Pair Of Midcentury French Metal Andirons

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

A set of antique or vintage andirons is a staple accessory, part of the fireplace tools you’ll want to collect for keeping a neat and elegant fireplace in your home.

Using andirons in a fireplace elevates the fire, ensuring more air can get to the logs thus keeping a fire burning longer. Andirons also encourage ventilation and may also prevent smoke from working its way into your living room or bedroom.

Think of these accessories as part of an upright metal support system to optimize your fire. Antique andirons are basically u-shaped brackets with a curved end that come in pairs and are largely quite simple in structure, but the design of this household necessity has improved over time. Outwardly decorative andirons have become available since their debut because one should never underestimate the style quotient of an attractive hearth.

Andirons, which earned the nickname “firedogs” given their similarity in form to a pair of upright canines, are believed to be the oldest fireplace furnishings. They have been used broadly since at least the late Iron Age. Before iron became the material of choice, stone andirons did a suitable job of balancing the logs in a fire and adding a sense of symmetry to the hearth. Fire baskets, like the combination of andirons and a grate, afforded an opportunity to layer logs in a fire rather than delicately stacking them on andirons.

Today, andirons can be found in bronze and brass, too, which contrast wonderfully with a mantel carved from dark marble, for example, and add dimension to what might otherwise be a subdued space. And while people aren’t cooking in the fireplace anymore, andirons’ spit hooks offered an opportunity to roast meat or rest the pokers that you typically would’ve kept fireside.

During the Renaissance, andirons became especially ornate and even figurative, taking on human forms as well as marine life such as dolphins. Art Deco–era andirons are particularly exquisite. While the accessories are frequently characterized by rich geometric angles and sculptural curves, attributes that we know of most Art Deco furniture, artisans of the period also looked to what was by then a long tradition of designing andirons in the shape of animals and reptiles.

Adding fashionable antique or vintage andirons will not only improve the quality of a fire but can also elevate your space as well as the fireside experience. Find modern andirons, Art Nouveau andirons and other varieties today on 1stDibs.