Items Similar to Perla Krauze Mexican Artist Original Hand Signed engraving 2004, 15xx15 in
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Perla KrauzePerla Krauze Mexican Artist Original Hand Signed engraving 2004, 15xx15 in2004
2004
About the Item
Perla Krauze (Mexico, 1953)
'El exilio de los sentidos', 2004
engraving on paper
15 x 15 in. (38 x 38 cm.)
Edition of 75
ID: KRA1662-001-075-4
Hand-signed by author
- Creator:Perla Krauze (1953, Mexican)
- Creation Year:2004
- Dimensions:Height: 15 in (38.1 cm)Width: 15 in (38.1 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU1854212675952
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2000
1stDibs seller since 2022
64 sales on 1stDibs
Typical response time: 1 to 2 days
- ShippingRetrieving quote...Ships From: Miami, FL
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Spanish Artist signed limited edition original art print chine colle drypointBy Eduardo ChillidaLocated in Miami, FLEduardo Chillida (Spain, 1924-2002) 'Korapillo II', 1982 chine colle, dry point on japanese paper 25.6 x 19.7 in. (65 x 50 cm.) Edition of 50. Original 63 of which 50 belong to the regular edition. P/A: 8, H.C.: 5 Unframed ID: CHI1038-013 Hand-signed by author It is documented in Chillida, E. (1999). Eduardo Chillida – Opus P. II 1973-1985. Chorus – Verlag, pp 290 – 291. Nr 82003. ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...Category
1980s Abstract Prints and Multiples
MaterialsPaper, Drypoint
- Spanish Artist signed limited edition original art print chine colle drypointBy Eduardo ChillidaLocated in Miami, FLEduardo Chillida (Spain, 1924-2002) 'Korapillo I', 1982 chine colle, dry point on japanese paper 25.6 x 19.7 in. (65 x 50 cm.) Edition of 50. Original 62 of which 50 belong to the regular edition. P/A: 7, H.C.: 5 Unframed ID: CHI1038-012 Hand-signed by author It is documented in Chillida, E. (1999). Eduardo Chillida – Opus P. II 1973-1985. Chorus – Verlag, pp 288 – 289. Nr 82002. ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...Category
1980s Abstract Prints and Multiples
MaterialsPaper, Drypoint
- Argentinean signed limited edition original art print silkscreen 27x19 in. n4Located in Miami, FLJusto Barboza (Argentina, 1938) 'Estribo', 1998 silkscreen on paper Guarro Geler 27.6 x 19.7 in. (70 x 50 cm.) Edition of 30 Unframed ID: BAR1437-004-030 Hand-signed by authorCategory
20th Century Abstract Prints and Multiples
MaterialsPaper, Engraving, Screen
- Argentinean signed limited edition original art print silkscreen 27x19 in. n7Located in Miami, FLJusto Barboza (Argentina, 1938) 'Señal rosa', 1995 silkscreen on paper Guarro Geler 27.6 x 19.7 in. (70 x 50 cm.) Edition of 50 Unframed ID: BAR1437-007-050 Hand-signed by authorCategory
20th Century Abstract Prints and Multiples
MaterialsPaper, Engraving, Screen
- Argentinean signed limited edition original art print silkscreen 27x19 in. n13Located in Miami, FLJusto Barboza (Argentina, 1938) 'Sin título I', 1998 silkscreen on paper Guarro Geler 27.6 x 19.7 in. (70 x 50 cm.) Edition of 30 Unframed ID: BAR1437-013-030 Hand-signed by authorCategory
20th Century Abstract Prints and Multiples
MaterialsPaper, Engraving, Screen
- Argentinean signed limited edition original art print silkscreen 27x19 in. n16Located in Miami, FLJusto Barboza (Argentina, 1938) 'Sin título IV', 1998 silkscreen on paper Guarro Geler 27.6 x 19.7 in. (70 x 50 cm.) Edition of 30 Unframed ID: BAR1437-016-030 Hand-signed by authorCategory
20th Century Abstract Prints and Multiples
MaterialsPaper, Engraving, Screen
You May Also Like
- Antoni Clavé - GUERRERO (Warrior) Etching Spanish Abstraction ContemporaryBy Antoni ClavéLocated in Madrid, MadridAntoni Clavé - GUERRERO (WARRIOR) Date of creation: 1966 Medium: Etching on paper Edition number: 17/50 Size: 78 x 56,5 cm Condition: In very good conditions and never framed Observa...Category
1960s Abstract Abstract Prints
MaterialsArchival Paper, Engraving, Etching
- Limited Edition 2005 Marielle Guégan French Artist Gravure/Engraving MinimalistBy Guégan MarielleLocated in Paris, FRThe sixth of six of this limited edition Marielle Guégan engraving created in 2005. Marielle Guégan is a French painter and engraver. During her studies as an interior designer, sh...Category
21st Century and Contemporary Abstract Abstract Prints
MaterialsPaper, Engraving
- Marielle Guégan French Artist Limited Edition Gravure/Engraving 2006By Guégan MarielleLocated in Paris, FRThe third of 10 of this limited edition Marielle Guégan engraving created in 2006. The engraving it self is H 15 cm x W 9.5 cm Marielle Guégan is a French painter and engraver. Duri...Category
21st Century and Contemporary Abstract Abstract Prints
MaterialsPaper, Engraving
- 17.1By Pierre MuckensturmLocated in London, GBCarborundum and drypoint on copper. Printing on BFK Rives paper 250 g. Unframed. Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and printing process allows him to further explore notions of time and perspective. Muckensturm is inspired by the concepts of calmness, constancy and temporality. His work visually expresses a sense of harmony with time. In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude and orientation over time. Edition 7/15 Pierre Muckensturm is a French abstract painter and print maker. His visual language is one of harmony, calm and timelessness built around softly textured surfaces and a muted, black and white palette. Born in Strasbourg, France, he currently lives and works in Colmar. Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and printing process allows him to further explore notions of time and perspective. Muckensturm is inspired by the concepts of calmness, constancy and temporality. His work visually expresses a sense of harmony with time. In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude and orientation over time. In 2004, Muckensturm began working with oil on large scale canvases. He isolates gestural elements, enlarging them on the picture plane to explore their presence in relation to the surrounding emptiness. He develops the paintings methodically, exploring the process of transformation the canvas undergoes in the painting process. Working the surface into a texture that belies its age, Muckensturm achieves a balance of intensity and tranquility. INSPIRATION Muckensturm is inspired by the concepts of calmness, constancy and temporality. His work visually expresses a sense of harmony with time. Initially a figurative painter, he discovered abstraction in 2004 on a visit to Notre Dame du Haut, a Modernist chapel in Ronchamp, France, designed by Charles-Edouard Jeanneret-Gris, otherwise known as Le Corbusier. The simplicity of its forms brought Muckensturm a feeling of tranquility. He began seeking ways to directly express how felt that day. His search brought him into contact with the work of Julius Bissier, whose simple, organic, gestural brushstrokes, evocative of Taoist painting...Category
2010s Abstract Abstract Prints
MaterialsPaper, Drypoint
- 183s21051By Pierre MuckensturmLocated in London, GBEngraving and dry point on copper printed on BFK Rives 250gr - Unframed. This artwork is sold as a triptych, each print's dimensions are 48 x 38 cm/ 18.8 x 14.9 inches. Edition 5/11...Category
2010s Abstract Abstract Prints
MaterialsPaper, Ink, Engraving
- 191J24019 (Abstract print)By Pierre MuckensturmLocated in London, GBEngraving / carborundum on zinc printed on BKF paper 250 g - Unframed. Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and printing process allows him ...Category
2010s Abstract Abstract Prints
MaterialsPaper, Engraving
Recently Viewed
View AllMore Ways To Browse
Tracey Emin Screenprint
Travel Poster Sudan
Unter Den Linden
Vasarely Fille Fleur
Vintage Mardi Gras Poster
Vintage Mardi Gras Posters
Vintage Movie Posters South Pacific
Vintage Patisserie Sign
Vintage Pink Bathtub
Vintage Ranger Hat
Vintage Rangers Hat
Walter Ufer
Woody Othello
Yves Saint Laurent Etoile
Adele C Table
Adrian Heath Lithograph
Albert Neuhaus
Alex Katz Ada Four Times 3