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Style: Modern
Medium: Drypoint
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
'Manhattan Old and New' — Vintage New York Cityscape
Located in Myrtle Beach, SC
Samuel Chamberlain, 'Manhattan Old and New', drypoint, 1929, edition 100, Chamberlain and Kingsland 81. Signed, titled, and numbered '81/100' in pencil. Titled and annotated '30.00' in pencil, in the artist's hand, bottom margin. Matted to museum standards, unframed.
A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 1/2 to 2 1/4 inches), in excellent condition.
The subject of the print is the lower Manhattan cityscape just before the Depression.
Image size 8 3/4 x 6 13/16 inches (222 x 173 mm); sheet size 12 3/4 x 10 inches (324 x 254 mm).
Impressions of this work are held in the collections of the National Gallery of Art and the Zimmerli Art Museum.
ABOUT THE ARTIST
'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints.
Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist.
Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm Osborne...
Category
1920s American Modern Art by Medium: Drypoint
Materials
Drypoint
The Spire -- New York
Located in Storrs, CT
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Manhattan Mountains
Located in Storrs, CT
Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Chicago Skyline
Located in Middletown, NY
A beautiful turn-of-the-century lake view of Chicago by an American artist known for his Texas landscapes.
Etching with drypoint on watermarked Umbria laid paper with deckle edges, 7 1/4 x 10 7/8 inches (182 x 275 mm), full margins. Signed and numbered 4/25 in pencil, lower margin. In good condition with adhesive residue at the sheet edges on the verso, does not show through to the recto. A lovely Lake Michigan landscape...
Category
Early 20th Century American Modern Art by Medium: Drypoint
Materials
Handmade Paper, Etching, Drypoint
'The East River', Brooklyn Bridge — Mid-Century Realism, New York City
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur (1897-1988), 'The East River', drypoint, edition 65, 1946. Signed, titled, and annotated 'A. Jones Proof 1946' in pencil. Signed and dated in the plate, lower ...
Category
1940s American Modern Art by Medium: Drypoint
Materials
Drypoint
Cherry Street
Located in Middletown, NY
A view of lower Manhattan's Cherry Street as it appeared at the turn of the 20th century. One of only 5 proof impressions.
New York: 1904.
Drypoint with aquatint on watermarked, cr...
Category
Early 20th Century American Modern Art by Medium: Drypoint
Materials
Handmade Paper, Drypoint, Etching
(Untitled) 16thC Painter with Nude Female Models, Drypoint on Wove
Located in San Francisco, CA
Nudes were a consistent subject throughout the world famous artist's long career. One of the earliest examples, done in 1895 when Picasso was 15, appears in the opening pages of the ...
Category
1960s Modern Art by Medium: Drypoint
Materials
Paper, Drypoint
French Landscape - Original Etching by E. Corneau - 1930s
Located in Roma, IT
French Landscape is an original artwork realized by Eugène Corneau during the 1930s.
Etching and drypoint on paper.
Very good conditions except for some small folds on the left mar...
Category
1930s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
'The Furnace' — American Expressionism
By Otto Kuhler
Located in Myrtle Beach, SC
Otto Kuhler, 'The Furnace', drypoint, edition 26, 1924, Kennedy 5. Signed and annotated 'Drypoint. Ltd Ed. Del. et imp.' in pencil. Titled in pencil, in the bottom center sheet edge....
Category
1920s American Modern Art by Medium: Drypoint
Materials
Drypoint
Low Country (South Carolina)
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance.
A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...
Category
Early 20th Century American Modern Art by Medium: Drypoint
Materials
Archival Paper, Drypoint, Etching
The Enchanted Doorway; Venezia
Located in Middletown, NY
Etching and drypoint on antique cream laid paper, 12 3/8 x 6 9/16 inches (315 x 167 mm), full margins. Signed, dated, and inscribed "Edition 100" in pencil, lower margin. In very goo...
Category
Early 20th Century American Modern Art by Medium: Drypoint
Materials
Handmade Paper, Etching, Drypoint
Les Saltimbanques
Located in Wien, 9
Pablo Picasso's ,,Les Saltimbanques" is a captivating drypoint etching created in 1905. The work is unnumbered and part of the catalog raisonné. The artwork explores the lives of cir...
Category
Early 1900s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
The Gargoyle and His Quarry
Located in Storrs, CT
The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...
Category
1920s American Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
"Holzbrücke" Max Beckmann, 1922 Modernist Drypoint Urban Landscape
By Max Beckmann
Located in New York, NY
Max Beckmann
Holzbrücke, 1922
Signed in pencil lower right
Drypoint on cream wove paper
11 3/8 x 9 3/8 inches
From the edition of 150
Max Beckmann dreamed up a world of actors, cab...
Category
1920s Modern Art by Medium: Drypoint
Materials
Handmade Paper, Drypoint
Building a Babylon, Tudor City, NY.
By Martin Lewis
Located in Storrs, CT
McCarron 76. 12 7/8 x 7 7/8 (sheet 16 5/8 x 12 1/4). 6th trial proof (McCarron records 84 impressions including 4 trial proofs). Illustrated L'Amérique de la Dépression: Artistes En...
Category
Early 20th Century American Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Steps to the Grand Canal, St. Mark's in the distance, Venice.
Located in Middletown, NY
A lovely view of Venice from the water.
Etching with drypoint on antique cream laid paper with a large figural watermark, signed in pencil, lower right. 14 1/4 x 11 inches (362 x 280...
Category
Early 20th Century American Modern Art by Medium: Drypoint
Materials
Laid Paper, Drypoint, Etching
Spring Night, Greenwich Village
By Martin Lewis
Located in Storrs, CT
Spring Night, Greenwich Village. 1930. Drypoint and sand ground. McCarron 85. 10 x 12 3/8 (sheet 13 1/4 x 15 5/8)). Edition 92. A rich, tonal impress...
Category
1930s American Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Low Country (South Carolina)
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance, Elizabeth O'Neill Verner(1883-1979)
Etching and drypoint on cream wove paper, 6 15/16 x 5 1/16 inches (175 x 128 mm), full margins. Signed, titled and numbered 72/100 in pencil, lower margin. Uniform age tone, minor surface soiling. A rich and inky impression of a magical southern landscape with figure tilling soil under Spanish moss covered oaks.
A native of Charleston, South Carolina...
Category
1930s American Modern Art by Medium: Drypoint
Materials
Etching, Drypoint
Dancers - Etching and Drypoint Japan paper by Ilse Voigt - 1950s
By Ilse Voigt
Located in Roma, IT
Dancers is an original artwork realized by Ilse Voigt in the first years of the 1950s.
Etching and drypoint on Japan paper.
Good conditions except for some wide stains on the corners.
Ilse Voigt (Chemnitz, 1905 – Magdeburg, 1990) was an artist, pastellist, illustrator, and drawer. She attended the Fine Arts Academy of Berlin where she took Emil Orlik's classes. From 1964, she participated in international collective exhibitions. At the Salon des Indépendants, she became one of the company members. She exhibited in many art galleries in Paris and Switzerland. She painted and illustrated flowers, portraits...
Category
1950s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Street in Marblehead, Massachussets
Located in Middletown, NY
Drypoint etching on white, buff laid paper with deckle edges, 8 13/16 x 12 inches (224 x 305 mm), full margins. One of only 25 proof impressions. In superb condition with excellent i...
Category
1930s American Modern Art by Medium: Drypoint
Materials
Archival Paper, Drypoint, Etching
Bibi Valentin
Located in Storrs, CT
Bibi Valentin. 1859. Etching and drypoint. Kennedy catalog 50 state ii; Glasgow catalog 34 state ii. 6 x 8 7/8 (sheet 8 11/16 x 10 11/16). Glasgow records 44 known impressions. A rich impression with burr, printed on watermarked laid paper with full margins. Signed and dated in the plate. Housed in a 20 x 16-inch archival mat
A young girl, sits facing the viewer, leaning on her left elbow, legs extended to left. She wears a high-necked smock and buttoned boots...
Category
19th Century American Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Stoops in Snow
By Martin Lewis
Located in Storrs, CT
Stoops in Snow. 1930. Drypoint and sandpaper ground. McCarron catalog 89.state ii. 9 x 14 7/8 (sheet 13 1/4 x 18 7/16 ). Edition 115 recorded impressio...
Category
1930s American Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Le Cocu Magnifique -- complete with 12 original etchings
Located in New York, NY
About
In-folio Oblong Dimensions : 29x39 cm. Paris Atelier Crommelynck 1968
Edition #41 of 200 copies including 12 original out-of-text etchings (7 etchings, 4 etchings and aquatint...
Category
Mid-20th Century Modern Art by Medium: Drypoint
Materials
Drypoint, Etching, Aquatint
Tugs on the Hudson
Located in Middletown, NY
Drypoint etching with engraving printed in black ink on Japanese mulberry paper, 4 1/2 x 3 3/8 inches (113 x 84 mm), full margins. In superb condition. A beautiful New York City river...
Category
Early 20th Century American Modern Art by Medium: Drypoint
Materials
Handmade Paper, Drypoint, Etching
Samuel Chamberlain, The Public Gaol, Williamsburg (Virginia)
Located in New York, NY
Samuel Chamberlain was a superb draftsman and his architectural images are often very complex. This image is, by contrast, quiet and understated: serene to the point of lonely. It's ...
Category
1930s American Modern Art by Medium: Drypoint
Materials
Drypoint
Market Square, Rothenburg, Germany
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. In good condition with minor mat t...
Category
Early 20th Century Modern Art by Medium: Drypoint
Materials
Handmade Paper, Drypoint, Etching
Old Brownstones -- New York
Located in Storrs, CT
Old Brownstones-- New York. c. 1985. Etching and drypoint. 8 7/ 8 x 12 1/3 (sheet 16 5/8 x 16 1/4). Fourth state. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival folder. This etching has never been matted. Provenance: the artist's estate. Signed, titled, and annotated 'Fourth state -- wheel changed to left' and 'Steves' in pencil. A dramatic view of a Manhattan neighborhood.
Painter and printmaker Lawrence Nelson Wilbur...
Category
20th Century American Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Dancers - Original Etching and Drypoint by Robert Naly - Mid 20th Century
By Robert Naly
Located in Roma, IT
Dancers is an Original Etching and Drypoint realized by Robert Naly (1900-1984)
Good condition on a yellowed paper.
Edition of 3/25.
Hand-signed and numbered on the lower margin.
Category
Mid-20th Century Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
The Acropolis, Athens
Located in Middletown, NY
Etching and drypoint on cream wove paper, full margins. Signed in pencil, lower right margin. In generally good conditon with several scattered very light spots of foxing throughout,...
Category
1920s Modern Art by Medium: Drypoint
Materials
Drypoint, Handmade Paper, Etching
The Deer, 1942 (Histoire Naturelle - Textes de Buffon, B.336)
Located in Greenwich, CT
The Deer is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Art by Medium: Drypoint
Materials
Drypoint, Aquatint
Shadows on the Ramp
By Martin Lewis
Located in Storrs, CT
Shadows on the Ramp. 1927. Drypoint and sand ground. McCarron 64. 9 x 10 1/2 (sheet 12 3/8 x 14). Edition 75 recorded impressions. A rich, tonal impression with drypoint burr, printe...
Category
1920s American Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Portrait d'Olga Picasso (Bloch 37; Baer 57)
Located in New York, NY
Drypoint etching, 1919-1920 on laid paper, printed later, 1961
#3 From the edition of 50
Signature Stamp Picasso, lower right and numbered, lower left
plate: 6 by 3 7/8 in (151 by...
Category
1920s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
France at her Furnaces
By James McBey
Located in Storrs, CT
1917. Etching. Hardie 175. 8 x 15 (sheet 10 1/8 x 16 15/16). Edition 76. Slight mat line; otherwise excellent condition. A rich impression printed on antique laid paper with full m...
Category
1910s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
The Helmsman
Located in Storrs, CT
The Helmsman. 1925. Etching. Hurst 130. 7 x 10 7/8 (sheet 11 x 5). Trial proof, apart from the edition of 75 An extremely rich impression printed cream wove paper. An exceptionally r...
Category
1920s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Wheelbarrow Race
Located in Storrs, CT
1925-26. Drypoint. Appleby 114. 8 9/16 x 12 (sheet 12 x 17). Edition 100, #10. An excellent impression with burr, printed with plate tone on the full sheet of 'VGI' laid paper with ...
Category
1920s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
'Cargo Carriers' — New York Harbor
By Otto Kuhler
Located in Myrtle Beach, SC
Otto Kuhler, 'Cargo Carriers', etching and drypoint, c. 1932, edition 10, Kennedy 44. Signed in pencil. A superb, atmospheric impression with rich burr and selectively wiped overall plate tone, in dark brown ink, on Arches cream laid paper; wide margins (2 to 2 3/4 inches), in very good condition. Printed by the artist. Original Kennedy Galleries mat and label. Scarce.
"On my trips up and down N.Y. harbor on the Weehawken Ferry, the late evening sun playing on the side of the big liners has always intrigued me... The liner shown I believe to be the Vaterland of the North German Lloyd...
Category
1930s American Modern Art by Medium: Drypoint
Materials
Etching, Drypoint
Fifth Avenue Bridge.
By Martin Lewis
Located in Storrs, CT
Fifth Avenue Bridge. 1928. Drypoint. McCarron 72. 9 7/8 x 12 (sheet 12 3/4 x 15). Edition of 108 recorded impressions. A rich impression printed on cream laid paper, with full margin...
Category
1920s American Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
The Matador.
By James McBey
Located in Storrs, CT
The Matador. 1911. Drypoint. Hardie 109. 6 7/8 x 10 7/8 (sheet 7 7/8 x 12). Edition 15. A few scattered foxing marks and slight mat line; otherwise fine o...
Category
1910s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
A Fierce Bull
By James McBey
Located in Storrs, CT
A Fierce Bull. 1911. Drypoint. Hardie 108. 5 3/8 x 8 (sheet 8 5/16 x 11 7/8). Edition 8. An exceptional impression with rich drypoint burr printed on antique laid paper. A proof of t...
Category
1910s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Bernard Sanders, Dancers
Located in New York, NY
Sander's interiors are always intriguing. This work also reads as a stage with a dance; it recalls the Porch of the Maidens at the Erectheum at the Acropolis in Athens. There of cour...
Category
Early 20th Century American Modern Art by Medium: Drypoint
Materials
Drypoint
Under the Bridge
Located in Storrs, CT
Under the Bridge. 1985. Etching and drypoint. 9 1/2 x 12 1/8 (sheet 20 1/16 x 22). Edition 27, #13. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in excellent condition, housed in an archival folder. The etching has never been matted. Titled and numbered in pencil. by the artist; signed and initialed in pencil by the artist's estate. Provenance: the artist's estate A dramatic view of the lower East Side in New York. Housed in an archival folder awaiting your choice of mat and frame.
Painter and printmaker Lawrence Nelson Wilbur...
Category
20th Century American Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
20th century drypoint etching figurative animal print horses sketch signed
Located in Milwaukee, WI
"Combat Equestre" is an original lithograph by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (24/100) in the lower left. This piece depicts mu...
Category
1970s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
A Sunset in Ireland.
Located in Storrs, CT
A Sunset in Ireland. 1863. Etching and drypoint. Schneiderman catalog number 47 state vii/xiv. 5 1/2 x 8 1/2 (sheet 6 7/8 x 9 1/2). An extremely rich impression with drypoint burr, p...
Category
19th Century Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Salvador Dali, signed and numbered drypoint etching 'The oak and the reed', 1974
Located in Petworth, West Sussex
Salvador Dali (Spanish, 1904 – 1989)
The oak and the reed
Drypoint etching with hand coloured pochoir, on Richard de Bas Auvergne, 1974
From the suite Le Bestiaire de la Fontaine pri...
Category
20th Century Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Erotic Scene - Etching by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Erotic Scene is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century.
Hand-signed in the lower part.
Good conditions.
Mino Maccari (Siena, 1924-Rome, June 16, ...
Category
Mid-20th Century Modern Art by Medium: Drypoint
Materials
Paper, Etching, Drypoint
Rainy Night in Rome.
Located in Storrs, CT
Rainy NIght in Rome.. 1913. Drypoint. Dodgson 299.x. 12 x 9 (sheet 16 x 11 1/4). Edition 125 in 10 states. A rich impression with burr and tonal wiping. Pr...
Category
1910s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Kanani (Hawaii)— 1940s Polynesian Portrait
By John Melville Kelly 1
Located in Myrtle Beach, SC
John Melville Kelly, 'Kanani (Hawaii)', drypoint, 1946. Signed, titled and annotated 'No 36' in pencil. A superb impression, in dark brown ink, on ...
Category
1940s American Modern Art by Medium: Drypoint
Materials
Drypoint
Landscape, Modern Drypoint with Embossing by Alena Kučerová
Located in Long Island City, NY
Alena Kucerova, Czech (1935 - ) - Landscape, Year: 1971, Medium: Drypoint with Embossing, Signed, numbered, and dated in pencil, Edition: 1/100, Image Size: 10.5 x 15 inches, Siz...
Category
1970s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Auburn Hills, MI
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category
1950s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
The Biggest of All; Telephone and Telegraph Building.
Located in Storrs, CT
The Biggest of All; Telephone and Telegraph Building. 1925. Etching. Wuerth 853. 9 7/8 x 11 7/8 (sheet 11 1/2 x 17 1/8). Edition probably 35. An atmospheric impression with plate tone, printed on antique laid paper...
Category
Early 20th Century American Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Chelsea Old Church, London
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Art by Medium: Drypoint
Materials
Drypoint, Etching, Aquatint
14th Street Oriental
Located in Middletown, NY
New York, Associated American Artists, 1950. Drypoint and aquatint on cream wove paper, 5 7/8 x 3 15/16 inches (150 x 100 mm), full margins. Signed and numbered 48/50 in pencil, lower margin. Printed by Stephen Sholinsky...
Category
Mid-20th Century American Modern Art by Medium: Drypoint
Materials
Drypoint, Aquatint
San Marco [Venice].
Located in Storrs, CT
William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat.
Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice.
When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Art by Medium: Drypoint
Materials
Drypoint, Etching, Aquatint
![San Marco [Venice].](https://a.1stdibscdn.com/william-walcot-prints-works-on-paper-san-marco-venice-for-sale/a_3352/a_101504721690399029260/sanmarcoimage3_master.jpg?width=240 "ribasan")
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