Oversized Drawings and Watercolor Paintings

Beautiful and vibrant, Untitled was created by Peter Kitchell in 1989 as an original watercolor on paper. The artwork is hand-signed, titled, and dated, measuring 41 ½ x 39 ½ in. (1...

Christopher "Flore" Florentino Gardens, 2025 Signed by the artist Acrylic on canvas, unframed 60 x 60 inches This piece is unique Currently on display at Art Angels in Los Angeles, CA.

Christopher "Flore" Florentino Abundance By Subtraction II, 2025 Signed by the artist Acrylic on canvas, unframed 80 x 50 inches This piece is unique Currently on display at Art Ang...

Christopher "Flore" Florentino Long Walks, 2025 Signed by the artist Acrylic on canvas, unframed 48 x 30 inches This piece is unique Currently on display at Art Angels in Los Angele...

Christopher "Flore" Florentino Warmth, 2025 Signed by the artist Acrylic on canvas, unframed 48 x 30 inches This piece is unique Currently on display at Art Angels in Los Angeles, CA.

Christopher "Flore" Florentino Open Sea, 2025 Signed by the artist Acrylic on canvas, unframed 60 x 60 inches This piece is unique Currently on display at Art Angels in Los Angeles,...

This is a gouache and ink painting by Alexander Calder. It is signed and dated “Calder 72” at the lower right corner. It was painted in 1972. The paper bears the Les Papiers Canson L...

Gerome Kamrowski Pink Garden, 1947 Signed lower left Watercolor on paper 22 x 30 inches Gerome Kamrowski was born in Warren, Minnesota, on January 19, 1914. In 1932 he enrolled in ...

Christopher "Flore" Florentino The Best Things in Life, 2024 Signed by the artist Acrylic on canvas, unframed 78 x 112 inches This piece is unique Currently on display at Art Angels...

Christopher "Flore" Florentino Pink Petals, 2024 Signed by the artist Acrylic on canvas, framed 48 x 60 inches This piece is unique Currently on display at Art Angels in Los Angeles...

Christopher "Flore" Florentino Dear Summer, 2024 Signed by the artist Acrylic on canvas, framed 50 x 50 inches This piece is unique Currently on display at Art Angels in Los Angeles...

Christopher "Flore" Florentino Near or Far (Diptych), 2024 Signed by the artist Acrylic on canvas, framed 60 x 40 inches each This piece is unique Currently on display at Art Angels...

Christopher "Flore" Florentino Diary of a Mad Man, 2024 Signed by the artist Acrylic on canvas, framed 80 x 90 inches This piece is unique Currently on display at Art Angels in Los ...

Christopher "Flore" Florentino Super Fearless, 2024 Signed by the artist Acrylic on canvas, framed 40 x 60 inches This piece is unique Currently on display at Art Angels in Los Ange...

Christopher "Flore" Florentino Pull Your Wires Out, 2024 Signed by the artist Acrylic on canvas, framed 70 x 80 inches This piece is unique Currently on display at Art Angels in Los...

Christopher "Flore" Florentino Quentin Road, 2024 Signed by the artist Acrylic on canvas, framed 60 x 40 inches This piece is unique Currently on display at Art Angels in Los Angele...

Christopher "Flore" Florentino Plenitude, 2024 Signed by the artist Acrylic on canvas, framed 45 x 90 inches This piece is unique Currently on display at Art Angels in Los Angeles, CA.

Christopher "Flore" Florentino The Suspended Tiger, 2024 Signed by the artist Acrylic on canvas, framed 60 x 60 inches This piece is unique Currently on display at Art Angels in Los...

Christopher "Flore" Florentino The Painter Took A Walk, 2024 Signed by the artist Acrylic on canvas, framed 60 x 40 inches This piece is unique Currently on display at Art Angels in...

Drawing (Green with Three Tongues), Pastel on CutOut Paper by Richard Smith, 1970 Additional information: Medium: Pastel on Cut-out Paper with Staples 99 x 143 cm 39 x 56 1/4 in Signed and dated Smith was a key figure in the British development of Pop Art. By 1970 when this work was executed, Smith was primarily concerned with the examination of the two-dimensional nature of painting and was experimenting in both his oils and his works on paper with extending the paint surface out into a three-dimensional space. In this work we see the added extensions in collage (the ‘three tongues’) to the normal rectangular format. The large scale is testament to the influence of advertising in Smith's late 60s and early 70s works. This work was made in the same year that Richard Smith represented Great Britain at the XXXV Venice Biennale, with a solo show in the British Pavilion. Smith was chosen by a committee of art experts, who were Director of Tate Norman Reid, art historian Alan Bowness, art collector David Thompson, the British Council’s Lilian Somerville and art historian Norbert Lynton. It was a hugely defining period in Smith's career, including the creation of his sculpture-cum-paintings 'Waterfall', 'Triangular' (both in the collection of Tate, London) and Sphinx Series (British Council), before he began developments towards his Kite Series in 1971. Charles Richard "Dick" Smith was an English printmaker and painter. Smith was born in Letchworth, Hertfordshire, to Doris (née Chandler), a nurse and daughter of a chemical company director. He studied at Hitchin Grammar School and Luton School of Art. After military service with the Royal Air Force in Hong Kong, he attended St Albans School of Art followed by post-graduate studies at the Royal College of Art, London, from 1954-57. Smith shared a flat-cum-studio with Peter Blake in his second year at the RCA, and then again for two years after he left the college in 1957. When Terence Conran's Soup Kitchen opened on Fleet Street in the late 1950s, it featured a letter-collage mural by Smith and Blake. Michael Chow would later commission Smith to design installations for his restaurant in Los Angeles, and Chow and Conran have remained two of his biggest supporters. In 1959 he moved to New York to teach on a Harkness Fellowship, staying for two years, where he produced paintings combining the formal qualities of many of the American abstract painters which made references to American commercial culture. The artist's first solo exhibition was at the Green Gallery. As his work matured it tended to be more minimal, often painted using one colour with a second only as an accent. In trying to find ways of transposing ideas, Smith began to question the two-dimensional properties of art itself and to find ways by which a painting could express the shape of reality as he saw it. He began to take the canvas off the stretcher, letting it hang loose, or tied with knots, to suggest sails or kites - objects which could change with new directions rather than being held rigid against a wall, and taking painting close to the realm of sculpture. These principles he carried into his graphic work by introducing cut, folded and stapled elements into his prints; some works were multi-leaved screenprinting, and others printed onto three-dimensional fabricated metal. Smith returned to England in 1963 - specifically East Tytherton, Wiltshire where Howard Hodgkin was a neighbour - and gained critical acclaim for extending the boundaries of painting into three dimensions, creating sculptural shaped canvases with monumental presence, which literally protruded into the space of the gallery. Evocative titles such as Panatella and Revlon, and cosmetic, synthetic colours alluded to the consumer landscapes of urban America which had proved so influential. He showed at the Kasmin Gallery, a venture between Kas and the Marquess of Dufferin and Ava in New Bond Street, throughout the 60s, more-widely known as David Hockney's first gallery. After being awarded the Grand Prize at the 9th São Paulo Biennial in 1967 and important exhibitions at Kasmin in 1963, Tate in 1964, and Richard Feigen Gallery in 1966, Smith was invited to exhibit at the XXXV Venice Biennale as the official British artist in 1970. Smith was chosen by a committee of art experts, who were Director of Tate Norman Reid, art historian Alan Bowness, art collector David Thompson, the British Council’s Lilian Somerville and art historian Norbert Lynton. Smith taught with Richard Hamilton at Gateshead in 1965, where he met Mark Lancaster and Stephen Buckley, and again in 2000, becoming close to the artist and his wife, Terry. By the late 1960s Smith's ambition to produce paintings which shared a common sensibility with other media, such as film and photography, began to wane and he focused on the formal qualities of painting. The freestanding installation Gazebo exhibited at the Architectural League of New York in 1966, and a tent project at the Aspen Design...

Jack Scott "Airveil" 3/1976 Charcoal on unprimed canvas sprayed with custom fixative 94.25"x60.25" unstretched Signed, titled and dated in pencil on reverse Excellent Condition - Minor wear consistent with age and history. This canvas is a testament to the artist's meticulous craftsmanship and creative vision. The intricate charcoal cross-hatch arches create a captivating play of light and shadow, each mark bearing the artist's hand. To enhance and preserve this piece, the artist has applied multiple layers of their custom-made a fixative. This carefully curated process not only protects the delicate charcoal work but also adds depth and texture to the piece. The result is a mesmerizing work of art that begs viewers to explore its intricate details and reveals new dimensions with each look. This piece is intended to be stretched and stapled on a wall without a frame. JACK SCOTT (b.1953) Education: MFA San Francisco Art Institute (1978) BA San Francisco State University (1976) College of Marin (1971-1974) Exhibitions Include: Los Angeles Institute of Contemporary Art (solo) Hansen Fuller Golden Gallery, San Francisco (solo) Kirk deGooyer Gallery, Los Angeles, (solo) "California Drawings", Modernism, San Francisco Awards and Distinctions Include: National Endowment for the Arts, Artist Fellowship Grant Marin Arts Council Individual Artists Grant Finalist, S.E.C.A. Award, San Francisco Museum of Modern Art Publications Include: Albright, Thomas. Art in the San Francisco Bay Area, 1945-1980 University of California Press, 1985 Articles and Reviews Include: Fischer, Hal, ARTFORUM Wilson, William, THE LOS ANGELES TIMES Rosenthal, Adrienne, ART WEEK Albright, Thomas, SAN FRANCISCO CHRONICLE Gardener, Colin, ARTWEEK Solnit, Rebecca. Arts, PACIFIC SUN Pincus, Robert, LOS ANGELES TIMES Frankenstein, Alfred, SAN FRANCISCO CHRONICLE Public Collections Include: Prudential, Inc., New Jersey Security Pacific Bank, Los Angeles Illinois Bell...

Christopher "Flore" Florentino A Grand Gesture, 2024 Signed by the artist Acrylic on canvas, framed 70 x 80 inches This piece is unique Currently on display at Art Angels in Los Ang...

About the Artist: Claire Gilliam is an English photographer, printmaker, painter now based from her home and studio in Warwick, NY. In 1997, she graduated from Sheffield Hallam Unive...

About the Artist: Claire Gilliam is an English photographer, printmaker, painter now based from her home and studio in Warwick, NY. In 1997, she graduated from Sheffield Hallam Unive...

About the Artist: Claire Gilliam is an English photographer, printmaker, painter now based from her home and studio in Warwick, NY. In 1997, she graduated from Sheffield Hallam Unive...

Artist Enrique Alférez was born in Zacatecas, Mexico and lived nearly the entire 20th century. After service in the Mexican Revolution as a youth, he emigrated to Texas, studied in C...

Modern watercolor seascape painting by renowned sporting artists John P. Cowan. The work was originally created by Cowan to be used by Schlumberger as part of their fishing schedule calendar. Signed in the front lower left corner. Currently hung in a gold frame with a cream matting. Provenance includes a framed letter...

Jack Scott "Black Arc, High Arc" 4/1976 Charcoal on unprimed canvas sprayed with custom fixative 90.25"x60" unstretched Signed, titled and dated in pencil on reverse This canvas is ...

Jack Scott "Slow Blur" 1976 Charcoal on unprimed canvas sprayed with custom fixative 89.25"x60.25" unstretched Signed, titled and dated in pencil on reverse This canvas is a testame...

Oil on board, signed verso Image size: 40 1/4 x 29 inches (102.25 x 73.5 cm) Hand made contemporary style frame Here we see a smartly dressed woman sat on a park bench, feeding a group of pigeons that surround her. Lena Gurr had a prolific career in which she painted landscape scenes and still lifes but her most noted works are ones such as these, showing everyday city scenes that were laced with social commentary. Indeed, Gurr noted that her artwork always aimed to show "the joys and sorrows of everyday life." During the course of her career Gurr's compositions retained emotional content as they evolved from a naturalistic to a semi-abstract cubist style. Discussing this trend, she once told an interviewer that as her work tended toward increasing abstraction she believed it nonetheless "must have some kind of human depth to it." Lena Gurr  Lena Gurr, born in Brooklyn in 1897, studied at the Brooklyn Training School for Teachers, the Educational Alliance Art School, the Arts Students League with John Sloan, and with Maurice Sterne in Paris as well as in Mentone and Nice, France. Gurr was a member of the Artists League of America, the National Association of Women Artists, the New York Society of Women Artists, the Brooklyn Society of Artists, Audubon Artists and the American Artists Congress. She exhibited in numerous exhibitions held by these organizations as well as the Whitney Studio Club, National Academy of Design, Virginia Museum of Fine Arts, Brooklyn Museum, and the 1939 World's Fair. Her work is included in the collections of the Biro-Bidjan Museum, Russia and the Library of Congress, where she has been selected as a "Curator's Choice" in the Smithsonian Archives of American Art. In addition to her career as a painter, lithographer and serigrapher, she also taught art in the New York City public school system. She had three solo exhibitions at the ACA Gallery in 1935, 1939 and 1945, and a retrospective in 1963. Notable among Gurr's colleagues - many of them WPA artists - were Mary Cecil Allen...

Jack Scott "Light Black Blur #2" 1978 Charcoal on unprimed canvas sprayed with custom fixative 177.25x83.25" unstretched Signed on reverse Installation: This piece is intended to be stretched and stapled to the wall without a frame. Excellent Condition - Minor wear consistent with age and history. This canvas is a testament to the artist's meticulous craftsmanship and creative vision. The intricate charcoal cross-hatch arches create a captivating play of light and shadow, each mark bearing the artist's hand. To enhance and preserve this piece, the artist has applied multiple layers of their custom-made a fixative. This carefully curated process not only protects the delicate charcoal work but also adds depth and texture to the piece. The result is a mesmerizing work of art that begs viewers to explore its intricate details and reveals new dimensions with each look. About the work: Working on large unstretched canvases, Jack Scott draws charcoal arcs in a freehand style. Through placement and density the arcs create patterns of light and dark, vibrating with a luminescence unanticipated by the rawness of the materials. In previous works the arcs coalesced into amorphous forms—romantic sensations suggesting clouds, smoke or fog. With his recent works Scott introduces a concrete graphic form, large bisecting arcs that are giant magnifications of the minutely rendered arcs. Environmental romanticism yields to a bolder sensibility, as these shapes bear relationship to configurations favored by Minimalists and hard-edge abstractionists. However, Scott’s web of soft, undulating arcs subverts the large-scale coolness of the primary form. In this sense the artist’s works remind one of Rothko, whose monumental forms were also conceived through a diffused or soft-edge development. The method of building up freehand forms is remarkable considering the massive scale favored by the artist. From this standpoint his drawing seems imbued with a medieval intensity, displaying a feeling for concentration and handcraft that is often absent from contemporary art. —Hal Fischer

Jack Scott "Black Drawing (Introductions)" 5/1976 Charcoal on unprimed canvas sprayed with custom fixative 92.5"x59.5" unstretched Signed, titled and dated in pencil on reverse This...

Jack Scott "Clear Lobe" 1-77 Charcoal on unprimed canvas sprayed with custom fixative 83.25'x57" unstretched Signed, titled and dated in pencil on reverse This canvas is a testament...

In Between #13 2021 Colored pencil on paper 69 x 43.75 inches Contact gallery for price. This artwork by Zachari Logan is offered by CLAMP in New York City.

This is a drawing of a man nude from the waist down wearing a blue tank top that says Hawaii. This work by Zachari Logan measures 64 by 42 inches and is mad...

Jack Scott "T-Blur" 3-27-77 Charcoal on unprimed canvas sprayed with custom fixative 69"x59.5" unstretched Installation: This piece is intended to be stretched and stapled without ...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

This work is offered by CLAMP in New York City.

"Garden of Eden" Abstract Painting 55" x 55" inch by Lana Khayat Work on paper and framed in glass. ABOUT: Lana Khayat is a Lebanese artist, currently b...

Daphné 2012 Graphite on paper 42.5 x 44 inches Contact gallery for price. This work is offered by CLAMP in New York City.

Zachari Logan “Bones, Stems, Petals, Leaves (Pool Series)” 2022 Accompanied by a certificate of authenticity Blue pencil on mylar 60 x 24 inches Con...

Zachari Logan “Dandelions Become Clouds (Unkraut stirbt nie)” 2022 Accompanied by a certificate of authenticity Blue pencil on paper 15 x 41.25 inche...

2022 Pastel, watercolor, and colored pencil on paper 50 x 186 inches (127 x 472.4 cm) Contact gallery for price. This work is offered by CLAMP in New York City.

Brittany Noriega Unsteady (Am I Ready?) Graphite on Archival Paper Year: 2021 Size: 27 x 41 x 1.3 inches Unique Signed by hand Framed COA provided Ref.: 924802-1038 Tags: drawing, ...

Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses various mixed media including sumi ink and oil to convey his unique heritage. Raised between Venezuela, Jaka...

Cima Canali #2, 2014 Watercolor on paper on canvas inch 62.9 x 45.2 Silvia De Bastiani was born in Feltre (north Italy) in 1981. Currently, she lives and works in the Dolomites are...

Attributed to Ukita Ikkei (1795-1859) Hanging scroll painting of the American ship commanded by Commodore Matthew Perry in Uraga Bay, annotate...

Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses various mixed media including sumi ink and oil to convey his unique heritage. Raised between Venezuela, Jaka...

A painting on paper set in a white shadow box frame, 51.5x50" framed, protected by an acrylic glazing. Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses vari...

Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses various mixed media including sumi ink and oil to convey his unique heritage. Raised between Venezuela, Jaka...

A painting on paper set in a white shadow box frame, 44.5x71.5" framed, protected by an acrylic glazing. Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses va...