Eduardo Chillida

Spanish Artist signed limited edition original art print chine colle drypoint

1982

Eduardo Chillida (Spain, 1924-2002) 'Korapillo II', 1982 chine colle, dry point on japanese paper 25.6 x 19.7 in. (65 x 50 cm.) Edition of 50. Original 63 of which 50 belong to the regular edition. P/A: 8, H.C.: 5 Unframed ID: CHI1038-013 Hand-signed by author It is documented in Chillida, E. (1999). Eduardo Chillida – Opus P. II 1973-1985. Chorus – Verlag, pp 290 – 291. Nr 82003. ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...

Carlos Rios (Cuba, 1958) 'El Salto', 2010 dry point, engraving on paper Guarro Super Alpha 250g. 27.8 x 19.1 in. (70.5 x 48.5 cm.) Edition of 10 ID: RIO-10...

José Niebla (Spain, 1945) Untitled, 1996 silkscreen on paper 15.8 x 11.9 in. (40 x 30 cm.) Edition of 150 ID: NIE1205-005-150_5 Hand-signed by author

José Niebla (Spain, 1945) 'Ofrena', 1991 silkscreen on canvas 27.6 x 19.7 in. (70 x 50 cm.) Edition of 150 ID: NIE1205-003-150_4 Hand-signed by author

José Niebla (Spain, 1945) 'Ana Mateix', 1991 silkscreen on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 150 ID: NIE1205-003-150_1 Hand-signed by author

Perla Krauze (Mexico, 1953) 'El exilio de los sentidos', 2004 engraving on paper 15 x 15 in. (38 x 38 cm.) Edition of 75 ID: KRA1662-001-075-4 Hand-signed by author

1987 Etching, aquatint and drypoint in colors, on wove paper Sheet: 15 3/4 x 18 3/4 in. Edition of 71 Signed, dated and numbered in pencil, lower margin

18 by Maki Yamamoto This print is created using mono print and drypoint technique on paper. Shipping is not included. See our shipping policies. Please contact us for shipping quot...

23 by Maki Yamamoto This print is created using mono print and drypoint technique on paper. Shipping is not included. See our shipping policies. Please contact us for shipping quot...

Alan Shields TV Re-Run B, 1978 Mixed Media Monotype: Color drypoint, mezzotint, linocut and colored embossing on perforated paper on Handmade Paper Mounted on Linen Board Signed, num...

Lauren Steinert Trace #2 Drypoint etching, mulberry chine colle on Rives BFK paper Year: 2022 Size: 7 x 7 inches Unique Signed by hand, titled and numbered by hand COA provided Ref.: 924802-1032 Tags: abstract, mark, archive, printmaking, drypoint, etching, intaglio, cartography, community, memory, observation Lauren C. Steinert received a Master of Fine Art in Printmaking from the University of Arizona. She received her Bachelor of Science and Arts from the University of Wisconsin-Madison in Printmaking and Glass-working along with Bachelor degrees in Environmental Science and German. She worked as the Printmaking Technician as well as the Relief Printmaking Instructor for the University of Arizona throughout her time as a graduate student. Steinert is currently the Printmaking Instructor for Pima Community College, a Glassblowing Instructor/Assistant at the Sonoran Glass School, and she works as an Artist Assistant. I believe objects hold memory more distinctly than people do. Spending immersive time with different objects around my home, studio, and the communal spaces I occupy, I attempt to visually translate the stories people...

Lauren Steinert Trace #3 Drypoint etching, mulberry chine colle on Rives BFK paper Year: 2022 Size: 7 x 7 inches Unique Signed by hand, titled and numbered by hand COA provided Ref.: 924802-1033 Tags: abstract, mark, archive, printmaking, drypoint, etching, intaglio, cartography, community, memory, observation Lauren C. Steinert received a Master of Fine Art in Printmaking from the University of Arizona. She received her Bachelor of Science and Arts from the University of Wisconsin-Madison in Printmaking and Glass-working along with Bachelor degrees in Environmental Science and German. She worked as the Printmaking Technician as well as the Relief Printmaking Instructor for the University of Arizona throughout her time as a graduate student. Steinert is currently the Printmaking Instructor for Pima Community College, a Glassblowing Instructor/Assistant at the Sonoran Glass School, and she works as an Artist Assistant. I believe objects hold memory more distinctly than people do. Spending immersive time with different objects around my home, studio, and the communal spaces I occupy, I attempt to visually translate the stories people...