William Cruikshank Art

The red fish is a symbol of confidence, stable good fortune, and abundance. It represents moving in one’s own rhythm, trusting intuition, and inner stability. The red color emphasize...

Paula Valenzuela Underworld, 2025 Alcohol ink and watercolor ink on Yupo paper 14 x 11 inches This one-of-a-kind work on paper comes unframed. External, visible frame and glass in s...

Chiura Obata Nasturtiums, circa 1940 Signed and stamped lower left Watercolor on paper 15 x 9 5/8 inches Born in the Okayama prefecture of Japan, Chiura Obata was adopted by his uncle, an artist. As a child he was trained in ink painting, and at 14 he was apprenticed to the painter Murata Tanryo in Tokyo. He also studied with Kogyo Terasaki and Goho Hasimoto. In 1903, Obata moved to San Francisco and began working as an illustrator for The New World and The Japanese American, two of the city's Japanese newspapers. He also did work as a commercial designer. Obata helped establish the East West Art Society in San Francisco in 1921, which sought to promote cross-cultural understanding through art. This goal was reflected in his embrace of the Nihonga style, which fused traditional Japanese sumi-e ink painting with the conventions of western naturalism. He spent much of the 1920s painting landscapes throughout California, and among his favorite subjects were mountain landscapes. In 1927, he visited Yosemite and the Sierra Nevada, creating over a hundred paintings and sketches of the high country. Obata stayed in the USA until the death of his father in 1928. Between 1928 and 1932, he worked in Tokyo as a painter and transformed his California landscape watercolors...

"Bright Bouquet" is an original Contemporary Expressionist floral painting by French artist Natalya Mougenot, created in 2026 as part of her ongoing series dedicated to flowers. Executed with watercolors and acrylic paint pens on heavyweight professional acid-free paper, this A4 artwork (21 × 29.7 cm 8.27 × 11.69 inches) celebrates the emotional power of color through an expressive visual language inspired by nature. A vibrant bouquet of golden blossoms rises from a luminous pink pitcher...

Red Horse A symbol of aggression — not destructive, but productive. A force that exists within each of us, yet one we do not always allow to be released. It is an energy of movement ...

Chiura Obata Dahlias, 1940 Signed, dated and stamped lower right Watercolor on paper 15 x 9 5/8 inches Born in the Okayama prefecture of Japan, Chiura Obata was adopted by his uncle, an artist. As a child he was trained in ink painting, and at 14 he was apprenticed to the painter Murata Tanryo in Tokyo. He also studied with Kogyo Terasaki and Goho Hasimoto. In 1903, Obata moved to San Francisco and began working as an illustrator for The New World and The Japanese American, two of the city's Japanese newspapers. He also did work as a commercial designer. Obata helped establish the East West Art Society in San Francisco in 1921, which sought to promote cross-cultural understanding through art. This goal was reflected in his embrace of the Nihonga style, which fused traditional Japanese sumi-e ink painting with the conventions of western naturalism. He spent much of the 1920s painting landscapes throughout California, and among his favorite subjects were mountain landscapes. In 1927, he visited Yosemite and the Sierra Nevada, creating over a hundred paintings and sketches of the high country. Obata stayed in the USA until the death of his father in 1928. Between 1928 and 1932, he worked in Tokyo as a painter and transformed his California landscape watercolors...

Judith Brown (December 17, 1931 – May 11, 1992) was a dancer and a sculptor who was drawn to images of the body in motion and its effect on the cloth surrounding it. She welded crush...

The Garden Of Eden is a Drawing in watercolor and pencil on ivory-colored paper realized by Gustave Bourgogne in the early 20th century. Good conditions. The artwork has represente...

Still Life with Tromp L'Oeil Graphite and watercolor on a book page. Signed in ink by the artist lower right corner (see photo) Provenance: Estate of the artist (Estate No. 00916 verso) Ray Sommer (the artist's son) Joseph M. Erdelac (No. 18 JME verso) Book page verso is an illustration of a Durer woodcut...

This bouquet, likely executed during the later part of Olle Hjortzberg’s career around 1950, presents a freely arranged bouquet of meadow flowers. The bouquet appears to be dominated...

Vortex Twin Flame Mixed Media Ink on archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting ...

Watercolor on heavy paper realized by Carlo Ravagnan in 1980. Hand signed lower left. Date on rear, Excellent condition.