Canvas Abstract Paintings

"Israeli Road Block" - 1980 Original Abstract Rich 1980's abstract oil painting titled "Israeli Road Block" by Bay Area artist Helen Konkoff (American, 1912-1988). Hues of browns, g...

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection ...

This artwork is an intricate tapestry of swirling colors, primarily dominated by shades of blue, turquoise, and hints of earthy tones. The composition resembles an abstract, dream-li...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Textured Abstract Expressionist Composition in Plaster and Acrylic on Canvas Brightly colored and deeply textured abstract composition by an unknown artist (20th century). Layers of...

Leigh Ann Van Fossan's "Yonder" is an original acrylic depicting an impressionistic landscape with a stormy blue sky. Van Fossan was born in Vail, Colorado, and began oil painting ...

Meadow painting, vibrant colors of the blossom meadow landscape, textured painting would be a great addition to your oil painting collection. The text...

This work is a part of the "Chaos and Control Theory" Series - the artist's signature series. It was created with the pages from an Oxford Dictionary of Quotations. This technique gives a special character to the work - you can play with it by asking questions, pointing to any part of the work, and you will get a meaningful phrase or a word. The work has blue and white colors. Great for the modern interior. The artwork is currently unstretched and will be shipped rolled. We offer stretching services for an additional $400.00, which will take approximately 3 weeks to complete. Please note that the shipping cost for a stretched canvas will need to be calculated upon request. -- "Chaos and Control Theory" Series is about depth and space. It’s about information overload, and what information looks like when you take out a meaning. I create lots of layers, using found materials and printed materials. I do an abstract expressionism painting on a surface first before I apply the printed and found materials. And then I begin to organize the surface, ultimately thinking about balance and flow and how the piece is going to contribute to the space it is going to be hanging in. -- Zach Touchon is an American contemporary abstract expressionist artist and muralist based in Los Angeles, CA. Besides that, Touchon is also an actor, a singer, a screenwriter, and a writer. Zach Touchon is an artist in the second generation. By rethinking abstract expressionism ideas, using different media he creates large abstract artwork along with small collages, huge...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

This abstract painting from new Series “Geoforms" is inspired by minimalism, modern art and hard edge. This work is signed, dated and tilted by Artist on the back. This work will be ...

Color is always central in Henriques' delightful compositions that are at once, balanced, harmonious, and a toast to life. 'Rhapsody in Yellow' with its bright and pure hues shimmer...

"For There I Am in the Mossy Shadows" by Chris Brandell – 42x42 Mixed Media on Canvas – $4400 A poetic study of presence and absence, For There I Am in the Mossy Shadows by Chris Br...

Abstract Expressionist Composition by Marie Deloume (French born 1942) signed on back, inscribed verso oil painting on paper stuck on canvas, unframed canvas size: 34 x 42 inches con...

Multicolored contemporary Moroccan abstract painting by Bachir Amal. Acrylic, mixed media on canvas. Size: 29 x 30 inches - Offered unframed. Amal Bachi...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Color Derivatives # 155, 2016 by Natasha Zupan From the series Color Derivatives Oil, fabric, medium, on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Natasha ...

"The Order of Things" 12x24 is an oil painting on canvas by artist Laurence Young. Featured is a warm sunny impressionistic landscape. Rows of purple hued trees line the high horizon...

Large gilt framed abstract modernist landscape of Jerusalem. Framed it measures 33.25 X 41.25 inches. Canvas measures 28 x 36 inches. Bold Blue sky. Avraham Binder was born in 1906 in Vilnius (or Vilna), now part of Lithuania. He began painting at an early age and completed the prescribed studies in painting at the academy of arts in his native city. Upon graduation, at the commencement exhibition of works submitted by the graduates, he was awarded a prize in recognition of his talents. Artistic talent had deep roots in the Binder family. Avraham's father and grandfather were both artistically inclined, as was his sister Zila Binder and daughter Yael. In fact, he came from a long line of master artistic bookbinders, hence the family surname. The Binder family emigrated to Palestine in 1920. There, his father established a bookbinding workshop in Tel-Aviv while Avraham pursued painting. Binder has not identified with any particular modern school nor narrow artistic doctrine. He struggles to verbally explain his personal conception. Instead, he derives inspiration from emotions, resulting in a great variety of artistic treatments. Particularly memorable are his urban landscapes with their predominance of blues and aquamarines, composed of a profusion of squares and rectangles, crowding one another and covering nearly the entire canvas. The angular shapes are interspersed with radiant dots of red, gold and yellow, like the lights of the big city. Those squares and rectangles reflect, perhaps, impressions of a childhood spent among books which were scattered about the home and workshop of his father, the bookbinder. These shapes, no doubt, had their influence upon the artist whose first youthful impressions were – books. Traces of these shapes are discernible in Binder’s work to this day, in the angularity of splashes of color which, no longer crowded together, are now well separated to create an airy spaciousness. Not only the splashes of color – the inventing space, too – creates figurative effects in the artist’s treatment. Avraham Binder is not a “cerebral” painter. Neither identified with any particular modern school, nor preaching any narrow artistic doctrine, he is an emotional artist: his inspiration, derived from the heart, leads him on to the most varied range of treatments in his artistic work. In vain might one try to persuade him to define his personal conception of painting. He is not one to indulge in verbal explanation. But his sheer artistic skill, his virtuosity with the paint brush, did impel him to experiment widely with the artistic techniques of the modern age. And his exceptional talent stood him in good stead in all this experimentation. Binders large-scale urban landscapes are not mere constructs to represent our present-day architecture with its pervasive angularity. Made up as they are of color, Binder’s unique color composition qualifies these canvases to be ranked among the foremost artistic works in Israeli painting. They are uniquely Binder, very different from what we see in the work of his contemporaries. Here and there, Binder also introduces the human element into these paintings. He lives and breathes the atmosphere of his surroundings, deeply experiencing the sea and the shore of Tel-Aviv that confront him day after day, and which he has transferred to his canvases, as metaphors in paint, throughout the life. More recently, he has created a new series of shore-and-seascapes, in tones ranging from brown to blue. ochre, violet and pale yellow – marvelous views of the sea and of figures enlivening its shore. In yet another series, featuring nearly the same range of hues, he lets us view, through his eyes, the Carmel Market in Tel-Aviv, or the city’s coffee houses with their crowds of people, heads bunched together as if in search of human closeness, with the windows looking in upon them. He has also done large paintings of Jerusalem – not the Jerusalem of gloom and holiness, but a Jerusalem in contrast to the flat topography of Tel-Aviv; it is this different topography which here provides the challenge for him as a painter. And the colors – the colors are bright, full of light, an inner illumination which seems to emanate from the artist himself, rather than from the sun beating down from above. So many great artists have built their life’s work upon watercolors. Binder’s watercolors are in no way inferior in their artistic worth to many of those, what with their spontaneity, their translucent quality, their color combinations, and the artist’s ability to say so much with an economy of brush strokes. We have here a painter who, until the end of his life, was still in his full creative powers, and who continued to add to his impressive storehouse of artistic works. Hundreds of his paintings grace the homes of collectors in Israel and throughout the world, or hang in his private collection; they include Israel landscapes and, most importantly, cityscapes; an exquisite series of wild flowers; many portrait paintings; experimental wood sculptures; murals painted on wood panels; reliefs…, etc. All these are testimony to an artist who refuses to rest on his laurels, who forever reaches out to try his hand at new challenges, strikes out in novel directions, discovers innovative techniques, and experiments in all the dimensions of the plastic arts. On the Israel Museum website they have listed an exhibition of his Artists in Israel for the Defense, Tel Aviv Museum of Art, Helena Rubinstein Pavilion, Tel Aviv 1967 Artists: Avraham Binder, Motke Blum, (Mordechai) Samuel Bak, Yosl Bergner, Nahum Gilboa, Jean David, Marcel Janco, Lea Nikel, Jacob Pins, Esther Peretz Arad, Dani Karavan, Reuven Rubin, Zvi Raphaely, Yossi Stern...

Contemporary figurative painting with lots of details and movement. Beautiful statement piece for any art collection. Combining a lot of different colors in any interiors and settin...

Original oil on canvas painting titled “Multishore” by the well known American artist, Syd Solomon. Signed Syd Solomon lower right. Signed and dated Syd Solomon 1971 on the stretcher, inscribed as titled on the reverse 30 × 26 inches. Condition is excellent. The painting is housed in its original wood with silver reveal floating frame. Overall framed measurements are 32.75 by 28.75 inches. Provenance: A private collector. Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Geometric shapes in dark indigo blue, olive green, orange, pink and teal are cheerful against a solid white background. Framed in a thin, natural wood float frame. Rebekah Andrade’s...

In this contemporary geometric abstract painting in oil on linen, hard edge shapes in luminous Kelly green, yellow, dark yellow, cobalt blue, ivory and a black and white floral patte...

Signed lower right, 'Max Gunther' (German, 1934-1974); additionally signed verso, dated 1958 and titled 'Cité Décomposée'. Provenance: Estate of David Rockefeller...

Katherine Bello Title: Beach Oil, Oil stick and graphite on canvas Year: 2021 Dimensions: 28"x22"x1.5" Signed by hand Canvas on stretcher frame - ready to hang COA provided --------...

Peter Keizer is a Dutch painter and sculptor born in 1961. He studied at the Rijksakademie in Amsterdam and began working as a professional artist following his graduation from the R...

'Abstract Composition' by Michael Haswell (British, 1931-2020) inscribed verso acrylic painting on box canvas (painted edges so do not require framing)...

Jason Craighead (b.1971) is an abstract artist based in Raleigh, North Carolina. In his mixed-media works, drawing, painting, and writing fuse seamlessly together His surprising com...

Erin O'Brien Framed, 2021 acrylic on linen 25 x 20 in. (obri018) This original acrylic painting by Erin O'Brien features painterly abstract shapes in shades of blue, orange, and pu...

Saint Vitus Dance, 2020, David Stern (Germany, b. 1956) Acrylics on canvas 51 inches by 63 inches Hand signed by artist, certificate of authenticity available Colors: Orange, Red, P...

Petra Rös-Nickel’s original paintings merge playful forms, bright colors, and architectural compositions in oil and mixed media on canvas. Her contemporary artworks contain rich text...

"Flower" is a striking piece from Elizabeth Art Candy’s Fake Gum’s series, where her signature 3D mosaic technique transforms bold pop imagery into a sculptural experience. Featuring...

Very impressive and a rare early work by Frederick E. Conway (1900 - 1973). Oil on board. Incredibly framed. Signed.

"Scented Blooms of Roses": Acrylic on Canvas Original Artwork by French Artist Natalya Mougenot This vibrant abstract expressionist painting is part of Natalya Mougenot’s new "Spri...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

Contemporary purple abstract oil on canvas painting by Polish artist Piotr Butkiewicz. Composition consists of dynamic shapes. Painting is untitled. Artwork is signed on the back. ...

This contemporary abstract expressive painting with vivid colors was created by the French artist Natalya Mougenot. It is part of her latest body of work—an evocative new collection ...

Artist/ School: French 20th Century artist Title: Cubist street scene at dusk Medium: oil painting on canvas, unframed. canvas: 25.5 x 21.25 inches Provenance: private collectio...

Within the organic chaos of this abstract painting "Radiant Kaleidoscope", geometric shapes emerge as structured anchors, providing a sense of order amid the fluidity of the composit...

A beautiful large mid 20th century oil on canvas abstract winter landscape by Swedish artist Gunnar Nordstrom. Excellent quality and condition composition with strong and vibrant i...

This contemporary landscape painting by Carol Young captures a rural scene with a bright, contrasting palette. A barn sits in an orange field, with a line of red foliage behind it. O...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. This abstract mixed media painting is one of a kind. The artist...

Diana Kurz Window, 1961 Oil on canvas 30 x 23 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family fled Austria, first to England and th...

"Sarpta" is an original oil on canvas painting created by Antoni Tapies. This is a fantastically dark mid-century abstract painting. There is a monstrous figure barely visible on the left side of the painting. Also a sinister face breathing smoke out of the right side of the painting. This piece is perfect for a collector that enjoys a more avantgarde style. Tapies signed...

Meeting Pleasure, Meeting Pain (Abstract painting) Ink and Oil on canvas — Unframed. This artwork is exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant t...

Title: Landscape Year: 2024 Technique: mixed media on Cotton Canvas 100x105 cm Description: This original work by Marilina Marchica explores the relationship between man, nature...

This original 47-inch tall by 59-inch wide artwork by Swedish artist Tommy Lennartsson is a wonderful example of urban abstract expressionism and mix...

Sheryl Roberts The Trail of Happiness Original Landscape Painting Oil and Acrylic Paint on Canvas Size: H 106cm x W 156cm Sold in a Black Float Frame (Please note that in situ images...

Artist: Voskan Galstian Work: Original Painting, Handmade Artwork, One of a Kind Medium: Oil on linen Year: 2013 Style: Abstract Art, Title: In The Season 2 Size: 47" x 62" x 1.5'...

Dark & Atmospheric Abstract Expressionist Painting by Contemporary British Painter Angela Wakefield - a rare early work. Entitled 'Accrington #2',...

Jodi Miller captivates with her atmospheric landscapes, inspired by the vast skies of her prairie upbringing and her global travels in the Royal Canadian Air Force. Influenced by the...

Vintage American modernist portrait of iconic artist Peter Max. Signed. Framed. Original oil on canvas.

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Deeply Immersed I" by Magdalena Morey is a captivating abstra...

Colourful Psychedelic Abstract Landscape Painting of Urban City Scene by leading British Urban Artist Angela Wakefield. This artwork is from an intense body of abstract work that fo...

This is a one of a kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 16"x20". It is unframed. A certificate of authenticity will follow deliv...

In acrylic on canvas, carefully ordered curving stripes of color in gradient shades start with berry, plum purple in the center transitioning to bright lemon yellow at the edges. Sig...

Painting description: This is a new example of my ongoing series, "Intersections". My attempt to capture urban abstraction. Shapes and colors intersect and overlap. With the use of...

Acrylic and graphite on canvas. Signed and titled verso. 59 x 58.5 in. 61 x 60.25 in. (framed) Custom framed in a maple floater with a polyurethane clear coat finish. Provenance B...

"Poemes CXXVIII" is a framed mixed media work on canvas by Raul de la Torre, with layers of contrasting abstract shapes and colors. De la Torre's signature technique of painstakingly embroidering meticulously-matched asymmetric forms over smooth layers of paint adds texture and delight to each of his pieces. This piece is finished in a silver floater frame with subtle beveling and a dark brown (nearly black) woodgrain effect along the frame’s interior and sides. Pricing includes the pictured frame. Unframed dimensions are 30 x 60 inches. Spanish artist Raul De La Torre creates vibrant abstract mixed media artworks that focus primarily on the color and the material. "Many painters create texture upon their canvases by building layer upon layer of paint; with each layer comes a greater sense of history and dimension within the work. Others using thickening agents to almost sculpt their paint, spreading it thickly upon their work’s surface for a subtle 3D effect. I have chosen a unique route to enrich my acrylic paintings with texture: embroidery. I first choose the colors I want to incorporate in the palette of the work I’m about to embark upon. To me, the colors represent people, moments or feelings. I paint with acrylic in various blocks of color interacting with one another, evolving a pattern upon the canvas. Sometimes I contain the paint within a clean border, other times I let the blocks of color drip down the canvas or paper. Next, I begin the process of embroidery. I make horizontal cuts on the canvas or paper and covers these open areas using cotton thread. This process of embroidering on canvas or paper adds both intrigue and a sense of depth to each unique work. My most recent body of works reflects a series of poems by a well known poet from Catalonia, my home country. An homage to both the poet and the creative process, my technique of embroidery is heartfelt exploration. Just as a poet builds words to form metaphor or meaning, I build texture through embroidery to form depth and character." POEMES Series The starting point and inspiration of Poèmes is a series of verses from the Catalan poet Miquel Marti i Pol - poems that reflect loss but not always sadness. The color is used as a code to represent times, places, and people left behind. Some of them are embroidered forever in our memory, turning to form part of our DNA. To represent the firmness and strength of that past, the cotton is mixed with the paint in the works to form a unity. "For the series POEMES, I have been using different poets as inspiration. The initial inspiration for the first works were poems by one of my favorite poets, Miquel Marti i Pol. Other favorites are Benjamin Fondane, Seamus Heaney...