Allison Long Hardy Art

This piece titled "residence" is an original artwork made from pencil, maker, acrylic paint collage on panel by Miriam Singer. This piece measures 8"h x 8"w. Miriam Singer grew up i...

An original compact mid century watercolor in its original frame presentation. The work is signed "Schwab" with an illegible first initial.

Sara Eichner wants to create a space where point of view can not be fixed. Optical games stand in for the struggle to comprehend the complexities of seeing. Using simple drawing tool...

Interior design paintings. The artwork was done with white pen on black watercolor paper 360g. The works are 11,5 by 16,5 inches in size, framed (black) with a styrene face on a mat board in black and white with sizes 16 by 20 in. Mila Akopova is New York artist. She graduated from Moscow State University with a degree in History and Theory of Art. Her Artwork got 3rd place at the 2020 American Art Awards, juried by 25 best galleries and museums in America, with artist from 63 countries, in category: minimalism. Also, several works took part in exhibitions of the All-Russian Decorative Art Museum and in the Cube Moscow exhibition space . It was published as the catalog: “The game of tic tac toe, or creating a collection in one year”. Several works by Mila Akopva were created specifically for the collaboration with Vintage Dream...

Gene Davis 1920 – active in Washington DC - 1985 Untitled 1981 Colored felt tip on paper 17 ¾ x 12 ½ inches (49 x 32 cm) Framed dimensions: 24 x 14 inches (61x 35.5 cm) Signed and ...

'Pencil Tapestry with Text no. 2' is a prismacolor pencil, graphite on paper, meditative, methodical, zen like calm drawing by Gloria Matuszewski with text from the Bhagavad Gita wri...

Martin Palottini Un rio contra ora, 2017 Pencil and acrylic on paper 21h x 19w in 53.34h x 48.26w cm

"Second Theme" 1949 Abstract Mid 20th Century Geometric Non-Objective Hard Edge Burgoyne A. Diller (American, 1906-1965) "Second Theme" 1949. Pencil and crayon on paper. Signed and dated 'D. 49' (lower right). Image: 9 1/2 x 5 1/2 in. Andre Emmerich Gallery, New York. Martha Jackson Gallery, New York. Anderson Gallery, Buffalo, New York. David K. Anderson Grandchildren's Trust. BURGOYNE DILLER (1906-1965) Recognized as the first American painter to embrace the tenets of Neo-Plasticism, Burgoyne Diller made an important contribution to the development of non-objective art in the United States. Working in a hard-edged geometric style, he produced paintings, drawings, and collages that paved the way for the development of American Minimalism during the 1960s and 70s. Born in New York City in 1906, Diller began painting and drawing as a teenager growing up in Battle Creek, Michigan. Later, while attending Michigan State University in East Lansing on an athletic scholarship, he made weekend visits to the Art Institute of Chicago, where he familiarized himself with Impressionist and Post-Impressionist painting. He was especially drawn to the landscapes and still lives of Paul Cézanne, who modeled color to create structure and volume. In 1929, Diller moved to Manhattan and enrolled at the Art Students League, where his teachers included such progressive-minded painters as Jan Matulka, Hans Hofmann, and George Grosz. Hofmann's concept of the "push-pull" effect of form and color exerted a strong influence on his early work, as did his growing familiarity with Analytical and Synthetic Cubism, German Expressionism, and other vanguard European styles. Diller had the opportunity to see some of this work firsthand, but he also kept abreast of developments abroad by reading journals such as Cahiers d'Art. Diller completed his studies at the League in 1933, the year he had his first solo exhibition at the Contemporary Arts Gallery in New York. It was around this time that his paintings began to show the influence of the reductive, pared-down geometric compositions of the Dutch Constructivist Piet Mondrian and the equally restrained compositions of Kasimir Malevich and El Lissitsky...

J.Rennell, "Untitled: Woman in Dress", Figurative Pen and Ink Drawing signed on Paper, 6 x 4 (13.50 x 10.50 Framed), Mid to Late 20th C...

Mark di Suvero Grass Power, 1979-2014 Mixed Media drawing: marker, ink and pencil on paper Hand titled, signed and inscribed to Nadine by Mark di Suvero Frame included: Floated and f...

Dorothy Dehner Untitled mid century modern sculptural study, 1955 Brown marker on paper drawing Drawing on collectors stationery Hand signed, titled and dated lower right front (The...

Collectors’ Note: FS No. 23(C) ​FS No. 23(C) is the emotional and figurative resolution of Studio Archive No. 86. Where the previous studies established the linguistic soul and the ...