Abstract Figurative Paintings

Superb period work from the 1960's era - very close in every respect to the later works by Pablo Picasso. The artwork is not signed but we believe it to be of French authorship. Pr...

Misha Milovanovich White from the Inevitable Feeling Series, 2016 Acrylic & oil pastel, ink, enamel and celulose paint on canvas. 72 x 59 cm Hovering between painting, drawing and watercolour sketches, her new work represents a form of personal expression that is less concerned with the impact and novelty of popular culture and more about the quiet uncovering of emotion. Her trademark organic forms are still present though now they are empathetic rather than explosively joyful. The colours are softer, somewhat washed out and hazy, as if half-perceived or remembered. The colour palette and the energy of the mark making reference to the now buried source material -  abstracted Hentai illustrations, Japanese manga-infused depictions of male dominance, rape and power fantasies. The never-satisfied, always distracted state in which this dislocated field of sexual aggression persists stands in for our instantly redundant, surface only culture- transactional, bullying and ephemeral.   Her paintings are sensorially rich and and yet muted, the masses of fleshy intersections and writhing calligraphy feel like they are moving out of the immediate present and floating up out of time.   They are soaked in the in nuances of early modernism- Klee, Miro and Matta. She explores emotive, expressionistic tender spaces in these lyrically rendered conceptual paintings - densely layered works that operate in the enigmatic gaps between rational structure and spontaneity. Misha also echoes Kandinsky and his sensuality of musical movement, evoking his concerns with the spiritual, all emerging naturally from the rich soil she has carefully laid down in her previous work. The language and texture of her materials are important to Misha who prepares her own pigment- paying great attention to form, surface and the moment-to moment physicality of her practice. Misha Milovanovich is a Belgrade-born artist living and working in London. Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption. Misha's work is often a symphonic abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production. A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work. Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication. Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt...

I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...

Misha Milovanovich Pink from the Inevitable Feeling Series, 2016 Acrylic & oil pastel, ink, enamel and celulose paint on canvas. 72 x 59 cm Hovering between painting, drawing and watercolour sketches, her new work represents a form of personal expression that is less concerned with the impact and novelty of popular culture and more about the quiet uncovering of emotion. Her trademark organic forms are still present though now they are empathetic rather than explosively joyful. The colours are softer, somewhat washed out and hazy, as if half-perceived or remembered. The colour palette and the energy of the mark making reference to the now buried source material -  abstracted Hentai illustrations, Japanese manga-infused depictions of male dominance, rape and power fantasies. The never-satisfied, always distracted state in which this dislocated field of sexual aggression persists stands in for our instantly redundant, surface only culture- transactional, bullying and ephemeral.   Her paintings are sensorially rich and and yet muted, the masses of fleshy intersections and writhing calligraphy feel like they are moving out of the immediate present and floating up out of time.   They are soaked in the in nuances of early modernism- Klee, Miro and Matta. She explores emotive, expressionistic tender spaces in these lyrically rendered conceptual paintings - densely layered works that operate in the enigmatic gaps between rational structure and spontaneity. Misha also echoes Kandinsky and his sensuality of musical movement, evoking his concerns with the spiritual, all emerging naturally from the rich soil she has carefully laid down in her previous work. The language and texture of her materials are important to Misha who prepares her own pigment- paying great attention to form, surface and the moment-to moment physicality of her practice. Misha Milovanovich is a Belgrade-born artist living and working in London. Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption. Misha's work is often a symphonic abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production. A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work. Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication. Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt...

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers and peopl...

An original oil on un-stretched canvas by Jackie Felix, currently featured in the exhibition at Benjaman Gallery "Over the Fence". Jackie Felix (1929-2009) earned her Bachelor of ...

Misha Milovanovich Cacodylic from the Inevitable Feeling Series, 2016 Acrylic & oil pastel, ink, enamel and celulose paint on canvas. 72 x 59 cm Hovering between painting, drawing and watercolour sketches, her new work represents a form of personal expression that is less concerned with the impact and novelty of popular culture and more about the quiet uncovering of emotion. Her trademark organic forms are still present though now they are empathetic rather than explosively joyful. The colours are softer, somewhat washed out and hazy, as if half-perceived or remembered. The colour palette and the energy of the mark making reference to the now buried source material -  abstracted Hentai illustrations, Japanese manga-infused depictions of male dominance, rape and power fantasies. The never-satisfied, always distracted state in which this dislocated field of sexual aggression persists stands in for our instantly redundant, surface only culture- transactional, bullying and ephemeral.   Her paintings are sensorially rich and and yet muted, the masses of fleshy intersections and writhing calligraphy feel like they are moving out of the immediate present and floating up out of time.   They are soaked in the in nuances of early modernism- Klee, Miro and Matta. She explores emotive, expressionistic tender spaces in these lyrically rendered conceptual paintings - densely layered works that operate in the enigmatic gaps between rational structure and spontaneity. Misha also echoes Kandinsky and his sensuality of musical movement, evoking his concerns with the spiritual, all emerging naturally from the rich soil she has carefully laid down in her previous work. The language and texture of her materials are important to Misha who prepares her own pigment- paying great attention to form, surface and the moment-to moment physicality of her practice. Misha Milovanovich is a Belgrade-born artist living and working in London. Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption. Misha's work is often a symphonic abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production. A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work. Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication. Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt...

Misha Milovanovich Blue from the Inevitable Feeling Series, 2016 Acrylic & oil pastel, ink, enamel and celulose paint on canvas. 72 x 59 cm Hovering between painting, drawing and watercolour sketches, her new work represents a form of personal expression that is less concerned with the impact and novelty of popular culture and more about the quiet uncovering of emotion. Her trademark organic forms are still present though now they are empathetic rather than explosively joyful. The colours are softer, somewhat washed out and hazy, as if half-perceived or remembered. The colour palette and the energy of the mark making reference to the now buried source material -  abstracted Hentai illustrations, Japanese manga-infused depictions of male dominance, rape and power fantasies. The never-satisfied, always distracted state in which this dislocated field of sexual aggression persists stands in for our instantly redundant, surface only culture- transactional, bullying and ephemeral.   Her paintings are sensorially rich and and yet muted, the masses of fleshy intersections and writhing calligraphy feel like they are moving out of the immediate present and floating up out of time.   They are soaked in the in nuances of early modernism- Klee, Miro and Matta. She explores emotive, expressionistic tender spaces in these lyrically rendered conceptual paintings - densely layered works that operate in the enigmatic gaps between rational structure and spontaneity. Misha also echoes Kandinsky and his sensuality of musical movement, evoking his concerns with the spiritual, all emerging naturally from the rich soil she has carefully laid down in her previous work. The language and texture of her materials are important to Misha who prepares her own pigment- paying great attention to form, surface and the moment-to moment physicality of her practice. Misha Milovanovich is a Belgrade-born artist living and working in London. Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption. Misha's work is often a symphonic abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production. A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work. Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication. Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt...

This ink and pastel on paper, depicts a female figure wearing an orange dress with black and white flowers. The figure has her back to us and is raising her right arm as if she's hol...

This pastel on paper, depicts a nude female figure wearing a flower in her hair and on her shoulder. The entire figure has been sketched in soft blue lines and is set on a blue back...

Swiss artist Edith Konrad paints figurative abstract compositions with mixed media on canvas. She layers her expression of her emotional response to the subjects with dynamic texture...

Bright strong work with thick oil paint form the artist's 2018 India series Signed

Abstract Expressionist painting of nude and reader dated December 1966 by Jennifer Wallace (American, 20th Century). Image 44"L x 37.75"H. Jennifer Wallace Mack received a Bachelo...

Large oil painting of embracing nudes against a deep blue background. Skin toned colors against a blue and green background. Framed in a nice gold frame with a white matte. Artist B...

A modern abstract expressionist oil painting signed illegibly and dated 1956.

Swiss artist Edith Konrad paints figurative abstract compositions with mixed media on canvas. She layers her expression of her emotional response to the subjects with dynamic texture...

Artist: Haavard Homstvedt, Norwegian (1976 - ) Title: Three Heads Year: 2006 Medium: Oil on Canvas over Panel, signed verso Size: 10 x 10 inches Frame: 14 x 14 inches

Chester Snowden (1900 - 1984) Houston Artist Size: 16 x 12 Frame: 23 x 19 Medium: Oil 1951 Biography Chester Snowden (1900 - 1984) Houston Artist Chester Snowden was born in Elgin, Texas. He attended The University of Texas in Austin and the Cooper Union in New York as well as studying at the Art Students League of New York, Grand Central Galleries Art School, also in New York and the Richard Art School in Los Angeles. His teachers included Harry Sternberg, Boardman Robinson and Walter Jack Duncan. Snowden worked as a painter and an illustrator, for decades providing art for the publications of naturalist author, Royal Dixon...

Wonderful vintage abstract expressionist work "Inferno for Two" by a New York artist J. Gregory (American, 20th C.). Signed lower left "J. Gregory '85", Daruma Gallery frame label on...

Mixed-media on wood

Original painting on canvas. Hand signed, dated and titled on verso by the artist. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers w...

This painting is done with small broken pieces of glass, arranged in a mosaic creating a skull. A unique process done by the artist meticulously. Having built a diverse body of w...

Women in Motion (The Three Graces) - Nude Figurative in Oil on Canvas A wonderful abstract expressionist take on the Three Graces by California artist Lora Sprague (American, 20th ...

This pastel and oil on paper, depicts a female figure wearing a lime green mask and cape. She's wearing a pink flower in her hair and on each shoulder. The entire figure has been s...

This pastel on paper, depicts a female figure in green, wearing a pink flower on her head. The shape of her hair and lips are sketched in pinks. The shape of her body seems to blend...

An original tempera on paper painting by emerging contemporary artist Anthony Leone, currently featured in the artist's solo exhibition Grape Farm.

Wonderfully haunting abstract expressionist acrylic on paper painting of a queen figure by unknown artist. Signed illegibly in lower right corner ("Bob H. lil"). Condition: Excellent...

Original Carmen Gutierrez painting "La Esfinge" (The Sphinx). Acrylic, mixed media on canvas. Signed by the artist.

Medium: Oil on linoleum This ceiling to floor large scale classic work is a masterpiece by one of Mexico's most noted contemporary artist today. In its purest style, Lazard disfig...

Rise Blue Butterfly Watercolor, ink on archival paper Keith Carrington’s experiences have led him to express his talents through the fluid & exactin...

Harriet was born and raised in Brooklyn, New York, and lived with her husband in Park Slope for over 35 years. She attended the Brooklyn Museum School at age 14 where she establis...

Exceptional mid century Abstract Expressionist figurative painting from her study with David Park by Honora Berg (American, 1897-1985). Signed lower right "Honora Berg" and on verso. Unframed. Image 36"H x 30"W. Berg studied at the San Francisco Art Institute with David Park, Elmer Bischoff, and James Budd Dixon. Berg's friend Edith Truesdell...

Colorful abstract figurative of couple in the morning by Kristin Cohen (American, b. 1963). Wonderful texture adds depth and interest. A California abstract expressionist artist, Kri...

Untitled (Cityscape) is an oil on canvas created by Gregory Kondos (American, b. 1923), one of the world's most prominent California landscape artists. The artwork is signed in the lower right corner and was created circa 1950. The canvas size is 24 x 47.75 inches. Overall in good condition. Framed in a gold wooden frame. The size including frame is 33 x 56.75 inches. Gregory Kondos has spent decades depicting California’s unique, majestic beauty, from its rolling farmland to its varied coastline, to the forests and peaks of Yosemite, where he has often served as artist-in-residence. He has been drawn as well to the deserts around Santa Fe, and to Europe, especially Greece, the country from which his parents emigrated. Now in his nineties, he is celebrated as one of the world’s foremost landscape painters, known for his light-filled palette and intuitive, organic forms that seem like effortless extensions of nature. Kondos describes his paintings as possessing a sense of quietude and cleanliness while maintaining a necessary lonely quality: “Less is more…and what is left out makes the picture more understandable.” His distilled images tend to feature a solitary element—a lone boat, a mountain peak, a house standing away from the others—that projects a contemplative sense of being alone in thought. His simple yet lively palette and elegant lines, influenced by artists like Willem de Kooning, Cezanne, and Gauguin, allow us to place ourselves within the space of the painting. Chief curator and associate director at Sacramento’s Crocker Art Museum, Scott A. Shields, who organized “A Touch of Blue: Landscapes by Gregory Kondos” at the museum in 2013, remarks: “His paintings simultaneously celebrate the terrain's inherent formal, abstract properties, as well as the beautiful possibilities of the paint itself." Kondos’ lifelong achievements place him in the great tradition of American landscape painters such as Albert Bierstadt, Edward Hopper, and Georgia O’Keefe. He has won numerous prizes and awards, including a lifetime achievement award from International Bienniale in Florence, Italy, and has been elected to the National Academy of Design in New York. Collections of Kondos’ work are displayed in museums around the world, including the Shanghai Art Museum in China, the Phoenix Art Museum, and the Corcoran Gallery of Art in Washington, D.C. The gallery at Sacramento City...

Swiss artist Edith Konrad paints figurative abstract compositions with mixed media on canvas. She layers her expression of her emotional response to the subjects with dynamic texture...

Three Mysteries by California abstract expressionist artist Kristin Cohen (American, b.1963). Titled "Three Mysteries", signed "Kristin Cohen" and dated "2000" on verso. Image, 30"H ...

A delightful, colorful figurative abstract expressionist painting of red-haired baby in highchair titled "Evelyn" by Kristin Cohen (American, b.1963), 1996. From a collection of her ...

Michael Jordan Vitruvian Man, Red Edition 4/35, 3-Dimensional Abstract Mixed Media, 24 x 24, 2016 Artwork is only 3mm or 1/8" thick but printing process gi...

Figure in red, green, blue conte crayon by San Francisco artist Michael William Eggleston (American, 20th Century). Unsigned, from a collection of his works. Image size: 24"H x 18"W....

Swiss artist Edith Konrad paints figurative abstract compositions with mixed media on canvas. She layers her expression of her emotional response to the subjects with dynamic texture...

1930's vamp? Anna combines portraiture and still life to eye catching effect.

An original encaustic and collage on canvas by American contemporary painter Mark Lavatelli.

(b. 1956) Mark Vinci is a Phoenix-based mixed media artist and a recipient of the prestigious Pollock-Krasner Foundation Grant. Through his abstract work, Vinci documents what he fee...

Fantastical two faced figure with elements of abstraction by San Francisco artist Michael William Eggleston (American, 20th century). Unsigned, from a collec...

Compelling abstract expressionist painting "Embrace" figurative by San Jose, California area artist Daniel David Fuentes (American, 20th Century). From a collection of his works. Un...

David Mellen (b. 1970, Chicago, IL, USA) attended the American Academy of Art and exhibited his work in his hometown of Chicago until 1994, when he moved to Europe. Over the next fi...

An original oil on board painting by emerging contemporary artist Anthony Leone, currently featured in the artist's solo exhibition Grape Farm.

A dymanic mid century abstract expressionist painiting with geometric shapes in cool tones and two figures by Leslie Luverne Anderson (American, 1928-2009). Oil on masonite. Titled "...

Medium: Oil on linoleum This ceiling to floor large scale classic work is a masterpiece by one of Mexico's most noted contemporary artist today. In its purest style, Lazard disfig...

Medium: Oil on linoleum This ceiling to floor large scale classic work is a masterpiece by one of Mexico's most noted contemporary artist today. In its purest style, Lazard disfig...

"Abstract Woman" is an original oil painting by Matthew Schaefer. It depicts a woman in bright shapes and lines instead of solid form and naturalism. Matthew Schaefer's painterly sty...

"Your Choice" is an original oil painting on canvas by Alayna Rose. The artist signed the painting in the lower left and signed and dated it on the back. This piece depicts a ghostly...

Carmen Gutierrez painting "Fuerza Marina". Signed by the artist. Acrylic, liquid gold and silver leaf, mixed media on canvas.

Mixed-media on wood, Jean-Baptiste Valadie (France, 1933), framed, in perfect condition

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers and peopl...

Carmen Gutierrez original painting "Meditador". Acrylic, liquid gold leaf and oil on panel. Signed by the artist.

Wonderful abstract expressionist painting titled "Spirit of the Buffalo" by Santa Cruz artist Addison Robichaud (American, 20th Century). Presented in a wooden frame. Signed "Robicha...

Wonderful mid-century Wilhem de Kooning style abstract figurative by North Carolina artist Charles Chapin (American, 20th Century), 1967. Signed lower right (Chapin '67). Titled on verso on stretcher cross brace "In Town on An Icycle Bycicle(sic). Condition: Very Good. Image size: 48"H x 34"W. Presented in painted white slat rustic frame. Framed size: 49"H x 35"W x 1". Charles Chapin received his BA from North Carolina and was associated with the Chapel Hill...