Turkey - Wall Decorations

These Christmas Stockings were made from mid 20th C. Anatolian Kilim Fragments. Please note, this stocking was made from kilim fragments.

These Christmas Stockings were made from mid 20th C. Anatolian Kilim Fragments. Please note, this stocking was made from kilim fragments.

These Christmas Stockings were made from mid 20th C. Anatolian Kilim Fragments. Please note, this stocking was made from kilim fragments

These Christmas Stockings were made from mid 20th C. Uzbek Suzani Fragments. Please note these were made from vintage suzani fragments.

These Christmas Stockings were made from mid 20th C. Uzbek Suzani Fragments. Please note these were made from vintage suzani fragments.

This Christmas Stocking was made from a late 19th or Early 20th C. Anatolian rug fragments. Linen in the back. Please note, this stocking was made from Anatolian rug fragments.

This Christmas Stocking was made from a late 19th or Early 20th C. Chinese rug fragments. Linen in the back. Please note, this stocking was made from Chinese rug fragments.

This Christmas Stocking was made from a late 19th or Early 20th C. Hmong textile fragments. Linen in the back. Please note, this stocking was made fromHmong textile fragments.

This set concerns: 1) Pinax relief: Width: 32 cm / 12.6 inches Depth: 2 cm / 0.7 inches Height: 23 cm / 9.1 inches Weight: 2.76 kg / 6.06 lb 2) Torso no1...

These Christmas Stockings were made from mid 20th C. Uzbek Suzani Fragments. Please note these were made from vintage suzani fragments.

This Christmas Stocking was made from a late 19th or Early 20th C. Caucasian rug fragments. Linen in the back. Please note, this stocking was made from caucasian rug fragments.

This Christmas Stocking was made from a late 19th or Early 20th C. Caucasıan rug fragments. Linen in the back.

This Christmas Stocking was made from a late 19th or Early 20th C. Baluch rug fragments. Linen in the back. Please note, this stocking was made from Baluch rug fragments.

This Christmas Stocking was made from a late 19th or Early 20th C. Caucasian rug fragments. Linen in the back. Please note, this stocking was made from caucasian rug fragments.

This Christmas Stocking was made from a late 19th or Early 20th C. Caucasian rug fragments. Linen in the back. Please note, this stocking was made from caucasian rug fragments.

This Christmas Stocking was made from a late 19th or Early 20th C. Caucasian rug fragments. Linen in the back. Please note, this stocking was made from caucasian rug fragments.

This Christmas Stocking was made from a late 19th or Early 20th C. Caucasıan rug fragments. Linen in the back.

This Christmas Stocking was made from a late 19th or Early 20th C. Turkmen rug fragments. Linen in the back. Please note, this stocking was made from Turkmen rug fragments

This Christmas Stocking was made from a late 19th or Early 20th C. suzani fragments. Linen in the back. Please note, this stocking was made from Vıntage suzani fragments.

This Christmas Stocking was made from a late 19th or Early 20th C. Caucasıan rug fragments. Linen in the back. Please note, this stocking was made from caucasian rug fragments.

This Christmas Stocking was made from a late 19th or Early 20th C. Caucasıan rug fragments. Linen in the back. Please note, this stocking was made from caucasian

This Christmas Stocking was made from a late 19th or Early 20th C. Caucasian rug fragments. Linen in the back. Please note, this stocking was made from caucasian rug fragments.

This Christmas Stocking was made from a late 19th or Early 20th C. Caucasian rug fragments. Linen in the back. Please note, this stocking was made from caucasian rug fragments.

This Christmas Stocking was made from a late 19th or Early 20th C. Anatolian rug fragments. Linen in the back. Please note, this stocking was made from Anatolian rug fragments.

This Christmas Stocking was made from a late 19th or Early 20th C. Caucasian rug fragments. Linen in the back. Please note, this stocking was made from caucasian rug fragments.

This Christmas Stocking was made from a late 19th or Early 20th C. Caucasian rug fragments. Linen in the back. Please note, this stocking was made from caucasian rug fragments.

This Christmas Stocking was made from a late 19th or Early 20th C. Caucasian rug fragments. Linen in the back. Please note, this stocking was made from caucasian rug fragments.

This Christmas Stocking was made from a late 19th or Early 20th C. Chinese rug fragments. Linen in the back. Please note, this stocking was made from Chinese rug fragments.

This Christmas Stocking was made from a late 19th or Early 20th C. Turkmen rug fragments. Linen in the back. Please note, this stocking was made from Turkmen rug fragments.

This Christmas Stocking was made from a late 19th or Early 20th C. Caucasian rug fragments. Linen in the back. Please note, this stocking was made from caucasian rug fragments.

Weight: 1.5 kg Socrates was a Greek philosopher born in Athens in 469 BC and died in Athens in 399 BC. Socrates, unlike the philosophers before him, not the natural world; He has st...

Antique rug fragment has been professionally backed and framed. 19th C. from Central Anatolia.

Silk cut velvet panel has been professionally backed and framed. Ready to go.

Opticals taps into the visual phenomenon of optical illusions. The collection explores the visual potential of the very basic weaving technique of creating vertical lines. Inspir...

Weight: 3 kg Medusa, known as the "snake-haired, sharp-toothed, female monster" who is believed to turn the malicious people who come eye to eye into a stone, is mortal. Therefore...

Weight: 1.5 kg Socrates was a Greek philosopher born in Athens in 469 BC and died in Athens in 399 BC. Socrates, unlike the philosophers before him, not the natural world; He has ...

Posta is a functional and elegant storage unit. Celebrating the excellence, strength, and versatility of leather, the material folds into a three-dimensional form and creates a storage unit. With simple folds and connections, the vegetable tanned leather turns into a structured object, highlighting the unique characteristics of the material and the elegant look of brass details. Used by hanging on a wall, Posta is a creative unit to store items. Whether it is used as a storage unit or a decoration, it preserves its appealing look even when not in use. Posta is a hanging storage...

Posta is a functional and elegant storage unit. Celebrating the excellence, strength, and versatility of leather, the material folds into a three-dimensional form and creates a storage unit. With simple folds and connections, the vegetable tanned leather turns into a structured object, highlighting the unique characteristics of the material and the elegant look of brass details. Used by hanging on a wall, Posta is a creative unit to store items. Whether it is used as a storage unit or a decoration, it preserves its appealing look even when not in use. Posta is a hanging storage...

Named after the Mesopotamian Goddess of the Moon, SIN, is a handwoven textile wall piece. The piece comes with a metal frame with brass coating. Custom wood frame is available upon ...

Named after the Greek Goddess of Dawn, EOS is a tufted wall rug designed to introduce tactile enrichment for the walls. Wall rugs come with a hanging att...

Poppy, Papaver Rhoeas The poppy is a member of the Papaveraceae family and is an annual flower. Its origins are unknown. This plant species is attributed to the Americas from where ...

Rare.

Rare Kuznetsov ceramic plate made for Central Asian market, mostly for Uzbekistan, early 20th century.

Silk embroidery, acrylik on canvas, 2005. Mike Berg CV (b. 1956 Portland, Oregon USA.) Lives and works in Istanbul, Turkey and New York, NY. Education 1971 BA University of Washington, Seattle 1972 BFA, Fort Wright College, Spokane, WA. 1972 Resident, Skowhegan School of Painting and Sculpture, MA. Solo Exhibitions 2016 upcoming solo September show: The Stremmel Gallery, Reno, Nevada 2015 Kocaman Kafes, at Galeri Nev, Istanbul, Turkey. 2013-14 Recent Textiles, Museum of Contemporary Art, San Diego. 2013 Mike Berg: Taking Chances, Museum of Contemporary Art, San Diego 2012 Simple Geometry, Galeri Nev, Istanbul, Turkey. 2012 Believing in Impossible Things, Ankara, Turkey 2011 5/3 Insane, PGArtSpace, Istanbul, Turkey. 2010 Heavy Metal, Galeri Nev, İstanbul, Turkey. 2008 The Aftermath of Sunny Days, Galeri Nev, İstanbul, Turkey. 2006 Run My Hand Around The Font, Center for Contemporary Art, Seattle, WA You Can’t Say It That Way Anymore, Galeri Nev, İstanbul, Turkey. 2005 Galleons And Towers, Kadir Has Üniversitesi, İstanbul, Turkey. 2004 Mistaking Street Lamps for Planets, Lorinda Knight Gallery, Spokane, WA 2003 Mike Berg at the Hagia Sofia Museum, İstanbul, Turkey. Bronze Age, Galeri Nev, İstanbul, Turkey 2001 Florence DeVoldere Salon, Paris, France. 2000 Little House of Our Desire, Dulcinea, İstanbul, Turkey What Days Are For, Sling Shot Gallery, New York, NY. What Days Are For, Heriard/Cimino Gallery, New Orleans, LA. 1999 Now It Goes Smoothly, Gina Fiore Salon of Fine Arts, Chelsea Hotel, New York, NY Now It Goes Smoothly, Eastern Washington University, Cheney, WA. 1998 A Family of Stories, Boulder Museum of Contemporary Art, Boulder, CO 1997 A Haven of Serenity and Unreachable, Rule Gallery, Denver, CO. Patterns in Time, Maria Henle Studio, St. Croix, USVI 1995 Visions Fugitives, Elaine Kaufman Cultural Center, New York, NY A History of Backward Glances, Lee Arthur Studio, New York, NY. 1993 Lee Arthur Studio, New York, NY 1991 Sharon Truax Gallery, Venice, CA 1990 McGrath Gallery, Los Angeles, CA. 1989 Earl McGrath Gallery, Los Angeles, CA 56 Bleecker Gallery, New York, NY. 1988 Mike Berg in the Tin Room, 56 Bleecker Gallery, New York, NY 1987 Inaugural Exhibition, The Queens Museum, New York, NY. The Donald Wren Gallery, New York, NY. Interior/Exterior: Architectural Fantasies, Untitled, The Queens Museum, New York, NY 1986 Guid'Arte Gallery, Rome, Italy. 1985 Louisiana State University, School of Art Gallery, Baton Rouge 1984 Noel Butcher Gallery, Philadelphia, PA. -1- Group Exhibitions 2014 3rd Mardin Bienal, Mitolojiler, Turkey. 2014 Path of Sculptures That Lead to Miro, Baksi Museum, Bayburt, Turkey 2010 Delirium: Wave Two, Illiterate Media, Denver, CO. Türbülans, Galeri Nev, İstanbul, Turkey. 2009 Delirium: Wave One, Illiterate Media, Denver, CO 2006 The El Paseo Exhibition, Palm Desert, CA. New Visions, The Harrison Gallery, Williamstown, MA 2002 Group Exhibition, Galeri Nev, İstanbul. Turkey. After 10 Years, Maria Henle Gallery, St. Croix, USA 2001 Layers, Anita Friedman Fine Arts, New York, NY. 1998 LA Current, Armand Hammer Museum, Los Angeles, CA 1997 Collaboration, Montgomery Gallery, Pomona College, CA 1996 Red, Rule Galley, Denver, CO. Mike Berg, Stephane Herbelin, and Andre Raffin...

Silk embroidery on silk canvas, 2007. Mike Berg. CV. (b. 1956 Portland, Oregon USA). Lives and works in Istanbul, Turkey and New York, NY. Education. 1971 BA University of Washington, Seattle 1972 BFA, Fort Wright College, Spokane, WA. 1972 Resident, Skowhegan School of Painting and Sculpture, MA. Solo exhibitions. 2016 upcoming solo September show: The Stremmel Gallery, Reno, Nevada 2015 Kocaman Kafes, at Galeri Nev, Istanbul, Turkey. 2013-14 Recent Textiles, Museum of Contemporary Art, San Diego. 2013 Mike Berg: Taking Chances, Museum of Contemporary Art, San Diego 2012 Simple Geometry, Galeri Nev, Istanbul, Turkey. 2012 Believing in Impossible Things, Ankara, Turkey 2011 5/3 Insane, PGArtSpace, Istanbul, Turkey. 2010 Heavy Metal, Galeri Nev, İstanbul, Turkey. 2008 The Aftermath of Sunny Days, Galeri Nev, İstanbul, Turkey. 2006 Run My Hand Around The Font, Center for Contemporary Art, Seattle, WA You Can’t Say It That Way Anymore, Galeri Nev, İstanbul, Turkey. 2005 Galleons And Towers, Kadir Has Üniversitesi, İstanbul, Turkey. 2004 Mistaking Street Lamps for Planets, Lorinda Knight Gallery, Spokane, WA 2003 Mike Berg at the Hagia Sofia Museum, İstanbul, Turkey. Bronze Age, Galeri Nev, İstanbul, Turkey 2001 Florence DeVoldere Salon, Paris, France. 2000 Little House of Our Desire, Dulcinea, İstanbul, Turkey What Days Are For, Sling Shot Gallery, New York, NY. What Days Are For, Heriard/Cimino Gallery, New Orleans, LA. 1999 Now It Goes Smoothly, Gina Fiore Salon of Fine Arts, Chelsea Hotel, New York, NY Now It Goes Smoothly, Eastern Washington University, Cheney, WA. 1998 A Family of Stories, Boulder Museum of Contemporary Art, Boulder, CO 1997 A Haven of Serenity and Unreachable, Rule Gallery, Denver, CO. Patterns in Time, Maria Henle Studio, St. Croix, USVI. 1995 Visions Fugitives, Elaine Kaufman Cultural Center, New York, NY A History of Backward Glances, Lee Arthur Studio, New York, NY. 1993 Lee Arthur Studio, New York, NY 1991 Sharon Truax Gallery, Venice, CA 1990 McGrath Gallery, Los Angeles, CA. 1989 Earl McGrath Gallery, Los Angeles, CA 56 Bleecker Gallery, New York, NY. 1988 Mike Berg in the Tin Room, 56 Bleecker Gallery, New York, NY 1987 Inaugural Exhibition, The Queens Museum, New York, NY. The Donald Wren Gallery, New York, NY. Interior/Exterior: Architectural Fantasies, Untitled, The Queens Museum, New York, NY 1986 Guid'Arte Gallery, Rome, Italy. 1985 Louisiana State University, School of Art Gallery, Baton Rouge 1984 Noel Butcher Gallery, Philadelphia, PA. -1- Group exhibitions: 2014 3rd Mardin Bienal, Mitolojiler, Turkey. 2014 Path of Sculptures That Lead to Miro, Baksi Museum, Bayburt, Turkey 2010 Delirium: Wave Two, Illiterate Media, Denver, CO. Türbülans, Galeri Nev, İstanbul, Turkey. 2009 Delirium: Wave One, Illiterate Media, Denver, CO 2006 The El Paseo Exhibition, Palm Desert, CA. New Visions, The Harrison Gallery, Williamstown, MA 2002 Group Exhibition, Galeri Nev, İstanbul. Turkey. After 10 Years, Maria Henle Gallery, St. Croix, USA 2001 Layers, Anita Friedman Fine Arts, New York, NY. 1998 LA Current, Armand Hammer Museum, Los Angeles, CA 1997 Collaboration, Montgomery Gallery, Pomona College, CA 1996 Red, Rule Galley, Denver, CO. Mike Berg, Stephane Herbelin, and Andre Raffin...

It has been professionally back on linen and professionally framed. Ready to go on any wall.

It has been professionally back on linen and professionally framed. Ready to go on any

It has been hand backed on linen and professionally framed . ready to go on any wall. silk Embroidered Suzani fragment , from Samarkand Region of Uzbekistan .

It has been professionally back on linen and professionally framed. Ready to go on any wall.