1860s Paintings

George Henry Smillie Farmland Meadows, 1865 Signed and dated lower left Oil on canvas 10 1/2 x 18 inches Provenance Private Collection, Langley, Washington The career of George Sm...

Signed lower right, 'Krause' for Franz Emil Krause (German, 1836-1900) and painted circa 1865. Framed in a finely finished, hand-carved, gilt-wood and gesso frame. Framed Size 42.5 ...

An antique oil painting in its original ornate gold leaf frame. This tonalist painting depicts figures against a dramatic sunset. The work is signed illegibly lower left. It ap...

An able sailor guides a fine sloop through the choppy waters of a busy American port in this work by Dutch-American artist Maurtiz DeHaas. Given the sailor's hat, what appears to be ...

A fine impressionist landscape by the 19th century French painter Loouis Boulanger (1806-1867). Oil on canvas 15"x21,3/4" 38cmx 55cm The original giltwood frame: 22"x28" , 56cmx 72cm. A fine plein air study of a stoney outcrop on the edge of a French village circa 1860. Boulanger was famous during his lifetime for his portraits of the intelligentsia of Paris society during the 19th century including Victor Hugo. He was also a great follower of the early impressionist landscape painters this being a fine example of his work. A well balanced composition and an intense study of afternoon light in a French landscape. Signed lower right. Provenance : Estate collection, Paris Good condition. Higher resolution images available on request. Viewing welcome . Worldwide shipping available. Louis Boulanger (11 March 1806, Vercelli, Piedmont - 5 March 1867, Dijon) was a French Romantic painter, lithographer and illustrator. Life He enrolled in 1821 at the École des beaux-arts where he attended the workshop of Guillaume Guillon Lethière and received a solid classical training. Next he made a présentation for the prix de Rome, in 1824, in which he finished logiste. He became the companion of Eugène Devéria...

Mid 19th Century oil on canvas portrait of an Italian brigand, unsigned, in painted wood and gilt frame. The painting is a fine and fascinating rendition with plenty of wonderful character and detail to the costume, accessories, landscape and seascape. Very atmospheric and imposing much like the character it portrays. There is a trade stamp to the back of the canvas for the Paris firm of Susse Freres. The canvas is on a fine quality stretcher with 'keys'. There is an artist's name or title written on the top of the rear stretcher (see photo). Bands of brigands who populated the hills of southern Italy were steady fodder for the Romantic imagination, and their exploits were reported both factually, fancifully and artistically The painting dates from a period when France, under its then leader Napoleon III, was involved in the conflicts in the Italian states and the unification and eventual creation of the nation of Italy. An earlier and similar portrait exists of the infamous brigand Mazzocchi by Achille-Etna Michallony . Léon Cogniet...

Path by the sea. 1869. Oil on Canvas, 31x53 cm

This absolutely lovely British Victorian oil painting is by noted Birmingham born artist James John Hill and has some excellent provenance below. The painting actually stayed in Birmingham for many years, hanging in Heathfield Hall, the former residence of inventor and engineer James Watt, but owned at that time by Thomas Pemberton. It then moved to Berwick House in Shropshire. Entitled The Gleaner and painted in1863, it is a charming half length portrait of a young woman with a sheaf of wheat under her arm. She is stood beneath trees and the wheat field is beyond. She is dressed in a lovely pink garment and wearing a brown felt hat, to shade her face from the sun, her dark hair cascading down her shoulder, The hat is decorated with a poppy. The soft tones and sympathetic rendering of the young woman make this a stunning 19th century oil painting with excellent provenance. The painting is housed in its original gilt frame with a beautiful oak leaf motif. Signed and dated 1863 lower left. Provenance. Thomas Pemberton, Heathfield Hall, Handsworth, Birmingham. (Heathfield Hall was the former residence of the inventor and engineer James Watt. Following his death the house had several occupiers including local luminaries Thomas Pemberton and George Tangye). His sale, Christie's, 30 April 1874, lot 95 (69gns to James Watson) Berwick House, Shropshire. (James Watson (1817-1895) was an English merchant, dairy herdsman and Conservative politician who sat in the House of Commons from 1885 to 1892) Condition. Oil on canvas, 34 inches by 28 inches unframed, in good condition. Frame. Housed in its original gilt frame with oak leaf motif, 42 inches by 36 inches and in good condition. James John Hill RBA (1811 – 27 January 1882), known also by his alias J. J. Hill, was an English landscape and portrait painter, known for his many rustic paintings and portraits of Lady Burdett-Coutts. James John Hill was born sometime in 1811 in Broad Street, Birmingham to Daniel Hill, plater, and Elizabeth Rowlinson, the daughter of a brass founder. He was educated at Hazelwood School, a school founded by the educational reformer Rowland Hill...

Still life painting of fruit and a parrot by French artist Eugène Boudin French, 1869 Canvas: Height 90cm, width 80cm This very fine still life painting is by the French artist Eugè...

John Atkinson Grimshaw 1836 - 1893 Looking across Buttermere Oil on canvas, signed & dated '1868' lower right Image size: 13 ½ x 20 ½ inches (34.2 x 50.5 cm) Hand made gilt frame This work is dated 1868 making it one of his early works, painted during the same period as Grimshaw's other Lake District paintings...

Up for sale is an original antique 1864 oil painting on canvas by Famous American Artist John O'Brien Inman (1828-1896), depicting a portrait of a seated baby. Signature on verso "Painted by Jho. O'B Inman Portlana Jan 18th 64" The painting is in good/antique condition, minor stable craquelures. Presented in an ornate vintage gilded frame. Please see the photos, the photos are part of the description. Measures with the frame 41" X 34.5", painting 30" x 25". Free insured shipping. Free delivery in 200 miles from Boston. Please read some interesting information about Artist...

Old oil painting on canvas Portrait of An orange and white American Brittany hunting dog This oil on canvas is from the 19th century, painted by Léon Viardot (dijon, 1805 – Paris, 18...

Sebbene atteggiato in una delle pose convenzionali adottate in Accademia per l’esercitazione della copia dal nudo, il modello anziano qui ritratto è indagato con tale sensibilità ana...

This mid-19th-century Belgian oil painting depicts a windswept landscape with a cottage, figures, copse and grazing cattle. A brisk gale rushes across the scenery, clutching at ever...

Marc BRUYAS Lyon, 1821 - 1896 Oil on canvas 32 x 23 cm (42 x 33 cm with frame) Signed and dated lower left “Bruyas / December 1863” Beautiful carved and gilded wooden frame from the...

This mid-19th-century Belgian oil painting depicts a windswept landscape with a cottage, figures, copse and grazing cattle. A brisk gale rushes across the scenery, clutching at ever...

A stunning 19th century English Antique oil landscape with cows resting by a river. Alfred Vickers was a painter of marine subjects and landscapes. He exhibited extensively througho...

Up for sale is a phenomenal antique Dutch school original large oil painting on canvas depicting a seascape - several sailboats on the high seas close to the coast and a boat with f...

David Hardy was an English genre painter who exhibited from 1855 -1870 in various English galleries such as the British Institute, the Suffolk Street Gallery, and one example at the ...

Beautiful original oil on canvas double portrait painting of a young boy and girl with cat (moist likely brother and sister) attributed to the hand of American artist, John Carlin. ...

Unknown Artist, Possibly Gustaf Brandelius (1833-1884) Portrait of a Young Boy With Hat oil on tree panel painted c.1850-70 panel 9.05 x 5.90 inches ...

”Rooster and Hens at Daybreak” is a delightful painting of rural life, created by the Belgian artist Frans van Severdonck (1809-1889). Van Severdo...

Gustave de Jonghe An Afternoon Visit Oil on panel Image Size: 32.8 x 25 inches Framed Dimensions: 41.7 x 33.5 Hand signed in lower left corner

French Romantic School, 19th Century Portrait of a man, a selfportrait ? oil on paper 17.5 x 12 cm oval Framed under glass : 43 x 34.5 cm This rather mysterious portrait is perhaps a self-portrait of the artist who painted it. This is suggested by the three-quarter pose and the gaze fixed on the viewer. What this man seems to be staring at is himself. Similarly, the model's appearance is reminiscent of the image of the romantic, bohemian, tortured artist. It's also very interesting that he used a range of dark colours to reinforce this idea of melancholy. It has been suggested that this small oil on paper is close to the art of François Bonvin (1817-1887) and Théodule Ribot...

Artist: George Clarkson Stanfield, English (1828 - 1878) Title: View of the Campo di Marte, Venice Year: circa 1864 Medium: Oil on Canvas, signed l.r. Size: 14.5 in. x 23.5 in. (36.8...

Signed lower right Dewitt Clinton Boutelle’s landscape paintings embody the grandeur and tranquility of the Hudson River School. In this imagined scene, a lone fisherman stands on t...

Outstanding quality Victorian Genre scene of some fishermen helping some high-class ladies on to their small boat. The style is a type of the High-end Victorian Genre scene. Painters like Tissot, Millais, the Pre-Raphaelites, and other genre painters all painted in this high-quality style. The painting is signed and dated lower left and is an oil on canvas, but alas the signature is not obvious enough to know the painter. The history of the painting is that it came from an English private collection of paintings...

‘Summer Shade’ by Henry Dawson R.B.A. (1811-1878). The painting – which depicts cattle in the shade of a large tree on the river Ribble in North Yorkshire – is signed by the artist...

Still life painting of fruit and flowers by Eugène Boudin French, 1869 Canvas: Height 90cm, width 80cm This very fine still life painting is by the Fren...

English landscape painter from the 1870's who exhibited at the Royal Academy and the British Institute in London. He mostly painted in watercolors and this example would have been p...

An important oil on canvas painting by the celebrated equestrian artist, Harry Hall (1814-1882), of the racehorse "Lord Lyon", 1866. Hall was the most important equestrian artist of ...

Ancient Italian painting from the late 19th century. Framework oil on copper depicting a religious subject Expulsion of merchants from the temple with good pictorial quality. Paintin...

Modesto Faustini (1839-1891), "Portrait of elegant," oil on canvas in gilt frame signed lower right "M. Faustini - Rome." This splendid portrait belongs to one of the most flourishi...

This mid-19th-century oil painting by Danish-American artist Joachim Ferdinand Richardt (1819-1895) depicts a congregation observing a river baptism, probably in the Mississippi River. In 2009, at President Obama’s Inauguration luncheon, a panoramic view of Niagara was selected as the backdrop to his speech. It’s a breathtaking image, capturing the sublimity of the American Falls and the Horseshoe Falls in all their iconic majesty. The ‘Maid-of-the-Mist’, negotiates the rapids, a mere speck within a broad expanse of water. While beyond, a colossal sheet of spray is sharply illuminated through passing clouds. It was painted by the son of a bookbinder, a humble Danish artist who travelled extensively across the United States to document its nature, buildings and civilization. Admired in his own lifetime, this unassuming adventurer produced scores of resplendent vistas but also numerous vignettes documenting everyday activities. Joachim Ferdinand Richardt was initially destined to become a carpenter but, thankfully, enrolled at the Royal Danish Academy of Fine Arts where he studied under three distinguished masters. Blessed with a skill for drawing, he was awarded medals and in 1839 began exhibiting at the prestigious Charlottenborg Spring Exhibition. In 1841, the Danish Royal Family acquired one of his works and six years later granted him a five-year stipend. Richardt trained at a time of exceptional creative output whereby Denmark was developing a clearer identity. Dubbed ‘National Romanticism’, artists were extolling their country’s natural beauty, while also celebrating humble folk life within rural environs. Stylistically, their work is somewhat comparable with German Romanticism...

Circa 1865 marketplace painting by the American artist, George Washington Nicholson. Signed lower left. Oil paint on wooden panel. Condit...

Edward Niemann Junior A superb example of Edward Niemann's work. The piece is housed in its original detail and is of a quality that would be more akin...

Jean Philippe George-Julliard (1818 – 1888) A landscape with a traveler Oil on paper Signed HG lower right 19.5 x 29 cm The four corners are cut Framed under glass 27 x 47 cm Jean Philippe George-Julliard (1818–1888) or Henri Philippe Julliard was born on 1 january 1818 in Geneva (Switzerland) from french parents. He first studied art in Nantes in France, but later he came back to Geneva where he became pupil of Alexandre Calame...

Antique Danish Orientalist oil painting of a military scene by Niels Simonsen Danish, 1860 Canvas: Height 27cm, width 35cm Frame: Height 43cm, width 52cm, depth 4cm This very fine O...

UNIDENTIFIED "ABSTRACT FIGURE" OIL ON CANVAS, UNSIGNED AMERICAN, C.1960S 27.5 X 35 INCHES Fine Condition

Gustave Jaquet Jacquet was born on 25th May 1846 in Paris. He was a pupil of Bouguereau and for his debut at the Paris Salon in 1865, he exhibited 'The Reverie' which was very much i...

"Bantam Rooster w/Hen and Chick" Matthieu Theeuwes van Ginneken (1811-1888) Oil on canvas mounted on wood panel 11 x 9 1/2 (18 x 16 1/2 x 3 inches frame) inches Matthieu Theeuwes v...

Tomkins Harrison Matteson Playing with Grandfather, 1869 Signed and dated lower left Oil on canvas 29 5/16 x 24 3/16 inches Provenance: Sotheby's New York, May 24, 2001, Lot 150 Estate of a New Hampshire Collector Tompkins H. Matteson was one of the most noted painters in upstate New York during the 1850s and was well-known for genre and historical subjects. Born in Peterboro, New York, he studied and exhibited at the National Academy of Design - established himself as a portrait painter in Sherburne, New York before moving in 1841 to New York City. In 1850, he returned to Shelburne, where he spent the remainder of his life. A follower of William Sidney Mount...

19th Century Dutch

A Governor’s Mansion - Countryside Couple - Original Watercolor on Paper 1860s Governor’s Mansion during the Civil Water. A watercolor painting depicting horse carriages and disting...

A stunning and dramatic still life by noted Belgian 19th century artist, David De Noter. Framed in a complimentary Empire style 22 karat hand carved frame....

Victorian Portrait of a young girl on a Sunday Morning, possibly after or before Sunday School Wonderful Victorian portrait of a little girl painted circa 1870. The quality of the p...

A wonderful & whimsical 19th century oil on panel painting of puppies in a farm stable, by the celebrated artist George Armfield (1820-1893), the painting circa 1860. This lovely oil...

Untitled - Interior is an original modern artwork realized in the 1860s circa by the Italian artist Giuseppe Puricelli (Varese 1825 - Casirate, 1894). Original Oil Painting on Canva...

This is a wonderful outstanding quality scene of an English cottage garden scene. The quality of the piece is amazing with a real understanding of how to make a very desirable painting. Charles James Lewis, was baptized at St Giles, Camberwell, London on 6 October 1830, son of Charles Thomas Lewis, a clerk at the bank of England, and his wife Sarah Hyde née Bennett (1805-1872), who married at Tottenham, London on 11 June 1825. In 1851, a 20-year-old student in painting, living at 17 Nelson Square, Camberwell with his 52-year-old married father Charles and a 64-year-old 'unmarried' Sarah Lewis. Charles married at Camberwell in 1854, Mary Ann Matilda Hammond Shetton, and in 1871, a 50-year-old landscape artist, living at 2 Cheyne Walk...

Ferdinand Heilbuth: 1826-1889. Well listed very important 19th century French painter. He was born in Germany but lived and painted mostly in France becoming a French citizen in 1876...

IRVING GEORGE LEHMAN "CUBIST FIURES' OIL ON PANEL, SIGNED RUSSIAN-AMERICAN, C.1960 23.5 X 25.5 INCHES FRAMED 29.5 X 32.5 INCHES Irving George Lehman 1900-1983 Born in Kiev, R...

Jean Louis Hamon artfully presents the mythological subject: Aurora the Goddess of Dawn. She is dressed in a flowing toga, standing on a large leaf and smelling the sweetness of a flower in bloom. Surrounded by lush plants in an idyllic setting of pinks and blues, one would not think that this peaceful and beautiful work was painted in 1864 at the time of the American Civil War. Hamon meticulously renders the scene with the academic precision of Bouguereau. The closer you get, the more detail you discover. Two butterflies sit atop Aurora's head. Droplets of water gracefully roll down her hair. There was a hand colored steel plate...

In his oil painting, “A Path in the Mountains,” Sanford Robinson Gifford paints a figure walking down a mountain trail lined with tall evergreens towards a forested bluff.

Louis-Camille d'Olivier, A painter of history and portraits, he returned to the Ecole des Beaux-Arts in 1850 and appeared at the Salon de Paris between ...

Sir William Blake Richmond KCB, RA, PPRBSA 1842 - 1921 The Shepherd Egg tempera on wooden panel, signed with initials bottom left Image size: 8 ¼ x 5 ½ inches Period gilt oak frame A newly discovered work by the artist. Sir William Blake Richmond KCB, RA, PPRBSA was an English portrait painter, sculptor and a designer of stained glass and mosaic. He is best known for his portrait work and decorative mosaics in St Paul's Cathedral in London. He was the son of the portraitist George Richmond RA and studied at the Royal Academy Schools in the early 1860s. Influenced by his father and by Sir John Everett Millais, he is best known for his mosaic decorations below the dome and in the apse of St Paul's Cathedral in London. His father, George Richmond, was one of 'the Ancients' who were a group of artists who formed around the visionary artist and poet William Blake. Samuel Palmer was an other of the ancients and a close friend of the family. Our painting could have been inspired by George Richmond’s engraving 'The Shepherd', 1827, but in our panel the shepherd is turned round facing away, and is playing a flute instead of resting on a staff. But the sheep and other elements are there. It is also suggestive of Welby Sherman's engraving after Samuel Palmer of the same name and date, but here the shepherd is sitting but like ours turned away. William Blake's is an altogether happier image given the figure is playing to his sheep. Our painting is playing with some of the same ideas and feels like the same sort of period, and the ‘fresco’ like chalk ground is interesting, as is the pen and ink finishing on the tempera. All three are strongly influenced by Blake's illustrations to Thornton's 'Virgil'. The shepherd and his flock are clearly based on Thenot and his sheep in the Frontispiece to Thornton. Blake Richmond wrote:"If there be the least value in my pictures, it is due to such lovely early impressions derived from the sweet poetic work of many of my father's contemporaries, Calvert, Blake and others, whose shadows are substance still to me" [Sir William Blake Richmond, letter to his father, 50 years after the death of William Blake, from Stirling op. cit p. 28]. Richmond was given private art lessons by John Ruskin before attending the Royal Academy for three years. After that he spent a number of years in Italy, where an encounter with a shepherd called Beppino, 'a splendid speciman of a Sabine Shepherd', could also have gave him the inspiration for the painting we show here. Richmond recalls how he met Beppino on the hillside, and was invited to share the shade of the shepherd's capanna, a wooden hut. 'What a place! In an instant of time I was back into the age of kings, and I knew Romulus had lived and am sure that he lived in a hut exactly like this one'. That night Richmond dined at Beppino's hut 'on roast kid, hard bread dipped in Roman wine, goat's cream and white ricotta'. The shepherd had such an impression on Richmond that he sought him out on a return visit to Italy some years later, but was saddened to hear that Beppino 'had joined his fore-fathers in the shades'. He was moved to write the following, which perfectly expresses the mood of this painting and his tribute to a fleeting companion: 'Little events of this kind unite past times with present, create and emphasis continuity of human instincts, which seem to defy time and make travel so intensely interesting and invigorating to a citizen of this world. One need not go to the palace, far otherwise, or to cities and towns to discover the kernal of enduring civilisations. One finds it, if one wills to do so, in the backbone of the world, an ancient peasantry who have watched and still watch the progress of the stars'. Richmond was influential in the early stages of the Arts and Crafts Movement in his selection of bold colours and materials for the mosaics in St. Paul's Cathedral and in his collaboration with James Powell and Sons...

Signed lower right: JR Brevoort

Karl Pierre DAUBIGNY With price reaching upwards of $36 000 this is opportunity to purchase a piece by an artist who was at the forefront of the impressionist movement at a price that has great potential investment. It has excellent provenance coming from the continent via Christies in the 1980s and is in many important museums from the Musée d’Orsay, Paris to the Rijksmuseum, The Hague. Oil on panel Panel size: 11 x 21" (28 x 54cm) Outside frame size: (48 x 74cm) Born on 19 June 1846 in Paris and died on 25 May 1886 Painter of animals, landscapes, marines in both oil and watercolours Karl Pierre Daubigny was the son of, Charles Francois Daubigny, one of the original eight Barbizon painters and one of the leading landscapists of his time. Taught by his father, who greatly influenced him, Karl Daubigny travelled the French countryside painting...

In the yard. 1869, watercolor on paper, 30, 5 x 47, 5 cm C. J. W. Huns was born in the family of Estonian teacher, organ player and sacristan Karl Fridrich Huhn. He studied in Rig...

Two hinds on the run in the snow This 1861 painting illustrates a hunting scene of great dramatic and naturalistic intensity, typical of 19th-century animal painting. In the heart o...

An antique German animal painting by Clara Von Wille which features Wild Turkeys and chickens in a whimsical setting. Original period frame.

Olof Arborelius (1842–1915) Sweden Farmstead in Dalarna, 1864 signed with monogram OA and dated “Arb-s 64” inscribed into the wet paint, with the estate’s stamp "OA" on the back. o...

!9th century English portrait of a King Charles Cavalier Spaniel Wonderful portrait study of this very popular breed of dog. Dating from the middle of the 19th century this piece...

Antique Quintessential American Hudson River School landscape by an unknown Hudson River School artist. This painting features its original period gold frame, and a charming scene o...

Mid 19th Century Original Oil Painting of Fishing on Scottish Loch in the Style of Alexander Nasmyth Gorgeous 19th Century landscape painting of a Scottish loch with fisherman and castle ruins in the style of Alexander Nasmyth (Scottish, 1758 - 1840). This painting features the rough-hewned nature of Scotland's landscape while juxtaposing the peacefulness of a fisherman casting his line into the loch. Adding interest is the castle ruins on the cliff's edge with a sailboat beneath. There is something new to see with each viewing of this picture. Signed: Illegible monogram lower left corner. (See image) Framed: Presented in rustic giltwood frame of the period. Condition: Good Canvas size: 18"H x 24"W. Framed Size: 22"H x 28"W x 3"D Alexander Nasmyth was a painter, illustrator, landscape gardener and engineer. Alexander Nasmyth's style appears to have been molded principally on that of Claude Lorrain in arrangement, color and mood, and on Jacob van Ruysdael...

Asking for forgiveness. Artist signed and dated 1860 The painting has been previously conserved including a lining that protects the painting surface, some craquelure remains, beautiful handmade gold leaf frame by Richard Tobey Los Angeles. Pieter Alardus Haaxman was born in 1814 he was a Dutch painter. The son of Cornelis Haaxman and Maria Bolland, the criminal investigator of urban taxes in Delft. Haaxman was trained by the Delft art teacher Cornelis Ouboter van der Grient and the painter Cornelis Kruseman. Like his Delft teacher, Haaxman became a drawing teacher at the Delft City Drawing...

Charles Blauvelt The Doubtful Bill, 1868 Signed and dated lower left Oil on canvas 12 1/4 x 9 1/2 inches Provenance: Private Collection, Connecticut...

Antique European street scene oil painting. Oil on panel. Framed. Measuring 14 by 19 inches overall and 10 by 14 painting alone. In excellent original condition. Handsomely framed ...

Oil on canvas attributed Rousseau-Decelle, French painter of the XIXth century. Student of Bouguereau and Ferrier In 1903, the artist whose studio is located at 235 rue du Faubourg ...

A fine oil on canvas portrait of Captain George Buckman, identified lower center, indiscernibly signed and dated 1860 lower right, with a tall ship with an American flag in the backg...

An interesting 1863 still life painted by George E. Forster (German/American, 1817-1896). George Forster was born in Bavaria, Germany and came to New York in 1865 with his wife and ...

Wonderful 19th-century Austrian portrait of a young girl in a pretty white and red dress. Simonson was an Austrian painter of portraits and histori...

Ancient Italian painting from the late 19th century. Framework oil on copper depicting a religious subject Expulsion of merchants from the temple with good pictorial quality. Paintin...

Antique Victorian, Impressionist 19th century English oil, Fishings boat at Sea. Adolphus Knell was a superb painter of marine subjects during the middle of the 19th century. His w...