Medium Abstract Paintings

Mid Century Abstract Original Painting - Blue Calligraphy on Crimson Water in Oil and Tempera on Paper Wonderful Bay Area abstract composition by San Francisco's artist Honora Berg ...

A half moon shape flies across a mountainous landscape and inky ground in this complex and contemplative work on paper by Otto Rogers. Framed dimensions 39.5 x 31 inches. Otto Donal...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Dimensions outside frame: 60 x 60 x 2 cm (23.62 x 23.62 x 0.79 in) Dimensions with frame: 67 x 67 x 3.5 cm (26.38 x 26.38 x 1.38 in) Framing: Light wood or black (collector's choice)...

Title: French Outdoor Market Scene with Figures and Parasols by Fanch Lel by Fanch Lel Size: 21.25 x 25.75 inches (height x width) Oil painting on board, unframed Condition: Good ove...

Stunning and very large French Post-Impressionist oil painting depicting this deeply colourful abstract oil painting featuring an incredible blend and range of colors - aquamarines, ...

RUZ, Rafael (Barcelona 1956) While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the same sense that Julius Bissier referred to some of th...

Antique American modernist abstract minimalist oil painting. Oil on canvas. Framed. Signed verso.

A commanding piece of Mid-Century abstraction, this painting composition by American artist Canthi—signed and dated 1961—exudes raw, architectural energy layered over a vivid color f...

Abstract Reclining Nude by Raymond Letellier (French 1921-2009) signed oil on canvas, unframed canvas : 24 x 29 inches Provenance: private collection, Paris Condition: very good cond...

Charles Collins hails from a family of New Orleans artists. His late mother was a noted painter as his sister currently is, and he has a son who is a glassblower. His work has not be...

This contemporary landscape painting by Bri Custer, titled Extol, captures the quiet reverence of the natural world through expressive brushwork and a refined, earthy palette. The pi...

"Untitled" 2019, 25" x 31" horizontal drawing on paper by Argentine-born artist Karina Gentinetta (featured in Architectural Digest, Elle Decor, the...

Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...

Abstract Conceptual painting. it has a lacquer resin like finish to it. it is reminescent of the pored resin works of Gaetano Pesce. it is not framed. Siren Bliss was born Michael Wh...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Night Watch captures a dynamic interplay of movement and contrast through bold, gestural brushstrokes of deep blue and black layered over a textured canvas surface. The use of clear ...

ABOUT THIS PIECE This is a series of oil on canvas Californian landscapes, painted by the late American artist Herb Kornfeld. This piece is framed, and is SUBJECT TO AVAILABILITY. ...

"House of Peacock Ore" (2020) is an abstract geometric oil and acrylic painting on canvas by Loren Abbate. It is a square shaped piece and measures 30 inc...

Title: Impressionist Seascape Painting of the Chausey Islands with Boats and Rocks By Fanch Lel Signed: Yes Size: 19.75 x 25.5 inches (height x width) Oil painting on board, unframed...

Antique American modernist landscape oil painting. Oil on canvas board. Framed. Measuring: 21 by 27 inches overall, and 18 by 24 painting alone.. In excellent original condition. Ha...

Lesley Anne Spowart, an abstract artist hailing from Cape Cod, Massachusetts, is renowned for her transformative creations that blur the boundaries of mediums and styles. With a di...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Artist/ School: Rene Leroy (French b. 1932) Title: Abstract/ Cubist Composition Medium: oil on canvas, framed, signed Size: framed: 28.25 x 28.25 inches painting: 2...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Nicely painted early American impressionist landscape oil painting. Framed. Oil on board. Signed.

2901 City Landscape ,acrylic on canvas Displayed in a custom gilt wood frame Image size 18x24" overall 21x26.5" Signed Varen

This Limited Canvas Edition ( #12 of 20 ) is authentically hand painted by the artist on Giclée printed canvas. , finished with Shizico Yi's original brushstroke and oil paints on 9...

About the artist Sophie Dumont is a French contemporary painter whose work reflects a deep engagement with memory, cultural heritage, and poetic abstraction. Born in Paris in 1964, s...

Original oil painting by P. Valetti (French, second half 20th century) oil on canvas, unframed size: 19.75 x 28.75 inches condition: very good provenance: from the artists estate, Fr...

"Yellow Roses in Cold Water" by Volskaya Liliуа. The painting is made with ceramic paints on 350-gram cardboard. It is an original technique. The painting features charming yellow ga...

Abstract Art, Picasso Style, Multicoloured, Original Oil Painting, Signed By French artist Beatrice Werlie, early 21st Century Signed by the artist on the lower right hand corner Titled verso and dated '2004' Oil painting on canvas, unframed Canvas size: 26 x 19.5 inches Sensational abstract oil painting by a French female artist named Beatrice Werlie. A wonderful nod to the Picasso style of abstract art, using the artists supreme technique of mixing unusual colours together. The striking mix of red, yellow and blue brings a rich sense of warmth to the piece. The concept of 'abstract' was defined by Picasso, but many artists have looked to the Spanish iconic...

Acrylic Abstract Painting, Original artwork created by Ronald Hunter. A balanced abstract composition of round forms, made with many layers of acrylic paint. The combination of bl...

Simon Casson’s paintings are singular statements of pure uniqueness. Their contemporary abstraction inflicts its imprint upon the often capriccio paintings, through predatory slabs o...

Oil on jute glued on wooden panel, realized by Giorgio Lo Fermo in 2019. Hommage to the italian painter Alberto Burri. Hand signed and dated. Includes a contemporary wooden frame ...

Contemporary figurative painting with lots of details and movement. Beautiful statement piece for any art collection. Combining a lot of different colors in any interiors and settin...

Antique American modernist abstract oil painting. Oil on canvasboard. No signature found. Framed. Image size, 24L x 18H.

Series: Between light and silence A majestic dragon emerges from a vast sky of clouds — a guardian not of places, but of memories and silence. This work is the emotional anchor of th...

Late 20th century abstract oil on canvas of flowers by Russian artist Yuri Vassilievich Titov. Signed, titled and dated 1975 to the reverse ...

Oil and spray paint on canvas 23 1/4 x 24 in. Framed: 25 3/4 x 25 3/4 x 2 in. Signed lower right

"Walking in the Park" by Tommaso Principe (Italian b.1942) signed lower corner oil painting on canvas, unframed canvas: 19.5 x 27.5 inches Beautiful Italian Impressionist oil...

SOUTHERN SHORE Size: 65.5 x 65.5 cm (including frame) Oil on board A very atmospheric and expressive abstract landscape painting, executed in oil onto board by contemporary British artist Ian Mood...

Antique modernist abstract painting by Elsie Orfuss (Born 1913). Oil on canvas. Signed on verso. Nicely framed. `

Road Less Traveled Hawaii Surrealist Mid Century Figurative Abstract Landscape Symbolistic and romantic Surrealist 1940s figurative abstract landscape with a figure journeying down a path in an idyllic landscape by Marguerite Louis Blasingame circa 1940-45. Signed Blasingame lower right corner; from a collection of her work. Unframed. Condition: Excellent; professionally cleaned and UV varnished. Image, 30"H x 20"W. Marguerite and her husband Frank Blasingame...

Charmion von Wiegand Pillar of Zen #124, 1959 Gouache on paper painting Hand signed, titled and dated on the front Unique Provenance: Andre Zarre Gallery, with label verso (Estate of renowned gallerist Andre Zarre, ne Andre Sowulewski) Measurements: Framed 26.5 inches vertical by 25.5 horizontal by 2 inches Artwork: 21 inches vertical by 22 inches horizontal Mid century modern, geometric, spiritual abstraction, mystical The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld Gallery since 1998. From March 3 to August 13, 2023, Charmion Von Wiegand was the subject of an acclaimed retrospective at the Kunstmuseum Basel, and she has received major attention in the price, including a June, 2023 ArtNews feature entitled, "Who Was Charmion von Wiegand and Why Is She Important?". Her work was also featured in a solo presentation by Rosenfeld Gallery at the New York Art Show held at the Park Avenue Armory, which also received critical acclaim. Artists Biography - courtesy of Michael Rosenfeld Gallery: Known for her vibrant, geometric paintings that originate a deeply personal language of spiritual enlightenment expressed through a constructivist mode of abstraction, Charmion von Wiegand (1896–1983) was born in Chicago but spent much of her childhood traveling. The daughter of a journalist for Hearst, von Wiegand eventually settled in New York in 1915 to attend Barnard College and Columbia University, where she took classes at the School of Journalism while nurturing a growing interest in art history. In 1925, von Wiegand realized that she wanted to be an artist and set up a studio in Greenwich Village, teaching herself how to paint while pursuing a career as a journalist. In 1929, she secured a position in Moscow as a foreign correspondent for Hearst, the only woman at the desk at the time. In 1932, von Wiegand returned to New York and married Russian émigré Joseph Freeman, who co-founded and edited the leftist journal New Masses. Von Wiegand began writing art criticism for New Masses as well as for other publications, including New Theatre, ARTnews, and Arts Magazine. When the Abstract American Artists (AAA) held their inaugural exhibition, von Wiegand reviewed it. An early champion of abstract art, von Wiegand became close friends with AAA founder Carl Holty. In 1941, Holty introduced von Wiegand to Piet Mondrian, who would have a profound impact on her art. Fascinated by Mondrian’s artistic philosophy, von Wiegand played a key role in the introduction of his work to American audiences, translating many of the Dutch artist’s writings into English and assisting in the composition of his influential article “Toward the True Vision of Reality” (1941). Through her friendship with Mondrian, von Wiegand re-kindled her interest in Theosophy (a religion established in the late 19th century that combines aspects of Hinduism, Buddhism, occultism, and esotericism) and embarked on an extended study of neoplasticism. In her artwork, she incorporated Mondrian’s iconic grid but rejected the constraints of pure neoplasticism and embraced a wide range of influences including surrealism and German expressionism. In 1942, von Wiegand became a member of the AAA, exhibiting regularly with the group and eventually serving as its president from 1951 to 1953. In the late 1940s, sculptor and fellow AAA member Ibram Lassaw gave her a translation of The Secret of the Golden Flower: A Chinese Book of Life, which inspired von Wiegand to immerse herself in a study of Buddhist art. She began incorporating Buddhist motifs such as stupas and mandalas into her paintings, and her spiritual practice steadily intensified throughout the 1950s. In 1953, her husband gifted her a copy of the Taoist I Ching Book of Changes, a guide for divining meaning from randomly derived numbers arranged in a hexagram—a form the artist readily incorporated into her painting. Von Wiegand’s study of Theosophy also intensified over these years, bolstered by her increased access to the religion’s primary sources composed by the religion’s founders and their successors at the New York Theosophical Society’s library. Von Wiegand’s search for the sacred and transcendent ultimately led her to Tibetan Buddhism and, in 1967, von Wiegand met Khyongla Rato Rinpoche, a Gelugpa monk who had recently arrived in New York, who would mentor her spiritual study in the tradition of Mahayana Buddhism until her death. Her travels in the 1960s and 1970s took her to Tibet and India, where she had an audience with the Dalai Lama, who was living in exile in Dharamsala. Many works from these decades incorporate symbols and schematics drawn from Theosophical prismatic color charts, Chinese astrology and tantric yoga. In 1978, she was the subject of a PBS documentary titled The Circle of Charmion von Wiegand, which was scored by Philip Glass. In 1980, von Wiegand was elected to the American Academy of Arts and Letters and in 1982, the Bass Museum of Art in Miami Beach (FL) organized her first retrospective exhibition. She died the following year in New York, bequeathing her estate to Khyongla Rato and the Tibet Center of New York. In 1998, Michael Rosenfeld Gallery became the sole representative of her estate and has presented her work in four solo and multiple group exhibitions. Recent notable exhibitions that have included her work are The Third Mind: American Artists Contemplate Asia (Solomon R. Guggenheim Museum, New York, NY, 2009) and Constructive Spirit: Abstract Art in South and North America (Newark Museum, NJ, 2010). In March 2023, the Kunstmuseum Basel (Switzerland) opened the first comprehensive museum retrospective of von Wiegand’s work in Europe. Von Wiegand’s work is represented in numerous museum collections including the Addison Gallery of American Art, Phillips Academy (Andover, MA); Albright-Knox Art Gallery (Buffalo, NY); Arithmeum, University of Bonn (Germany); Birmingham Museum of Art (Alabama); Blanton Museum of Art, The University of Texas at Austin; Brooklyn Museum (NY); Carnegie Museum of Art (Pittsburgh, PA); The Cleveland Museum of Art (OH); Indianapolis Museum of Art (IN); Fondazione Marguerite Arp (Locarno, Switzerland); Museum of Fine Arts, Boston (Massachusetts); The Metropolitan Museum of Art (New York, NY); The Museum of Modern Art (New York, NY); Newark Museum of Art (New Jersey); Seattle Art Museum (WA); Smithsonian American Art Museum (Washington, DC); Walker Art Center (Minneapolis, MN); Weatherspoon Art Museum, The University of North Carolina at Greensboro; Wellin Museum of Art at Hamilton College (Clinton, NY); Whitney Museum of American Art (New York, NY); and Yale University Art Gallery (New Haven, CT). More about gallerist Andre Zarre A tribute in the New Criterion: Dispatch August 11, 2020 Andre Zarre, 1942–2020 by Dana Gordon On the late New York gallery pioneer. Art should never be aggressively explained; art should be felt. —Andre Zarre, 1977 Often, in the starlit New York cultural mecca, a longtime important figure fades away through the penumbra and dies without notice. Such was the fate of Andre Zarre, the contemporary art dealer, who passed away a few weeks ago. Andy, as he wanted friends to call him, opened his eponymous gallery in 1974 just off Madison Avenue on Sixty-ninth Street. He soon moved it to the omphalos of the art world in that era, 41 East Fifty-seventh Street, the Fuller Building. Over the years he moved to SoHo and then to Chelsea, as fashion and real estate prices pushed the art souk hither and thither. To understand his importance, all you need do is take a look at a list of artists who had solo shows at the Andre Zarre Gallery. This includes such names, from an early generation, as Sonia Delaunay, Nassos Daphnis, Sari Dienes, and Perle Fine. Among a subsequent generation are Pat Lipsky, Jay Milder, Thornton Willis, and Kes Zapkus.1 And this list does not include the many knowns and unknowns who were in his lively group shows. Zarre had a real “eye” and was a champion of abstract art from the moment he founded his gallery—even among the gathering storms of conceptual and political art, which he eschewed. He showed a good deal of figurative art as well. His galleries were always spacious and unpretentious, oriented simply to show the art. In the words of Dee Shapiro, who showed with the Zarre gallery many times, “He had a photographic memory and knew a lot about art and was always interested in the artist’s life.” Reliable biographical information on Zarre is scarce, but he said of his background that he was born in Poland in 1942 and that his parents were a diplomat and a socialite. He left home for the United States at the age of fifteen. During his decades as an art dealer in New York, Zarre did not appear to accumulate wealth, though he acquired a collection and lived on Park Avenue. “He was not personally aggressive in that way. People had to come to him,” Dee Shapiro said. He was honest in his financial dealings with artists, which not all art dealers are. For a long time while running the gallery he had a second job as a supervisor in an airline office and he kept little to no additional staff in the gallery. He supported a brother who remained in Poland. Among artists, Zarre was known to be quite ornery. After my show at his gallery in 1997, I refused to enter it for seventeen years. Then I ran into him in Chelsea and he offered me another show, an opportunity I gladly accepted, but he remained just as disagreeable. He showed the work of many women, probably more than any other gallery, save those devoted to showing only women. Collectors, curators, and writers found him mostly friendly. As Peter Reginato put it, Zarre was a “strange guy but I liked him. I think he was a dealer who was more interested in the art than in making money, but somehow he lasted forty-plus years.” Zarre is not known to have kept extensive or extant records of his gallery’s long history, though these may emerge in time. Scouring the Internet, one may compile a partial list of more than eighty artists who had solo shows at the Andre Zarre Gallery:Nancy Azara, Ellen Banks, Mary Barnes, Tony Bechara, Juan Bernal, Stephanie Bernheim, Randy Bloom, Elena Borstein, Michael Boyd, Fritz Bultman, Ed Buonagurio, Yoan Capote, Sonia Delaunay, Nassos Daphnis, Cathy Diamond, Sari Dienes, Joseph Dolinsky, Beata Drozd, Ronnie Elliot, William Fares, Perle Fine, Lynne Frehm, Ben Georgia, Mikel Glass, Dana Gordon, Juanita Guccione, Fred Gutzeit, Don Hazlitt, Amy Hill, Clinton Hill, Monroe Hodder, Budd Hopkins, Arlan Huang, Richard Hunt, Rhia Hurt, Buffie Johnson, Alexander Kaletski, Robert Kaupelis...

Stephanie Visser, a native of southwestern Michigan, was educated at Kendall College of Art and Design in Grand Rapids Michigan. She continued her education in fine arts and painting...

Antique American modernist cityscape oil painting. Oil on canvas. Framed. Signed. Measuring: 29 by 25 inches overall, and 20 by 24 painting alone. In excellent original condition. ...

Very nicely painted mid century abstract beach scene. Oil on canvas. Signed illegibly. Framed elegantly.

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

I saw this painting in the spring in the blooming steppe. Working on it, I splashed a whole carnival of bright acrylic shades on the canvas, allowing emotions to guide every curl an...

3750e Pink Palettes Abstract, a vintage oil on canvas signed by Kevin Bray displayed in a gilt wood new frame.Image size19.5 H 23.75 W

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Debirs by Eohim Sanchez Oil on canvas 30" x 30" Year: 2019 :: Painting :: Minimalism :: This piece comes with an official certificate of authenticity signed by the artist :: Read...

IT'S NOT TRUE 2022 Paris, France Primarily matte and satin finish black paint, mixed with plaster and oil stick on canvas. An abstract and surreal painting with accents of pinks, reds, purples, and gold. A very faint profile of a leopard walking into the darkness is situated on the lower left side of the canvas. In the upper right "MDCCCXCIV" (1894) is hand painted in gold serif font. Vertical movement is incorporated through the use of subtle colors. Evans Deventer...

Cubist Composition French School, circa 1960's period oil on canvas, unframed painting: 21 x 29 inches provenance: private collection, Paris condition: very good and sound condition

Contemporary abstract painting with vivid gestures and bright colors. Bold strokes of red, yellow, violet, and white emerge with energy against a muted ground, creating a powerful ba...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

In "Chrysanthemums IX," the artist captures the essence of chrysanthemums with a blend of Chinese ink and thick acrylics on canvas. This floral painting evokes a sense of peace and h...

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and ...