Fabric Abstract Paintings

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Helen's Garden — Behind The Gate (Abstract painting) Mixed media on canvas — Unframed This artwork is exclusive to IdeelArt. This artwork is from the “Helen Series”, which evolves s...

Enrique Climent (1897-1980). Casas de Ibiza, c.1960. Oil and sand on canvas, 35 x 46 inches; 44.5 x 55.5 inches (frame). Signed lower left. Excellent condition with no damage or conservation. Instituo National de Bellas Artes lebel affixed en verso. Biography: Enrique Climent ( Valencia , Spain, 1897- Mexico City , 1980) was a Spanish painter and graphic designer, present in the Spanish Pavilion of the International Exhibition of Paris in 1937 , two of whose works are conserved in the National Museum Art Center Reina Sofía , as part of the collection of the Spanish Museum of Contemporary Art (MEAC). Exiled in Mexico , country in which he died at 83 years of age. He has been associated with the driving group in Spain of the "New Art". Born in a bourgeois family of the Valencian capital, despite paternal opposition, Climent studied at the School of Fine Arts of San Carlos , and with a scholarship received in 1919, traveled to Madrid to complete them in San Fernando . In the capital of Spain he participated in the gathering of Ramón Gómez de la Serna , for whom he illustrated some greguerías , and in the avant-garde activities of the then-called first Escuela de Vallecas , Associated with the Society of Iberian Artists . He also collaborated as an illustrator of Blanco y Negro magazine, 3 and illustrated books by Elena Fortún , Azorín , Juan Manuel Díaz Caneja and Manuel Abril . 3 Before, in 1924 he had been in Paris for two years, where he came to design some stage sets for opera shows. 6 He participated in three of the exhibitions of "Los Ibéricos" (San Sebastián in 1931, Copenhagen in 1932 and Berlin in 1933), as well as in the International Exhibitions of Contemporary Spanish Art in Paris and Venice in 1936. He was one of the Spanish exiles who in 1939 landed in Veracruz , after the crossing of the Sinaia , along with other intellectuals and artists (such as José Moreno Villa , Arturo Souto...

Impressive early American modernist urban backyard scene. Framed. Oil on board. Signed. Image size, 18H by 24L.

Contemporary Art, Abstract Painting Acrylic on canvas 170 x 240 cm Signed FREE SHIPPING ROLLED UP About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Naci...

"Surf", is a unique acrylic on canvas work by German artist Horst Güntheroth. It depicts a minimalist abstract surf wave in a contemporary and warm fashion.60 x 60 cm, certificate o...

Archival ink print on canvas, limited edition of 20 - artwork can be shipped in a tube or framed in a crate

Contemporary Art, Abstract Painting Acrylic on canvas 170x240cm Signed FREE SHIPPING ROLLEP UP About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Nacio...

Ted Hinrichs Spirit of Nature Acrylic on Canvas Year: 2023 Size: 40x30in Framed: 41.5x31.5x2.5in Signed by hand COA provided Ref.: 924802-1789 *Framed in black Wood Tags: Abstract, ...

Horizontes de Agua, 2023 Contemporary Mexican Art, Abstract Painting Acrylic on canvas 120x100cm Signed and dated Yumnia's artistic journey is deeply rooted in the landscapes of Na...

“wishbone” is a 16 x 20 x .25 inch acrylic painting on canvas board by Sandra Cohen. This abstract internal 'landscape', in vibrant and warm colors of burgundy, pink, red, cream, and...

This Modern abstract painting by Stanley Bate features a warm, deep palette of red, yellow, orange, and burnt umber. Thick strokes of paint are layered beneath light white overlappin...

Paul Norwood paints the world around him, blurring the lines between representation and abstraction. His loose, gestural style and bold, thick brushwork suggest rather than define fo...

Shizico Yi takes on an innovative project "The Weaver," inspired by the heritage of the beloved family Tartan and its rich lineage of the Clan. "The Weaver" invites viewers into a w...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Since When- Gold Purple Red Energy Strokes 60" X 72" Acrylic on canvas. Neltje was born in New York City and raised in style on Long Island and a South Carolina plantation. At the a...

Original abstract painting exploring the language of paint and colour. Additional information: #607 Jessie Woodward Original abstract painting Acrylic painting Sold Unframed 90 H x ...

Dimensions: 31.5 x 31.5 inches (80 x 80 cm) Medium: Oil on linen canvas, framed in black. The work, crafted by Sophie Dumont—a renowned French painter with growing international acc...

Abstract encaustic painting with dyed teal, indigo, white and beige fabrics "White Breezes & Blue Skies" made by Hudson Valley artist, Alaina Enslen, in 2022 Encaustic & dyed fabrics mounted on panel 17 x 26 x 2 inches unframed, sides reveal raw panel and wrapped fabric Excellent condition, ready to hang Lightweight Signed, verso This abstract minimalist painting is made with repurposed pieces of found fabrics in complementary tones of teal, indigo, and beige on an encaustic white background. The fabrics, which are adhered to a light wood Birch panel and layered with a subtle layer of encaustic, are arranged in a whimsical motif that accentuates the spontaneous dyed patterns. The layers of fabric and encaustic create a textured, impasto surface. About the artist: Alaina Enslen expresses her artistic vision through repurposed fabrics infused with beeswax. The Cornwall-On-Hudson based artist collects pieces of textile that evoke memory, tradition, or experience like cherished worn heirlooms, discarded clothes, and religious garments, which are then assembled on panel in an abstract patchwork. Favoring fabrics with a neutral or subtle cool palette, she flattens and frays the material to explore color, form, and lines, reimaging used cloth...

Very nicely painted 19th century American landscape painting. Oil on canvas. Framed. Image size, 12H x 16L. Signed illegibly.

This small original abstract watercolor painting by Nealy Hauschildt features a palette that combines washes of varying blue and turquoise tones. It ...

Serenity with Fuchsite and Amethyst stones this painting is 48 X 48. Amethyst is known for having healing properties. Nancy Seibert began her art stu...

The Desire (Abstract painting) Mixed media on canvas — Unframed This artwork is exclusive to IdeelArt. “The Desire” is one of the works, which are related to and inspired by Landaue...

Andreas Claussen’s "Not Your Average Hero" (2023) is a striking oil painting that blends surrealism and contemporary realism. Measuring 39.4 x 59 inches, this compelling work depicts...

I'M SORRY TOO 2024 Paris, France This abstract painting portrays two roses seemingly merging in harmonious synchronization, evoking a sense of beauty intertwined with a poignant und...

In the manner of Affandi Abstract Lotus, circa 1970 Unsigned Oil on canvas 30 x 40 inches

El brote II- original abstract canvas acrylic painting , Rafael (Barcelona 1956) While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the s...

Signed lower left, 'R. Bowman' for Richard Irving Bowman (American, 1918-2001), titled, 'Kg. 55' (Kinetogenics 55) and dated February 1962. Additionally titled, on stretcher bar verso, 'Kg 55'. Accompanied by a first edition copy of 'Richard Bowman: Radiant Abstractions', by Patricia Watts and Stefanie De Winter, published 2018. Richard Bowman's work is featured in the July/August 2024 issue of Architectural Digest, in an article titled, 'Inside a 1920s LA Respite, Re-envisioned by Jamie Bush. Richard Bowman was awarded a scholarship to study at the Art Institute of Chicago and received his Bachelor's degree in 1942. He subsequently attended the University of Iowa, receiving his Master's degree in 1945. Over the course of a long and distinguished career, Bowman exhibited internationally with success and was the recipient of numerous gold medals, prizes and juried awards. With the Kinetogenics Series, which he began in 1956, Bowman explored the intersection of color and light using contemporary advances in light theory and fluorescence technology. "For this series, he started using fluorescent enamel alkyd paint, which, Bowman stated, emitted an actual, measurable energy from the canvas. He combines his early concept of elemental radiants with the gestures of a mature Abstract Expressionist. Incorporating bold fluorescent strokes of orange, yellow and blue, which are activated by the ultraviolet in daylight, Bowman's new abstractions represented a synthesis of the physical and sensorial transmissions of energy. The combination of the artist's interests in nuclear physics, atoms, and dynamism with these vibrant colors reflected Bowman's increasing confidence as an unconventional artist working in an unconventional medium." (Richard Bowman: Radiant Abstractions, p. 13) "The 'kinetogenic' series which Bowman has been painting recently, are whorls of pure energy in colors from the violet edges of the spectrum in vibrant relationship to the vivid primaries of the center. These paintings have much less sense of place or landscape than Bowman paintings we have seen before. The “Environs” group accompanying the energy pictures in this exhibition, are, on the other hand, specific about place: are of flower beds and branches of trees, painted with the same brilliant color intensity. This use of vibrant colors gives an all-over electric, textural effect in contrast to the after-image jump which obtains when the vibrants are painted flat and geometric. This textural mosaic effect is close to the vision of heat and passionate rhythm which was central to pre-Columbian art, and is still present in the Mexican arts and crafts, which were one of Bowman’s formative sources. It is interesting to note that several of the painters who have influenced many others to experiment with vibrancy and glow in color, found their own impetus in this direction while painting in Mexico. Bowman was one of the painters who was working with fluorescents when the general tendency was to paint with muck. One feels that using color thus leads the artist, as it did his pre-Columbian esthetic ancestors, in the direction where the ecstatic becomes mystic." (courtesy: Artforum, April 1964) Thomas Albright writes of the artist, "Visiting Mexico on a traveling fellowship in the early 1940s, [Bowman] met Gordon Onslow-Ford, with whom he renewed a friendship after moving to San Mateo County in the early 1950s. His paintings, although gestural and abstract, were close in spirit to those of the Dynaton artists than to the mainstream of Abstract Expressionism. They constituted an intensely lyrical and metaphorical abstract Impressionism inspired by Bonnard and an intimacy with the natural environment. Bowman was also influenced by jazz improvisation and the jazz poetry of Kenneth Patchen, a close friend" (p. 263) EDUCATION Art Institute of Chicago, BFA, 1944 University of Iowa, MFA, 1949 AWARDS 1942 Edward L. Ryerson Foreign Traveling Fellowship, Art Institute of Chicago (Mexico) 1945 William M. R. French Memorial Gold Medal, Art Institute of Chicago 1952 Modern Painting Prize, Montreal Museum of Fine Arts 1972 Gift of Time Grant, Roswell Museum and Art Center, Roswell, New Mexico SOLO EXHIBITIONS 1945 The Pinacotheca Gallery (Rose Fried Gallery) New York 1946 Milwaukee Art Institute, Wisconsin 1949 Swetzoff Gallery, Boston 1949 Bern Porter Gallery, Sausalito, CA 1950 Kinetic ... A commentary on the relationship of SCIENCE and ART. Stanford Art Gallery, Stanford University, Palo Alto, CA 1956 Stanford University, Palo Alto, CA 1957-1977 (every 18 months) Rose Rabow Galleries, San Francisco 1961 Richard Bowman: Paintings and Reflections.1943-1961. San Francisco Museum of Art 1970 Richard Bowman: Paintings from 1966-1970. San Francisco Museum of Art 1972 Richard Bowman: Paintings, 1943-1972. Roswell Museum and Art Center, New Mexico. Traveled to the Museum of Texas Tech University, Lubbock, 1972; and Sacred Heart Convent Gallery, Menlo Park, 1972 1986 Richard Bowman: Forty Years of Abstract Painting. Harcourts Modern Gallery, San Francisco 2000 Rock and Sun: Richard Bowman's Pioneer Abstractions of the 1940s. Steven Wolf Fine Arts, San Francisco 2019 Radiant Abstractions, Curated by Patricia Watts. the Landing Gallery, Los Angeles TWO-PERSON EXHIBITIONS 1945 Room of Chicago Art: Paintings by Richard Bowman and Russell Woeltz. Art Institute of Chicago. 1947 Joan Mitchell and Richard Bowman: Oil Paintings. Harry and Della Burpee Art Gallery, Rockford, Illinois. Traveled to University of Illinois. Sponsored by Rockford Art Association. 1959 Gordon Onslow Ford and Richard Bowman. San Francisco Museum of Art 1990 Independent Abstraction: A Survey of Paintings by Richard Bowman and Emerson Woelffer. Harcourts Modern & Contemporary Art, San Francisco. SELECT GROUP EXHIBITIONS 1943 Ras-Martin Gallery, Mexico City 1945 56th Annual American Exhibition of Oil Paintings. Art Institute of Chicago 1945 Art of This Century Gallery, New York 1947–48 Abstract and Surrealist American Art: Fifty-Eighth Annual Exhibition of American Paintings and Sculpture. Art Institute of Chicago. Curators: Daniel Catton Rich, Frederick A. Sweet, and Katherine Kuh. Catalogue. 1948 Fourth Summer Exhibition of Contemporary Art. State University of Iowa, Iowa City. Organized by Lester D. Longman. Included Milton Avery, Max Beckmann, Leonora Carrington, Max Ernst, Hans Hofmann, and others. Brochure. 1948 Joslyn Memorial Art Museum, Omaha, NE 1949 2nd Biennial Exhibition of Paintings and Prints. Walker Art Center, juried show, Minneapolis, 1949. Brooklyn Museum. 1951 [Group exhibition of University of Manitoba, Winnipeg, artists.] Montreal Museum of Fine Arts. Included William McCloy, Robert Gadbois, John Kacere, and other instructors from the School or Art, University of Manitoba. 1952 Sixty-ninth Annual Spring Show. Montreal Museum of Fine Arts. Bowman awarded Modern Painting Prize. 1953 Annual Exhibition of Canadian Painting. The National Gallery of Canada, Ottawa. Included John Kacere, William McCloy, Roland Wise, and Takao Tanabe. 1953 Winnipeg Group. Vancouver Art Gallery. Included William McCloy, John Kacere, Cecil Richards, Roland Wise. 1953–54 São Paulo Biennial of Modern Art, Second edition. Canadian section. Traveled to Caracas, Venezuela, and the Palacio de Bellas Artes, Mexico City. Catalogue. 1954 [Group exhibition of Winnipeg artists.] Art Gallery of Ontario, Toronto. Included Oscar Cah n, William McCloy, and Cecil Richards. 1954 Royal Ontario Museum, Toronto 1958 Esther Robles Gallery, Los Angeles 1959 Rabow Galleries, San Francisco. Included Julius Wasserstein, Gordon Onslow Ford, and Fred Reichman. June 18, 1960 David Cole Gallery, Inverness, CA. Included Ruth Awasa, John Baxter, Nankoku Hidai, Onslow Ford, Fritz Rauh, David Simpson, and Jean Varda. 1961 Paintings from the Pacific: Japan, America, Australia, & New Zealand. Auckland City Art Gallery, New Zealand. Catalogue. 1961–62. Pittsburgh International Exhibition of Contemporary Paintings and Sculpture. Fine Arts Gallery, Carnegie Institute. 1962 50 California Artists. Whitney Museum of American Art, New York. Organized by the San Francisco Museum of Art, with assistance of the Los Angeles County Museum of Art. Traveled to Walker Art Center, Minneapolis, MN; Albright-Knox Gallery, Buffalo, NY; and Des Moines Art Center, IA. Catalogue. February 1966 Contrasts. San Francisco Art Institute. Included Hassel Smith, Gordon Onslow Ford, and Ruth Asawa. October 1967 Arleigh Gallery, San Francisco. Included Lee Mullican, Fred Reichman, Amalia Schulthess, and John Baxter. 1975 Gallery 865, San Francisco 1976 Painting and Sculpture in California: The Modern Era. San Francisco Museum of Modern Art. 1978 Creation. Galerie Schreiner, Basel, Switzerland. Included Joan Mir , Fritz Rauh, John Anderson, Ruth Asawa, J.B. Blunk, Roberto Matta, Lee Mullican, Gordon Onslow Ford, Wolfgang Paalen, Fritz Rauh, Yves Tanguy, and others. Accompanying book by Onslow Ford. 1984 A Personal Selection/Collection. David Cole Gallery, Inverness, CA. Forty-eight artists including Richard Diebenkorn, Claire Falkenstein, Richard Faralla, Sam Francis, Arthur Holman, Frank Lobdell, Ed Moses, Gordon Onslow Ford, Fritz Rauh, David Simpson, Amalia Schulthess, Jean Varda, Jack Wright, J.B. Blunk. 1987 Visions of Inner Space: Gestural Painting in Modern American Art. Wight Gallery, UCLA. Fifteen artists including Sam Francis, Morris Graves, John Anderson, Lee Mullican, Gordon Onslow Ford, Mark Tobey, and Ed Moses. Co-curated by Merle Schipper and Lee Mullican. Catalogue. Traveled to National Gallery of Modern Art, New Delhi, India, 1988 1997 Through the Light: An Exploration into Consciousness. Arts and Consciousness Gallery, John F. Kennedy University, Berkeley, California. Curated by Farbiba Bogzaran. Catalogue. 1998 Lee Mullican Memorial Exhibtion. Herbert Palmer Gallery, Los Angeles. 2007 The Rose Rabow Galleries Retrospective: 1959-1977. The 8 Gallery, San Franicsco. 2008 Landscapes of Consciousness: A Circle of Artists at the Beginning of Lucid Art. Weinstein Gallery, San Francisco. Included Gordon Onslow Ford, Fritz Rauh, John Anderson, and Jack Wright. Catalogue. 2016 Palm Springs Fine Art Fair, the Landing Gallery, Palm Springs, CA 2018 Ship of Dreams: Artists, Poets, and Visionaries of the S.S. Vallejo. Sonoma Valley Museum of Art, Sonoma, CA. Catalogue. 2019 FOG Design+Art. the Landing Gallery, San Francisco, CA 2020 FOG Design+Art. the Landing Gallery, San Francisco, CA 2022 FOG Design+Art. the Landing Gallery, San Francisco, CA MUSEUM COLLECTIONS Nora Eccles Harrison Museum of Art, Utah State University, Logan Oakland Museum of California San Francisco Museum of Modern Art Santa Barbara Museum of Art, California The Smart Museum of Art, University of Chicago Taubman Museum of Art, Roanoke, Virginia BOOKS AND CATALOGUES 1947 Rich, Daniel Catton. Abstract and Surrealist American Art: Fifty-Eighth Annual Exhibition of American Paintings and Sculpture. Chicago: Art Institute of Chicago. 1948 Fourth Summer Exhibition of Contemporary Art. Iowa City: State University of Iowa. 1956 Porter, Bern. Kinetic: A commentary on the relation of Science and Art in conjunction with a retrospective exhibition of paintings by Richard Bowman. Palo Alto: Stanford University Art Gallery. 1986 Kim Eagles-Smith, ed. Richard Bowman: Forty Years of Abstract Painting. San Francisco: Harold Parker in association with Harcourts Modern Gallery, Inc. 1961 Culler, George D. Richard Bowman, Paintings and Reflections, 1943-1901. San Francisco: San Francisco Museum of Art. 1962 Culler, George D. 50 California Artists. New York: Whitney Museum of American Art. 1972 Nordland, Gerald. Richard Bowman, Paintings, 1943-1972, Roswell, NM: Roswell Museum and Art Center. 1978 Onslow Ford, Gordon. Creation. Basel: Galerie Schreiner. 1987 Schipper, Merle. Visions of Inner Space: Gestural Painting in Modern American Art. Los Angeles: Frederick S. Wight Art Gallery, UCLA. With introduction by Lee Mullican. 1997 Bogzaran, Fariba. Through the Light: An Exploration into Consciousness. San Francisco: Dream Creations. 2008 Bogzaran, Fariba. Landscapes of Consciousness: A Circle of Artists at the Beginning of Lucid Art. San Francisco: Weinstein Gallery. 2018 Bogzaran, Fariba, ed. Artists, Poets, and Visionaries of the S.S. Vallejo: 1949-1969. Inverness, CA: Lucid Art Foundation. ARTICLES AND REVIEWS [Review of Solo Exhibition at The Pinacotheca Gallery.] Art News. March 1945. “Joan Mitchell, Richard Bowman Open TwoMan Show Tomorrow at Art Association Meeting.” Rockford Morning Star (IL). January 1947. Robert Ayre. [Review of Exhibition, Montreal Mu-seum of Fine Arts.] Montreal Daily Star. 1951. Ben Metcalfe. "Varsity Art Shock —A Morbid Hoax?" Winnipeg Tribune, December 3, 1951. Beverly Wright. "Richard Bowman, abstract painter, has one-man show at Stanford Gallery." Palo Alto Times. February 17, 1956. "Atomic Art Show at Stanford." San Francisco Chronicle. February, 19, 1956. "P.A. Artist Portrays Energy in Oils." San Jose Mercury News. July 25, 1958. Neita Crain Farmer. "A Solitary Voice: Richard Bowman's Paintings Say Something, In A New Way." Palo Alto Times. May 30, 1959. Barbara Bladen. "Dick Bowman's Paintings Show Atomic Awareness," San Mateo Times. July 18, 1959. Arthur Bloomfield. "Two Top Painters at San Francisco Museum." San Francisco Call Bulletin. July 31, 1959. Alfred Frankenstein. "Slow and Fast Sculpture and Kinetogenics." San Francisco Chronicle. May 24, 1959. "Paintings on Display: Bowman and Onslow Ford Show." San Francisco Weekly. July 1959. Herman Wong. "Bowman's Art Seen At Show, Artist Builds Studio Near Hillside House." Red-wood City Tribune, September 15, 1960. Dean Wallace. "Four Bring Their Art to Perfec-tion." San Francisco Chronicle. September 30, 1960. Dean Wallace. "A Painter Looks at the Atom." San Francisco Chronicle. May 29, 1961. Alfred Frankenstein. [Review of retrospective at San Francisco Museum of Art.] San Francisco Chronicle. November 12, 1961. "International Art." Pittsburgh Post-Gazette, Sunday Magazine. October 29, 1961. "Pacific Paintings Show Common Character-istics." The Press (Auckland, New Zealand). August 5, 1961. Naomi Baker. "San Francisco's Art Is Viewed." San Diego Evening Tribune. January 26, 1962. John Canaday. "Visitors From the West." New York Times. October 28, 1962. Arthur Bloomfield. "Lost in a World They Were Never Made For." San Francisco News-Call Bulletin. August 3, 1963. Arthur Bloomfield. "Bowman Paints His Own Path." San Francisco News-Call Bulletin. February 11, 1964. "The Rockford Fifty States of Art Exhibition." Palo Alto Times. October 5, 1965. Alfred Frankenstein. "Bowman's Radiant Ab-stract Art." San Francisco Chronicle. November 12, 1965. Thomas Albright. "A Kind of Non-Art Show: Brilliant Work by Bowman." San Francisco Chronicle, February 14, 1970. Paul Emerson, "Menlo Gallery Shows Bow-man Art: Major Retrospective Show." Palo Alto Times. October 6, 1972. Arthur Bloomfield. "A Luxuriant Impact to Bowman Paintings." San Francisco Examiner. November 20, 1972. Thomas Albright. "Two Artists Views of Na-ture." San Francisco Chronicle. October 9, 1974. Arthur Bloomfield. "All But the Kitchen Sink." San Francisco Examiner. September 24, 1974. Thomas Albright. "Realism Moves In." San Francisco Chronicle. Thursday, September 4, 1975. Suzanne Muchnic. "Inspired Visions of Inner Worlds at UCLA." Los Angeles Times. January 10, 1988. Reference: Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 1, page 404; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 2, page 701; Art in the San Francisco Bay Area: 1945-1980, Thomas Albright, University of California Press, 1985, page 263; A Dictionary of Contemporary American Artists, Paul Cummings, St. Martin’s Press: New York 1966, page 66-67; Mallett’s Index of Artists, Supplement, Daniel Trowbridge Mallett, Peter Smith: New York 1948 Edition, R.R. Bowker Company 1940, page 31; Richard Bowman: Radiant Abstractions, essays by Patricia Watts and Stefanie De Winter, published by Watts...

Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and subtlety—in exquisite tension. Working with oil and mixed media on canvas, he paints in color fields of soft shapes and delicate lines. Grids of diaphanous faces and blocks of illegible text emerge in rich washes of color. Like reliefs, his compositions are built up from numerous layers of material and mark-making. Their surfaces shift with the light and the changing position of the viewer. Full of strength and fragility, Zimmer’s works reward patient viewing, revealing their rich visual nuances to those who take time to delve into their layers. This 43 inch high by 35 inch wide original artwork is created with many layers of mixed media and oil on canvas. This painting is wired and ready to hang. The sides of the artwork are painted as a continuation of the front. It does not require framing. It is signed by the artist on the back of the artwork. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included. Whether figurative or abstract, Zimmer’s artworks inherently alter the feeling of a space. One is absorbed in contemplation as perfectly layered colors and etched hieroglyphic text vibrate from within. Zimmer’s work oscillates between the Geometric Abstraction of Josef Albers and the sublimely layered color fields of Mark Rothko; with added figures that seem to be composed of shadows. This tension between form, color, and text creates canvases with glowing compositions that reverberate with emotion. Bernhard Zimmer was born in 1957 in Stuttgart, Germany. From 1978 to 1984, he completed his education in Cultural Studies at Hildesheim. Zimmer continues to live and work in Cologne. He has exhibited in Hanover, Munich, Dusseldorf, Basel, Gent, Hong Kong, and Singapore to name a few. Zimmer has created a positive stir at major international art fairs such as Art Basel and Kunst Köln. His mysterious compositions pique the taste of the serious art collector. Artspace Warehouse has been representing and exhibiting Bernhard Zimmer's original artworks since 2010. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESNTATION Artspace Warehouse, Los Angeles, CA EXHIBITIONS 2023 Artspace Warehouse, Los Angeles, USA 2018 Artspace Warehouse Los Angeles, USA 2017 Galerie Manoel Nunes, Köln, Germany 2016 Galerie J. Huber, Rapperswil, Switzerland 2016 “New Figuration and Neo-Expressionism,” Galerie Henze & Ketterer, Switzerland 2015 Art-co. Galerie, Aachen, Germany 2015 Galerie Reitz, Köln, Germany 2015 Artspace Warehouse, Los Angeles 2014 Kunstwarenhaus Zurich, Switzerland 2013 Galerie Biesenbach, Köln, Germany 2013 HLP Galerie, Wesseling, Germany 2013 Galerie Wilmsen, Hergatz, Germany 2012 Galerie Artco, Aachen , Germany 2012 Artspace Warehouse, Los Angeles 2011 Galerie Reitz, Köln, Germany 2010 Galerie Artco, Aachen, Germany 2010 Galerie Reitz, Köln, Germany 2008 Galerie Reitz, Köln, Germany 2008 Galerie Muenchow, Zürich 2006 Galerie Reitz, Köln, Germany 2006 Wolkenburg, Köln, Germany 2006 Galeria Sineu Estacio, Mallorca, Spain 2005 Galerie Muenchow, Zürich, Switzerland 2005 Art Forum Riehen, Basel/Köln 2004 Fesser, Trier, Germany 2003 Hesse, Hannover Hiscox, München, Germany 2003 Döres, Köln, Germany 2002 CBH, Köln, Germany 2001 Galerie Depelmann, Hannover, Germany 2001 Galerie Glanz, Erftstadt, Austria 2001 Credit Suisse, Switzerland 2001 Art Forum Riehen/Basel, Switzerland 1988-01 Inter Art Galerie, Köln, Germany 1998 A. Hansrod, Singapur, Singapore 1997 Museum Langes Tannen, Hamburg, Germany 1995 Alte Feuerwache, Köln, Germany 1993 Stollwerck-Museum, Köln, Germany 1992 EP Galerie, Düsseldorf, Germany 1990 Galerie Pului, Praterinsel München, Germany 1984 Kunstverein Holzminden, Germany 1984 Kunstverein Hildesheim, Germany 1982 Galerie Berger, Bochum, Germany PUBLIC COLLECTIONS LB Bank Baden-Württemberg, Germany Stadtsparkasse, Köln, Germany R+V Versicherung, Köln, Germany Oberpostdirektion, Köln, Germany ART FAIRS 2017 AAF Hong Kong 2015 AAF New York, USA 2014 Houston Fine Art...

Contemporary Art, Abstract Painting Acrylic on canvas 204x340cm Signed FREE SHIPPING ROLLED UP About the artist Enrique Pichardo (Mexico City, 19...

"At dawn" abstract marine landscape by Lilia Volskaya. Charming seascape. He breathes sea spray and foam. Waves run into the endless expanses of the sea At dawn, the water turns red....

Katharina Hormel creates minimalistic landscape paintings featuring everyday scenes of life. Her art often portrays people engaged in their daily activities, such as taking a leisure...

Oil on canvas. Framed. Image size, 21H x 40L. Signed on verso.

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) oil painting on canvas, unframed canvas size: 8 x 16 inches condition: overall very good, a few minor surf...

Ray Parker Untitled, 1969 Signed and dated on the reverse Oil on canvas 32 x 32 inches Provenance Private Collection, New York Ray Parker was born in 1922 in South Dakota. After c...

In this contemporary abstract painting in oil on canvas, thoughtfully combined sections of varying textures and areas of pattern, stripes, circles, dots and undulations are cheerful ...

Wonderful large abstract painting by Betty Weiss. Oil on canvas. Signed with her married name "Betty Perez". Measuring 40 by 48 inches. Artist Bio: Betty Weiss has been a Ne...

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Milly Ristvedt approaches colour in her work with sincere consideration and expertise, her palettes contain a subtle complexity that is striking. The background of this painting is b...

Liquid Life Series n7, 2023 by Rosario Briones From the series Liquid Life Mixed media: natural pigments, Indian ink, watercolor, and betum on canvas. Dimensions: 200 H X 156 W cm. U...

In keeping with my passion of nature, this collection focusses on the movement and structure of nature. I am fascinated in finding things in our environment that often go unnoticed....

"Awakening" is a large, vertical, contemporary semi-abstract painting for interior decoration, painted with acrylic on canvas using structural acrylic paste and gilding. It belongs t...

In her latest series, "The Weaver," Shizico explores forms, layers, and time onto canvases. Applying the format of diptychs and triptychs, she creates lyrical narratives, capturing t...

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in pink, brown, black, and tan set against a light background. Sig...

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

Donna McGinnis’ abstract paintings are composed freely, without concrete ideas of what they will ultimately be. As an intuitive painter, McGinnis’s paintings come into being without ...

Syril Frank (American, 1929-2021) Untitled, c. 1963 Oil on canvas 44 1/2 x 47 3/4 in. Syril Harriet Frank was born in Brooklyn to Israel and Mina Kaplan. ...

Maria C Bernhardsson's original artworks are influenced by the architecture and geometry of houses. Born in Sweden, Bernhardsson travels the world photographing and sketching houses ...

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around questions of trust, inte...

Contemporary colorful painting by Houston-based artist Peter Healy. The work features expressive pink, blue, yellow, and red strokes against a light gray background. Signed, titled, ...

White Landscape oil on canvas 60x81cm 2025 original art Ready to hang certificate of authenticity included Marilina Marchica was born in Agrigento, where she works and lives, Afte...

Incredible early American modernist interior scene by Anthony Toney (1913 - 2004) . Oil on canvas. Framed. Signed. Measuring 26 by 32 overall and 18 by 24 painting alone.

IN GIRUM IMUS 2024 Paris, France This painting has a weathered, almost ancient quality, created on dyed antique Belgian linen with acrylic paint. The linen’s rich brown surface appe...

Abstract expression of the Sunflowers in Provence sets the traditional fields ablaze with orange. Painted by Scottish artist Sheila McNab MacMillan, who is known for bold outlines of...

"Nothing" is a mixed media work on canvas by Beatriz Simón, with abstract strokes and expressive shapes in creams, whites, grays, and some pinks and reds. This piece is framed in s...

Contemporary Painting, Black Painting, Mixed Media Art-Tethered Ash A B O U T T H I S P I E C E : “Tethered Ash” is a piece of graffiti art by Addison Jones featuring her unique t...

Impressive early American modernist abstract oil painting. Framed. Oil on canvas.

Combining photorealistic oil painting on canvas with the illusion of computer-rendered graphics, Jose Carlos Zubiaur’s original artworks transcend the depth of a hyperrealistic three...

Square, abstract expressionist oil painting on canvas in aqua, teal, blue, and green against pale grey with accents of yellow, peach, and mauve 'Delta' by Jenny Nelson Oil on linen, ...