Tri-State Area - Wall Decorations

Oil on wood depicting Amiral Horatio Nelson, 1st Viscount Nelson, Duke of Bronte, born September 29, 1758 at Burnham Thorpe and died October 21, 1805 off Cape Trafalgar, is a British...

Contemporary Belgian artist Diane Petry creates her own three layer canvas using pima cotton, gauze and fine paper. Raw edges and applied threads add texture and dimension. All artwo...

David Bromley immigrated with his family as a child to Australia where he still lives. Self-taught, he began his artistic career as a potter, and then, with a focus on painting, became known for his storybook images of his imagined British childhood. These images are the frequent subjects of his large oils on canvas, small embroideries and gorgeous silk screen prints with children playing, skipping, sleeping or at the seaside in boats, as if from the pages of Dick and Jane books...

A pair of hand-painted linoleum floor tiles with 1950's cowboy and Indian motifs. Measures: Cowboy is 12.5" W x 16.5" H Indian 12.75" W x 11" H.

Étienne Pottier is drawn to the surprising, unpredictable character of ceramics, and his works are, perhaps by consequence, fantastical. The universe he creates is one of legends and...

Double ceiling element (Model 'Metropole') by Jean Prouve for The Metropole House. Jean Prouve built two of these houses, one in Vantoux in Moselle and the other in Bouqueval, near P...

An early 20th century Antique Persian Senneh Rug Details rug no. 9931 size 3'6" x 4' 10" Antique Senneh rugs are one of the most distinctive of all Persian rugs, even though the d...

Set of 4 Asian Chinese style (20th Century) black lacquer screen panels depicting geishas, intaglio etched with painting (PRICED AS SET).

One of several spectacular groupings of engravings fresh from a Bronxville Mansion. Ten Copperplate engravings by Benjamin Maund (British) in the finest...

An antique 18th century Indian miniature depicting the Indian Mughal princess Nadira Banu Begum, who lived from 1618 to 1659. On the back, on the frame, there is an inscription: Nadira crosses the desert of Rajasthan. This lightful image belongs to the Rajput school, 16th to 19th centuries, spread in Central India and Rajasthan on the territory of the Rajput principalities. Its main centers are Bundi, Mewar, Marwar, Malwa, Kishangarh. Antique Indian Miniature, Illustration, Vintage Oriental Art...

Botanical hand-colored engraving after original oil on canvas by botanist Basilius Besler (German, 1561-1626), "Fructus Artischochi", pl. 25 from "Hortus Eystettensis...

"Buddha's Breakfast," is a large abstract, contemporary oil on canvas by Kathi Robinson Frank with the addition of oil stick, charcoal, graphite and ink. The artist drew inspiration ...

Title: Stump Speech, #4 Year: 2013 A to-scale rendering of the cross section of a tree discovered in Prospect Park, Brooklyn, comprising hundreds of c...

Bring home a fantastic example of the legendary work of American pop-art icon Larry Rivers (1923-2002). Considered by many historians to be the "godfather" of pop art, this limited v...

Contemporary abstract black and white etching by English artist Oliver Gaiger. Named " Here We Are". Matted and framed in a black wood frame. Part of a large collection of black and ...

Stunning, stylized paintings of musicians on glazed plaster panels. Painted in shades of green, yellow, and orange. Each panel has a hole at the...

Diverse sea creatures from the Loch Ness traverse a mysterious lagoon, popping out against the rippling water. Samples are available for $18 including US shipping, please message us...

1968 Pop Art "The Marilyn Monroe Trip" #5 & 6 print by Bert Stern Bert Stern was the last man to photograph Marilyn Monroe. Stern made this image from one of the photographs of that ...

An ebony wood framed cement painting by artist Jama. Signed by artist and dated 1966. Measures: Width 29.75cm length 19.75 cm depth 2.22 cm.

A still life artwork painting of flowers and fruit, circa mid-20th century, USA. Painting is framed in a silver giltwood frame and matted. Piece is ...

Stunning feathered wall hanging. Other colors available. Please inquire. Andrianna Shamaris. The Leader in Modern Organic Design.

Born in Woodland, CA on April 6, 1880. Glenn was educated at USC and UCLA. She then taught for many years in the public schools of Pasadena. Member: Pacific AA; Southern Calif. Art T...

Brass wall sculpture featuring a stylized sun with an oxidized reddish center on top of radiating brass rods of varying lengths.      

"For sale Domesticated Men. Some Wild Men also for sale" That is the best description possible of Oil on Canvas Signed and dat...

Pair of Curtis Jere metal sculpted wall art, these abstract items would make a great addition to any home or office. Featured with the pair is a cert...

Tommi Parzinger, German/NY (1903-1981). "#4 Butterflys" Oil on burlap, 1963. Numbered, titled, dated and signed verso. Burlap stretched over wood frame....

Mid Century copper panel depecting a nature setting done with the repousse method of metal work.

Elegant and Unique handmade Midcentury Modern Craftsman double level wall mirror or wall mounted sculpture by the French Canadian artist, Bela ...

This whimsical and vibrant painting by Joyce Roybal captures her signature style of joyful, childlike wonder. Featuring three stylized figures playing trumpets, the composition is ri...

Contemporary French artist Joanne Casey paper abstract. Rows of strips of pastel colored paper folded in undulating chevron pattern. Strips are placed ...

"Landscape From An Airplane" 2021 is large framed abstract mixed media oil painting by Kathi Robinson Frank with pastel, graphite and oil stick in sunny shades of pale yellow, tan, r...

This decorative poster features a map of the Earth with a unique triple perspective view. It is enclosed in a black plastic frame, and the glass covering the poster is still intact. ...

Art Deco stained glass of women playing golf signed by M Adler with pink wood frame.

Large Scale Curtis Jere music notes wall sculpture. Very nice vintage condition. Circa 1991. Hung above the fireplace in the living room of the HBO Sh...

Linocut by Ursula Foulkes (Great Britan) with dramatic color, form and mood. Dimensions: 8" x 10". References: Modern and Contemporary Art, Fauvism, Expressionism, Blue Rider ...

Seated nude in an interior Oil on Canvas by István Csók (Hungarian, 1865-1961), signed and dated 'CSOK 911' on the bottom left.

In "Rush Light," 1989, artist Jim Waid through his mastery of pastel on paper, reflects a microcosmic view of nature that would otherwise be purely abstract without the sporadic depi...

Largely considered to be the founder of the British Pop Art Movement of the 1960s, Sir Peter Blake made a name for himself with colorful prints, collages, and paintings that combined the past and present. While best known for designing the iconic album cover to The Beatles' Sgt. Pepper's Lonely Hearts Club Band, "Leo '79" is part of his highly desirable print series titled, "Six French Postcards". Hand-signed and numbered 73 out of 75 by the artist. This piece is a wonderful investment that will impress and intrigue for years and years to come. Great for collectors of pop art, Beatles memorabilia...

An antique Indian Mughal Empire miniature painting, executed in pigments and embellished with gold paint on paper, portrays a raja in the company of nobles. These Mughal miniatures are celebrated for their meticulous detail, vibrant colors, and the use of gold accents to enhance the opulence of the scene. In this artwork, the raja is surrounded by nobles, creating a visual representation of the royal court and highlighting the regal splendor of the Mughal Empire. Dates to the early 19th century. Matted and framed. Antique Indian Paintings...

Hand-Embroidered Cotton & Silk Suzani Wall Hanging – Timeless Textile Art Experience the beauty of Central Asia craftsmanship with this exquisite hand-embroidered Suzani textile, a ...

A hand carved wall console with mahogany finish and aqua blue interior open drawer. Unique piece Consoles can be commissioned to size requirements Jacques Jarrige is a sculpt...

Contemporary abstract black and white etching by English artist Oliver Gaiger. Matted and framed in a charcoal grey wood frame. Part of a large collection of black and white etchings...

Artist: Ivan Grigorewitch Olinsky (Russian-American, 1878 1962) Subject: Still life w/ Chinese porcelain figurine & fruits Period: 1920’s...

Elevate your space with this exquisite butterfly display box featuring a Danaus chrysippus butterfly from the Philippines. This preserved specimen is elegantly mounted between two cr...

An early figurative clay lithograph entitled "Young Girl" by lauded 20th century American artist Syd Solomon. Solomon's work helped established Sarasota, FL as a thriving artist's co...

Frank Lloyd Wright interior design book, published by Schumacher, "Wallcoverings." Measures: 12" H x 9" W x 1.5" D. Thia volume was originally part of a three volume box set (a whole...

A dynamic expressionist work by Hans Kessler, a student of Kandinsky at the Bauhaus. Signed H.Kessler, 1925 at bottom. Gouache comes with Photocopy of ...

Gorgeous abstract painting - unsigned.

Nicholas Sperakis, American, b.1943, an oil paint and coffee on canvas painting depicting an impressive impasto composition with a female portrait. Signed lower left. Nicholas Sperak...

This plush tapestry of wool, cotton, and linen by the French textile artist Françoise Giannesini is arranged as if in the pattern of a colorful to...

DIMENSIONS: Height: 16.25 inches Width: 13.5 inches Depth: 2.25 inches Frame width: 2.5 inches ABOUT MODEL Encarnación López Júlvez, known as La Argentinita (Buenos Aires, March 3, 1898 – New York, September 24, 1945) was a Spanish-Argentine flamenco dancer (bailaora), choreographer and singer. La Argentinita was considered the highest expression of this art form during that time. López Júlvez was the daughter of Spanish immigrants in Argentina, where her father had a fabric business. While living there, two of her siblings died in a scarlet fever epidemic. Consequently, she was brought to the north coast of Spain in 1901, where she began to learn Spanish regional dances. When she was only four years old, she started learning flamenco from Julia Castelao. Her first public performance was at the age of eight at the Teatro-Circo de San Sebastián, in the Basque Country. She chose the name "La Argentinita" in deference to the famous flamenco dancer Antonia Mercé (La Argentina). After travelling throughout Spain as a child prodigy, she settled in Madrid to perform at Teatro La Latina, Teatro de la Comedia, Teatro de La Princesa, Teatro Apolo and Teatro Príncipe Alfonso. Her success led her to tour in Barcelona, Portugal and Paris, and then Latin America. In the early 1920s, she returned to Spain, where she worked in Madrid. Among her early performances was the 1920 premiere of Federico García Lorca's musical play El maleficio de la mariposa as "the Butterfly". She announced her retirement in 1926, but would quickly return to the show business as part of the artistic renewal that led her to the Generation of ‘27, in which she combined flamenco, tango, bulerías and boleros. She danced to the compositions of Manuel de Falla, Joaquín Turina, Isaac Albéniz, Enrique Granados and Maurice Ravel. She helped in the development of Ballet Español. Adapting pieces to popular tradition, she toured Europe, triumphing in Paris and Berlin and participating in the artistic movements of that time along with Spanish poets such as Rafael Alberti, Federico García Lorca, Edgar Neville and Ignacio Sanchez Mejias. Sánchez Mejías, an intellectual and bullfighter, was a married man and her lover. La Argentinita retired a second time to maintain her clandestine relationship with him. However, she would return to the stage with the aid of Sánchez Mejías, who participated in the search and employment of interpreters for her subsequent performances. In 1931, López Júlvez and García Lorca recorded five gramophone slate records, which were accompanied by García Lorca's piano. The selection of songs was prepared, adapted and titled Colección de Canciones Populares Españolas by García Lorca. Among the ten songs were "Los cuatro muleros", "Zorongo gitano", "Anda Jaleo" and "En el Café de Chinitas". With the beginning of the Second Spanish Republic, López Júlvez formed her own ballet company called Bailes Españoles de la Argentinita together with her sister, Pilar López Júlvez, and García Lorca. López Júlvez staged several flamenco theatrical shows, including an adaption of Falla's El amor brujo (Love, the Magician) in 1933, and Las Calles de Cádiz (The Streets of Cadiz) in 1933 and 1940.[7] She travelled through Spain and Paris, where she was recognized as one of the most important flamenco artists of her time. Her company included the flamenco figures Juana la Macarrona, La Malena, Fernanda Antúnez, Rafael Ortega and Antonio de Triana, who was her first dancing partner until the 1940s. At the end of her tour around Spain, her lover Sánchez Mejías was gored to death in 1934 in the Manzanares bullring. She sought refuge in her work and moved to Buenos Aires to dance at the Teatro Colón; from there she embarked on a long American tour. In 1936 she achieved success in New York. Afterwards, she returned to Spain but was forced to flee the country shortly before the outbreak of the Spanish Civil War. She travelled through Morocco, France, the UK, the Netherlands, Belgium and the USA, where she remained in exile in New York. From then until her death in 1945, she developed her career and became one of the biggest stars of international dance, and even participated in movies. In 1943, she presented the flamenco troupe El Café de Chinitas at the Metropolitan Opera House in New York, with her own choreography, texts by García Lorca, scenery by Salvador Dalí and the orchestra directed by José Iturbi. In addition, she performed at the Washington DC Watergate complex with her sister. On May 28, 1945, she gave her last performance at the Metropolitan of the orchestral work El Capricho Español, composed in 1887 by Nikolai Rimsky-Korsakov and based on Spanish melodies. At the end of the event, she had to be admitted to a hospital, where she died on September 24 from a tumor in her abdomen. She did not want to have it operated on because she did not wish to abandon dancing. Her body was repatriated to Spain in December and buried in the Spanish capital. That same year, the company of Bailes Españoles de la Argentinita was dissolved. Among the honors she received after her death was a plaque consecrated at the Metropolitan Opera House, positioned among the medals of Alfonso X El Sabio and La Orden de Isabel la Católica to honor her merits in the field of culture. ABOUT ARTIST Emmanuel Fougerat (French, 1869 – 1958) was a renowned French painter, museum curator and art historian. A former student of the Regional School of Fine Arts in Rennes, Fougerat studied in the studio of Albert Maignan and that of Jean-Paul Laurens in Paris. He was appointed director of the Nantes School of Fine Arts and was also the founder and curator of the Museum of Fine Arts in the same city. Emmanuel Fougerat was named Chevalier of the Legion of Honor in 1912. In 1923, he was placed on temporary leave from the French State in order to carry out a mandate as director of fine arts education in the Province of Quebec, Canada; where he served as an art teacher and director of the École des beaux-arts de Montréal from 1923 to 1925. Emmanuel Fougerat’s paintings are in the following public collections: • Nantes Museum of Fine Arts, France. • Museum of Modern Art in Paris, France. • Rennes Town Hall: permanent decorations. • Museum of Fine Arts of Saint-Nazaire (destroyed in 1944), France • National Museum of Fine Arts of Quebec, Canada. Emmanuel Fougerat is also the author of works on several French painters, including Albert Besnard, Paul Baudry...

Title: Kintsugi Study, #12 (Kazan - volcano), Kintsugi Study, #13 (Fields and Valley), Kinstugi Study, #11 (Crossroads) Year: 2015 Each 23.5-inch square reclaimed ceramic panel has...

A very large and magnificent antique painted porcelain plaque depicting an orientalist beauty dressed in silk, jewelry, pearls, and 24-karat raised gold and enamel, signed Vienna. Th...

Never to be seen again! A splendid example of a finely woven antique Aubusson tapestry, this particular piece illustrates the exquisiteness of one of the most fabulous tapestries we ...

Dimensions: Unframed: 11-1/2 x 8-1/16 inches Framed: 17-1/8 x 12-7/8 inches Signed by the artist and dated ’64 in the lower right corner; inscribed in German: Zurich, Schweitz (Zurich, Switzerland) This unique work of art is a mixed-media collage on paper, where the artist had generously used his own pencil, gouache and watercolor drawing with a print cut-outs. Stanley R. Stangren (1928–2014) was an outstanding American jeweler, artist, sculptor and ceramist, residing in New York City. He worked in different styles and in different materials, including oils, watercolor, ceramic and stone sculptures; and fine jewelry. Stangren’s painting styles varied tremendously – from complete abstract works to Holocaust themes in the style of Georges Rouault and Hieronymus Bosch to portraits in the style of Moses and Raphael Soyer. He was also a passionate lover of the performing arts, and, as a young man, spent time studying dance at both the School of American Ballet and with Martha Graham. Although he worked with dance pioneers like Ms. Graham, Anna Sokolow and Charles Weidman, an injury prevented him from pursuing dance as a career. But he found other outlets for his artistic pursuits. In his youth, Stangrem attended the Brooklyn Museum School of Art, and graduated from the High School of Music and Art in New York City. He later studied at the Boston Museum of Fine Arts, the Art Students League, Bard Colledge and in Europe. Stangren studied jewelry design in Europe, attending Staatlische Kunst Werkschule in Pforzheim, Germany and Kunstgewerbeschule der Stadt in Zurich, Switzerland. His jewelry and designs were received with great success. His combination of precious and semi-precious stones, high-karat gold and sterling silver, and exotic materials executed with outstanding workmanship in the abstract modernist style gave a unique aspect to his designs, the metalwork usually electroformed, cast, or fused in varying textures. After returning to New York in the later 1950s, Stangren opened and maintained a ceramic business in Trenton, New Jersey. Very few pieces of his work remain from this period. When he retired from the ceramics business, he spent much of his time enjoying the arts. He frequently attended Juilliard performances, including most of the opera and drama presentations at the School, and was especially fond of the dance concerts. The last 40 years of his life, he taught painting in the New York area and worked with Metropolitan Museum of Arts in developing annuities, for future acquisitions. In addition, Stangren left annuities for MoMa in support of educational programs and left, in his will or through his executors, art supplies for the Harlem School of Art and benefits for the Urban Assembly organization. Mr. Stangren's love for the arts and for the performances he was seeing at Juilliard inspired him to take his participation a step further and to establish charitable gift annuities with the School. "I realized what Juilliard offered me, being a passionate music lover, and I decided to give something back" he said. "What Juilliard achieves is remarkable. When I think of the prominent actors, dancers and musicians that have been educated there, I am always staggered. It is deeply financially satisfying to be able to give back to the School, while benefitting from it at the same time." The Juilliard School is not the only organization that Stanley Stangren...

Artist signed wall art with mixed metal. Beautifully designed with curled metal, etched metal, copper tubes. Please confirm location NY or NJ

Josef Albers from Formulation: Articulation, 1972. Silkscreen prints, folio 1/folder 6. Floated in while gold leaf frames using all acid free archival material...

An academic oil painting depicting a young man in profile holding a spear, seated. Some flaking in the background, consistent throughout. Framed in a vintage giltwood frame. Circa 1900.