Medium Abstract Paintings

Ashley John is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) Gershon Benjamin is a painter of portraits, landscapes, still lives, and the urban scene. He had a pro...

#5-2815 A vintage fauvist style French village, oil painting on artist board displayed in a wood frame,signed lower left by Groendain

Interior design paintings. The diptych were done with oil, gold leaf pen 18 kt in turquoise blue and gold color on watercolor paper 300g. The works are 11 by 14 inches in size, frame...

"Abstract Design" by Arlette Martin (French, b.1924) signed on front and back and dated 67' Gouache/watercolour painting on paper stuck on card, unframed Painting: 14.75 x 17.5 inch...

Artist: Claude Lagouche (French 1943-2020) Claude Lagouche was born January 2, 1943 in Naves, died January 16, 2020. He quickly gained recognition for his talent and his work, exh...

Artist: Claude Lagouche (French 1943-2020) Claude Lagouche was born January 2, 1943 in Naves, died January 16, 2020. He quickly gained recognition for his talent and his work, exh...

"Collage" by Bernard Herzog (French, b.1935). signed and stamped verso with catalogue number. photo collage cut outs on paper, unframed. Overall paper: 25.5 x 20 inches Highly uniq...

Artist: Claude Lagouche (French 1943-2020). Claude Lagouche was born January 2, 1943 in Naves, died January 16, 2020. He quickly gained recognition for his talent and his work, ex...

Artist/ School: Claude Lagouche (French 1943-2020) Title: Abstract Composition, signed and dated 63' Medium: watercolour drawing on paper, stuck on card frame. Size: painting: 15....

Artist: Claude Lagouche (French 1943-2020) Claude Lagouche was born January 2, 1943 in Naves, died January 16, 2020. He quickly gained recognition for his talent and his work, exh...

Artist/ School: Claude Lagouche (French 1943-2020) Title: Abstract Composition, signed and dated 63' Medium: watercolour drawing on paper, stuck on card frame. Size: paintin...

Geometric Abstract Composition by Gilbert Pelissier (French born 1924) inscribed verso and dated on back 74' oil painting on canvas, unframed canvas size: 25 x 15 inches condition: o...

Susan English Cascading Folds (with footer) No.74, 2025 tinted polymer on Yupo paper 32 x 26 in. (eng286)

Tenderness 6. Modern, abstract, expressive painting with sparkle and shimmer! Lots of colored drops, pink, white on a light pink and light blue background. Feelings of joy, love and ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Equinox Days, Original Framed Nature-Inspired Abstract Painting, 2022 30" x 30" x 1" (HxWxD) Acrylic on Canvas 31.5" x 31.5" x 2" (HxWxD) Framed Hand-signed by the artist. Undulatin...

Title: Unnamed Paper Plane III Medium: Oil on canvas Size: 23 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2012 Artist: Mingjun Wang...

Abstract composition French cubist artist, circa 1950's oil on board, unframed board: 28.5 x 13.5 inches provenance: private collection, France condition: good and sound condition

Rosa Roig-Fiol b. 1991 Our Favourite Swimming Spot, 2024 acrylic and plaster on canvas 61 x 51 cm 24 x 20 1/8 in signed, titled and dated verso Rosa Roig-Fiol is a Spanish-British a...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Eve Drewelowe (1899 - 1988). Landscape painter, Eve Drewelowe, was the eighth of thirteen children born in ...

Original oil on canvas painting titled “Multishore” by the well known American artist, Syd Solomon. Signed Syd Solomon lower right. Signed and dated Syd Solomon 1971 on the stretcher, inscribed as titled on the reverse 30 × 26 inches. Condition is excellent. The painting is housed in its original wood with silver reveal floating frame. Overall framed measurements are 32.75 by 28.75 inches. Provenance: A private collector. Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Belgian artist Greet Helsen masterfully layers acrylic paint with the effervescent transparency of watercolors in her large mixed-media abstract paintings. Reminiscent of abstract ex...

Elfi Schuselka (Austrian, b. 1940), Abstract Composition, Oil on Canvas with collage elements, stamped "Studio Elfi Schuselka" to verso, unframed. 28.75" H x 22" W. Provenance: From ...

Dancing Bears at Dusk is a contemporary acrylic painting on premium 400gsm Fabriano paper by Gozo Collective, blending nature-inspired abstraction with surrealist minimalism. The composition presents a series of stylized bear figures engaged in an enigmatic dance beneath a luminous, gradient sky shifting from deep crimson to violet and cobalt blue. The minimalist horizon, rendered in layered shades of cool blue, evokes a meditative sense of space while amplifying the dreamlike atmosphere. This work explores the intersection of biophilia, symbolic narrative, and contemporary landscape painting. The silhouetted animal forms—poised between figuration and abstraction—recall ancient rituals, collective memory, and the human longing for connection and joy. The saturated chromatic contrasts create a dynamic visual tension, while the soft atmospheric transitions invite a contemplative viewing experience. Executed with precision and painterly restraint, the piece embodies Gozo Collective’s signature approach: poetic compositions that merge emotional resonance with formal clarity. Suitable for both contemporary interiors and curated art collections, it can be displayed unframed for a raw, modern presence or framed to enhance its depth and vibrancy. Technical Details Title: Dancing Bears at Dusk Artist: Gozo Collective Year: 2024 Medium: Acrylic on Fabriano paper (400gsm) Dimensions: 70 × 50 × 0.1 cm (unframed) Condition: Excellent, shipped flat and unframed Style: Contemporary Landscape, Surrealist Minimalism, Nature-Inspired Abstraction Color Palette: Crimson, Violet, Cobalt Blue, Sky Tones Framing: Options available upon request About Gozo Collective Gozo Collective is an artist group based on the Galician Atlantic Coast, working collaboratively in a rural studio environment. Rejecting individual authorship, the collective develops each work through shared creative sessions, resulting in emotionally charged, visually distinctive paintings rooted in the poetic potential of everyday beauty. About Casa das Peritas...

This stunning abstract Pop artwork was made in 1966, by the well known Italian artist Ermete Lancini. The artwork is a painting and a collage with newsp...

Includes a Certificate of Authenticity

Halley is a unique oil on canvas painting by contemporary artist Mathieu Piffeteau, dimensions are 70 × 70 cm (27.6 × 27.6 in). The artwork is signed, sold unframed and comes with ...

sea and stone- original abstract acrylic canvas painting Artwork by Spanish artist ISIDRO CAHUE.

Janusz Kokot was born in Kalisz in 1960. He studied at the Pedagogical University in Częstochowa at the Art Institute. He practices painting and drawing. In the years 1988 - 2020 he ...

"Timeless", from the series Horizons, handwoven painting, linen yarn, acrylic textile paint, 60 x 80 cm, 2022. Canvas is entirely constructed on a weaving loom...

The Butterfly series for Ash began as a sentiment to her late Father. Butterflies began to appear in unexplainable ways after his passing, the artist later discovered that Butterflies represent spiritual rebirth, transformation, change, hope, and life - she goes on to say: "The butterfly series draws inspiration from Rivera's quote 'Butterflies can't see their wings. They can't see how truly beautiful they are, but everyone else can.'" After coming to the fruition that Butterflies pose as not only a symbol for beauty and rebirth, Almonte felt a feeling of deep comfort. Her passion for sharing this message of hope and renewal through her colorfully diverse canvases is achieved with resilience leaving her audience glimmering much like the inner voice and the spark of Joie de vivre that fuels her purpose in life to create. This piece is painted with acrylic and mixed media on heavyweight stonehenge paper, and is signed by the artist lower right. Art measures 30 x 22 inches Inspired by vibrance and an optimistic outlook on life, Ash Almonte is recognized for her distinct abstract expressionistic style. She is best known for her series of Chandeliers, Butterflies, and Fashion from the Seventh Avenue Design District. Almonte's award-winning works can be found in private and permanent collections around the world. She is motivated by change, compassion for others, and miraculous phenomena that can impact others for good. Her flair and admiration for fashion and art have been a staple of her life since childhood. As a young girl, she would experiment using anything she could find to make art; from tearing apart bushel baskets at her father’s fruit stand, to tearing out old magazine clippings from her mother's magazine collection; anything and everything around her could potentially be used to create. She would continue to seek out opportunities throughout her young adult years, as her love for fashion grew, allowing her to collaborate with celebrity stylists creating looks for top billboard artists, as well as apparel worn at New York Fashion Week for designers Sherri Hill...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

Original painting by Daria Kusto. Acrylic on canvas. Painting rolled in a sturdy tube from Thailand – safely and promptly.

Marcus Aitken is a contemporary British artist renowned for his dynamic, gestural abstract paintings, which blend intuitive process with sophisticated technique. His unique backgro...

Abstract Expressionist composition by Andre Guillou (French 1925-2017) signed oil on board stuck on board, mounted mount: 25.5 x 19.75 inches board: 18.5 x 12.75 inches provenance: ...

Artist Commentary: Years ago while on a hunt for compositions to photograph, I came across a splattered wall. I was in an industrial area in northeast Los Angeles and driving through an alley behind some warehouses. I stopped in front of a wall that had tar running down from a roof that had undergone some repairs. The tar patterns reminded me of art by Joan Mitchell or Jackson Pollock. I took several photographs of the wall concentrating on the more gestural sections. Inspired by those photos, I created "The Tar Pits...

Acrylic, Gouache & Colored Pencil on (400 gsm) Fine Art Paper + + If I see a feather laying on the ground, I always stop to pick it up and look closely at the design – they are ...

Business ideas. Pointillism. A modern abstract painting created with brush strokes, sparkling and shimmering! Lots of colored dots like candy: blue, yellow, green, red, pink, white. ...

Three Abstracted Faces in Oil on Illustration Board Abstracted composition of three faces by an unknown artist (2oth Century). Each face is made from thick, gestural strokes, presen...

The painting is acrylic on cartoon, according to my opinion evoking a good illusion of depth and imagination. Delivered in an easy frame - recommendation -leave it as it is and put t...

This painting was made in Shizico's indoor Studio-Greenhouse. Bathed in the soft glow of LED lights, the warm reflections from the deco baubles and surrounded by her lush indoor plan...

"The work explores the interconnection between organic nature and circuits, reflecting the relationships between human beings. On the canvas, organic shapes are displayed that evoke ...

Colourful Abstract Painting using Orange & Turquoise Resin on a White Canvas by 20th Century British Artist Art measures 30 x 30 inches (Unframed) Philippe Aird...

Richard Andres American, 1927-2013 Untitled, c. 1980 acrylic and ink on paper mounted on canvas signed lower right 24 x 20 inches 25 x 21 inches, framed Note: Minor abrasion on lowe...

About the Artwork: "Shared Moments" is an original acrylic on canvas painting that captures the essence of friendship and the joy found in simple, shared experiences. The artist masterfully uses color, composition, and expression to convey a scene of warmth, connection, and happiness. This piece invites viewers to reflect on their own friendships and the special moments that bring people closer together. With its expressive detail and inviting composition, "Shared Moments" stands as a testament to the beauty of companionship and the enduring power of a smile shared between friends. The painting is on canvas and will be professionally packaged and shipped in a secured box. About the Artist: Bandji Fall...

Swiss born artist Marco Schmidli creates minimalist paintings with a contemporary edge. Placing emphasis on process, he lets the mediums naturally manifest within his artwork. “An im...

This artwork depicts a perfectly synchronized dance across an ocean of empty space, inspired by the "Astronomical" section of the Jet Chocolate Bar Natural History Album (1986 editio...

Reclining Nude French School worn away faint signature dated verso 1977 oil on canvas, unframed Canvas : 25.5 x 21.5 inches Inscribed verso Provenance: private collection, Paris Co...

The painting is inspired by the mid century modern art and patterns. Seemingly random, imperfect shape circles are scattered in a free composition, reminiscent of a childhood play. T...

Harbor Party by John von Wicht, German (1888–1970) Date: circa 1965 Gouache and Pastel on Japon, signed in pencil lower right Size: 15.5 x 23 in. (39.37 x 58.42 cm) Frame Size: 22 x ...

An incredible abstract work on lead by the indelible Giancarlo Impiglia. Born in Rome, Impiglia moved to New York in the 70s, where he established a signature style on the shoulder...

Nancy Pantirer Rain Investigation 28 x 28 in Acrylic Paint Nancy Bergman Pantirer’s paintings and sculptures have been exhibited in both solo and group exhibitions throughout the co...

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and ...

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and at the age of fourteen he was awarded a grant to enter art school which he accepted. From 1947 to 1950 he studied at Luton School of Art, Bedfordshire, and St. Albans School of Art, Hertfordshire. House's contemporaries included Richard Smith and John Plumb with whom he remained close. During the early fifties, after finishing art school, House began work as assistant to the ecclesiastical sculptor Theodore Kern. He also spent time at an advertising studio where he honed his burgeoning skills in typography and graphic design. In 1952 House was offered the position of designer for Imperial Chemical Industries Plastics Division where he stayed until 1959. This was followed by two years spent as graphic designer for the Kynoch Press in London. In 1961 House set out on his own as a self-employed designer and typographer. Initially this was supplemented by part-time teaching at art schools in and around London but by 1964 House was able to devote himself entirely to his design work which freed up valuable time to concentrate on his own artistic output in the studio. In the late fifties, informed by the new art emerging from America and that of his contemporaries in England, House began to create large-scale abstract works which he was invited to show in 1959 at Dennis Bowen's legendary New Vision Centre in Marble Arch. House was an active participant in the vibrant London art scene of the sixties, regularly attending lectures, exhibitions and discussions. In 1960 he exhibited in 'Situation' the key abstract exhibition of the decade held at the RBA Galleries. Other participating artists included Robyn Denny, Bernard and Harold Cohen, Gillian Ayres, John Hoyland, Richard Smith and William Turnbull among others. These artists, united by a common admiration for American Abstract Expressionism, were frustrated by the lack of exposure given to large-scale abstract works in commercial galleries so they organised their own exhibition. The name was derived from the participants' idea that an abstract painting that occupied the whole field of vision would involve the spectator in an 'event' or 'situation'. This exhibition was followed by 'New London Situation' in 1961 and a nationwide touring Arts Council presentation in recognition of the significance of the two earlier shows. In 1961 House began producing his first prints at the Kelpra Studio, run by Chris and Rose Prater, where he made the earliest fine art screenprint ever to be produced in Britain. Artists such as Paolozzi and Hamilton followed in his footsteps and together they started a printmaking revolution in Britain. They cemented the medium of the screenprint in the world of fine art as opposed to the commercial sphere and secured the reputation of Kelpra in the process. Later, together with Cliff White, House set up the White Ink (Ltd.) print studio in London, where he produced etchings and wood engravings on a series of magnificent antique printing presses...

Artist Commentary: Passeig de Grácia' is an avenue in the heart of the largest district of Barcelona, Spain. It is the most opulent Avenue of the city, where the celebrated and awe-...

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers and people ...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Headland Summer Walk" delivers a breezy, sunlit escape where a...

Acrylic, Gouache & Colored Pencil on (400 gsm) Fine Art Paper + + If I see a feather laying on the ground, I always stop to pick it up and look closely at the design – they are ...

A rare abstract work by the indelible Giancarlo Impiglia. Oil, gold leaf, and silver leaf on lead, mounted on wood. Born in Rome, Impiglia moved to New York in the 70s, where he es...