Modern Nude Drawings and Watercolors

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Ben...

Prakash Karmakar - Beach Series - 10 x 14 inches (unframed size) Ink on Paper, 2006 ( Framed and Delivered ) Style : Legendary master artist Lt. Prokash Karmakar from Bengal was sol...

Prakash Karmakar - Beach Series - 10 x 14 inches (unframed size) Ink on Paper, 2006 UNFRAMED ALL IN DELIVERED PRICE Style : Legendary master artist Lt. Prokash Karmakar from Bengal ...

Prakash Karmakar - Beach Series - 10 x 14 inches (unframed size) Ink on Paper, 2006 UNFRAMED ALL IN DELIVERED PRICE Style : Legendary master artist Lt. Prokash Karmakar from Bengal ...

Prakash Karmakar - Untitled - 23 x 20 inches Marker on Paper , 1998 Delivery of shipment in roll form. Style : Legendary master artist Lt. Prokash Karmakar from Bengal was solely re...

Prakash Karmakar - Lady with the Lamp - 48 x 36 inches (unframed size) Ink on Canvas Inclusive of shipment in roll form. Style : Legendary master artist Lt. Prokash Karmakar from B...

Prakash Karmakar - Lady with Flowers - 39 X 30 inches (unframed size) Ink on Canvas Inclusive of shipment in roll form. Style : Legendary master artist Lt. Prokash Karmakar from Be...

Prakash Karmakar – Untitled – 14.5 x 11 inches (unframed size) Ink on paper Inclusive of shipment in roll form. Style : Legendary master artist Lt. Prakash Karmakar fr...

Prakash Karmakar - Untitled - 10.5 x 14.5 inches (unframed size) Ink on paper Signed lower right in Bengali Inclusive of shipment in roll form. Style : Legendary master artist Lt. P...

Prakash Karmakar – Untitled – 10.5 x 14.5 inches (unframed size) Ink on paper Signed lower right in Bengali Inclusive of shipment in roll form. Style : Legendary maste...

Prakash Karmakar – Untitled – 7 x 5 inches (unframed size) Ink drawings at the back of a card. (Framed & Delivered) Style : Legendary master artist Lt. Prokash Karmakar from Beng...

Jogen Chowdhury - Man Kneeling on the floor - 20 x 28 inches (unframed size) Dry Pastel on paper Inclusive of shipment in roll form. Kneeling Man takes a fresh look at tradition and Modernism , drawing freely upon ideas and values from native sources , solely guided by their need for self expression . This determined not only how they would paint but also what they would paint . A core subject in around which he would organise the perception of the worls within and without. The Kneeling Man is a perfect example of Chowdhury's mastery of lines and to make the curves depict the character of his figures. By careful distortion of the form he imparts the air of caricature in his figures, figures of men and women...

Artist: Ben Benn, Polish/American (1884 - 1983) Title: Seated Nude Year: 1923 Medium: Pastel on Paper, signed and dated l.r. Size: 24 x 18 in. (60.96 x 45.72 ...

Artist: Remo Farruggio, Italian/American (1904 - 1981) Title: Study of a Woman Year: 1955 Medium: Graphite on Paper, signed and dated Size: 24 in. x 1...

Reclining Female figure, original signed line drawing, in pencil and ink by Albert Radoczy. Albert Radoczy was a master at exploring the female form. Throughout his career, his draw...

The artist renders the image of a sitting woman using delicate contour lines similar to Matisse. The artist avoids use of color, light and shadow emphasizing the contour of the figure.

Louise Nevelson (1899-1988) stands as one of the most important artists of the 20th century. She is renowned for her monochromatic sculptural wooden constructions. However, it is im...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Ben...

A nude viewed from behind, with black hair , inscribed on the lower right by the artist John Begg "Mature Nude" c.1953 Outlined in black ink and with som...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Ben...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...

Barbara Nessim is an artist/ illustrator who has contributed to Harper's Bazaar, Esquire, New York Magazine, Rolling Stone, Time, Ms among others. Sign...

In 1955, as he was residing at the Château de Chassy in the Morvan for two years, Balthus created a large painting entitled "Getting up". Balthus was inspired for this painting by t...

Lisa Martin - Decora, Year: 2004, Medium: Charcoal on Paper, signed lower right, signed and dated on verso, Size: 17 x 25.5 in. (43.18 x 64.77 cm)

Ink on paper, signed and dated '34 lower left Image size: 9 3/4 x 15 inches (24.75 x 24.5 cm) Mounted and framed A unique drawing, this work is typical of Brodzky's early nudes with its economy in the use of the line and the seemingly relaxed, informal pose of the model. The spontaneous feel of many of Brodsky's drawings does in a way indicate that the works, such as the present drawing, are purely sketches and studies. In fact, Brodsky was known for making perhaps twenty or thirty drawings at a sitting and of those he preserved perhaps only a handful, only those that 'pass his rigorous censorship sum up qualities resulting from the perfect collaboration of hand and eye and sensibility' (Forty Drawings by Horace Brodsky, by James Laver, 1935, p.15). Laver continued to write that 'Brodsky preferred a pose that showed the body from an unexpected angle, daringly foreshortened or with the weight of the various parts freed from the monotony of the standing pose. He liked to see his models from above, the limbs relaxed, and.... he made many of his drawings from a step-ladder drawn up close to the platform on which the model is lying'. Horace Brodsky Horace Ascher Brodzky (30 January 1885 – 11 February 1969) was an Australian-born artist and writer most of whose work was created in London and New York. His work included paintings, drawings and linocuts, of which he was an early pioneer. An associate in his early career of many leading artists working in Britain of his period, including Henri Gaudier-Brzeska, Mark Gertler, and members of the Vorticism movement, he ended his life relatively neglected. Brodzky was born in Kew, Melbourne in 1885 to the Australian journalist Maurice Brodzky (a Jewish immigrant to Australia from Poland), and his wife Flora, née Leon. In his youth he assisted his father in the production of the magazine Table Talk. Brodzky studied initially at the National Gallery School in Melbourne. In 1904 his father was bankrupted after exposing corruption, and Horace moved with his family to San Francisco. In 1908, Brodzky went to London where he studied during 1911 at the City and Guilds South London Technical Art School. He became an acquaintance and follower of Walter Sickert. Amongst his friends was Henri Gaudier-Brzeska who created in 1913 a portrait bust of Brodzky (now in the Tate Gallery, London), and whose biography he wrote in 1933. Brodzky is said to have been so engrossed in talk when he visited Gaudier-Brzeska's studio in the King's Road, that he missed the last bus to Herne Hill where he lived. Brodzky travelled to Italy with the poet John Gould Fletcher and this led to his first London exhibition, "Paintings and Sketches of Italian and Sicilian Scenes" (c. 1911), of which one painting was selected for the 1912 Venice Biennale. He was in fact the first Australian to be exhibited at the Biennale. In 1914 his work was exhibited along with that of other Jewish artists, including Mark Gertler and David Bomberg, in the Whitechapel Gallery. Brodzky became a member of The London Group. During this period he was a pioneer of the technique of linocut, in which medium he has been said to have "excelled". His early oils reveal the influence of both Gertler and Bomberg. Among his works of this period are portraits of Jacob Epstein and Jacob Kramer. In 1915 Brodzky moved to New York, with an introduction to the art patron John Quinn. There he worked as a poster artist and an arts journalist, and in 1917 helped Quinn organize a New York exhibition of Vorticist artists. In 1919 he married Bertha Greenfield; they were to have three sons. In 1920 Egmont Arens...

"Spiritual Self-Portrait" is a portrait of the artist by the artist. She has presented herself nude gazing boldly and directly at the viewer not so much challenging, but inviting dia...

David Hockney Shower Study 2, 1963 signed with the artist's initials, titled and dated 'Shower Study 2 DH. '63' (lower right) wax crayon and graphite on paper 12 3/8 x 9 7/8 in (31.4...