Square Abstract Paintings

Monochrome abstraction Part 1 (Abstract painting) Acrylic, charcoal and graphite on canvas - Unframed. Artwork exclusive to IdeelArt. Adrienn Krahl’s paintings express a profound...

Bulge 14 (Abstract Painting) Acrylic and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at ...

Maggie LaPorte Banks. Breakfast at Tiffanys [2021] original Acrylic and mixed medium on canvas Image size: H:50 cm x W:50 cm Complete Size of Un...

The organic aesthetic and textures of Peter Kuttner’s original boho minimalist artworks are the result of patient layering and unique uses of media. Through a combination of collage ...

Natalie Alana Sturgis is an African American writer & painter born and raised in New York. In what she describes as her process, she attempts to capture her emotions onto surfaces, w...

About the Artist: Spending most of his life in Tennessee, Charles Ivey has created art in nearly every medium—from welding steel to taking photos. Ivey cu...

Maggie LaPorte Banks Go Gently Original Abstract Painting Oil Paint on a Linen canvas, mixed medium. Size: H 40cm x W 40cm x D 2cm Sold Unframed (Please note that in situ images are ...

Cut-Up Paper 2004 (Abstract Painting) Acrylic on paper - Unframed. Pedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often ...

Dusk by Jon Rowland Original and signed by the artist Oil and Acryli on canvas Unframed Size: H:100 cm x W:100 cm One of a number of paintings that celebrate the southeast coast...

Unique piece Spray, Marker, Soft Pastel on Canvas Jay Foster's artistic journey is a tapestry woven with the threads of anonymity and renown.  His early d...

An original mid-century modern abstract expressionist painting by American artist Toma Yovanovich. This work comes housed in an original artist made frame. The painting is signed,...

Summer Blues by Gemma Bedford [2021] Original Oil Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:4cm Sold Unframed Please note that insitu images...

Sveta Hessler's "Hidden Meadow" is a captivating 40" x 40" oil on canvas masterpiece that exudes vitality and vibrancy. A veritable cascade of colors, th...

Steven H. Rehfeld (American, born 1954) "Mystic Valley," 2017 Oil paint, canvas, stretcher bars The artist signed the back of the painting. Steven Rehfeld's 60" x 60" masterpiece ca...

Morning Mist 40.0 x 40.0 x 1.5, 8.0 lbs Acrylic on canvas Hand signed by artist Artist's Commentary: "Inspired by foggy, morning mists. This abstract, impressionistic acrylic pai...

Wilderness by Sophie Berger An original oil painting on canvas, un-framed, measuring 40 x 40 cm. Inspired by the wild North Devon coastline in England.

Sonnentaler (Abstract Expressionism painting) Acrylic on canvas. Unframed. Color and luminosity define the work of Greet Helsen. Her paintings are best described as abstract landsc...

Deja Vu is a series of abstract paintings which aim to capture my response to something previously experienced. Judith North has paintings available for sale online and at the galler...

This signed painting by acclaimed African-American artist David Hammons displays an early experimental use of painted material during the artist’s formative years at Otis Art Institu...

Midnight Mimosa Blossoms [2021] Original Flowers Acrylic Paint on Canvas Canvas Size: H:30.5 cm x W:30.5 cm x D:3.5cm Sold Unframed Please note that insitu images are purely an indic...

This painting is Werner's interpretation of The Garden of Eden at nighttime, as he imagines it becomes a hellscape after dark. Animals lurk in the darkness behind an emaciated Adam and Eve, the red eyes of a bull-headed dragon pierce through the darkness. "This was my idea: how about if the the Garden Eden was only a peaceful place during the daytime? Once night falls, dark and cruel animals appear, including bats and giant rodents, ruled by the Snake King (here a giant dragon with a male and a female head). Those frightening creatures represent the suppressed, destructive libido of Adam and Eve (painted upside down from each other to show that they are opposites.) Innocent, they only dream about sin and their dark, unrecognized desires." -Constantin Werner

Original abstract painting with suggestions of landscape and dramatic tonal qualities. Loose use of paint which is then worked into. High contrast. JO JENKINS New original Artwork by...

Large Celestial Mythical Horse Painting by Alex K. Mason "Wardusa", Acrylic Gouache Ink on Canvas, Blue, White, Gold, Yellow This painting is part of a constellation series I did f...

Robert Glick (American, born 1950) "By the Bay" 2023 Oil Paint, Canvas, Stretcher Bars The artist signed the bottom left of the painting. "By the Bay," a 30" x 30" oil on canvas by ...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the artist's "Elements" series which creates intricate geometric minimalistic compositions. This work has a rustic and heavily textured quality, but the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating pieces that allow us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her pieces aim to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This is a unique work is on baltic birch panel, and signed and titled by the artist on verso. Art measures 8 × 8 inches A native New Yorker, Christie Owen...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the artist's "Elements" series which creates intricate geometric minimalistic compositions. This work has a rustic and heavily textured quality, but the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating pieces that allow us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her pieces aim to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This is a unique work is on baltic birch...

INDACO COLLAGE III by Kim Fonder is a mixed media on handmade paper, pigment, mica, on burlap over panel measures 24.00 X 24.00 in and is priced at $800. Kim Fonder loves texture an...

‘Gertrude’ is an original abstract painting on board by contemporary artist Wendi Weller. Oil pastel mark making details are added to many layers of acryl...

"In the Same Time" is a captivating 120x120cm abstract acrylic and marble powder on linen canvas and a nod to Emmanuel Macron's favorite phrase and a visual testament to the artist's...

This painting pairs well with Liz Barber's "Early Tulip." Liz Barber's organic abstract paintings are layered bursts of energy inspired by nature’s movement. Forms and lines fall int...

This contemporary political painting, Colored, is a social critique of America and racism, using glowing color, surgical geometry and text. Los Angeles-based Milan Tiff...

I have used oil paints to make the composition and generate relief and shapes. I want to fuse a scene of struggle between the wild feelings that emerge in situations of silence. It i...

One dip in ultramarine 15.7 x 15.7 x 0.8, 13.2 lbs Acrylic on canvas Hand signed by artist Artist's Commentary: "The work was created with the support of canvas, but the acrylic ...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

Original landscape painting of trees along a sandy path in a dark brown frame. Works by Contemporary artist Fiona Pearce available online and in our gallery at Wychwood Art. Fiona wa...

Original hand-painted painting. * The artwork is signed on the back and includes a Certificate of Authenticity. * The painting is done on stretched canvas using top quality acryl...

Jo Jenkins One More Mountain to Climb … Winter, Oil and gesso on board, JO JENKINS New original Artwork by Jo Jenkins is now available with Wychwood Art in their gallery and online. ...

"Pods" is a captivating abstract oil painting created by 20th-century Denver artist, Edward Marecak (1919–1993). This original mid-century modern composition features a harmonious bl...

Sarah Helen More is a Seattle-based west coast artist with an eclectic history that spans from her birthplace of Hartford, Connecticut to her hometowns of Portland, Oregon and Houston, Texas. She was raised with an appreciation for her parents’ passions, including her father’s rock and mineral collection...

Artwork by expressionist artist Harriet Chomley is available online and in our gallery at Wychwood Art. Haz is a London-based expressionist artist who plays with bold colours and tex...

Covers 13 - orange (Abstract Painting) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses ta...

Larry Zox Red, White and Blue painting, 1963 Original acrylic painting on board Signed and dated upper right front; Signed, titled and dated on the back as well Unique This work was originally sold by Jill Kornblee of the legendary Kornblee Gallery, with the back of the panel bearing Kornblee's original Upper East Side address before the gallery moved to West 57th Street Frame included: Elegantly double framed. Measurements: Outer Frame 13.5 inches vertical by 13.5 horizontal by 2.5 inches Original Frame: 10 inches vertical by 9.75 inches horizontal Painting 9.25 inches vertical x 9 inches horizontal Larry Zox Biography: A PAINTER who played an essential role in the Color Field discourse of the 1960s and 1970s, Larry Zox is best known for his intensely and brilliantly colored geometric abstractions that question and violate symmetry.1 Zox stated in 1965: “Being contrary is the only way I can get at anything.” To Zox, this position was not necessarily arbitrary, but instead meant “responding to something in an examination of it [such as] using
a mechanical format with X number of possibilities.”2 What he sought was to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his introductory essay in the catalogue for Zox’s 1973–1974 solo exhibition at the Whitney Museum of American Art.3 Zox’s robust paintings reveal
a celebrated artist and master of composition who is explored and challenged the possibilities of Post-Painterly Abstraction and Minimalist pictorial conventions. Zox began to receive attention in the 1960s when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler and Frank Stella for Tibor de Nagy, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Solomon R. Guggenheim Museum, New York. In 1973–1974, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, he was represented in the inaugural exhibition of the Hirshhorn Museum and Sculpture Garden, Wahsington, DC, which acquired fourteen of his works.
 Zox was born in Des Moines, Iowa in 1937. He attended the University of Oklahoma and Drake University, Des Moines, Iowa, and then studied under George Grosz at the Des Moines Art Center. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers, and he occasionally sparred with visiting fighters. He later established a studio in East Hampton, a former black smithy used previously by Jackson Pollock. In his earliest works, such as Banner (1962) Zox created
collages consisting of pieces of painted paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of strong hues that created ambiguous surfaces. In paintings such as For Jean (1963), he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. He then replaced these torn and expressive edges with clean and impersonal lines that would define his work for the next decade. From 1962 to 1965, he produced his Rotation series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times in 1964 wrote of the works in show such as Rotation B (1964) and of the artist: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.”4 In 1965, he began the Scissor Jack series, in which he arranged opposing triangular shapes with inverted Vs of bare canvas at their centers that threaten to split their compositions apart. In several works from this series, Zox was inspired by ancient Chinese water vessels. With a mathematical precision and a poetic license, Zox flattened the three dimensional object onto graph paper, and later translated his interpretation of the vessel’s lines onto canvas with masking tape, forming the structure of the painting. The Diamond Cut and Diamond Drill paintings...

Abstract Synapses – Dance Of The Bumble Bee #3 by Lucy Moore – Wychwood Exclusive [2021] Original Acrylic on canvas Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60...

Blue and red geometric abstract painting by Houston, Texas artist Paul Reeves. The work features a variety of flowy and angular shapes in black and red against a sky-blue background. Signed by the artist on the back. Dimensions Without Frame: H 29.5 in. x W 29.5 in. Artist Biography: Paul Reeves is the owner of Reeves Antiques...

Once Upon A Paradise #2 – By Lucy Moore [2022] original and hand signed by the artist Acrylic on canvas Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60 cm x W:60 ...

Libbi Gooch Meadow grass Original Abstract Landscape Painting Oil on Canvas Canvas Size: 60 cm x 60 cm x 1.5 cm Framed Size: 73 cm x 73 cm x 1.8 cm Sold Framed Free Shipping Please n...

Abstract art experiments with the use of texture, tone, and light perception. Through abstract works, the artist expresses her feelings rather than particular objects or scenes. With Suk Ja Kang...

Dawn Light Over the Moors is an original painting by Sophie Berger. Inspired by early morning dog walks on the hills near her house, the colours in this painting are reminiscent of d...

Jill Campbell Fell SkyLand 9 Original Landscape Painting Acrylic on canvas Image Size: H 40cm x W 40cm x D 1.5cm Framed Size: H 43cm x W 43cm x D 3cm Sold Framed (Wooden White Float ...

Maggie LaPorte Banks. Summer vibes [2022] original and hand signed by the artist Acrylic on canvas, collage, text and carborundum Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x D:1.5cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look This canvas seaside vibe was painted in my Devon studio, just a short drive to many sandy beaches. The colours are of summer, patches of blue echo sea and sky, the pink stripes reminiscent of Punch and Judy shows...

This painting is full of drama and mystery The warm tones of browns and flecks of gold surround a white and beige shape in the middle of the painting. This shape appears to pop in an...

This year, 2024, the artist Ruth Vidal (1998, Isla de Arousa) launches her latest research into painting and games. These works are based on the references that the artist draws from...

Composition 1001, 2018., 100x100 cm Abstract composition. Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso. Works of artistic stone He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy. Nugzar's color preferences The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life. Source of inspiration Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties. Working style But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality. Exhibitions Nugzar Kakhiani...

"Beyond" is an abstract painting mainly in blue and white tones. It evokes an abstract and cold landscape. In the lower left corner, one can distinguish black, purple and blue forms,...

Ruby. 2014, oil on canvas 130 x 130 cm Large size painting in red colors Alyona Prokofyeva (1988) From 2016 surname Galaktionova. Alyona graduated Riga art sc...

Home Schooling 3 by Maggie LaPorte-Banks [2021] The colour palette for this piece of work was arrived at , by a piece of rusty metal I found on my walk, I put it on a piece of blue ...