Paint Landscape Paintings

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed and dated on verso 74' oil painting on canvas, unframed canvas size: 24.5 x 20 inches condition: ove...

Vintage American modernist abstract oil painting. Oil on canvas. Signed.

A stunning 19th century English Antique oil landscape with cows resting by a river. Alfred Vickers was a painter of marine subjects and landscapes. He exhibited extensively througho...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 27 x 33 Frame Size: 35 x 41 Medium: Oil On Canvas Late 1940s-Early 1950s "Bluebonnet Time" Texas Hill Country Landscape Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican-American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas are in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910 near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions. While a few of his early works have a soft, tonalist quality, with subtle gradations of sunset colors, most were painted in a style that fits well within the currents of the late American Impressionist style, with solid drawing and a warm, chromatic palette. Like Robert Wood's works of the 1930s, the paintings Salinas produced as a young man were usually well composed and detailed views of the spring wildflowers in full bloom in the Texas countryside. In contrast to Wood's work, however, early Salinas compositions were usually pure landscapes without the pioneer farms or dilapidated fences that Wood often used to add visual interest to his wildflower scenes, and he also painted scenes of San Antonio itself as his mentor Jose Arpa had done. To residents of the Hill Country, Salinas was especially adept at accurately capturing the palette of the region and its unique atmosphere. In 1939 Salinas began working with Dewey Bradford (1896-1985), one of the great characters of Texas art. Bradford was a second-generation dealer whose family operated the Bradford Paint Company in Austin, where they sold art supplies, framed artwork, restored paintings and exhibited paintings by Texas artists. Salinas was struggling when he met Bradford, but the older man took the young artist under his wing and began to sell his work reliably, even though the prices that people would pay for a painting were still low due to the lingering effects of the Great Depression. Bradford was a born salesman with a gift for storytelling, and truth be told, a bit of embroidery. The relationship between Bradford and Salinas was often rocky, but it was to last the rest of the artist's life and give him a modest sense of loyalty and security, things which are all too rare in the art world. While Bradford could be critical of his work, Salinas knew that he had a dealer who encouraged him, believed in him and was not shy about singing his praises to anyone who entered Bradford's store on Guadalupe Street. During the early years of World War II Salinas met a pretty Mexican woman from Guadalajara named Maria Bonillas, who was working as a secretary for the Mexican National Railways office in San Antonio. While he was walking downtown with a painting of a bullfighter under his arm, he started a conversation with the young woman, and things progressed rapidly. The couple were married on February 15, 1942 and settled into life in bi-lingual San Antonio and they eventually purchased a tidy stone home on Buena Vista street that had a detached studio in back. By the time the United States entered World War II, Salinas was starting to make a decent living selling his art and beginning to garner recognition across Texas. However, in 1943, like millions of other young men, he was drafted into the service of his country. Fortunately, as an older Army draftee with special talents, after his training he was assigned to Fort Sam Houston, right in San Antonio, allowing him to remain at home while still completing his obligation to "Uncle Sam." Because of his artistic abilities, Salinas was asked to do paintings for the Army as well as a mural for the Officer's Club, which has been re-discovered in recent years. In his spare time he kept working on landscapes and when the war ended in 1945, he was not faced with the same rocky transition from military to civilian life as many veterans. That same year, Salinas became a father as he and Maria celebrated the birth of his only child, Christina Maria Salinas. Like most landscape artists of the era, Salinas was an avid Plein-air painter, and he took his easel and paint box with him on trips throughout Texas and into Mexico. He and his wife traveled deep into her native country, where the artist painted the majestic volcanic peaks of Iztaccihuatl (known as the "Sleeping Woman" because of its unique shape) and Popocatepetl (called the "smoking mountain" because the volcano is still active), south of Mexico City. Salinas also painted studies of rustic villages and their residents. While his most popular paintings were always the scenes of the Texas Bluebonnets and other wildflowers that bloom all over the Hill Country in the spring, he also painted scenes of the twisted Texas oak trees of central Texas, the more arid landscapes of the Texas panhandle and West Texas, and the historic Texas missions; he even sold rapidly executed scenes of bullfights and cockfights for Mexican-American collectors. By the late 1940s, the American economy was finally growing again and wealthier Texans began to collect Salinas paintings, purchasing them from galleries in San Antonio and Dallas and at Dewey Bradford's County Store Gallery in Austin. Salinas also sold work to the Atlanta dealer Dr. Carlton Palmer, who represented Robert W. Wood for many years. In 1948 Palmer sold two large Salinas paintings to the Citizen National Bank in Abilene, Texas. Because Austin was the state capitol, Bradford counted many of the state's elite among his patrons, and due to his interest in history and literature, he played a large role in the cultural history of central Texas. Bradford introduced a number of the major Texas political figures to Salinas' work, including Lyndon Baines Johnson (1908-1973), who was then in the House of Representatives and on his way to winning a controversial election that vaulted him in the United States Senate. Johnson became an enthusiastic collector, as did his political mentor, the legendary House Speaker Sam Rayburn (1882-1961). Johnson decorated his Washington offices with Salinas paintings and he brought a number of them home to his vast LBJ Ranch, near Johnson City, Texas. In spite of his important patrons, Salinas went through a fallow and difficult period in the late 1950s. He had a volatile temperament, which made relationships difficult, and it took great patience for his wife to help him manage his career. As Salinas entered middle age his work began to sell steadily, but except for tourists who purchased his paintings in San Antonio, he was known primarily only to Texas art collectors. All that changed in 1961 with the election of John F. Kennedy (1917-1963) to the Presidency of the United States and his running mate Lyndon Johnson to the Vice Presidency. Johnson was an expansive, larger-than-life character and his status as a long, tall Texan in a cowboy hat was a large part of his imposing political image. During his storied career in the House of Representatives and the United States Senate, Johnson and Lady Bird Johnson (1912-2007) spent their time in Washington in a modest house on the edge of Rock Creek Park, but this home would not do for a Vice President. So, in 1961, the Johnsons purchased a French chateau-styled home in the Spring Valley section of the Capitol. Obtained from the famed socialite and ambassador Perle Mesta (1889-1975), the house came with a fine collection of French furniture and tapestries, and the designer Genevieve Hendricks was hired to meld the French look with objects from the Johnsons' overseas travels and paintings of the flora and fauna of their native Texas. Featured prominently in the foyer were the paintings of Porfirio Salinas. Because of the Johnsons' patronage, his work was mentioned in Time Magazine and other national publications. Lady Bird Johnson loved her landscapes of the Texas Hill Country and told reporters that, "I want to see them when ever I open the door, to remind me where I come from." After President Kennedy's death thrust Lyndon Johnson into the Presidency, he brought his Salinas paintings into the historic halls of the White House, further enhaning the Texas painter's national reputation. At the time of the President Kennedy's assassination, Salinas had completed a scene of a horse drinking titled "Rocky Creek" that was to have been presented to Kennedy during his ill-fated visit to Dallas. Instead, in an effort to memorialize the fallen President, Salinas painted a symbolic work of a lone horse depicted against foreboding clouds. During his tenure in the White House, President Johnson presented a Salinas landscape as a state gift to the President of Mexico, Gustavo Diaz Ordaz (1911-1979). During the 1960s, Salinas paintings sold briskly and, thanks to Presidential patronage, for escalating prices. In an interview with a writer from the New York Times, President Johnson enthused about the work of "his favorite artist" and said that, "his work reminds me of the country around the ranch." Salinas was invited to the LBJ Ranch frequently during the Johnson administration and his paintings were hung throughout the ranch, in the President's offices and even in the private quarters of the White House. The connection to President Johnson was a great boon to sales of Salinas paintings, and in 1964, when the demand was at its height, Texas Governor John Connelly (1917-1993) was told that all Salinas'work was sold and that he would have to wait for a painting. In 1960, a half century after his birth, Salinas was honored by his home town of Bastrop, a celebration that touched the modest artist. In 1962 Salinas was given a solo exhibition at the Witte Museum in San Antonio that featured more than twenty of his works. By the early 1960s, sales of reproductions of the artist's landscapes by the New York Graphic Society and other publishers grew rapidly, enlarging his audience throughout the United States. In 1967, Dewey Bradford helped to organize the production of a book of Texas stories titled "Bluebonnets and Cactus" (Austin: Pemberton Press: 1967), which was profusely illustrated with paintings by Salinas. His works were still popular when Salinas died after a brief illness in April of 1973, just a few months after former President Johnson's passing. He was memorialized in the City of Austin by Porfirio Salinas Day, which honored him for having "done much to bring the culture of Mexico and Texas together with his paintings." Bastrop, Texas, the city of the artist's birth, has been holding a Salinas Art Exhibition annually since 1981. He painted hundreds of scenes of the wildflowers, including the various varieties of Blue Lupin, the state flower, as well as other flowering flora. These show the influence of his artistic mentors Robert W. Wood and Jose Arpa Y Perea. Salinas also painted a number of scenes of Prickly Pear Cactus that show the influence of the English painter Dawson Dawson-Watson (1864-1939), who painted many such works during his tenure in Texas. He painted the more arid Texas landscape infrequently and these works are very rare today and sought after by collectors from the Texas Panhandle and West Texas. Salinas also painted many river landscapes along the Guadalupe, Rio Frio, the San Antonio and the Rio Grande. On trips to his wife's homeland of Mexico, he painted a number of scenes of the volcanic peaks as well as scenes of peasant villages and villagers. Figurative paintings are rare among Salinas' works and these scenes of bullfights, fandangos and cock fights are probably the least sought after of his paintings. There are also a small number of modest marines, painted on trips to the Texas and California coast. Salinas paintings are highly prized by collectors of early Texas art, with the paintings of wildflowers in greatest demand. Works by Porfirio Salinas can be found in a number of public collections, including the Panhandle Plains Historical Museum in Canyon, Texas; the Texas State Capitol; the Texas Governor's Mansion; the Lyndon Baines Johnson Ranch; the Sam Rayburn Library and Museum in Bonham, Texas; Amarillo High School; the Witte Museum in San Antonio; the historic Joan and Price Daniel House in San Antonio; the Stark Museum in Orange, Texas; the R.W. Norton Art Gallery in Shreveport, Louisiana; the Sangre de Cristo Arts Center in Pueblo, Colorado; Texas A & M University and the Modern Art Museum of Fort Worth. Salinas has been featured in a number of reference works as well as anthologies devoted to American Western Art...

Kevin Weckbach's (US based) "Winter's Song" is an original, hand-made oil painting that depicts a secluded snowy forest in the early morning sunlight. Artist Statement: "Subject mat...

Oil painting after Jacob Armstead Lawrence . He was an American painter known for his portrayal of African-American historical subjects and contemporary life. Lawrence referred to his style as "dynamic cubism," an art form popularized in Europe which drew great inspiration from West African and Meso...

Heavily textured, 1962 abstracted landscape by Humbolt area artist Alma B. Leamey (American, 1901-1996). The viewer looks out over a valley, with a ranch at the focal point. In the d...

Antique American impressionist landscape oil painting. Signed verso. Really nicely framed. Great color and thick impressionist impasto. Image size, 10L x 8H.

Antique American modernist signed landscape oil painting. Oil on canvas. Signed. Framed.

This painting is featured in the Makk Family book, "Vision of Life on page 102. Eva Makk has been called “the world’s foremost living impressionist painter...

Gorgeous late 19th century Tonalist landscape painting of foothills and oak trees in the style of Willard Leroy Metcalf circa 1900. Inscribed "M" in circle monogram lower left corner and on frame verso. Presented in original rustic giltwood frame. Image size: 6"H x 8"W. Framed size: 8.5"H x 10.5"W. Tonalist are usually intimate works, painted with a limited palette. Tonalist paintings are softly expressive, suggestive rather than detailed, often depicting the landscape at twilight or evening, when there is an absence of contrast. Tonalist paintings could also be figurative, but in them, the figure was usually out of doors or in an interior in a low-key setting with little detail. Tonalism had its origins in the works of the French Barbizon school and in the works of American painters who were influenced by them. California Tonalism was born when the emphasis in California landscape painting passed from the grand landscapes of works like those of Thomas Hill and William Keith's early career, to more intimate views of a domesticated landscape. At the same time, the parallel Pictorialist Photography...

The painting was painted Plein Air, in Artist's own garden of the memorial roses she planted. This is Rosa Albertine, the first Old English variety Artist Shizico Yi planted in her garden in 2016, before her late dog died. Old English Roses...

This painting is in excellent condition and has only been shown in a gallery. Marcel Demagny was born in 1949 in Nancy, France. He graduated from the Nancy School of Architecture in...

Maurice UTRILLO Paris : Winter Day at Montmartre Original gouache painting Signed bottom right 40 x 32 cm at view (c. 16 x 13") Painted c. 1934-36 Presented in a golden wood frame ...

Title: Provence Watercolor of Château des Baux & Sunlit Limestone Cliffs by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper Size: 12.25 x...

Under a captivating aquamarine blue sky dotted with sumptuous white clouds, the northern sunlight graces Honfleur, France while blessing the generations of artists who have migrated...

Up for sale here is a really impressive mid 19th century painting. Very fine quality and great color! Unsigned. Framed. Image size, 13 by 17.

Antique American modernist signed abstract landscape oil painting. Oil on canvas. Signed. Framed.

Hancock Harbor, Greenwich NJ oil/panel 12 x 16 image unframed, 17.5 x 21.5 framed Hancock Harbor is an plein air oil painting on canvas panel by award winning contemporary artist Mic...

‘A Breeze after a Bathe’ by Walter Duncan ARWS (1847-1932). The painting – which depicts three young Victorian ladies and their dogs on Bournemouth beach after a swim – is signed b...

Battle at Sea by Gordon Wood Armstrong (British late 20th century) signed oil on board, framed framed: 23 x 29 inches board: 18 x 24 inches provenance: pr...

Deansgate in the Rain - an Original Painting of a City Street Scene in Manchester, England, by British Cityscape Artist Angela Wakefield. It captures the changing nature of Mancheste...

Oil Painting of Camlough Lake in Northern Ireland by 20th Century Modern Artist, Patrick O'Neill Art measures 30 x 20 inches Frame measures 35 x 25 inches A beautiful colourful ...

Body in the Field #1, 2022 oil on canvas 19 ¹¹/₁₆ H x 15 ³/₄ W in. 50 H x 40 W cm Zsolt Berszán embodies in his works the dissolution of the human body through the prism of the frag...

French Post Impressionist oil on canvas landscape by Jacques Begas. Signed bottom right, titled to rear stretcher and with exhibition number. Fine stretcher with 'keys'. Begas has captured all the colours and charm of a rural Southern French landscape, the olive grove in the foreground, ochre red earth of the hills and fields beyond, Cyprus trees...

A bold, intensely color-saturated painting from Stephen Henriques, who is influenced by Bonnard and Vuillard, and the western landscape and its light. When referring to his oil on ab...

Historic Port of Nice Tony Minartz (French, 1873 - 1994) watercolour on artist paper painting : 12.75 x 17 inches Provenance: private collection in the South of France, Condition...

A beautiful large mid 20th century Italian oil on board depicting boats in the Bay of Naples. Excellent quality work in superb original condition...

Quiet cove sailing' Is an original painting by Gordon Hunt. It shows a group of friends out sailing who anchor up in a quiet cove to have a swim and a break from sailing. Enjoying th...

The Old Fortress French School, mid 20th century indistinctly signed oil on canvas, framed in original period frame framed: 32 x 28 inches canvas : 26 x 22 inches Provenance: privat...

This painting is from my series titled "The Untethered Soul." This series delves into the transformative power of nature, capturing the essence of what one feels rather than sees. In...

This mixed media artwork by Gozo presents a surreal island scene crafted with metallic paint, acrylic, and gold leaf on a wood panel. At the center of the composition, a solitary bui...

Beautiful winter landscape of the snow covered countryside by an unknown artist (American, 20th Century). Signed "Mallek" lower right. Displayed in a painted rustic frame. Image, 7"H...

This painting is part of a series inspired by place. I often wonder why I notice some places in nature while other equally beautiful places go virtually unnoticed. I look for what el...

Impasto Oil Painting of a Moorland in the English Countryside by British Landscape Artist. Original on Canvas. Expressive and atmospheric depiction of a stormy. Art measures 26 x ...

Carnival scene in 17th-century Rome (in Piazza Navona) Michelangelo Cerquozzi (Rome 1602 – Rome 1660) workshop Roman school of bamboccianti (mid-17th century) Oil on canvas 74 x 96...

J.E. Stuart (1852-1941) "Sugar Maple Grove Near Exeter Center" 1906 new Hampshire landscape painting noted #1318 From Original Sketch. Oil On Canvas. 12 x 18 unframed, 19.25 x 25.5 f...

A charming depiction of Snow on 5th Avenue New York City with figures walking and cars in the distance. A cozy impressionistic street scene with colors of cobalts, light pink, whites, and burnt sienna's. An iconic street scene with beautiful brushwork and whimsical details, this piece captures the essence of New York in snow. This work is a following of Guy Wiggins. This painting is signed by the artist lower right and it comes housed in a beautiful antique ornate gold tone giltwood frame with hanging wire on verso ready to be displayed. Art measures 13 x 8.5 inches Frame measures 17.5 x 13 inches Inspired by whimsey and purity of the feminine form, Cindy Shaoul is known for her impressionistic and abstract style. She is best recognized for her series ‘Brides’, ‘Dripping Dots’ and ‘Hearts’, as well as her ‘Plein-Air’ street scenes of quintessential New York locations. Shaoul’s works can be found in hundreds of private and corporate collections worldwide. Since her first group show at Parsons School of Design in 2009, her work has been showcased internationally – from Italy to South Korea – and has been shown at various art fairs nationwide including Miami, Palm Beach, Dallas, and New York. Shaoul has had numerous solo exhibitions and has garnered the attention of notable celebrities such as Emma Roberts, Lily Collins, Ashley Park, Catherine Deneuve and John Malkovich. Her love of painting began at the age of 18 when she was on Thanksgiving break from college. She painted a 9-foot colorful, abstract mural in her mother’s art...

Victorian Marine Seascape Large Oil Painting of Pure Seas and Shimmering Light by the absolute Master of Pure Seas Paintings. This is a beautiful, ethereal work by Henry Moore (THE Henry Moore and not the famous Sculptor!). The seascape we have for sale is an exquisite example of Moore’s sea-painting (he began painting the sea in the late 1860s), this, produced at the height of his fame and talents, it was painted in 1891. In it he captures the rolling waves as they catch the light and conveys a cool beauty within this deceptively simple composition. There may be a hint of a vessel in the background but maybe it is a trick of the light!! The seagulls dance in the foreground. Moore manages to straddle two enormous art...

Steven Nederveen's art is a testament to the complex and ever-evolving relationship between humans and nature. His vivid nature scenes, often seemingly uplifting and idyllic, also reveal the darker aspects of our connection with the natural world. Through his work, Nederveen explores the dualities of our relationship with nature - the love and destruction that can coexist within us. His masterful use of color and light illuminates the beauty and mystery of natural environments such as oceans and...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 20 x 24 Frame: 30 x 34 Medium: Oil On Canvas "Gathering Strays" Hereford Cattle...

This painting is signed and dated by Barnabè on the lower right. In 1959, French art critic Michel Concil-Lacoste, in the newspaper Le Monde, expressed his views on Barnabè: "Barnab...

Martha Mans 7 x 7 image size and 16 x 16 matted and shrink-wrapped The painting process has been an evolving experience for me from the time I was very young and first started paint...

Dutch/English artist Abraham Hulk the Younger (1851-1922) is most known for landscapes of the British countryside. This work is one of a pair (the second work is also available by s...

Published in a monographic catalogue Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949-56: he began artistic...

Wright BARKER Exhibited 1885 - 1935 Canvas Size: 20 x 26" (50 x 65cm) Outside Frame Size: 29 x 35" (72.5 x 87.5) He was a figure and animal painter who was based originally in Bradford, where he lived until 1885, when he moved to Edwinstowe, near Mansfield, Nottingham. In 1901 he moved to Hampstead and then back north to Harrogate where he stayed until his death. In his later years he became a picture dealer, but in his will he referred to himself as ‘animal painter’. Barker became a member of the Royal Society of British Artists in 1896. Although he called himself an animal painter he is also known to have painted ‘Roman Maidens...

A prominent American Impressionist, Emile Gruppé was celebrated for his plein-air painting, often working outdoors to capture the fleeting light and atmosphere of his surroundings. I...

Signed lower left, 'Nell Walker Warner' (American, 1891-1970) and painted circa 1925. Born in Nebraska, Nell Walker Warner graduated from Lexington, Missouri, Women's College in 191...

Vintage signed large abstract oil painting. Oil on canvas. Signed.

Jordi Freixas Cortés (1917-1984) - Spanish village landscape - Oil on canvas Oil measures 65x54 cm. Frameless. Jordi Freixas Cortés (1917-1984) Jordi...

From the Tyndale Monument is an Original oil painting by Eleanor Woolley. This painting was started Plein air and finished in the studio. Looking down on the landscape from the Monum...

A beautiful large mid 20th century oil on canvas depicting a moonlit coastal seascape by Arnold Beardsley. The work is signed lower right and presented in a gold frame with swept co...

A fine pair of antique oil paintings Scottish Highland Scenes by George Frederick Buchanan (1800-1874) Landscapist George Frederick Bucha...

Antique American modernist cityscape oil painting. Oil on canvas. Framed. No signature found.

Impressive early American modernist abstract oil painting. Framed. Oil on board. Signed. Image size, 15H by 19L.

19th Century English School oil painting on copper, framed framed: 18 x 14 inches board: 13 x 8 inches provenance: private collection, Derbyshire...