Art by Medium: Drypoint

Paulo Picasso - Picador Drypoint etching from 1964. The edition of 6/245 on Arches paper. Dimensions of work: 35 x 26 cm. Publisher: Éditions Français Réunis, Paris. Reference: ...

One of only a handful of etchings done in the style of the painting Guernica. from 1937, one the artist's most famous works. Homme Nu Debout avec un Cheval Drypoint, 1938 Unsigned (...

This exquisite engraving by Pablo Picasso (1881–1973), titled Flutiste faune II (Faun Flutist II), from Deux Contes, Le Centaure picador, Le Crepuscule d'un faune (Two Tales, The Cen...

Sculpteur devant sa sellette, avec un spectateur barbu by Pablo Picasso presents a vivid scene of artistic creation observed by another figure. The composition shows a sculptor worki...

In-folio Oblong Dimensions : 29x39 cm. Paris Atelier Crommelynck 1968 Edition of 200 copies including 12 original out-of-text etchings (7 etchings, 4 etchings and acquatint and 1 e...

Provenance: Marina Picasso Estate, her number verso Purchased from Jan Krugier Gallery, NY References And Exhibitions: Georges Bloch, Picasso: Catalogue de l'oeuvre grave et lith...

This exquisite engraving by Pablo Picasso (1881–1973), titled Le centaure et son chariot (The Centaur and His Cart), from Deux Contes, Le Centaure picador, Le Crepuscule d'un faune (...

About In-folio Oblong Dimensions : 29x39 cm. Paris Atelier Crommelynck 1968 Edition #41 of 200 copies including 12 original out-of-text etchings (7 etchings, 4 etchings and aquatint...

Etching, aquatint and drypoint. Not Signed and not Numbered as issued. Edition of 226 pieces. Belongs to the Suite "Histoire Naturelle de Buffon" (plate p. 86). Printed by Lacourièr...

This exquisite engraving by Pablo Picasso (1881–1973), titled Le Centaur Picador (The Centaur Picador), from Deux Contes, Le Centaure picador, Le Crepuscule d'un faune (Two Tales, Th...

This piece is an original drypoint created by Pablo Picasso in 1905 and printed by Ambroise Vollard after steel-facing in 1913. It is from a series entitled La Suite des Saltimbanque...

Etching and drypoint on laid paper, 1934. With Picasso's ink stamped signature lower right, and numbered 29/50 in pencil lower left. Image 12.25 x 8.75 inches, full sheet 19.5 x 13...

Drypoint etching, 1919-1920 on laid paper, printed later, 1961 #3 From the edition of 50 Signature Stamp Picasso, lower right and numbered, lower left plate: 6 by 3 7/8 in (151 by...

This exquisite engraving by Pablo Picasso (1881–1973), titled La Torera (The Female Bullfighter), from L'Age de Soleil (The Age of the Sun), originates from the 1950 edition publishe...

This exquisite engraving by Pablo Picasso (1881–1973), titled Mort d'un faune (Death of a Faun), from Deux Contes, Le Centaure picador, Le Crepuscule d'un faune (Two Tales, The Centa...

- handsigned on the lower right - dated and unreadable inscripted in the plate - from the Suite Vollard - plate size: 19,5 x 27,6 cm; sheetsize: 34 x 44,5 cm - edition of 260, unnumb...

Pablo Picasso (1881-1973) - Étreinte VI (Embrace VI) Drypoint etching from 1963. The edition of 25/50. Dimensions of work: 55 x 45 cm. Hand signed. Publisher: Galerie Louise Lei...

- Plate 55 from the Suite 156 - with stamp signature - dated in the plate 2.3.70 - edition 26/50 - cat. raisonné Bloch 1910

Peintre et Modèle aux Cheveux Longs by Pablo Picasso is an elegant and expressive depiction of the relationship between artist and muse. The composition features a painter alongside ...

Nu accoudé by Pablo Picasso is a refined and intimate portrayal of the human figure. The composition presents a reclining nude leaning on one arm, rendered with fluid, confident line...

Peintre et Modèle Accoudé by Pablo Picasso is a captivating depiction of the relationship between an artist and his muse. The composition shows a painter leaning toward a reclining m...

Hand signed. Edition 35 of 50. From the Serie “Les 347”, table no. 110. Perfect impression on vélin blanc, very fresh and with sheet in full margins and perfect conditions, numbered ...

Tête d’homme barbu by Pablo Picasso is a powerful and expressive portrait that highlights the artist’s mastery of form and character. The image depicts a bearded man, constructed thr...

Sculpteur by Pablo Picasso is a compelling and refined representation of the artist at work. The composition focuses on a sculptor figure, reduced to essential lines and forms, yet f...

Pablo Picasso (1881-1973) - Le Carmen des Carmen Illustrated book with three aquatints (one with etching), one drypoint, and one lithograph, plus 91 collotypes after drawings from 1...

The Sparrow Hawk is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...

The Donkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches,...

The Vulture is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...

Sculpteur au Travail by Pablo Picasso offers a fascinating glimpse into the act of creation, focusing on a sculptor immersed in his work. The composition captures the figure in a mom...

Peintre debout à son chevalet, avec un modèle by Pablo Picasso is a compelling portrayal of the creative act itself. The composition shows a standing painter at his easel, accompanie...

Deux Femmes au Miroir by Pablo Picasso is a fascinating exploration of reflection, identity, and perception. The composition presents two women interacting with a mirror, their forms...

Pablo Picasso's ,,Les Saltimbanques" is a captivating drypoint etching created in 1905. The work is unnumbered and part of the catalog raisonné. The artwork explores the lives of cir...

Pablo Picasso (1881-1973), Le Couple, 1951, drypoint on chine volant, signed lower right margin and numbered (5/XI) lower left margin. References: Bloch 690,...

- Plate 118 from the Suite 156 - edition 48/50 - stamp signature - dated in the plate 17.5.71 - cat. raisonné Bloch 1973; cat. raisonné Baer 1982

"Man Unveiling a Woman" is a drypoint from Picasso's Vollard Suite, image size 14.5 x 11.5 inches, signed 'Picasso' lower right and framed in a Spanish-style, closed-corner, black an...

This black and white composition by Pablo Picasso is part of the Suite des Saltimbanques series of works from 1905. Prepared by the artist early in his career, the work demonstrates ...

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developments in the world around him, Picasso contributed significantly to a number of artistic movements, notably Cubism, Surrealism, Neoclassicism, and Expressionism. In 1949 Picasso’s illustrations...

Drypoint, 1967. 350x300 mm; 13 5/8x11 5/8 inches, full margins. With the artist's ink stamp signature, lower right, and numbered 38/50 in pencil, lower left. A very good impression. ...

Nature Morte, Compotier is a rare black and white drypoint on laid ivory-colored paper, realized by Pablo Picasso in 1909. Edition of 100. Hand-signed in pencil on the lower right m...