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Art by Medium: Drypoint

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Medium: Drypoint
Icart, Composition, Le Sopha (after)
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Miss Taylor
Located in Fairlawn, OH
Miss Taylor Drypoint, c. 1900 Signed in pencil lower left (see photo) Small edition, about 10 Very rich impression, full of burr Condition: Excellent Image size: 21-1/4 x 13-1/4" She...
Category

Early 1900s Art Nouveau Art by Medium: Drypoint

Materials

Drypoint

"Holzbrücke" Max Beckmann, 1922 Modernist Drypoint Urban Landscape
Located in New York, NY
Max Beckmann Holzbrücke, 1922 Signed in pencil lower right Drypoint on cream wove paper 11 3/8 x 9 3/8 inches From the edition of 150 Max Beckmann dreamed up a world of actors, cab...
Category

1920s Modern Art by Medium: Drypoint

Materials

Handmade Paper, Drypoint

Salvador Dali "Transfiguration"
Located in Boston, MA
Artist: Dali, Salvador Title: Transfiguration Date: 1973 Medium: Drypoint with Added Watercolor Unframed Dimensions: 30" x 22" Signature: Pencil signed Edition: 100/100 Litera...
Category

1970s Surrealist Art by Medium: Drypoint

Materials

Drypoint, Watercolor

Salvador Dalì (1904-1989) - Leda and the Swan -heliogravure and drypoint etching
Located in Varese, IT
mixed media incorporating heliogravure and drypoint etching hand-colored on Arches paper , Edited in 1964 limited edition, numbered in lower left corner 84/150 signed in pencil by a...
Category

1960s Abstract Art by Medium: Drypoint

Materials

Drypoint, Etching

Joan Miro, "Le Penseur Puissant", etching, hand signed
Located in Chatsworth, CA
An original etching, aquatint, dry-point and carborundum by Joan Miro, 1969. It is hand signed and numbered H.C. aside the edition of 75 copies on Arches, plus some H.C. copies. The...
Category

1960s Abstract Art by Medium: Drypoint

Materials

Drypoint, Etching, Aquatint

Landscape with Horses.
Located in Storrs, CT
Kennedy catalog 36 state ii; Glasgow 45 state ii. Image: 4 7/8 x 7 3/4 (sheet 6 7/8 x 9 5/8).The Glasgow catalog records 32 known impressions. A scarce early etching -- there was no ...
Category

Mid-19th Century American Impressionist Art by Medium: Drypoint

Materials

Drypoint, Etching

In th Bighorns (Wyoming)
Located in Fairlawn, OH
In th Bighorns (Wyoming) Drypoint, c. 1930's Signed in pencil lower right (see photo) Titled in the plate lower left Condition: Excellent Image/Plate size: 6 3/8 x 4 3/8 inches Hans Kleiber (1887-1967) Hans Norbert Kleiber, painter, etcher, illustrator, and naturalist, was born in Cologne, Germany on August 24, 1887. He emigrated from Germany to the United States in 1900, settling in Massachusetts before moving to Wyoming. Kleiber first worked in lumber camps before working for the United States Forest Service from 1906 until 1924. One of his duties as a ranger was to monitor the logging camps in the Bighorn Mountains. Kleiber was primarily self-taught as an artist and it was in the 1920s that he began devoting himself to art. It appears that he first began to work in watercolor and oil but was producing etchings and drypoints as early as 1924. He traversed the mountains of Wyoming, Montana, and Idaho, and his subjects are drawn from the pristine landscapes and wildlife. Kleiber's first exhibition of his etchings was mounted in 1928 at Goodspeed's Book Shop in Boston. His etching, Crossing the Platte, was included in the 1939 New York World's Fair exhibition, American Art Today. There was an exhibition of fifty of his etchings at the National Museum in 1944, and an exhibition of his watercolors was mounted at the Grand Central Galleries in New York in 1950. Kleiber was a member of the Society of American Etchers and the California Society of Printmakers. He received a silver medal in 1931 from the Printmakers Society of California for his print, Leaving the High Country...
Category

1930s American Realist Art by Medium: Drypoint

Materials

Drypoint

Feuille d'etudes Techniques: Neuf Tetes
Located in New York, NY
Etching and drypoint on laid paper, 1934. With Picasso's ink stamped signature lower right, and numbered 29/50 in pencil lower left. Image 12.25 x 8.75 inches, full sheet 19.5 x 13...
Category

1930s Modern Art by Medium: Drypoint

Materials

Etching, Drypoint

Salvador Dali "Leda and the Swan"
Located in Boston, MA
Artist: Dali, Salvador Title: Leda and the Swan Series: The Mythology Date: 1963 Medium: drypoint on Japon paper Unframed Dimensions: 30" x 18 1/8" Framed Dimensions: 42" x 34...
Category

1960s Surrealist Art by Medium: Drypoint

Materials

Drypoint

Les Saltimbanques
Located in Wien, 9
Pablo Picasso's ,,Les Saltimbanques" is a captivating drypoint etching created in 1905. The work is unnumbered and part of the catalog raisonné. The artwork explores the lives of cir...
Category

Early 1900s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

The Biggest of All; Telephone and Telegraph Building.
Located in Storrs, CT
The Biggest of All; Telephone and Telegraph Building. 1925. Etching. Wuerth 853. 9 7/8 x 11 7/8 (sheet 11 1/2 x 17 1/8). Edition probably 35. An atmospheric impression with plate tone, printed on antique laid paper...
Category

Early 20th Century American Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Standing Female Nude
Located in Fairlawn, OH
Standing Female Nude Drypoint, c. 1910 Unsigned Estate authentication on verso (see photo) Estate authentication verso by Frances Frieseke Kilmer (Mrs. Kenton Kilmer, 1914-1998) (see photo) Probably depicts the artist's wife, the artist's favorite model Extremely rare original drypoint by Frieseke Printed with selective inking to highlight the figure Condition: excellent Image/Plate size: 10 x 6 5/8 inches Frame size: 19 1/4 x 15 3/4 inches Provenance: Estate of the Artist By descent to his daughter Frances Hirschl & Adler Gallery, Stock No. APG 1106.3D-B (see photo) Biography Frederick Carl Frieseke was born on April 7, 1874, in Owosso, Michigan. After studying for a short while at the Art Institute of Chicago and the Art Students League in New York, Frieseke left for France in 1898, and almost all of his career was spent as an expatriate, with ties to the United States maintained through his New York dealer, William MacBeth, and by occasional visits to America. Following the pattern of innumerable young Americans, he enrolled at the Academie Julian where he studied with Benjamin Constant (1845-1902) and Jean-Paul Laurens (1838-1921). He appears to have had at least brief contact with and to have been influenced by James McNeill Whistler, who had recently opened his Academie Carmen in Paris. By 1900 Frieseke was spending summers in the town of Giverny, made famous by the residence of Monet and subsequently by other artists, among them many Americans. In 1906, the year after his marriage to Sarah O'Bryan, he leased a house once occupied by the American Impressionist Theodore Robinson. Although the property was adjacent to Monet's, Frieseke had only limited contact with the French master. Instead he apparently found Pierre Auguste Renoir the most influential of all the Impressionists. Frieseke's Giverny house and garden, as settings for a series of female models, provided nearly all of his subject matter for the next thirty years, although in 1930 he made a series of watercolors of Florida scenes remembered from his childhood and painted some Swiss landscapes. After World War I, the artist and his family settled in Normandy. Frieseke's career falls roughly into three stages. In the first, figures most clearly show his academic training and draughtsmanship. Gradually these evolve into the most common images of the next decade, comprised of loosely-applied blotches of bright color. The vast majority of these show their subjects in the garden, standing among the flowers, taking tea, or just basking in the sun. Others include models in colorful, light-filled interiors. In Frieseke's latest paintings, the figures very often appear indoors, their forms are given greater solidity, and the brushwork is less broken. At the height of his career, in the 1910s and early 1920s, Frieseke was perhaps the most popular of all living American artists. He received numerous awards and medals and saw his work purchased by private collectors and major museums. Decades after the initial introduction of Impressionism by Monet and his contemporaries, Frieseke assumed this style for his work, choosing to ignore the newer artistic movements of the early twentieth century. Nevertheless, his paintings were acclaimed in both the United States and in Europe. In 1904 he won a silver medal at the St. Louis Universal Exposition and a gold medal at Munich. He was elected a member of the Société National des Beaux Arts in 1908 and the National Academy of Design in 1912. Seventeen of his canvases were featured at the Venice Biennale in 1909 and he won the Grand Prize at the Panama-Pacific International Exposition in 1915. He was commissioned to execute several murals, including one for the New York store of John Wanamaker, one of his most loyal patrons. He died on August 28, 1939, at his home in Normandy, in the town of Le Mesnil sur Blangy. In the decades following his death, however, after artistic tastes had changed considerably, his work was nearly forgotten until it received renewed attention as interest in American Impressionism grew in the 1960s Courtesy National Gallery of Art, Washington Etchings by Frederick Carl Frieseke include The Balcony and Standing Female Nude. Frieseke was an American Impressionist painter who was popular in the 1910s and 1920s. Etchings by Frederick Carl Frieseke: The Balcony: An etching by Frieseke from 1904 Standing Female Nude Other paintings by Frederick Carl Frieseke: The Garden Parasol...
Category

1910s American Impressionist Art by Medium: Drypoint

Materials

Drypoint

Shadows on the Ramp
Located in Storrs, CT
Shadows on the Ramp. 1927. Drypoint and sand ground. McCarron 64. 9 x 10 1/2 (sheet 12 3/8 x 14). Edition 75 recorded impressions. A rich, tonal impression with drypoint burr, printe...
Category

1920s American Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Spring Night, Greenwich Village
Located in Storrs, CT
Spring Night, Greenwich Village. 1930. Drypoint and sand ground. McCarron 85. 10 x 12 3/8 (sheet 13 1/4 x 15 5/8)). Edition 92. A rich, tonal impress...
Category

1930s American Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

17th century etching Rembrandt biblical scene crucifixion figures
Located in Milwaukee, WI
Rembrandt's print 'Christ Crucified Between Two Thieves: an oval plate' is one of the most captivating of the artist's oeuvre. Etched to an oval rather than a rectangular plate and t...
Category

1640s Dutch School Art by Medium: Drypoint

Materials

Paper, Etching, Printer's Ink, Drypoint

Salvador Dalì (1904 - 1989) - Poseidon - drypoint etching hand-colored
Located in Varese, IT
Mixed media incorporating heliogravure and drypoint etching hand-colored on Arches paper , edited in 1966 Limited edition of 150 copies , numbered 18/150 in lower left Hand signed by...
Category

1960s Abstract Art by Medium: Drypoint

Materials

Drypoint, Etching

Salvador Dali "The Fiancee of King of Garbe"
Located in Boston, MA
Artist: Dali, Salvador Title: The Fiancee of King of Garbe Series: Le Decameron Date: 1972 Medium: drypoint printed in color Unframed Dimensions: 17.72" x 12.2" Framed Dimension...
Category

1970s Surrealist Art by Medium: Drypoint

Materials

Drypoint

Summer Maple
Located in New York, NY
A drypoint and aquatint by artist Sylvia Plimack Mangold.
Category

21st Century and Contemporary Art by Medium: Drypoint

Materials

Drypoint

Fifth Avenue Bridge.
Located in Storrs, CT
Fifth Avenue Bridge. 1928. Drypoint. McCarron 72. 9 7/8 x 12 (sheet 12 3/4 x 15). Edition of 108 recorded impressions. A rich impression printed on cream laid paper, with full margin...
Category

1920s American Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Icart, Composition, Le Sopha (after)
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

The Gothic Spirit
Located in Storrs, CT
The Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...
Category

1920s American Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

"La Mer VE 1/8" Intaglio, hand colored, seashell motif
Located in Philadelphia, PA
This piece titled "La Mer VE 1/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...
Category

21st Century and Contemporary Contemporary Art by Medium: Drypoint

Materials

Archival Paper, Color, Etching, Intaglio, Drypoint, Aquatint

'Blue Eyes' — Erotic Surrealism
Located in Myrtle Beach, SC
Hans Bellmer, 'Blue Eyes', engraving and drypoint, edition 99, 1971. Flahutez 89. Signed and numbered '74/99' in pencil. A fine impression, on Arches cream wove paper; the full sheet...
Category

1960s Surrealist Art by Medium: Drypoint

Materials

Engraving, Drypoint

Le Cocu Magnifique -- complete with 12 original etchings
Located in New York, NY
About In-folio Oblong Dimensions : 29x39 cm. Paris Atelier Crommelynck 1968 Edition #41 of 200 copies including 12 original out-of-text etchings (7 etchings, 4 etchings and aquatint...
Category

Mid-20th Century Modern Art by Medium: Drypoint

Materials

Drypoint, Etching, Aquatint

Icart, Composition, Le Sopha (after)
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Sexual Encounter - Etching ad Drypoint by A. Doré - Late 1900
Located in Roma, IT
Sexual Encounter is a beautiful drypoint made by the French painter, illustrator, and writer Amandine Doré in the second half of the 20th century. The st...
Category

Late 20th Century Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Etching for Stephen Spender “Fraternity”
Located in New York, NY
Wassily Kandinsky (1866-1944), Etching for Stephen Spender “Fraternity”, etching and drypoint, 1939, signed in pencil lower right. Reference: Roethel 2...
Category

1930s Abstract Geometric Art by Medium: Drypoint

Materials

Drypoint, Etching

Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Auburn Hills, MI
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category

1950s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Salvador Dalì (1904–1989) -Athene-heliogravure and drypoint etching- 1965
Located in Varese, IT
Mixed media incorporating heliogravure and drypoint etching hand-colored on Arches paper , edited in 1963 Limited edition of 150 copies , numbered 23/150 in lower left Hand signed by...
Category

1960s Abstract Art by Medium: Drypoint

Materials

Drypoint, Etching

Samuel Chamberlain, The Public Gaol, Williamsburg (Virginia)
Located in New York, NY
Samuel Chamberlain was a superb draftsman and his architectural images are often very complex. This image is, by contrast, quiet and understated: serene to the point of lonely. It's ...
Category

1930s American Modern Art by Medium: Drypoint

Materials

Drypoint

Cherry Street
Located in Middletown, NY
A view of lower Manhattan's Cherry Street as it appeared at the turn of the 20th century. One of only 5 proof impressions. New York: 1904. Drypoint with aquatint on watermarked, cr...
Category

Early 20th Century American Modern Art by Medium: Drypoint

Materials

Handmade Paper, Drypoint, Etching

Courtisane
Located in Barbizon, FR
Gravure originale tirée à 50 exemplaires, technique de l'eau-forte, numérotée et signée au crayon par l'artiste. Encadrée avec un cadre en bois et un verre musée. Numéro 35/50. Éd. d...
Category

20th Century Cubist Art by Medium: Drypoint

Materials

Drypoint

Dancers - Original Etching and Drypoint by Robert Naly - Mid 20th Century
Located in Roma, IT
Dancers is an Original Etching and Drypoint realized by Robert Naly (1900-1984) Good condition on a yellowed paper. Edition of 3/25. Hand-signed and numbered on the lower margin.
Category

Mid-20th Century Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Icart, Composition, Le Sopha (after)
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Salvador Dali "Nude with Guitar"
Located in Boston, MA
Artist: Dali, Salvador Title: Nude with Guitar Series: Secret Poems of Appolinaire Date: 1967 Medium: Drypoint etching Unframed Dimensions: 15" x 11" Framed Dimensions: 25.25"...
Category

1960s Surrealist Art by Medium: Drypoint

Materials

Drypoint, Etching

Horse & Rider Attacking Foot Soldier from De La Bataille Vol. I
Located in Milwaukee, WI
Homage a Leonardo d'Vinci (Horse & Rider Attacking Foot Soldier from De La Bataille Vol. I) Original drypoint, signed lower right, ed. VIII/L Art: 11-5/8" x 15-1/2" Frame: 27-5/8"...
Category

1970s Art by Medium: Drypoint

Materials

Drypoint

Christmas print, hand coloring in oil stick, Signed, Framed
Located in New York, NY
Jim Dine The Christmas Print (Burg, 26), 2001 Drypoint, direct gravure, etching over offset lithograph with hand coloring by artist in oil stick, on T.H. Saunders paper, the full she...
Category

Early 2000s Pop Art Art by Medium: Drypoint

Materials

Oil Crayon, Drypoint, Etching, Offset

Salvador Dalí­ -- Don Quichotte
Located in BRUCE, ACT
Salvador Dali­ Don Quichotte, 1971 Color drypoint Hand signed lower right Numbered 16/100 Image size: 51 x 39 cm Sheet size: 78.5 x 58.5 cm Printed by Ateliers Rigal, Fontenay-aux-R...
Category

1970s Art by Medium: Drypoint

Materials

Drypoint

Steps to the Grand Canal, St. Mark's in the distance, Venice.
Located in Middletown, NY
A lovely view of Venice from the water. Etching with drypoint on antique cream laid paper with a large figural watermark, signed in pencil, lower right. 14 1/4 x 11 inches (362 x 280...
Category

Early 20th Century American Modern Art by Medium: Drypoint

Materials

Laid Paper, Drypoint, Etching

Woman's Head - Woman's Head in Profile (left) (Havard)
Located in Fairlawn, OH
Woman's Head - Woman's Head in Profile (left) (Havard) Drypoint, 1920 Unsigned (as issued) From: The Drypoints of Elie Nadelman, 21 unpublished prints by the sculptor, proof from th...
Category

1920s American Modern Art by Medium: Drypoint

Materials

Drypoint

'The East River', Brooklyn Bridge — Mid-Century Realism, New York City
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur (1897-1988), 'The East River', drypoint, edition 65, 1946. Signed, titled, and annotated 'A. Jones Proof 1946' in pencil. Signed and dated in the plate, lower ...
Category

1940s American Modern Art by Medium: Drypoint

Materials

Drypoint

Confidences /// Antique Modern Etching Figurative Nude Girls Impressionist Print
By Emil Fuchs
Located in Saint Augustine, FL
Artist: Emil Fuchs (Austrian, 1866-1929) Title: "Confidences" *Signed by Fuchs in pencil lower right. It is also signed in the plate (printed signature) lower left Circa: 1920 Medium: Original Drypoint Etching on unbranded white wove paper Limited edition: Unknown Printer: the artist Fuchs himself, New York?, NY Publisher: likely the artist Fuchs himself, New York?, NY Sheet size: 7" x 8.5" Image size: 5" x 7" Condition: Never framed, has been professionally stored away for decades. Presently tipped into an archival storage mat. In mint condition Extremely rare. Lovely work Notes: Various pencil inscriptions at bottom in margins including the title. "Imp" pencil inscribed by Fuchs after his signature denoting he was the printer of this work. There is an example of this very same work within the permanent collection of the Metropolitan Museum of Art, New York, NY. The MET specifies their example was acquired as a gift directly from the artist Emil Fuchs himself in 1931. Biography: Emil Fuchs, MVO, (9 August 1866 – 13 January 1929) was an Austrian and American sculptor, medallist, painter, and author who worked in Vienna, London and New York. He painted portraits of Queen Victoria and Edward VII and was fashionable among London high society in the early 20th century. He was born in Vienna on 9 August 1866. During his years in Austria, Germany and Rome he was a sculptor and medallist who eventually began to study painting as well. He studied at the Academy of Fine Arts Vienna under Edmund von Hellmer and Viktor Oskar Tilgner. He then attended the Prussian Academy of Arts in Berlin where he studied under Fritz Schaper and Anton von Werner...
Category

1910s Impressionist Art by Medium: Drypoint

Materials

Etching, Drypoint, Intaglio

Akt mit Fächer
Located in New York, NY
A superb, richly-inked impression of an early etching and drypoint. With burr throughout and crisp plate edges. First state (of 2). Edition of 100. Signed in pencil by Chagall. Print...
Category

1920s Expressionist Art by Medium: Drypoint

Materials

Drypoint, Etching

Stoops in Snow
Located in Storrs, CT
Stoops in Snow. 1930. Drypoint and sandpaper ground. McCarron catalog 89.state ii. 9 x 14 7/8 (sheet 13 1/4 x 18 7/16 ). Edition 115 recorded impressio...
Category

1930s American Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Stoops in Snow
Stoops in Snow
$35,000 Sale Price
30% Off
The Enchanted Doorway; Venezia
Located in Middletown, NY
Etching and drypoint on antique cream laid paper, 12 3/8 x 6 9/16 inches (315 x 167 mm), full margins. Signed, dated, and inscribed "Edition 100" in pencil, lower margin. In very goo...
Category

Early 20th Century American Modern Art by Medium: Drypoint

Materials

Handmade Paper, Etching, Drypoint

Portrait of Adolph Menzel - Etching by Giovanni Boldini - 1897
Located in Roma, IT
Portrait of Adolph Menzel is a magnificent drypoint realized by Giovanni Boldini in 1897. Reference: Buzzoni / M. Toffanello, Museo Giovanni Boldini, G...
Category

1890s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Pierre-Auguste Renoir (1841-1919)  - On the beach at Bernegal
Located in Naples, Florida
Pierre-Auguste Renoir (1841-1919)  - On the beach at Bernegal
Category

20th Century Art by Medium: Drypoint

Materials

Drypoint

The Unicorn Laser Disintegrates the Horns of Cosmic Rhinoceroses (The Conquest o
Located in Greenwich, CT
The Unicorn Laser Disintegrates the Horns of the Cosmic Rhinoceroses from the Conquest of Cosmos suite – 29.5 x 22" image size, signed ‘Dalí’ lower right and annotated lower left. Fr...
Category

20th Century Surrealist Art by Medium: Drypoint

Materials

Drypoint, Lithograph

Salvador Dali "The Old Hippie"
Located in Boston, MA
Artist: Dali, Salvador Title: The Old Hippie Series: The Hippies Date: 1969 Medium: drypoint with added color Signature: Pencil signed Edition: I...
Category

1960s Surrealist Art by Medium: Drypoint

Materials

Drypoint

Kanani (Hawaii)— 1940s Polynesian Portrait
By John Melville Kelly 1
Located in Myrtle Beach, SC
John Melville Kelly, 'Kanani (Hawaii)', drypoint, 1946. Signed, titled and annotated 'No 36' in pencil. A superb impression, in dark brown ink, on ...
Category

1940s American Modern Art by Medium: Drypoint

Materials

Drypoint

La Promenade
Located in Fairlawn, OH
La Promenade Etching, soft-ground, aquatint & drypoint, Signed in pencil lower left Published by Edmund Sagot, Paris Edition of 50 in black only, aside from the edition of 50 in co...
Category

Early 1900s Art Nouveau Art by Medium: Drypoint

Materials

Drypoint, Etching, Aquatint

Icart, Composition, Le Sopha (after)
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Narrow Street in Rouen (Petite Rue Nationale, a Rouen)
Located in New York, NY
Camille Pissarro (1830-1903), Narrow Street in Rouen (Petite Rue Nationale, a Rouen), etching, drypoint, maniere grise, aquatint, 1896, signed in pencil lower right, numbered (No 6) ...
Category

1890s Impressionist Art by Medium: Drypoint

Materials

Drypoint, Etching, Aquatint

The Deer, 1942 (Histoire Naturelle - Textes de Buffon, B.336)
Located in Greenwich, CT
The Deer is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Art by Medium: Drypoint

Materials

Drypoint, Aquatint

Illusion- Original etching with hand watercolor from 1940
Located in Philadelphia, PA
Illusion by Louis Icart 1940 MINT PERFECT CONDITION Original dry point etching on paper From the rare limited edition OF 250 WITH VERY LARGE MARGINS AND THE BLINDSTAMP WINDMILL LOWER...
Category

1940s Art by Medium: Drypoint

Materials

Drypoint, Etching

The Pink Tablecloth - Original etching
Located in Paris, IDF
Henri LE SIDANER (1862-1939) The Pink Tablecloth, 1928 Original drypoint etching Signed in the plate On vellum, 28 x 20.5 cm Very good condition, minor flaws at the edges of the page
Category

1920s Impressionist Art by Medium: Drypoint

Materials

Drypoint, Etching

'Cargo Carriers' — New York Harbor
Located in Myrtle Beach, SC
Otto Kuhler, 'Cargo Carriers', etching and drypoint, c. 1932, edition 10, Kennedy 44. Signed in pencil. A superb, atmospheric impression with rich burr and selectively wiped overall plate tone, in dark brown ink, on Arches cream laid paper; wide margins (2 to 2 3/4 inches), in very good condition. Printed by the artist. Original Kennedy Galleries mat and label. Very scarce. "On my trips up and down N.Y. harbor on the Weehawken Ferry, the late evening sun playing on the side of the big liners has always intrigued me... The liner shown I believe to be the Vaterland of the North German Lloyd...
Category

1930s American Modern Art by Medium: Drypoint

Materials

Etching, Drypoint

Hommage a Picasso (Cannes) (Cote d'Azur) /// Surrealism Salvador Dali Surrealist
Located in Saint Augustine, FL
Artist: Salvador Dali (Spanish, 1904-1989) Title: "Hommage a Picasso (Cannes) (Cote d'Azur)" *Signed by Dali in pencil lower right Year: 1973 Medium: Original Drypoint Etching on Rives BFK paper Limited edition: L/CC (50/200) Printer: Atelier Rigal, Paris, France Publisher: Felicia, New York, NY and EGI, Beverly Hills, CA Reference: "The Official Catalog of the Graphic Works of Salvador Dali" - Field No. 73-5, page 84; "Dali: Catalogue Raisonné of Etchings and Mixed-Media Prints, 1924-1980" - Michler/Löpsinger No. 719, page 252 Sheet size: 26" x 19.63" Image size: 19.88" x 14.5" Condition: In excellent condition Rare Notes: Provenance: private collection - Clearwater, FL. Numbered by Dali in pencil lower left. BFK Rives watermark lower right. Some dealer reference numbers pencil inscribed on verso. Dali executed this etching in Cannes, France when he learned of Picasso's death. We are specialists in Salvador Dali's printmaking oeuvre, having personally worked with his cataloger Albert Field in the 1980's, we unconditionally guarantee all of our examples to be authentic. Biography: Salvador Dalí (May 11, 1904 – January 23, 1989), was a prominent Spanish Catalan surrealist painter born in Figueres, Spain. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí's expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media. Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental...
Category

1970s Surrealist Art by Medium: Drypoint

Materials

Etching, Drypoint, Intaglio

Portrait d'Olga Picasso (Bloch 37; Baer 57)
Located in New York, NY
Drypoint etching, 1919-1920 on laid paper, printed later, 1961 #3 From the edition of 50 Signature Stamp Picasso, lower right and numbered, lower left plate: 6 by 3 7/8 in (151 by...
Category

1920s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Drypoint art for sale on 1stDibs.

Find a wide variety of authentic Drypoint art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, yellow, green, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Salvador Dalí, Pablo Picasso, André Derain, and Anselmo Bucci. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Drypoint art, so small editions measuring 0.01 inches across are also available

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