People Abstract Paintings

Flower Abstract by Guy Nicod (French 1923 - 2021) gouache on artist paper, unframed painting : 25 x 19.5 inches stamped verso provenance: artists estate, France condition: very good ...

Jug Abstract Interior by Helen Greenfield (British 20th century) oil painting on board, unframed board: 25 x 18 inches condition: overall very good provenance: all the paintings we h...

This work is part of our exhibition - America Coast to Coast: Artists of the 1940s Untitled (Cubist Portrait), 1945, oil on masonite, signed and dated lower middle, 20 x 16 inches, remnant of exhibition label verso, perhaps exhibited at Murry's solo exhibition at the Los Angeles's Screen Cartoonists' Gallery, July , 1945, presented in its original frame Jerre Murry was a California modernist painter. Born in Columbia, Missouri, Murry studied at the Detroit Academy of Art and worked as an artist for the Detroit News and Detroit Free Press. Murry traveled to the Bahamas, where he was inspired to paint modernist scenes of island life and people. By the early 1930s, Murry had relocated to Los Angeles, where he caught the attention of Synchromist painter Stanton Macdonald Wright, State Supervisor for the Federal Art Project (FAP) in Southern California. MacDonald Wright enrolled Murry into the FAP. Murry’s Gauguin-influenced painting Sun Image was exhibited together with other FAP artists at the Los Angeles County Museum of Art in 1936, and Murry was also included in the FAP exhibit at the Paris Exposition in 1937. Stendahl Galleries in Los Angeles, the Chamber of Commerce Gallery in Santa Barbara, and at the Los Angeles County Museum of Art also showed Murry’s work during the 1930s. Murry created a murals for Los Angeles Water & Power Company, the Boise, Idaho Post Office, and Glendale Junior College. In 1939, Murry's work was exhibited at the Golden Gate International Exposition and the New York World's Fair. He also was included in the All California Exhibition at the Los Angeles County Museum of art that same year. He went on to exhibit in Los Angeles at the Foundation of Western Art's Trends in Southern California Art shows in 1940 and 1941, at Raymond and Raymond Gallery in Hollywood and USC’s Elizabeth Holmes...

Piano Concerto by Mary Edwards (British, 20th century) signed with initials, titled to frame plaque oil painting on board, framed framed: 29 x 41 inches board: 24 x 36 inches conditi...

Coulombe-Bégin's dynamic acrylic on canvas works seek to produce a metamorphic interpretation of the artist's inner identity. Her paintings make ample use of contrasting colors to create exuberance and energy in her images. Inspired by street art, Coulombe Bégin 's paintings range from the abstract to the surreal and employ a variety of techniques and materials. Her contemporary artworks draw inspiration from body image, the universally recognizable symbol of hearts, and the experience of humankind. She brings a sensitivity to her work that stems from her exploration of identity and the joy and happiness of existence. Coulombe-Bégin draws us into her internal world: exploring the soul and matter, conscience, and the modern universe. This original figurative pop art painting measures 48 inches square. The thickly textured paint is applied with tactile brushwork. It is wired and ready to hang. The sides of this artwork are painted black and it does not require framing. Free local Los Angeles delivery. Affordable Continental U.S. and worldwide shipping are available. A certificate of authenticity issued by the art gallery is included. Coulombe-Bégin’s work portrays from colorful hearts to specific parts of the human body, especially large close-up portrayals of the mouth and eyes, which are depicted with great contrasts of color and chiaroscuro. These symbols are constructed with specific gestures and drippings in which Coulombe-Bégin expresses an abstract universe full of movement, symbolism, and eroticism. Born in Miami, Coulombe-Bégin grew up in Quebec City where she earned a Bachelor of Visual Arts in 2006 from Laval University. Starting very young, her parents focused a great deal on both the arts and athletics which helped her develop her mode of expression. “I am particularly interested in the fragmented corporal shell, which I emphasize through spontaneous movement and vivid colors.” stated Coulombe-Bégin. “My experience with painting has led me to see things differently, to self-discovery and great astonishment." Coulombe-Bégin's works have been exhibited and collected worldwide, including Canada, the United States, Europe, South America, and Australia. REPRESENTATION Artspace Warehouse, Los Angeles SOLO EXHIBITIONS 2023 Inspire moi, Galerie Iris, Baie-St-Paul 2021 Le Corps à Coeur, Galerie Corno X Beauchamp, Montréal 2019 Rêve moi, Centre Boréart, Granby, QC Feel Moi, Galerie Iris, Baie-St-Paul, QC 2017 Wildest Dreams, La nuit des Galeries, Québec Salon d’habitation d’automne, Qébec 2016 Salon d’habitation d’automne, Québec 2015 Polyphonie, Palais Montcalm, Québec 2012 Le feu à la bouche, SSS, Québec, QC 2011 Le Moulin La Lorraine, Lac Etchemin, QC 2010 Lunetterie du faubourg, Quebec Les futures Déesses désirées, Le Cercle, Quebec, QC Trafic d'organes, Clocher penché, Quebec, QC Corps et Corporalités, Studio Party...

Lady with a Hat Abstract Expressionist Heavy Impasto Figurative Original Oil Abstract Expressionist painting of a close-up, expressive portrait of a woman by an unknow artist, rende...

Title: The Blue Picnic Blanket Figurative Contemplate Male Masculine Gentle Kind Colorful Flowers Blossom Pink Blue THE BLUE PICNIC BLANKET celebrates the quiet times, happy mome...

This artwork " Finding strength in Frida Kahlo" is a striking and abstract representation that captures attention with its vibrant palette and minimalist form. This painting makes p...

Title: Prosperous One Extra Large, Africa, Elephant, Nature, Invest, Color, Bold, Abstract, Texture, Wisdom, Prosperity Invite prosperity into your space! In this magnificent extra...

This piece titled "What Was Lost, What Remains" is an original artwork by Katherine Fraser and measures approximately 32"h x 24"w. This oil on canvas work marks a new chapter in Fra...

A pop piece depicting Basquiat/Samo. With impasto painting and silkscreening we are drawn to the movement, as the artist is able to engage his viewer with contrasting highlights and ...

Gary John's pop-street artworks have a whimsical, yet exciting and bold quality inspired by classic cartoon and comic book characters. Blending pop sensibilities with a roughened fau...

River Landscape signed oil on canvas stuck on board, unframed board: 14 x 11.75 inches inscribed verso dated 1961 provenance: private collection, France condition: very good and soun...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

Larry Rivers LARRY RIVERS (hand signed and inscribed first edition book), 1989 Hardback monograph with a dust jacket (hand signed and inscribed "Enjoy the Matisse" Signed, dated and inscribed by Larry Rivers in red marker on the title page 11 3/5 × 9 4/5 inches Lavishly illustrated hardback monograph with dust jacket on the occasion of the artist's career retrospective. Text is by the distinguished art historian and Princeton professor Sam Hunter. Hand signed, dated and dedicated in red marker on the title page. Inscription reads: To Joanne and Ira Enjoy the Matisse Larry Rivers, April 2, 1992 About the book: Hunter, Sam. LARRY RIVERS. 358 pp. with 400 illustrations, including 155 plates in color. Folio, cloth. New York, Rizzoli, 1989. New York: Rizzoli, 1989. First edition. Hardcover. 358 pages. Retrospective monograph on Larry Rivers. Features text by Sam Hunter. Includes 400 illustrations of which 155 are in color. Publisher's Blurb: Rivers' public persona as an artist combines that of bohemian outsider, sensualist and entertainer. His best-known images of the 1960s--Dutch Masters cigars, French money, cigarette packs--became Pop icons. Eschewing abstraction, he came up with startling, disquieting figures, such as his obese, sagging mother-in-law depicted in the nude with brutal honesty ( Double Portrait of Berdie ). Yet there is more to Rivers than the hipster, as this lavishly illustrated monograph by a former Princeton art historian shows. Hunter makes a case for Rivers as a social realist: witness his powerful construction piece Ghetto Stoop or recent works that include searching portraits of Primo Levi...

Large abstract geometric oil on canvas of artist's lay figures intertwined by British artist Derek Carruthers. Unsigned but acquired along with other signed works from the artist's e...

This abstract figurative painting is about that quiet moment inside ourselves. The faceless female figure represents any of us in those times when we just need to pause and simply be...

Art has always been a powerful medium for expressing the complexities of the human experience. It has the ability to evoke emotions, provoke thoughts, and capture moments in time that resonate with the deepest parts of our souls. In the realm of contemporary art, a new masterpiece has emerged, captivating audiences with its profound simplicity and touching symbolism. Titled "Ebunoluwa (Gift From God)," this artwork features an infant leg and an adult hand holding it, encapsulating the essence of life's preciousness and the beauty of innocence. The artist behind this thought-provoking piece is Awosola Michael...

An illustrator working in a painterly, narrative style as N. C. Wyeth, Howard Pyle, Dean Cornwell from the Golden Age Of Illustration. Surface quality is post impressionist with hea...

Nude in Interior by Maurice Delavier (French mid 20th century) signed and dated 1944 oil on board, unframed board: 18.5 x 14.5 inches inscribed verso provenance: private collection, ...

When you hear the voice of silence, you can hear yourself. Silence is an inner sanctuary of understanding, comfort, and peace—free from the noise of restless thoughts. If you are luc...

Kelly Carmody (b. 1977, Massachusetts) Rooted in realism, Carmody’s compositions start very traditional in subject and composition; however, she further transforms her skilled hand b...

Introducing Hiroshi Sato's "Christmas Decoration," an original oil on canvas from his compelling solo exhibition 'Midwest', which runs from April 26 to May 14, 2024. This piece, measuring 26 x 30 inches, is an exploration of the Midwest, painted against a backdrop of the Christmas season. The artwork is vibrant, utilizing abstract strokes to convey urban and rural dichotomies and the pressures of modern existence, reflecting on our ceaseless digital engagement. "Christmas Decoration" is unframed but ready to hang, offering a poignant glimpse into the modern American landscape through Sato's distinctive lens. Artist Bio & Statement: Hiroshi Sato was born September 1987 in Japan. From the age of three to fourteen he spent his childhood in Tanzania. While there, he recognized where he lived was not home, and where he called home was some place he hardly ever knew. From a very young age, he understood he was not a participant of his surroundings. Therefore, his role was of an observer. This recognition and his exposure to alternate cultures, class, wealth, language is his backdrop to his interest in perception and how it is explored in the singular image. He enrolled in the fine-arts program at the Academy of Art University, San Francisco, graduating with a Bachelors and Masters in Fine Art. Hiroshi Sato is focused on contemporary realist oil painting. He is best known for paintings of figures in an interior environment. He draws influence from past and present artists including Vermeer, Degas, Andrew Wyeth, Euan Uglow, Hopper and Chuck Close. Sato’s work shows his interest in geometric design principles of the old masters and is currently exploring the simultaneous illusion of form and flatness in space. His goal is to portray, and better understand our various states of consciousness within ourselves through the visual medium. Hiroshi Sato’s work has been featured in various publications such as Fine Art Connoisseur, Juxtapoz Magazine...

Title: Guardians of Isolation - Separation Figurative Abstract Geometric Contemporary What a strange world! Lock down... It left all of us in a peculiar place in that time. I lis...

An African village scene is characterized by bold colors and a punchy flat orange sky combined with a post-impressionist paint application for the tree and the house. In the foreground, we see an African mother with two children standing outside her "Home." The work is created by African American artist Vincent D. Smith. It is signed lower right, Vincent, showing homage to Vincent Van Gogh, from whom the art word borrows some influence. Clearly, Smith has developed his own personal style, combining an African American persona with an African subject matter. Original metal frame under glass. The uploaded video is coming up light. Use the still image as a reference for color. Vincent DaCosta Smith (December 12, 1929 – December 27, 2003) was an American artist, painter, printmaker and teacher. He was known for his depictions of black life. Early life Vincent DaCosta Smith was born on December 12, 1929, in the Bedford-Stuyvesant[1] neighborhood of Brooklyn, to Beresford Leopole Smith and Louise Etheline Todd. Both were immigrants from Barbados.[2] He was raised in Brownsville, Brooklyn and Smith drew what he saw around him.[citation needed] He attended an integrated school where he studied piano and the alto sax. worked a range of jobs before he became a full-time artist. At 16, he worked for the Lackawanna Railroad repairing tracks. At 17, Smith enlisted in the army and traveled with his brigade for a year.[3] It wasn't until after his time in the army that Smith began to paint and printmaking.[4] At the age of 22, Smith was working in a post office where he grew to be friends with fellow artist Tom Boutis.[1] Art education Tom Boutis took Smith to a Paul Cézanne show at the Museum of Modern Art in 1951. After seeing the Cézanne show, Smith resigned from his position at the post office and began reading extensively about art. He studied at the Art Students League of New York with Reginald Marsh.[citation needed] Later, he began to sit in on classes at the Brooklyn Museum Art School, where the instructors would let him join in on the lessons and the criticisms.[3] After attending classes at the Brooklyn Museum Art School and the Art Students League of New York, he was accepted and received a scholarship to the Skowhegan School of Painting and Sculpture in Maine,[4] where he studied from 1953 to 1956. Beginning in 1954,[5] he started taking official classes at the Brooklyn Museum Art School, and studied painting, etching, and woodblock printmaking.[4] Career Smith was a figurative painter who used abstractions and materiality to make something new.[6] Smith's work depicts the rhythms and intricacies of black life through his prints and paintings.[7] Many of his paintings and prints rely heavily on patterns.[6] According to Ronald Smothers, Vincent D. Smith's work "stood as an expressionistic bridge between the stark figures of Jacob Lawrence and the Cubist and Abstract strains represented by black artists like Romare Bearden and Norman Lewis."[7] Smith has described his own work as "a marriage between Africa and the West."[3] Over his life, he worked in both painting and printmaking. In 1959, Smith won the John Hay Whitney Fellowship which allowed him to travel to the Caribbean for a year.[8] During this year he was deeply inspired by the customs and lifestyle of the native people.[8] Throughout his life, Smith attended various art schools but it was not until turning 50 he returned to college to earn an official degree.[7] From 1967 until 1976 he taught at the Whitney Museum’s Art Resource Center.[2] Later in 1985, he taught printmaking at the Center for Art and Culture of Bedford Stuyvesant. Death and legacy Smith died in Manhattan on the December 27, 2003 from lymphoma and related complications.[7] Smith was aged 74.[7] His work is included in many public museum collections including Art Institute of Chicago,[9] Newark Museum of Art,[1] Museum of Modern Art (MoMA),[1] Metropolitan Museum of Art,[1] Yale University Art Gallery,[10] Davidson Art Center,[11] Fitzwilliam Museum,[12] Brooklyn Museum,[13] Albright-Knox Art Gallery,[14] Rhode Island School of Design Museum,[15] among others. Exhibitions Over the course of his career, he had over 25 one-man shows and had his work shown in over 30 group shows.[7] Vincent D. Smith had shown in a range of galleries and museums over his life-span. In 1970, he had his first individual exhibition at the Fisk University in Nashville, Tennessee. His first retrospective was in 1989 at the Schenectady Museum in Schenectady, New York.[2] Solo shows: 1974 - The Portland Museum of Art, Portland, Maine[2] 1974 - Studio Museum in Harlem, New York, New York[2] 1989 - Schenectady Museum (Retrospective 1964-1989), Schenectady, New York Awards and honors This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources in this section. Unsourced material may be challenged and removed. (May 2020) (Learn how and when to remove this template message) 1959 – John Hay Whitney Fellowship, John Hay Whitney Foundation, New York City, New York[8] 1967 – Artist in Residence, Smithsonian Conference Center 1968 – Grant, The American Academy and National Institute of Arts and Letters, New York 1971 – Creative Public Service Award for the Cultural Council Foundation, New York 1973 – National Endowment of the Arts and Humanities Travel Grant, New York 1973-1974 – Childe Hassam Purchase Award, American Academy of Arts and Letters, New York City, New York 1974 – Thomas P. Clarke Prize, National Academy of Design, New York 1981 – Windsor and Newton Award, National Society of Painters in Casein and Acrylic , New York. 1985-1986 – Artist-in-Residence, Kenkeleba House Gallery, New York. Works Below are some selected works: Study for Mural at Boys and Girls High School, 1972, Metropolitan Museum of Art, New York, New York A Moment Supreme, 1972, Metropolitan Museum of Art, New York, New York The Triumph of B.L.S., 1973, Metropolitan Museum of Art, New York, New York Jonkonnu Festival, 1996, Metropolitan Museum of Art, New York, New York Murals Mural for Crotona/Tremont Social Service Center, The Human Resource Administration, New York, New York 1980[1] Mural for Oberia D. Dempsey Multi-Service Center of Central Harlem, New York, New York 1989[1] Publications Print portfolios Impressions: Our World, Volume I (a portfolio of seven etchings - five with aquatint, two with embossing). Emma Amos, Benny Andrews, Vivian Browne, Eldzier Cortor...

Includes a Certificate of Authenticity

Stacy D'Aguiar's (US based) "Electrogenesis" is an acrylic painting that depicts a colorful and surreal scene of a fish. Artist Statement: My paintings are channeled, Visual Dreamsc...

Title: Fantasy Medium: Oil on canvas Size: 22 x 18.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa ...

Playing with the interaction between positive and negative space, strong colors on neutral backgrounds, Canadian artist Virginie Schroeder creates pop art portraits and iconic pop cu...

Neo-Expressionist painting depicts a young woman in luminous light. Encaustic on canvas, 13 x 16 inches. Unsigned. Minor paint loss along left edge.

Joseph Kardonne (1911-1985). Beach Landscape, 1948. Gouache on paper, sheet measures 9.5 x 11.5 inches. measures 20.75 x 23.25 inches in 22K custom contemporary gilt frame. Signed and dated lower right. Born in Newark, New Jersey in 1911, Joe Kardonne...

Untitled painting of a group of men by Antonio Rodríguez Luna (1910-1985.) This moody piece by Antonio Rodríguez Luna is an excellent example of his work from the early 1960s, which...

Paul Resika Skowhegan-Wesserunsett, 1976 Oil on board painting: Abstract Expressionist landscape Signed 'Resika' lower left, also signed, titled and dated on the reverse; verso also ...

"Walk Between Constantine’s Hand and Cattelan’s Gesture" is an original surreal landscape painting by Gozo Collective, crafted with acrylic on uniquely shaped paper mounted onto a fl...

This contemporary abstract expressionist woman’s portrait by Natalya Mougenot invites the viewer into a world where emotion speaks louder than form. In "Her Rose, Her Silence", the f...

This contemporary abstract, expressive, and vividly colorful portrait of a faceless woman, titled "Venus", is part of Natalya Mougenot’s ongoing serie...

original Oil on Canvas Image size: H:100 cm x W:100 cm Complete Size of Unframed Work: H:100 cm x W:100 cm x D:3.5cm Sold Unframed Please note that insitu images are purely an indica...

6 layer hand cut stencil. Spray paint real currency framed with non glare glass in a museum quality frame - changes color as you walk by it from Black to Gold - 1/1 original I'M PEN...

Title: Mirror Medium: Oil on canvas Size: 23 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa Art...

Sometimes I like to let my paintings do the talking for me when we switch on the news at the moment, it's full of horror when the world is crying out for peace To say that Ta is a v...

Beginning nearly 8,000 years ago, when humans first harnessed the winds with sails, they’ve been mending them. Even longer for fishing nets. We may have glanced at such activity when...

A stunning almost minimalist Neo-Expressionist piece from the Atlantic studio of Sax Berlin. Throughout the Summer of 2024 in increasingly unpredictable times Berlin has been creatin...

Unorthodox; yet effective, Suki treats us to a series of works that tantalizes the imagination with bold strokes of dark and light, hinting at shapes both human and ethereal and pulling us through the two-dimensional surface of the canvas into the mysterious depths of a multidimensional world. Her works resonate with strong, masculine strokes, vibrant colors, and passionate themes. The common factor is that when looking at her pieces you can spend some time letting your mind play within each painting and you'll come away with a much richer understanding of what Suki Maguire's art has to show at a simple glance. This painting is signed by the artist lower right, and titled and dated on verso. Art measures 28.5 x 35.75 inches There is a great potential for discovery in Maguire's world of symbols, but a passing glance will not do, you have to allow your gaze to linger on this part and that of each painting so that your subconscious will have the opportunity to retrieve the elusive forms that seem to be hiding within the more obvious shapes. This holds true even in those works that incorporate letters of the Korean or Latin alphabet, which serve as glyphs bearing some symbolic meaning that goes beyond the mere representation of sound. She has exhibited internationally in Seoul, Nantucket, New York and Italy. Her styles and materials have ranged from realism to abstract, from water and oil colors to acrylics and coffee grounds. Suki Maguire (Kim Jong...

Modern blue toned Abstract Expressionist figure painting by the French painter Joël Dabin. The work features a central loose figure painting of the main character from Miguel de Cerv...

This 16" x 20" abstract painting was done by the artist David Crown, and depicts three cats sitting next to a fireplace. The three cats dominate the compos...

Interior design paintings. The artwork were done with acrylic, gold leafing pen 18 kt in gold and black color on canvas size 48x36". This is the "Many thoughts, one head" series. Th...

Martin Koole View from my Balcony 120 x 120 cm with frame (included in price) 126x126 cm Acryl on canvas Martin Koole's paintings are distinguished from the work of other painters b...

Clouds oil on canvas 50x40 cm Original Oil paint on canvas Ready to hang Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Painti...

This art - work is part of the project DIFFICULT RELATIONSHIPS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a va...

Rich, opulent purple seeps onto yellow -tinged, plant-like forms in Angel Ricardo Ricardo Rio's "berenjenas en el acuario / eggplants in the aquarium." Though its name relays a touch...

A term familiar to most of us as a state of mind, Berlin has crafted his own idiosyncratic, ultra contemporary piece of Neo-Expresionism to reflect on this delusional condition. He h...

Original oil painting by the Swiss artist Anastasia Vasilyeva (b.1982), painted in 2017 in Switzerland. Shopping in Megacity - New York City. Cold shopping street with people who s...

The Butterfly series for Ash began as a sentiment to her late Father. Butterflies began to appear in unexplainable ways after his passing, the artist later discovered that Butterflies represent spiritual rebirth, transformation, change, hope, and life - she goes on to say: "The butterfly series draws inspiration from Rivera's quote 'Butterflies can't see their wings. They can't see how truly beautiful they are, but everyone else can.'" After coming to the fruition that Butterflies pose as not only a symbol for beauty and rebirth, Almonte felt a feeling of deep comfort. Her passion for sharing this message of hope and renewal through her colorfully diverse canvases is achieved with resilience leaving her audience glimmering much like the inner voice and the spark of Joie de vivre that fuels her purpose in life to create. This piece is painted on thick gallery wrap canvas and is signed lower right and on verso, it comes with hanging wire on verso ready to be displayed. Art measures 48 x 48 inches Inspired by vibrance and an optimistic outlook on life, Ash Almonte is recognized for her distinct abstract expressionistic style. She is best known for her series of Chandeliers, Butterflies, and Fashion from the Seventh Avenue Design District. Almonte's award-winning works can be found in private and permanent collections around the world. She is motivated by change, compassion for others, and miraculous phenomena that can impact others for good. Her flair and admiration for fashion and art have been a staple of her life since childhood. As a young girl, she would experiment using anything she could find to make art; from tearing apart bushel baskets at her father’s fruit stand, to tearing out old magazine clippings from her mother's magazine collection; anything and everything around her could potentially be used to create. She would continue to seek out opportunities throughout her young adult years, as her love for fashion grew, allowing her to collaborate with celebrity stylists creating looks for top billboard artists, as well as apparel worn at New York Fashion Week for designers Sherri Hill...

If you look at painting in a dim light you can find different creatures/animals there.

Wonderful early American modernist sunset seascape painting. Oil on canvas. Framed. No signature found. Measuring 22 by 24 overall and image size, 20 by 18 inches.

A pop piece depicting Marilyn Monroe juxtaposed with Andy Warhols iconic Campbells Soup. With impasto painting, and quick brushwork we are drawn to the movement, as the artist is abl...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Contemporary dark toned expressive abstract painting by French artist Pierre Olié. The work features a faceless figure reaching out in a dynamic pose set against an explosive backgro...

Art measures 19.68 x 19.68 inches Frame measures 27.56 x 27.56 x 2.76 inches Framed in a high-quality contemporary wooden moulding. Color: antique white - vintage Artist: Roger...

Cubist Faces in the Style of Picasso's One Line Portraits - Acrylic on Canvas Bright abstracted faces by an unknown artist. Two faces are painted with a minimal number of lines, in ...