‘for an American Versailles.’ She understood completely what I was trying to communicate; she began to talk excitedly about the need to create an entirely new atmosphere at the White House. She wanted it to become the social and intellectual capital of the nation” (Oleg Cassini, In My Own Fashion, 1987, p. 327). Mrs. Kennedy loved Cassini’s design for a gown to wear to the Inaugural Gala (she had already ordered a dress from Bergdorf’s for the Inaugural Ball), and Cassini was selected as the First Lady’s designer and was soon dubbed the “Secretary of Style.” From 1960 to 1963, Oleg Cassini would design over 300 items for Mrs. Kennedy, creating the “Jackie Look” that contributed not only to a fashion revolution but also the dawn of a new age. Cassini wrote that “Jackie played a very active role in the selection of her clothes. She loved brilliant colors — pistachio, hot pink, yellow, and white among others. Her sense of style was very precise; she would make editorial comments on the sketches I sent her. She always knew exactly what she wanted; her taste was excellent” (Oleg Cassini, In My Own Fashion, 1987, p. 334). After the Camelot years, Cassini’s business flourished and grew into a major industry; his name appeared on everything from couture to tennis-, sport-, and swimwear, car interiors, housewares, and perfume. He collected beautiful and rare artwork, arms and armor, and antique furniture, and lived the lifestyle projected by his image. From this period onward, Cassini also came to live in important homes. Of his Gothic Gramercy Park townhouse on Manhattan’s 19th Street he would write imaginatively, “I walked into the foyer and immediately fell in love. It was a place unlike any other in New York, a sixteenth-century Dutch house transported brick by brick from Europe by the Wells Fargo family in the early twentieth century. There was a vaulted, twenty-foot ceiling in the living room, leaded windows, elegantly carved wood paneling...

Seventeen Lithographs for Frank O'Hara, New York, Limited Editions Club, 1988 the complete set of 17 signed and numbered lithographs in colors by Willem De Kooning, title page, and justification, on Chine appliqué, numbered 51 of 60 (there were also 12 with opposite facing text, and 550 bound copies with the lithographs appliquéd to the text pages), all with full margins and beautifully framed. Comes with original black cloth-covered portfolio with black leather label and gilt stamped title (very minor wear) and original purchase paperwork from Baby Jane...

Abstraction with India ink on paper by Nell Blaine.

Thirties female portrait. Chalk drawing in original silver gilt carved frame “Muriel 1930 by Charles to Elizabeth" United States, 1930. Dimensions in...

Mid-century artwork by Italian artist August Mosca. "Two Sleeping Girls" in silver point and ink with wood frame. Please confirm location.

Serpent & Galleon, Ink on Paper, in an 18th Century GiltWood Frame.

Early 20th Century French lithograph signed E(arnest) Montaut. Printed using the pochoir process style of printing where ink is applied through precut stencils. The scene depicts both a Zeppelin and an early car. The team of Gamy and Earnest Montaut were well known for specializing in turn of the century motorized transportation such as airplanes, zeppelins and various motor vehicles...

French lithograph printed using the unique pochoir process. Bottom signed E. (Earnest) Montaut. Entitled in French "Latham sur monoplan Antoinette" which in English roughly means "La...

Walter Henry Williams Sunflowers at Sunset woodcut, signed, numbered, 1959, USA. Walter Henry Williams, Sunflowers, 1959 woodcut in colors on thi...

Ivan Alexandrovich Gerassimoff, 1885-1954, was active in the 30s in Shanghai and Harbin, moving to Tashkent after WWII. His style was strongly influenced by Alexander Yakovlev, a not...

Jorge Fick (American, 1932-2004), Small Rain, mixed media on paper, pencil signed "J. Fick" lower right, 27" x 19.5" (sight). Jorge Fick rose to the top of the 2nd Generation Abstract Expressionist after studying at Black Mountain College...

Etching by Manolo Valdes, depicting a naked silhouette of a woman covered by a black blanket. Manolo Valdes is one of few artists today who has successfu...

Justin Maurice O'Brien (Australian, 1917-1996) figure study sketch ink on paper drawing depicting a nude man, signed pencil signed upper right, housed u...

This 1964 drawing by Earl Hubbard (1923-2003) portrays his mother in a simplified form and black-and-white palette. The work is mixed-media on paper. It c...

This drawing by Earl Hubbard (1923-2003) was made in 1961. It depicts a woman in a stark, simplified form, almost a complete silhouette. The work is mixed...

Framed original, one-of-a-kind mixed media collage work on paper by Contemporary Black artist Ilana Harris-Babou. Additional Information: This cheeky, colorful and contemporary mixed media collage is composed from images of seating Harris-Babou culled from interior design magazines and catalogues. The artist implements gouache paint, graphite pencil and bright pigments to create these bold statement pieces. This piece is one of a series of five unique works that can be sold in a group, and each is matted and framed in a white wood frame. In the artist's own words, "I'm interested in the traces our bodies leave behind. Recently, I was sitting on a subway seat...

This drawing by Earl Hubbard (1923-2003) was made in 1964. It depicts the artist's father in simplified form and palette. The work is mixed-media on paper...

Beautifully framed original abstract drawing, Untitled, 1997, pencil on paper, 30" x 22" sheet, by Martin Kline, signed and dated in lower left. Martin Kline’s (b. 1961) work ref...

Charles Betout was the principal costume designer for the Comedie-Francaise in Paris for twenty years until his death in 1939. This is costume was designed for the 1926 production of...

Framed original, one-of-a-kind mixed media collage work on paper by Contemporary Black artist Ilana Harris-Babou. Additional Information: This cheeky, colorful and contemporary mixed media collage is composed from images of seating Harris-Babou culled from interior design magazines and catalogues. The artist implements gouache paint, graphite pencil and bright pigments to create these bold statement pieces. This piece is one of a series of five unique works that can be sold in a group, and each is matted and framed in a white wood frame. In the artist's own words, "I'm interested in the traces our bodies leave behind. Recently, I was sitting on a subway seat...

Beautifully framed original artwork, Untitled, ink and gouache on paper, 7" x 10" sheet, by Martin Kline, American 1993 signed and dated on lower corner. Martin Kline’s (b. 1961) ...

This Mughal miniature was painted at one of the princely courts of India. It depicts a raven-haired princess in a gold-trimmed saffron-colored silk sari. Under a glowering evening sky she dawdles on a white marble terrace, with a pet fawn on a leash, before a landscape dotted with buildings nestled amongst trees beyond a river. Her hair, falling loosely about her shoulders, rather than carefully dressed on her head, indicates that she is a maiden. The overall mood is one of expectancy. Perhaps walking a pet and catching an evening breeze is a pretext to escape palace scrutiny for a lovers’ assignation. In Mughal India tender sentiments were a bridge to the erotic – and if this seems contradictory, so too is the balance of realism and caricature, and naturalism with the schematic. Both are hallmarks of miniatures painted in this place and time. The earliest Mughal Indian miniatures date to the 16th century. They were inspired by those painted at the refined Moslem courts of the neighboring Persian empire. They incorporated figures in spite of the Moslem faith’s proscription against depicting the human form. Such was the nature of sophisticated courtly life everywhere that beauty and pleasure trumped systems of morality. This was no less the case at the provincial Indian courts, where our miniature, marked by a charming pictorial naiveté, was most likely painted. Yet the artist was undeniably accomplished. His command of perspective, introduced by Jesuit missionaries in the 17th century, is seen in the landscape, which rolls back to a distant horizon, contrary to the flat two-dimensional ones following Indian-painting traditions. And if Mughal artists were influenced by Western art, the compliment was returned by Rembrandt and Sir Joshua Reynolds, among others, who collected Indian miniatures (as did, perhaps, Giovanni Bellini who painted in Mughal style the famous miniature of a Persian man...

Dated mid-20th century industrial hand drawing by designer Luciano Mattioli. Highly collectible vintage Italian Product Design for a desk light project, realized without a ruler, in ...

Eugene Berman (1899–1972) An untitled stage design, ink and wash on paper. French, circa 1950. Signed lower right: EB.

Confident and masterful, this drawing of a male nude leaning back into a chair, fast asleep, with his arms thrown in every direction, was made by Allyn Cox, probably as a study for one of his murals. Cox spent 20 years painting and restoring murals at the US Capitol in Washington, D.C. starting in 1952; among his accomplishments was painting the Frieze of American history and restoring the apotheosis of Washington in the Rotunda. He also designed murals for three first-floor corridors in the House wing, now called the Cox Corridors. Here he uses pencil on paper to demonstrate his mastery of the human figure. He was the son of Kenyon Cox...

Original charcoal drawing by American artist David Dew Bruner in 2012 A study of two water lilies Inspired by the artist Graham Sutherland This is one of many pieces from a large body of works Vintage weathered grey...

Midcentury abstract expressionist ink drawing on paper by Salvatore Grippi, 1953. Measures: 9.5" x 12". This ink wash figurative abstract Expressionist piece on paper is signed by it...

Contemporary original graphite drawing by American artist David Dew Bruner. Multi circle design graphite on paper. The artist was Inspired by the artist Graham Sutherland. This is...

Contemporary blue and gray cartoon of a man in the jungle crouched down firing a gun with text in the lower left corner reading "East of West"in white matting and a black rectangular...

Blue chalk Modernist drawing. Blue chalk on paper drawing in lucite box frame. United States, 1970’s. Dimensions in lucite frame: 24" H x 18" W x 1....

Burton Stanley Hasen (New York City, 1921 - 2007) abstract expressionist mixed media (watercolor and ink) on paper. A New York native, Hasen relocated to Paris to study art at the Ac...

Dated mid-20th century industrial hand drawing, highly collectible Italian modern Product Design for a lacquer red desk light project, realized without a ruler in pastels and gouache...

Dated mid-20th century industrial hand drawing, highly collectible Italian modern Product Design for a lacquer yellow desk light project, realized without ruler in pastels and gouach...

During her first years in New York Blaine's work, which had previously been tightly realist, turned abstract, inspired by Mondrian, Leger and Jean Helion. At one time she was the you...

Abstract expressionist still life drawing on paper by Salvatore Grippi, 1960s. Gorgeous colored graphite still-life on paper. Signed and dated. From artist’s estate.