Art by Medium: Drypoint
to
256
799
218
184
53
38
Overall Width
to
Overall Height
to
12
112
1,067
157
27
101
151
105
30
84
85
162
42
26
6
432
175
142
75
69
25
18
15
11
3
2
1
837
432
22
805
588
444
234
217
198
142
93
81
65
59
39
38
37
35
32
30
28
28
26
1,348
184,185
97,210
78,241
77,194
125
36
35
31
24
215
264
812
375
Medium: Drypoint
Voyages Fantastiques aux États et Empires de la Lune et du Soleil (Cyrano de Ber
Located in OPOLE, PL
Bernard Buffet (1928-1999) - Voyages Fantastiques aux États et Empires de la Lune et du Soleil (Cyrano de Bergerac)
Complete portfolio of 18 original drypoint etchings from 1958.
E...
Category
1950s Expressionist Art by Medium: Drypoint
Materials
Drypoint, Etching
Market Square, Rothenburg, Germany
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. In good condition with minor mat t...
Category
Early 20th Century Modern Art by Medium: Drypoint
Materials
Handmade Paper, Drypoint, Etching
Duchamp, Le Cheval, Composition, Du cubisme (after)
Located in Southampton, NY
Etching, Engraving, Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published ...
Category
1940s Modern Art by Medium: Drypoint
Materials
Etching, Engraving, Drypoint
$6,716 Sale Price
20% Off
The Automobilist, from: My Life - Russian French Berlin Autobiography Surrealism
By Marc Chagall
Located in London, GB
This original etching with drypoint is hand signed in pencil by the artist "Marc Chagall" at the lower right margin.
It is also hand numbered 49 in pencil from the edition of 110, at the lower left margin.
There were 84 impressions on laid paper and a further 26 impressions on Japan paper.
It was published by Paul Cassirer, Berlin in 1923.
Note: The work was part of Chagall's important and renowned series "Mein Leben...
Category
1920s Surrealist Art by Medium: Drypoint
Materials
Drypoint, Etching
Paul Brown "Go Pony" Two Polo Players Drypoint
Located in Bristol, CT
Art Sz: 13"H x 11"W
*age toning/ condition noted*
Category
20th Century Art by Medium: Drypoint
Materials
Drypoint
Spanish Artist signed limited edition original art print chine colle drypoint
Located in Miami, FL
Eduardo Chillida (Spain, 1924-2002)
'Korapillo I', 1982
chine colle, dry point on japanese paper
25.6 x 19.7 in. (65 x 50 cm.)
Edition of 50. Original 62 of which 50 belong to the regular edition. P/A: 7, H.C.: 5
Unframed
ID: CHI1038-012
Hand-signed by author
It is documented in Chillida, E. (1999). Eduardo Chillida – Opus P. II 1973-1985. Chorus – Verlag, pp 288 – 289. Nr 82002.
____________________________________________________
He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements.
Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes.
Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own.
His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production.
The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999).
Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...
Category
1980s Abstract Art by Medium: Drypoint
Materials
Paper, Drypoint
Sam Gilliam, Buoy Landscape IV Mixed media signed/n Abstract Expressionist print
By Sam Gilliam
Located in New York, NY
Sam Gilliam
Buoy Landscape IV, 1982
Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper
31 1/2 × 24 inches
Hand signed and numbered 3/25 in graphite pencil
Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto
Unframed with elegant deckled edges
Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market.
Steven M. Andersen (Printer)
Philip Barber (Printer)
Hang Nguyen (Printer)
Stephanie Nowack (Printer)
Michael Reid (Printer)
Daniel Rounds (Printer)
Vermillion Editions Limited (Publisher)
Sam Gilliam Biography:
Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting.
A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials.
In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago.
Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...
Category
1980s Abstract Expressionist Art by Medium: Drypoint
Materials
Mixed Media, Drypoint, Etching, Aquatint, Screen
Children on the Shore Kinder am Ufer - German Expressionism
By Erich Heckel
Located in London, GB
This original etching and drypoint is hand signed and dated in pencil by the artist "Erich Heckel 12" at the lower right margin.
This work was hand printed by the artist in 1912 in ...
Category
1910s Expressionist Art by Medium: Drypoint
Materials
Drypoint, Etching
Paul Brown "The Chaser" Steeplechase Trial Proof Drypoint Etching
Located in Bristol, CT
Image Sz: 10 3/4"H x 6 3/4"W
Sheet Sz: 19 1/4"H x 12 1/2"W
Category
1930s Art by Medium: Drypoint
Materials
Drypoint
Villefranche-sur-mer
Located in Middletown, NY
Etching with drypoint in brownish black ink on cream wove paper, 6 1/8 x 10 inches (155 x 255 mm), full margins with a deckle edge. Signed in pencil, lower right margin, and titled (...
Category
Early 20th Century American Realist Art by Medium: Drypoint
Materials
Drypoint, Etching
Tool Drypoint: Paintbrush by Jim Dine, black and white tool still life sketch
By Jim Dine
Located in New York, NY
Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...
Category
1970s Modern Art by Medium: Drypoint
Materials
Drypoint
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Southampton, NY
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category
1950s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
$3,036 Sale Price
20% Off
Sortie de Theatre a Londres
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Sortie de Theatre a Londres, etching and drypoint, 1911, signed in pencil lower left [also signed and dated in the plate upper right]. Reference: Laboureur 104, third state (of 3). Published for La Societe des amis de l’eau-forte, with the blindstamp with the inscription: Circle Librairie Estampes. From an edition in the third state of 109; there were also 5 impressions of the first state and five of the second state. In excellent condition, the full sheet with deckle edges bottom and sides, 6 3/4 x 14; a remarque lower left 2 x 3 1/2, the sheet 12 3/4 x 19 3/4 inches.
Provenance: unknown collector’s mark verso (GOE in oval)
A fine rich impression, printed in dark brown ink on cream laid paper with the Arches watermark.
The small remarque lower left is actually another print printed on a separate plate; it shows a man running after a London horse...
Category
1910s Naturalistic Art by Medium: Drypoint
Materials
Drypoint
Man Holding Hat
Located in Middletown, NY
New York: Sylvan Cole, 1929.
Etching on white wove Rives paper with an infinity watermark, 5 15/16 x 3 15/16 inches (151 x 100 mm); sheet 15 7/16 x 11 15/16 inches (392 x 303 mm), f...
Category
1920s American Realist Art by Medium: Drypoint
Materials
Drypoint, Aquatint
Portrait of Baron Simolin II (large version)
By Max Beckmann
Located in Roma, RM
Max Beckmann (Leipzig 1884 – New York 1950), Portrait of Baron Simolin II (large version)(1928)
Drypoint, 38 x 25 cm (plate), 48 x 40 cm (sheet), signed and dated lower right.
Category
1920s Expressionist Art by Medium: Drypoint
Materials
Drypoint
"(Love's) Ring of Fire", Intaglio with Aquatint, geometric shapes, patterns
Located in Philadelphia, PA
This piece titled "(Love's) Ring of Fire" is a limited edition piece by Kate VanVliet and is made from intaglio with aquatint, soft ground, and drypoint on Rives BFK. This piece is a...
Category
21st Century and Contemporary Contemporary Art by Medium: Drypoint
Materials
Paper, Drypoint, Aquatint, Intaglio
The Spectacle Seller
By Adriaen Jansz van Ostade
Located in Middletown, NY
Etching and drypoint on cream laid paper, 4 x 3 3/8 inches (102 x 86 mm), 1/4 inch margins. Signed in the plate, lower left corner. The 3rd state (of 6), after the rounding of the pl...
Category
Mid-17th Century Old Masters Art by Medium: Drypoint
Materials
Drypoint, Laid Paper, Etching
Les Saltimbanques
Located in Wien, 9
Pablo Picasso's ,,Les Saltimbanques" is a captivating drypoint etching created in 1905. The work is unnumbered and part of the catalog raisonné. The artwork explores the lives of cir...
Category
Early 1900s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Liebespaar I - Etching and Drypoint by Max Beckmann - 1916
By Max Beckmann
Located in Roma, IT
Etching and drypoint. Signed and dated in pencil.
Extremely rare artist's proof, II state on 2 A/C variant, before the editions Marées-Gesellschaft R. Piper & C. Printed in 1919 by ...
Category
1910s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
$7,847 Sale Price
30% Off
Tool Drypoint: Wrench by Jim Dine, black and white tool still life sketch
By Jim Dine
Located in New York, NY
Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...
Category
1970s Modern Art by Medium: Drypoint
Materials
Drypoint
Salvador Dalì (1904-1989) - King John - Drypoint, etching - 1970
Located in Varese, IT
Drypoint, etching.
Limited edition, numbered as 169/250.
Signed in pencil by artist.
Paper size: 46.5 x 32 cm
Framed size: 59.5 x 45.5 cm
very good condition
Bibliography: Dalì – C...
Category
1970s Abstract Art by Medium: Drypoint
Materials
Drypoint, Etching
'Fantasia Americana, 1880' — Mid-Century American Surrealism
Located in Myrtle Beach, SC
Lawrence Kupferman, 'Fantasia Americana – 1880', drypoint etching with sandground, 1943. Signed, titled, and annotated 'Series A, 1971 2/6' in pencil. A superb, richly-inked impression, on heavy, cream wove paper, with full margins (2 1/2 to 3 1/2 inches); the paper slightly lightened within the original mat opening, otherwise in excellent condition. One of only 6 impressions printed in 1971, with the added sandground grey background tint. Archivally matted to museum standards, unframed.
Image size 11 13/16 x 14 3/4 inches; sheet size 18 x 20 1/4 inches.
Collections: National Gallery of Art, Zimmerli Art Museum (Rutgers University).
ABOUT THE ARTIST
Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe.
Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston.
In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press:
“The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.”
The other speakers were Karl Knaths...
Category
1940s Surrealist Art by Medium: Drypoint
Materials
Drypoint, Etching
Sniggling for Eel
Located in Middletown, NY
Etching with drypoint in black ink on antique laid paper with various large watermarks, 6 3/4 x 5 3/8 inches (172 x 132 mm), full margins with deckle edges on two sides. Signed, date...
Category
Mid-20th Century American Realist Art by Medium: Drypoint
Materials
Laid Paper, Drypoint, Etching
Abstract Composition - Original Etching and Drypoint - Mid-20th Century
Located in Roma, IT
Abstract Composition is an original print in etching and drypoint on white paper realized by an Anonymous artist of the Mid-20th Century.
In very good conditions.
The artwork create...
Category
Mid-20th Century Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Mosque of the Sultan Bayazid, Constantinople — Vintage Realism
Located in Myrtle Beach, SC
Louis Conrad Rosenberg, 'Mosque of the Sultan Bayazid, Constantinople', etching, 1927. Signed in pencil. Initialed and dated in the plate, lower left. A fine, richly-inked impression...
Category
1920s American Realist Art by Medium: Drypoint
Materials
Drypoint
Ruff's Farm
Located in Middletown, NY
A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era.
c 1920. Etching with drypoint on laid watercolor paper with deckle edges, and an indiscerni...
Category
Early 20th Century American Modern Art by Medium: Drypoint
Materials
Handmade Paper, Laid Paper, Drypoint, Etching
Surrealist Boat (Vaisseau fantome) - Original handsigned etching - (Field #69-7)
Located in Paris, IDF
Salvador DALI
Surrealist Boat (Vaisseau fantome), 1969
Original etching
Handsigned in pencil
Numbered /200
on Rives BFK vellum 58 x 45 cm (c. 23 x 18 in)
REFERENCE :
- Catalog rai...
Category
1960s Surrealist Art by Medium: Drypoint
Materials
Drypoint
Riva San Giuliano
Located in Middletown, NY
Etching with drypoint on cream laid paper with a deckle edge, 7 7/8 x 13 1/8 inches ( 200 x 334 mm), full margins. Signed and numbered 27/100 in pencil in the lower margin. With two ...
Category
Early 20th Century French School Art by Medium: Drypoint
Materials
Handmade Paper, Drypoint, Etching
Ramblas
Located in New York, NY
Created by the artist in 1987-88, Ramblas is an original lithograph, drypoint, and etching in colors on Rives BFK paper. Hand-signed, dated, and numbered from the edition of 75 in pe...
Category
20th Century Abstract Expressionist Art by Medium: Drypoint
Materials
Drypoint, Etching, Lithograph
original drypoint
Located in Henderson, NV
Medium: original etching and drypoint. This impression in sanguine ink on laid paper was printed in 1892 for Gustave Geffroy's "La Vie Artistique". Image size: 4 1/2 x 3 inches (115 ...
Category
1890s Art by Medium: Drypoint
Materials
Drypoint, Etching
THE FORGE - Rich Drypoint
Located in Santa Monica, CA
JAMES ABBOTT MCNEIL WHISTLER (1834 – 1903)
THE FORGE 1866 (Kennedy. 68 iv/vi: Glascow 86 vi/vi)
Etching and drypoint. Signed and dated in the plate 1866. VERY GOOD IMPRESSION WITH...
Category
Late 19th Century Impressionist Art by Medium: Drypoint
Materials
Drypoint
AUS DEM TIERGARTEN
Located in Santa Monica, CA
LOVIS CORINTH (1858-1925)
AUS DEM TIERGARTEN 1920 (Schwartz 397)
Drypoint, signed and numbered 47/50. BEAUTIFUL IMPRESSION with RICH DRYPOINT. Plate 9 ½ x 12 ½ inches. Full margins...
Category
1920s Impressionist Art by Medium: Drypoint
Materials
Drypoint
The Fair
Located in Storrs, CT
The Fair. 1895-96. Lithograph. Way 92, Levy 144, Tedeschi, Stratis and Spink 135 state ii. Image 9 1/4 x 6 1/2 (sheet 13 x 9 5/8). A fine impression printed on antique cream-laid paper. Way lists 15-lifetime impressions (Goulding printed...
Category
Late 19th Century American Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
$2,450 Sale Price
30% Off
Spanish Artist signed limited edition original art print chine colle drypoint
Located in Miami, FL
Eduardo Chillida (Spain, 1924-2002)
'Korapillo II', 1982
chine colle, dry point on japanese paper
25.6 x 19.7 in. (65 x 50 cm.)
Edition of 50. Original 63 of which 50 belong to the regular edition. P/A: 8, H.C.: 5
Unframed
ID: CHI1038-013
Hand-signed by author
It is documented in Chillida, E. (1999). Eduardo Chillida – Opus P. II 1973-1985. Chorus – Verlag, pp 290 – 291. Nr 82003.
____________________________________________________
He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements.
Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes.
Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own.
His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production.
The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999).
Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...
Category
1980s Abstract Art by Medium: Drypoint
Materials
Paper, Drypoint
Antic Beauty - Original etching - 1951
By André Derain
Located in Paris, IDF
Andre DERAIN
Antic Beauty
Original drypoint etching
Stamp signature of the artist
On vellum 45 x 34 cm (c. 18 x 14 in)
Excellent condition
Category
1950s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
A Breach of Promise - Hand Colored Etching on Paper 1900 Victorian
By James Dobie
Located in Soquel, CA
Victorian-style drypoint etching by James Dobie (British, 1849-1911), after a painting by Walter Dendy Sadler. Printed in London by J. Brooker & Co. and ha...
Category
Early 20th Century Victorian Art by Medium: Drypoint
Materials
Paper, Watercolor, Drypoint, Etching
View of Venice - Etching by Alcione Gubellini - mid-20th Century
Located in Roma, IT
Etching and drypoint realized by Alcione Gubellini in the mid-20th Century.
Edition of 16.
Hand signed and numbered in pencil.
Excellent condition.
Category
1930s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Graceland Mansion
Located in Houston, TX
Jennifer Bartlett
Graceland Mansions, 1978-79
Drypoint, aquatint, silkscreen, woodcut, and lithograph on J. Green Cold Press paper and Rives BFK paper
24 x 120 inches, unframed
Ed...
Category
20th Century Modern Art by Medium: Drypoint
Materials
Etching, Lithograph, Screen, Woodcut, Drypoint, Aquatint
Adam and Eve
Located in Toronto, Ontario
Salvador Dali (1904-1989) is Surrealism's most accomplished and iconic practitioner. His work is eccentric, elaborate, and mysterious, with an avant-garde style that explores the depths of consciousness and dream-like states.
Prolific and endlessly inventive, Dali worked in almost every possible artistic medium; film, sculpture, photography, fashion and of course painting. Some of his earliest etchings date to the 1930's, as he worked in the graphic arts at the beginning of his career.
"Adam & Eve" comes from a series called "Our Historical Heritage." The portfolio depicts eleven events and historical figures from the Hebrew scriptures (the Torah or Old Testament), including Noah's Ark, Joseph, Moses, and more. This portfolio emphasizes Dali's influence by religious themes, and is created with his signature mastery and style.
This etching depicts the pivotal moment in the biblical story, when temptation strikes Adam and Eve, as they sit in the Garden of Eden and are lured to the lustrous forbidden fruit hanging from the tree of knowledge. Eve's hand wraps around the apple while Adam's reaches for it, as the serpent watches...
Category
1970s Surrealist Art by Medium: Drypoint
Materials
Drypoint, Etching
Elegante Eventail
Located in Middletown, NY
A rare, signed image from a lesser-known female impressionist printmaker.
c. 1900. Etching with drypoint on cream laid paper with a partial watermark, 11 x 5 1/4 inches (280 x 133 m...
Category
Early 20th Century French School Art by Medium: Drypoint
Materials
Etching, Drypoint
Man Unveiling a Woman, 1931 (Vollard Suite, B.138)
Located in Greenwich, CT
"Man Unveiling a Woman" is a drypoint from Picasso's Vollard Suite, image size 14.5 x 11.5 inches, signed 'Picasso' lower right and framed in a Spanish-style, closed-corner, black an...
Category
20th Century Modern Art by Medium: Drypoint
Materials
Paper, Drypoint
Caesar - Original etching - 1951
By André Derain
Located in Paris, IDF
Andre DERAIN
Caesar
Original drypoint etching
Stamp signature of the artist
On vellum 45 x 34 cm (c. 18 x 14 in)
Excellent condition
Category
1950s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Brooklyn Bridge, New York, signed etching by William Walcot, c1925
Located in Melbourne, Victoria
Signed in pencil by the artist lower right. William Walcot was born in Russia and moved to London in 1907. He trained and practiced as an architect before devoting himself to archite...
Category
1920s Art Deco Art by Medium: Drypoint
Materials
Drypoint, Etching
Birth of Venus - Original etching - 1951
By André Derain
Located in Paris, IDF
Andre DERAIN
Birth of Venus
Original drypoint etching
Stamp signature of the artist
On vellum 45 x 34 cm (c. 18 x 14 in)
Excellent condition
Category
1950s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
CANGREJO MANO LARGA
Located in New York, NY
paper: 22 x 15 in.
printed image: 4 3/4 x 6 in.
english translation: Long Hand Crab
Latin
Category
Late 20th Century Post-Modern Art by Medium: Drypoint
Materials
Archival Paper, Drypoint, Etching, Aquatint
Santiago de Compostela
Located in OPOLE, PL
Drypoint etching from 1969.
The edition XLIV/C on Japon paper.
Dimensions of work: 66 x 51 cm.
Hand signed.
Publisher: Pierre Argillet, Paris.
Printer: Atelier Robbe, Paris.
R...
Category
1960s Surrealist Art by Medium: Drypoint
Materials
Drypoint, Etching
Le Demon Ailé - Etching and Drypoint - 1969
Located in Roma, IT
Le demon Ailé is a wonderful black and white drypoint realized in 1969.
The artwork is from the portfolio "Vénus aux fourrures", edited by Pierre Argillet, Parigi, 1969.
Hand signed in pencil by the artist on the lower margin. Dry stamp on the lower right margin
Numbered on the lower left margin. Ed.21/75.
Good conditions except for some light yellowing of paper along the margin.
Ref: Michler Lopsinger, "Salvador Dali Catalogue Raisonne of Etchings and Mixed-Media Prints 1924-1980", Prestel 1994, n. 371.
Salvador Dalí (Figueres, 1904 – Figueres, 1989) is considered one of the most versatile and prolific artists of the XX century and the founding father of Surrealism. In the course of his long career, he successfully experimented with sculpture, fashion, writing, and filmmaking. Dalí epitomizes the idea that life is the greatest form of art; André Breton said about him: “It is with Dalí that, for the very first time, the windows of the mind are wide open”.
He always pushed boundaries, and he did the same with conventional lithography. He experimented a lot, also with techniques that would not be allowed today. He was a prolific printmaker, using techniques as drypoint, etching, woodcut and lithography. His output is esteemed at 1700 prints...
Category
1960s Surrealist Art by Medium: Drypoint
Materials
Drypoint, Etching
La Loge (The Lodge) /// Post-Impressionist Figurative French Paris People Art
Located in Saint Augustine, FL
Artist: Louis LeGrand (French, 1863-1951)
Title: "La Loge (The Lodge)"
Portfolio: Gazette des Beaux-Arts
*Issued unsigned, though signed by LeGrand in the plate (printed signature) l...
Category
Early 1900s Post-Impressionist Art by Medium: Drypoint
Materials
Drypoint, Etching, Intaglio
Le Voil, I
Located in Fairlawn, OH
Provenance:
Marina Picasso Estate, her number verso
Purchased from Jan Krugier Gallery, NY
References And Exhibitions:
Georges Bloch, Picasso: Catalogue de l'oeuvre grave et lith...
Category
1930s Art by Medium: Drypoint
Materials
Drypoint
Le Couple
Located in New York, NY
Pablo Picasso (1881-1973), Le Couple, 1951, drypoint on chine volant, signed lower right margin and numbered (5/XI) lower left margin. References: Bloch 690,...
Category
1950s Cubist Art by Medium: Drypoint
Materials
Drypoint
$12,000
Le Pont
Located in Middletown, NY
Etching, engraving, roulette and drypoint on watermarked BFK Rives wove paper, 5 x 8 3/4 inches (126 x 222 mm), full margins. Signed and numbered 4/32 in pencil, lower margin. Minor ...
Category
Early 20th Century French School Art by Medium: Drypoint
Materials
Drypoint, Etching, Engraving
American Dream (EAT / DIE / HUG / ERR) (Sheehan 136) Love Food Life
Located in New York, NY
Robert Indiana
American Dream (EAT / DIE / HUG / ERR) (Sheehan, 136), 1986
Hard and soft-ground etching, aquatint, drypoint and stencil on white Arches paper
37 inches × 21 inches
...
Category
1980s Pop Art Art by Medium: Drypoint
Materials
Drypoint, Etching, Aquatint, Stencil
Le Buisson - Etching by C.F. Daubigny - 19th Century
Located in Roma, IT
Le Buisson is a photogravure realized in the 19th Century.
signed.
Good condition.
Category
19th Century Art by Medium: Drypoint
Materials
Drypoint, Etching
The Enchanted Pool
Located in Middletown, NY
Etching with drypoint printed in sepia ink on cream laid paper bearing an indiscernible watermark with linked spheres. 10 1/4 x 13 1/8 inches (260 x 332 mm), unevenly trimmed yet ful...
Category
Early 20th Century English School Art by Medium: Drypoint
Materials
Etching, Laid Paper, Drypoint
The Punt
By Rosamond Tudor
Located in Middletown, NY
A dynamic football image from the 1920s by a female artist known for her sports scenes.
Etching with drypoint on exceptionally fine laid Japon paper with a double watermark, 10 7/8 ...
Category
Early 20th Century Realist Art by Medium: Drypoint
Materials
Handmade Paper, Drypoint, Etching
Le Curé de Cucignan
Located in Middletown, NY
A lovely, dark impression with excellent provenance.
Paris: Lemerre, 1880.
Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 4). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733).
[Bourcard 112]
A note regarding the provenance:
J. H. de Bois was a well known late-19th century modern art...
Category
1880s French School Art by Medium: Drypoint
Materials
Drypoint, Etching, Aquatint, Laid Paper
Salvador Dali - Le Cerf from Le Bestiaire de la Fontaine - Signed Engraving
Located in Collonge Bellerive, Geneve, CH
SALVADOR DALI
Le Cerf se voyant dans l'eau from Le Bestiaire de la Fontaine
1974
Hand signed by Dali
Edition: /250
The dimensions of the image are 22.8 x 15.7 inches on 31 x 23.2 in...
Category
1970s Surrealist Art by Medium: Drypoint
Materials
Drypoint, Aquatint
'Mokihana (Hawaii)' — Classic Polynesian Portrait
Located in Myrtle Beach, SC
John Melville Kelly, 'Mokihana (Hawaii)', drypoint, 1946. Signed, titled, and annotated 'No 5' in pencil. A superb, finely nuanced impression, in dark brown ink, on cream wove Japan ...
Category
1940s American Modern Art by Medium: Drypoint
Materials
Drypoint
Marino Marini (1901 - 1980)-MARINO FROM SHAKESPEARE I-Etching, drypoint aquatint
Located in Varese, IT
Etching, drypoint and aquatint in 28 colours, edited in 1977.
Limited edition of 75 copies, numbered as 70/75 in lower left corner.
Hand signed by artist in pencil in the lower right...
Category
1970s Abstract Art by Medium: Drypoint
Materials
Drypoint, Etching, Aquatint
Returning to the Stable.
Located in Storrs, CT
Returning to the Stable. 1920. Drypoint. Appleby 64. 8 3/4 x 12 1/4 (sheet 11 7/16 x 16 1/8). Edition 100. A rich impression printed on cream laid paper wi...
Category
1920s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
$800 Sale Price
36% Off
Drypoint art for sale on 1stDibs.
Find a wide variety of authentic Drypoint art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, yellow, green, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Salvador Dalí, Pablo Picasso, André Derain, and Anselmo Bucci. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Drypoint art, so small editions measuring 0.01 inches across are also available