Oversized Drawings and Watercolor Paintings

Mixed media drawing on paper Dated and signed on the back In the plastic work of Geneviève Seillé, the word, like a sign, reigns supreme. An object o...

Acrylic & watercolour on marouflaged paper with wooden panel

Manifest 2 (Abstract Painting) Charcoal and water on paper. Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such a...

Signed, titled and dated on the verso. Acquired directly from the artist. Free shipment worldwide. Working on a variety of perceptual levels, Philippe Huart lets one visit his intim...

Ayse Wilson is a Turkish-American artist who lives and lives and works in Connecticut. Her work draws from memory and emotion to remind viewers of youth, innocence and the timeless space we occupy when we are young. She creates lively and childlike characters, finding inspiration in the works of early Italian Renaissance masters such as Fra Angelico. Wilson graduated from Wellesley College in 1991, and pursued her education in Florence. She received her MFA at New York Academy of Art, and later worked as a painting assistant to Jeff Koons for two years. This current series employs the toile wallpaper samples that the artist had lying around her house during lockdown as a backdrop for ambiguous and complicated feelings toward quarantine and domestic confinement. In this work, she is hoping to narrate how fear of the pandemic unknown, coupled with household anxieties, and increased self-awareness contributed to the mixed emotions of security and hostility towards enforced domesticity within a masked world. The toile tradition represented a coincidental parallel with the COVID era rediscovery of old-fashioned pastoral lifestyles, and the embrace of self-reliant artisanal practices like cooking, gardening, sewing, and prescribed homeschooling. Her colorful inscriptions, some original, some appropriated, layer in our contemporary lifestyle, our modern methods of connectivity as well as our high-tech world. The punky playfulness of the neon and fluorescents contrasts with the backdrop of Fragonard-esque imagery and hopes to delivery her messages of love and connection, awareness and newness, hope and emotions, as well as the occasional glossily veiled hostility expressed in certain so-called “love” declarations. The phrases evolved from a previous series addressing the Me Too movement...

Night 02 (Abstract Painting) Acrylic and pigments on lacquered wood board - Unframed "Framed in an American box. Emma Godebska is a French abstract artist living in Nimes, France. ...

Reunifications (Ricongiungimenti) is a beautiful artwork realized by Maurizio Gracceva in the 2017. Colored mixed ink on paper. Hand signed by the artist. Title, date, techinique...

Louis Osman was an English artist, architect, goldsmith, silversmith and medallist. He is notable for the gold coronet he designed and made for the investiture in 1969 of Charles, Pr...

Dance is a beautiful artwork realized by Maurizio Gracceva in the 2017. Black and white ink on paper. Original title: Danza Hand signed by the artist. Author of numerous philosoph...

"59th Street Bridge" is a 22" x 30" watercolor on paper cityscape of the Brooklyn Bridge and city skyline, painted by Pennsylvania Impressionist and...

L'île (Untitled 23042) Ink on paper — Unframed. Martín Reyna is an Argentinian-born abstract painter living in Paris, France. His gestural abstract paintings delight the eye and act...

Love Affair 6 (Abstract drawing) Colour pencil on two layers of Mylar — Unframed. Love Affairs" is a series of drawings on two layers of thin, translucent paper resembling ice. Each...

Informal III is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 2020. Oil on canvas. Hand signed and dated by the artist on the back. Hand signed and dated on the low...

SWAN IN LOVE (TEOREMA 50), 2012  ink, watercolor, airbrush paint, graphite on paper  37.5 x 52 inches / 952 x 1320 mm unframed Christina McPhee’s expansive abstract paintings, drawings, photographs, and videos test or query how can we know, and who is we? Moving from within a matrix of measurement, observation and contingent effects, her work resists characterization as product, and continually accesses fields outside itself. For her, process equals trial. Her work emulates potential forms of life, in various systems and territories, from a perspective of the non-self– a world beyond identity. McPhee’s dynamic, performative, physical engagement with materials, in both her analogue and digital works, is a seduction into surface-skidding calligraphic gestures and mark-making. The tactics of living are in subterfuge, like the ‘dazzle ships...

Without identity is a beautiful artwork realized by Maurizio Gracceva in the 2017. Mixed colored ink on paper. Original title: Privi d'identità Hand signed by the artist. Title, d...

Oil on paper Xia Fu-Ning is a Chinese artist born in 1962 in Nanjing. He was a professor in the Department of Fine Arts during the 1980s at Tianjin Polytechnic University. He curren...

"Red Flow II" is a dramatic and contemporary abstract painting by French artist Emma Godebska. It is created using Acrylic and pigments on lacquered Capoverde canvas. Discover the ...

What a B***h (Che stronzetta) is an original artwork realized by the Italian contemporary artist Nicolantonio Mucciaccia in 2011. Mixed media (drawing and digital photo) on plastic m...

"The Vagabond" is an original watercolor painting on paper signed in the lower left corner in red with 5/89 by the artist W. Forester. It depicts a large ship on a turbulent sea. 2...

She Stood with the Trees 72.0 x 36.0 x 2.0, 20.0 lbs Watercolor on wood Hand signed by the artist Artist's Commentary: "The large watercolor painting is a stunning depiction of a ...

Artist: Gerald Fairclough, American (1946 - ) Title: Nude Year: 1977 Medium: Pastel Drawing, signed and dated Size: 25 x 35 in. (63.5 x 88.9 cm) Frame Size: 33 x 43 inches

Mixed media drawing on paper Dated and signed on the back In the plastic work of Geneviève Seillé, the word, like a sign, reigns supreme. An object o...

Artist: James Meyer Title: Food Chain Year: 1990 Medium: Watercolor Tusche and Pencil on Paper, signed Size: 29.5 x 34.5 inches (74.93 x 87.63 cm) Frame: 38...

Bee Gone Bee Gone is a poetic and visually arresting work by Arminée Chahbazian that speaks to the fragility of the natural world and the silent disappearance of vital species. Throu...

John Selburg was born and raised in Peoria, Illinois. He holds a BFA in Drawing, Sculpture, and Graphic Design from Bradley University (2006), and an MFA from the University of Misso...

Manifest 2 (Abstract Painting) Charcoal and water on paper. Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such a...

Linda Stein, Profile Notation 418.017 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing Profile Notation 418.017 is from Linda Stein's Profiles ser...

Artist: Dom Mingolla, American (1900 - 1980?) Title: Untitled Year: circa 1985 Medium: Watercolor on Paper, Signed l.r. Size: 22 x 30 inches Frame: 32 x 42 inches

American painter and author Alex Beard is best known for his elaborate wildlife compositions created in his signature style of gesturalpainting, which he has coined “Abstract Naturalism.” Raised in a family that fostered philanthropy, creativity and exploration, Alex has traveled extensively around the world. The diverse cultures, colors, and climates of Africa, India, China, the Americas, and Australia have profoundly influenced both his professional and artistic practice. While earning his BA from Tufts University, he studied painting and drawing at the School of the Museum of Fine Arts in Boston. In his early twenties Alex moved to New Orleans to continue his formal training at the New Orleans Academy of Fine Arts. Fueled by curiosity about the cultures and wildlife he had been exposed to in his early years, Alex has spent much of his life traveling to the some of the world’s most remote wildlife outposts - paintbrush in hand. His time in nature enables him to continually hone his style – creating complex compositions in which abstraction and figuration collide, while exploring themes of cultural and environmental interconnectivity. Alex’s work figures prominently in several private and public collections and he has exhibited extensively throughout the United States, including solo exhibitions in New York, Los Angeles, New Orleans, and abroad in Hong Kong. An impassioned conservationist and philanthropist, in 2012 Alex established The Watering Hole Foundation – a public charity engaged in saving endangered wildlife and preserving their environments. His documentary, Drawing the Line, fused his artistic talent with his dedication to preservation, chronicling the plight of the endangered Wild African Elephant, as seen through the eyes of a conservationist artist. In addition to producing a series of short films, Alex has authored and illustrated a critically acclaimed trilogy of storybooks published by Abrams. The series, Tales from the Watering Hole, includes The Jungle Grapevine (2008), Monkey See Monkey Draw (2009), and Crocodile Tears (2010). Along with other New Orleans artists Raine Bedsole, Dr. Bob, George Dunbar, Mitchell Gaudet, Alan Gerson, Thomas Mann, Steve Martin, James Michalopoulos...

Destination (Abstract drawing) Pastel on paper - Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such as graphite,...

Sandra Blow (British, 1925-2006) Abstract, 1970 Watercolour Signed with estate stamp (lower left) 11 x 7 in. (28 x 18 cm.) The late British artist Sandra Betty Blow (1925-2006) came...

This series of works stems from the reflection on the value attributed to objects (metals and precious stones), established culturally and historically by society. By means of the tw...

This watercolor, gouache, graphite, and crayon drawing on paper was created by contemporary artist Jody Pinto (b. 1942). Pinto's large-scale architecture and small-scale design all h...

" Vermeer's Blue Delft Vase with Penny's Giant Hybrid Hibiscus" is a mixed media collage and drawing (ink, watercolor, iridescent acrylic) signed lower righ...

Kevin Varner, American (1954 - 2019) - The Inner Child at the Edge of Extinction. Year: 1992, Medium: Color Pencil and Ink on Paper, signed and dated lower left, Size: 18 x 40.25 in...

Over 140 hours went into producing this painting! It is an original watercolor and ink painting of 2, Tui birds playing in a gorgeously colored interior. I choose these playful bird...

Sutra, a Sanskrit word meaning “thread”, is a word or small group of words that summarize an entire complex web of ideas, truths, wisdoms, or teachings all woven together into a sing...

John CRASH Matos "Urban Odyssey (4 Panels)" Watercolor, Spray Paint and Ink on Arches Paper 34.5 x 85.5 inches, Framed Born John Matos in 1961, CRASH was raised in the Bronx, New Yo...

Pen, colored pencil, graphite, India ink on paper :: Drawing :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :...

Artist: Karl Fred Dahmen Title: Untitled 2 Year: 1980 Medium: Drawing with Mixed Media on Paper, signed verso Size: 33 x 41.5 in. (83.82 x 105.41 cm)

Ink on Chinese paper Xiong Long-Deng is Chinese artist born in 1966 who lives & works in Qingzhen & Beijing, China. He is graduated from the Department of Oil Painting, College of ...

Watercolor, mixed media, using resists. Janet Morgan’s explosive art captures the exuberance and deep wisdom we humans yearn to experience. Her sense of humor and spiritual depth s...

Dovetail 1 (Abstract drawing) Charcoal on paper - Unframed. Neill creates works on canvas, linen and paper using a variety of mediums, including graphite, colored pencil, charcoal a...

Untitled 02 (Remains of the Remains), 2021 Graphite on canvas 78 37/50 H x 55 6/50 W in. 200 H x 140 W cm The new series of large-sized paintings, signed by Zsolt Berszán, created i...

Signed and dated

Ink, enamel, collage on paper - Unframed. This work is part of one of 4 on-going series of large works on paper. The name of this series, "Yappa...

G_40, 2021 white ink on black cardboard (signed on reverse) 27 9/16 H x 39 3/8 W in. 70 H x 100 W cm Alina Aldea's drawings project all the possible forms which appear to disappear ...

G_44, 2021 white ink on black cardboard (signed on reverse) 27 9/16 H x 39 3/8 in. 70 H x 100 W cm Alina Aldea's drawings project all the possible forms which appear to disappear wi...

G_43, 2021 white ink on black cardboard (signed on reverse) 27 9/16 H x 39 3/8 W in. 70 H x 100 W cm Alina Aldea's drawings project all the possible forms which appear to disappear ...

G_41, 2021 white ink on black cardboard (signed on reverse) 27 9/16 H x 39 3/8 W in. 70 H x 100 W cm Alina Aldea's drawings project all the possible forms which appear to disappear ...

Dashing into the day 3 (Abstract work on paper) Acrylics, ink and oil on paper - Unframed. This artwork is exclusive to IdeelArt. Knaut builds her compositions slowly over time, a...

Secret Garden 12, 2020 white ink on black cardboard 27 9/16 H x 39 3/8 W in. 70 H x 100 W cm The drawings signed by Alina Aldea show the meticulousness and perfection of microscopic...

"The First Bird with Egg, Duckling Abstraction" is an original oil pastel on board by Reginald K. Gee. The artist initialed the piece on the back. It features an abstracted duckling ...

Robin No. 2 2016 Charcoal on paper 41 x 22 inches Jessica Keiser currently resides in New Haven, Connecticut. Keiser's style is Naturalistic, concerned with the intimacy of the cre...

The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...

The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...

The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...

Classic Marks Brothers of Boston c1920s game board Belmont Park together with the patch label under seal on the verso Board Sz: 16 1/2"H x 46"W Frame Sz...

He was born in Paris, the son of a conversation though open-minded middle-class family. His father runs the family business of optical equipment but he's also a theatre lover, an author and a poet. He gives his son a strict education and the boy will feel closer to his mother. Pierre De Maria will become a honest, straightforward man, uncompromising to himself and the others. He is very particular about his appearance and, as a child of the "Belle époque" takes up to a kind of dandysm. A cousin of his, Jacques Camoreyt (a pupil of Albert Maignan) teaches him how to master pictorial techniques along with the rather academic education in Arts he is going through. From 1907 to 1914 he is a student at the Lycée Condorcet, first graduates in science and languages, then at the Engineering College just before World War 1. The sight of atrocities will leave a deep scar in his memory. He has a miraculous escape from the war and finds a job in the family firm. He soon realizes he hates everything related to engineering and decides to launch on into painting. He works as a scene painter with Ronsin and Laverdet workshop and on stage with "avant-garde" drama companies. In the same time, he shows his work at the "Salon d'Automne" in 1923 an gets a honour prize in the modern painting department. In 1925 he takes up to boxing and creates some polychromatic facades with Djo Bourgeois, then gets into the Art Deco trend as an architect and a decorator. Henri-Pierre Roché, a writer (Jules et Jim) a painter and an art collector close to the cubists has already discovered talents ( Brancusi, Wols…) and takes an in interest in Pierre De Maria. Autoportrait Environ 1960 In 1926 (the "Années Folles "in Paris) Pierre De Maria meets Marcel Duchamp, Brancusi and the surrealist gang he enjoys but never joins. « They were friends and I was curious but I never liked the hint of complaisance I saw in their work. » He then starts some technical research an collages as shown in his first exhibition of "pasted gouaches" in Princess'Murat 's gallery in Paris. (« Fermé la nuit ») « I never thought I'd make money with my paintings. I took to painting as I would have taken holy orders » He works as a journalist for Marianne and Vu magazines (1932-1933) and writes a detailed report about the Maelström in Norway and the soviet Movies. He has the opportunity to meet Eisenstein and Poudovkine in Sovietic Russia and thinks of making a name for himself in the Movie industry. In 1939 Pierre De Maria meets Germaine Pellegrino who becomes his wife a year later. They'll have two sons : Jacques born 1942 and François born 1943. The family settle in Geneva at the end of 1943. During those years he writes an unpublished autobiographical novel («Tir à volonté») as well as a collection of thoughts about various topics such as war. He also writes poems and a play (as his father had done) «Cornelius'death», in a rather humorous manner. « He who conveys the opinion of fools makes certain to get the majority of votes ». In 1944 he is back in Paris, leaving his wife. He'll settle in Nice in 1953 and starts there his mechanical period with the recurrent theme of machinery in his painting. In 1958 he has his second exhibition in Paris (JC de Chaudun's gallery) and shows a series of lino-engravings done after some drawings of his: he then begins being acknowledged by his contemporaries, his fellow-painters and the Parisian artistic circle. Jacques Prévert even dedicated him a poem. («Les Machinoutis») Henri Pierre Roché, Henri-Pieyre de Mandiargues, Yves Taillandier contribute to the catalogue, well received by the press. In the meantime, he has his works exhibited at the Salon d'Automne, the Salon de Mai, and the Salon Comparaison. In 1963, Flemish wood-engraver Frans Masereel, and Professor Gowa, the curator of the Offenbach Fine Arts, both introduce Pierre De Maria successfully in Germany, allowing him to become famous abroad. The Homo Atomicus Exhibition gathers 45 paintings, recounting the artist'progress over the past ten years. He's then nicknamed the «Atomic age Hyperonymus Bosch» ! In 1964, Greek gallery owner Iris Clert finds him out and helps him into a new career. He is then 68. Iris Clert, as a specialist in Contemporary Art has contributed to the coming out of the New Realism movement through her most spectacular and mediatical exhibitions. She takes a fancy to Pierre De Maria 's work : « The visit of his studio turned my love at first sight into a cutainty : he uses the technique from the Ancients to express Future. » Afterwards, both get into intense collaboration so that the painter is allowed to use the gallery owner's european and international net. In 1966, his work's dedicated a research published in Connaissance des Arts Magazine n° 70 : » A foreground study of Pierre De Maria in this month issue ». Later an article in International Art. In 1969 he turns 73 and he can see his first retrospective exhibition in Nice at the Ponchettes Gallery (about 60 paintings). At 76, he meets artist Hélène Bottet, from then on allowing humour to take over violence in his art. Machines don't frighten him anymore, he's now able to mock them even through they remain at the core of his paintings, in spite of the mechanical Art...

The ½ inch by ¼ inch rectangles in this yantra are dotted with three dots. The sacred number three symbolizes the third eye, the bindi, the bindu. Born of ancient Indian tantric...