Art by Medium: Drypoint

Salvador Dali Nude in the bath, 1973 drypoint and stencil highlights Hand signed lower right Edition EA lower left Image size: 39 x 58 cm Sheet size : 51 x 71 cm at sight Reference...

Rare original trio of drawings by Paul Desmond Brown (1893-1958) depicting: Virginia Gold Cup 1931/ Llangollen Farms 1932/ & National Horse Show 1932...

Nicola Tyson is known for her assertive depictions of the human body, typically odd arrangements of patched-together, distorted, or missing parts rendered in a bright but reduced col...

Nicola Tyson is known for her assertive depictions of the human body, typically odd arrangements of patched-together, distorted, or missing parts rendered in a bright but reduced col...

Color hard ground etching with aquatint, spit-bite aquatint, drypoint, roulette, and scraping and burnishing ed-30

CONRAD FELIXMÜLLER 1897 - 1977 Dresden 1897 - 1977 Berlin (German) Title: The Old Collier Der alte Kohlenarbeiter, 1921 Technique: Original Hand Signed Drypoint on Wove Paper Pa...

Art Sz: 7 1/2"H x 11 1/4"W Frame Sz: 14"H x 17 3/4"W Paul Desmond Brown (American; 1893 – 1958) Down the Field #2 Etching on paper Signed to the lower right Dedication lower right: To Roy Chapman Andrews with kindest personal regards Paul Brown

Shere Mill Pond, No. II (large plate). 1860. Etching and drypoint. Schneiderman 37.v/ix. 7 x 13 1/8 (sheet 10 3/4 x 16 3/8). This state is prior to publication in Études à l'Eau-Forte. Illustrated: Keppel The Golden Age of Engraving; Print Collector's Quarterly 1 (1911): 18; : Guichard, British Etchers, 1850-1940. A rich, brilliant proof with drypoint burr printed on white laid paper. Signed in pencil. ------------------------------------------------------------------------------------------- Shere Mill Pond, No. II was one of the most highly praised landscape prints of the etching revival. An impression was exhibited at the Royal Academy in 1861 under Haden’s pseudonym, H. Dean. Francis Seymour Haden used this anagram of his own name early in his career as an artist, in order to retain his anonymity and preserve his professional reputation as a surgeon. Biography: Sir Francis Seymour Haden (16 September 1818 - 1 June 1910), was an English surgeon, best known as an etcher. He was born in London, his father, Charles Thomas Haden, being a well-known doctor and lover of music. He was educated at Derby School, Christ's Hospital, and University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was admitted as a member of the College of Surgeons in London in 1842. In 1843-1844, with his friends Duval, Le Cannes and Colonel Guibout, he travelled in Italy and made his first sketches from nature. Haden attended no art school and had no art teachers, but between 1845 and 1848 he studied portfolios of prints belonging to a second-hand dealer named Love, who had a shop in Bunhill Row, the old Quaker quarter of London. Arranging the prints in chronological order, he studied the works of the great original engravers, Albrecht Dürer, Lucas van Leyden and Rembrandt. These studies, besides influencing his original work, led to his important monograph on the etched work of Rembrandt. By lecture and book, and with the aid of the memorable exhibition at the Burlington Fine Arts Club in 1877, he tried to give a true reflection of Rembrandt's work, giving a nobler idea of the master's mind by taking away from the list of his works many dull and unseemly plates that had long been included in the lists. His reasons were founded upon the results of a study of the master's works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895). Haden's printmaking was invigorated by his much younger brother-in-law, James Whistler, at the Haden home in Sloane Street in 1855. A press was installed there and for a while Haden and Whistler collaborated on a series of etchings of the Thames. The relationship and project did not last. Haden followed the art of original etching with such vigour that he became not only the foremost British exponent of that art but brought about its revival in England. His strenuous efforts and perseverance, aided by the secretarial ability of Sir WR Drake, resulted in the foundation of the Royal Society of Painter-Etchers and Engravers. As president he ruled the society with a strong hand from its first beginnings in 1880. Notwithstanding his study of the old masters of his art, Haden's own plates were very individual, and are particularly noticeable for a fine original treatment of landscape subjects, free and open in line, clear and well divided in mass, and full of a noble and dignified style of his own. Even when working from a picture his personality dominates the plate, as for example in the large plate he etched after J.M.W. Turner's "Calais Pier," which is a classical example of what interpretative work can do in black and white. Of his original plates, more than 250 in number, one of the most notable was the large "Breaking up of the Agamemnon." An early plate, rare and most beautiful, is "Thames Fisherman". "Mytton Hall" is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house in sunlight. "Sub Tegmine" was etched in Greenwich Park in 1859; and "Early Morning--Richmond", full of the poetry and freshness of the hour, was done, according to Haden, actually at sunrise. One of the rarest and most beautiful of his plates is "A By-Road in Tipperary"; "Combe Bottom" is another; and "Shere Mill Pond" (both the small study and the larger plate), "Sunset in Ireland," "Penton Hook," "Grim Spain" and "Evening Fishing, Longparish," are also notable examples of his genius. A catalogue of his works was begun by Sir William Drake and completed by Harrington in 1880. During later years Haden began to practise the sister art...

Pen & ink drypoint depicting a military rider clearing a tripple bar fences Signed: Paul Brown LR w/ Closson Gallery label on verso c1930s Art Sz: 7"H x 11"W Frame Sz: 16"H x 2...

“The Rubble” series consists of seven tapestry-like paintings hanging from hand-wrapped dowels. The color choice and materials identify what can be destroyed, re-formed, and at some ...

Alexandre Arrechea´s work remains caught in an endless uphill climb towards a new representational framework. The pieces he produces serve as a warning of our own limits and how pret...

Alexandre Arrechea´s work remains caught in an endless uphill climb towards a new representational framework. The pieces he produces serve as a warning of our own limits and how pret...

Art Sz: 6.5"H x 16.25"W Frame Sz: 15"H x 24"W

PAUL DESMOND BROWN (American, 1893-1958), Leaping horse and rider, engraving, pencil signed lower right Image Sz: 5 1/2"H x 7 1/4"W Frame Sz: 11 3...

Art Sz: 8"H x 12"W Frame Sz: 13 1/4"H x 17"W w/ linen mat and gilt wood frame

Color spit bite and sugarlift with soapground and drypoint

Lithograph, drypoint, etching in colours, 1987/88, on handmade wove paper, signed in pencil, numbered from the edition of 75, printed and published by Polígrafa Obra Gráfica, Barcelo...

Image Sz: 5 7/8" x 7 7/8" Sheet Sz: 9 3/4" x 12 1/2"

This original etching with drypoint is hand signed in pencil by the artist "Marc Chagall" at the lower right corner. It is also hand numbered 6 in pencil from the edition of 100, at...

Francesco Clemente ( 1952 ) - hand-signed drypoint on paper - 74 x 124 cm, 2/23 Additional information: Material: Drypoint on paper Very limited edition, numbered in lower left corn...

Hand signed and numbered by the artist. Sheet size 19.75 x 13 inches. Image size 14 x 7 inches. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 6...

BROWN, Paul Desmond (SIGNED) "Left Backhander and a Hook" International Polo Argentina vs USA (Copa de las Americas) in 1928, etching Matted and framed ...

Art Sz: 6 1/2"H x 16 1/4"W Frame Sz: 14 3/8"H x 23 5/8"W Signed lower right: Paul Brown

Watercolor and Ink on paper Fred Borghesi is an Italian artist born in 1987 who lives and works in London, UK. He is above all a multidisciplinary artist, constantly switching betwe...

Mixed Media (Watercolor, Ink and digital retouch) Archival Giclée print Limited Edition of 30. Fred Borghesi is an Italian artist born in 1987 who lives and works in London, UK. He...

Mixed Media (Drypoint Etching, watercolor and digital retouch), Archival Giclée print Limited Edition of 30. Fred Borghesi is an Italian artist born in 1987 who lives and works in L...

Using his intuitive skill as a master artist, Miró combines dry-point with cement imprint to create a rich textural experience that is enhanced by beautiful and friendly visual image...

Art Sz: 7 1/2"H x 10 1/2'W Frame Sz: 13"H x 15 7/8"W Inscribed lower right: To Mr. F.S. O'Reilly Very Sincerely Paul Brown

Stanley Anderson 1884-1966 Drypoint, signed out of the image bottom centre Image size: 9 x 11 inches (22.8 x 28 cm) Acid free mount Alfred Charles Stanley Anderson CBE RA was a Brit...

Jacques Villon (1875-1963), two drypoints, 1905, (Ginestet and Pouillion E156) each signed in pencil: an impression of the final state (third state of three) printed in bistre, with ...

Emil Orlik (1870-1932), Die Loge im Gaite Montparnasse (Paris), drypoint, etching and soft ground, 1911, signed and numbered in pencil lower right, for the portfolio Zuschauer und Zu...

Hermine David (1886-1970), Marechal Ferrant (The Blacksmith), etching and drypoint, signed in pencil lower right [also signed in the plate lower left], ...

Theodore Roussel (1847-1926), The Avon on the Road to Bexhill, drypoint, 1919, signed in pencil and dated (15.7.19) lower left [also signed in the plate]. Reference: Hausberg 115, f...

Theodore Roussel (1847-1926), The Gate, Chelsea; etching and drypoint, 1889-1890, signed on the tab and inscribed imp [also signed in the plate lowere right]. Reference: Hausberg 33, fourth state (of 4), from the total printing of about 43 impressions. In excellent condition, trimmed by the artist all around on the plate mark except for the tab, 8 1/8 x 6 1/2 inches. A fine impression, printed on a light cream wove paper with plate tone (wiped to brighten the gate and doorway area) and substantial burr in the drypoint work. According to Hausberg, “The gate and house behind it still stand today at No. 4 Cheyne Walk...

Tambien esto / So is this (Disasters of War, plate 43, Harris 163, Delteil 162). Original etching, burnished aquatint, and burnisher, c. 1808-1814. The clergy are running; their floc...

Image Sz: 8 1/8"H x 7"W Sheet Sz: 12 3/8"H x 9 1/2"W *Vertical crease over plate*

Image Sz: 4 7/8"H x 6 7/8"W Sheet Sz: 12 1/2"H x 15 1/2"W

Leon Kossoff Outside Kilburn Underground Station 1984 Drypoint etching, Edition of 40 58.42 x 66.04 cms (23 x 26 ins) (paper size) 31 x 40.5 cms (12 3/16 x 15 15/16 ins) (plate size)

Art Sz: 9 3/8"H x 14 1/4"W Frame Sz: 15"H x 19 5/8"W

Art Sz: 6 1/2"H x 8 1/2"W Signed lower right Mounted on 4"H x 5"W x 1/4"D wooden block

The lotus is a sacred flower in many religious traditions and refers to spiritual awakening and purity of heart. This meditative symbol is a metaphor for rebirth and a life unfolding...

58.42 x 66.04 cms (23 x 26 ins) Edition of 40 Published by Bernard Jacobson Gallery

Arnulf Rainer (Austrian, born 1929) Grüner Strom, 1999 Medium: Drypoint etching on wove paper Dimensions: 53.5 x 38 cm Edition of 35: Hand-signed and numbered in pencil Condition: Ve...

Max Beckmann (Leipzig 1884 – New York 1950), Portrait of Baron Simolin II (large version)(1928) Drypoint, 38 x 25 cm (plate), 48 x 40 cm (sheet), signed and dated lower right.

This complete set of fifty etchings, aquatints and drypoints are each hand signed by the artist "Edgar Chahine" at the lower left margins. The folio was printed by A. Routy, Paris and published by Sagot, Paris in 1906. The justification page is additionally hand signed in ink by the artist “Edgar Chahine” and the paper type is handwritten “Hollande”. The impression is numbered in ink from the edition of 75 on the justification page. Each of the 50 plates are hand numbered in pencil to reflect their sequence and refers to the titles on the justification page. Note: In 1906 the Fiancé of Chahine Mary Jacobsen died and the artist lost all love for life. His friend and publisher Sagot send him to Venice, Umbria and Toscana for distraction. Edgard Chahine returned with a sensitive group of etchings from the Italian countryside. Literature: "Edgar Chahine: Catalogue de l'Oeuvre Grave", by M.R. Tabanelli, Published by IL Mercante de Stampe editeur, Milano, 1977. Reference: Tabanelli 180-229. Condition: Very good condition. The etchings, aquatints and drypoints in very good condition and printing with burr. The support pages and justification page with foxing staining. The folio cover...

A Rose... drypoint and etching in colors, on Somerset paper, 2008 Signed and dated in pencil, numbered 7/10 Published by Crown Point Press, San Francisco, with their blindstamp, wit...

Aquatint and drypoint 75.9 x 60.6 cms (29 7/8 x 23 7/8 ins) paper size 60.3 x 45.4 cms (23 3/4 x 17 7/8 ins) plate size Edition of 5

TECHNICAL INFORMATION James Rosenquist 1/2 Sunglass, Landing Net, Triangle 1974 Liftground etching, drypoint, sandblasted mezzotint and photo-transfer 28 1/4 x 40 1/4 in. Editi...

Triptych of original drypoint etchings by Paul Desmond Brown (1893-1958) depicting: Grasslands 1930/ Wissahickon Cup 1930/ & Radnor 1931 Art Sz: 27"H x 11"W Frame Sz: 33 3/4"H x 17...

Stylish hand-penned c1930s drypoint limited #52/250 in birdseye maple frame w/ turf green mat Image Sz: 9 1/2"H x 11 3/4"W Frame Sz: 14 1/2"H x 17 1/4"W

Art Sz: 6 1/2"H x 8 3/8'W Frame Sz: 12"H x 13 3/4"W Inscribed lower right: To Mr. F.S. O'Reilly Very Sincerely Paul Brown The Cary Collection...

Art Sz: 9 3/8"H x 14 1/4"W Frame Sz: 15"H x 19 5/8"W

Art Sz: 8"H x 12"W Frame Sz: 13 1/4"H x 17"W

Frank Stella Jonah Historically Regarded from Moby Dick Engravings, 1991 is from a series of works which take their titles from Herman Melville’s novel Moby Dick. Each of the works f...

This black and white composition by Pablo Picasso is part of the Suite des Saltimbanques series of works from 1905. Prepared by the artist early in his career, the work demonstrates ...

REMBRANDT HARMENSZ. VAN RIJN 1606 Leiden Amsterdam 1669 Death Appearing to a Wedded Couple from an Open Grave 1639 drypoint and etching; 109 x 78 mm Bartsch 109, White/Boon only s...

The Sacramento River deltas and levees near Thiebaud’s studio became a source of inspiration starting in the mid-1990s where he would sketch en plein air and then work combined ideas...

Created in 2002, this Wayne Thiebaud Hill River, 2002 drypoint and aquatint in color on wove paper is hand signed by Wayne Thiebaud (Mesa, 1920 - Sacramento, 2021) in pencil in the l...

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developments in the world around him, Picasso contributed significantly to a number of artistic movements, notably Cubism, Surrealism, Neoclassicism, and Expressionism. In 1949 Picasso’s illustrations...

Night Opening 2022 Signed, dated, and numbered in pencil, recto Drypoint etching on BFK Rives paper (Edition of 100) 11.811 x 9.45 inches, sheet 5.71 x 4.92 inches, image Contact...