1950s Paintings

Jacques Zimmermann was born in Antwerp in 1929. He said: "The abstraction is not for me or a genre painting, nor a limit. It is a starting point. From there, by the automatic gesture...

Artist: Alexandre Sacha Garbell, French (1903 - 1970) Title: Reserve Year: circa 1958 Medium: Gouache on Paper, signed Image Size: 5.5 x 7.25 inches Frame Size: 13 x 15.5 inches

Norman Wilkinson 1878 - 1971 The Foreshore - Dover Oil on canvas, signed lower left and dated 1959 on verso Image size: 24½ x 38¾ inches Art Deco frame Proven...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 24 x 30 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack...

Artist: Alexandre Sacha Garbell, French (1903 - 1970) Title: Marseille Year: 1959 Medium: Gouache on Paper, signed Image Size: 5 x 9 inches Frame Size: 13.5 x 17.5 inches

This painting was completed at his home in the South of France between 1953-1955. There is no in painting, relining or cracks in this painting and is on the original stretcher. It is...

Artist: Jan De Ruth, Czech (1922 - 1991) Title: Portrait of Sonia Berg Year: circa 1950 Medium: Oil on Canvas, signed l.l. Size: 24 in. x 20 in. (60.96 cm x 50.8 cm) Frame Size: 33 x...

Antique American signed modernist flower still life oil painting. Oil on canvas. Signed. Framed. Image size, 16L x 30H.

Antique American modernist abstract oil painting by Adele Becker (1929-2021). Oil on canvas. Framed. Signed.

Antique American modernist abstract oil painting by Majorie Shaw Kubach. Oil on canvas. Framed in a minimal white wood frame.

Woman with Arms Crossed Mixed media collage-painting on stone chip surface, mounted on fabric, mounted on wood support by the artist, 1955 Signed and dated lower center Image size: 1...

Gypsy woman. 1959., oil on cardboard, 48x37 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to R.Suta, J. Bine and...

Jack Lorimer Gray, 1927-1981, was born in Halifax, Nova Scotia to Scottish parents. His talents as an artist were spotted by E. Wyly Grier while Gray was still a child. He attended t...

Woman portrait. 1955, oil on canvas, 50.5 x 40.6 cm Provenance Bonhams

Artist: Alexandre Sacha Garbell, French (1903 - 1970) Title: Tropez Year: circa 1958 Medium: Gouache on Paper, signed Image Size: 6 x 9.5 inches Frame Size: 14.5 x 18 inches

"House, and Flowers, and Moonlight," an original oil on canvas by Ralph Rosenborg, is a piece for the true collector. In 1988, Louise Nevelson wrote: "Ralph Rosenborg was the first recognized pioneer whose experimental art announced the coming of Abstract Expressionism in the United States during the mid-1930s. Rosenborg was the first to introduce and instruct Jackson Pollock on Abstract Expressionism while at the Non-Objective Painting Museum in the early 1940s, which became the Guggenheim Museum. Ralph Rosenborg is The American Artist. Rosenborg produced daring artworks and explored the possibilities of movements that are expressive of ideas, sensations and passions intended to provoke pure emotions." Both the technical talent of Rosenborg and his choice of subject matter pair perfectly with custom wood frame. This masterful work is perfect for those who have an affinity for abstracts, abstract expressionism, landscapes, and color-rich works. This Rosenborg painting has an important history, with the rare provenance of moving through both Sothebys and Christies auction houses, as well as two notable dealers including Nat Halper and H. Marc Moyens. Full provenance details are outlined below. Artist: RALPH ROSENBORG (1913-1992) Title: HOUSE, AND FLOWERS, AND MOONLIGHT Medium & Surface: ORIGINAL OIL ON CANVAS (framed) Signed: HAND SIGNED AND DATED BY ARTIST LOWER RIGHT AND ON VERSO Year Created: 1957 Country of Creation: UNITED STATES Canvas Dimensions: 22.25 x 28.25 INCHES Frame Dimensions:* 33.25 x 39.25 x 1.875 INCHES *This work of art is being sold framed. Additional Info: HIGHLY COLLECTIBLE WORK BY RALPH ROSENBORG IN GREAT CONDITION AND FEATURING ITS BEAUTIFUL CUSTOM WOOD FRAME. ORIGINAL ARTIST LABEL IS AFFIXED TO VERSO, AS WELL AS SOTHEBY'S AND CHRISTIE'S LABELS. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED Provenance: CHRISTIE’S, NEW YORK, JAN 12, 2010 COLLECTION OF H. MARC MOYENS SOTHEBY’S, NEW YORK, APRIL 1, 1998 COLLECTION OF NATHAN (1907-1983) & HELEN HALPER (1908-1996), MA HCE GALLERY, PROVINCETOWN, MA (OWNED BY NATHAN HALPER) About the Artist: Ralph Rosenborg, an American painter, was known for his abstract paintings that inclined not toward geometric form, but rather the interpretation of nature. Rosenborg was born in New York in 1913, his talent for the fine art appearing early. While still in high school, he won a scholarship to classes at the American Museum of Natural History, meeting Henriette Reiss, who he continued to study under privately well after the classes ended. Reiss had worked with Wassily Kandinsky earlier in her career, and as such introduced Rosenborg to the vast arena of vanguard European ideas, as well as provided him a broad-based instruction in music, literature, and art history. After four years, Rosenborg was ready to exhibit. He did so initially in group exhibitions at ACA Galleries, and later in Mayor La Guardia’s 1934 Mile of Art at Radio City. He quickly gained notoriety, and began to show frequently throughout the 1930s, leading up to his first solo exhibition at the Eighth Street Theater...

Unique, one of a kind original gouache on paper from Harper's Bazar series. Hand signed lower front by Erte; titled with studio catalog number on verso. Sheet size 15 x 10.5 inch...

Firmado en la parte inferior Estado de conservación aceptable Se presenta enmarcada la obra Medidas de la obra: 50 x 61 cm. Medidas del marco: 61 x 72 cm.

This is a Post -Wa painting with a great date of 1957. The way he has abstracted the clouds and bird forms is typical of this time frame as artists were experimenting with symbols and forms in place of representational elements. It is atmospheric and a great size for certain mantles or spots that require or want a longer and thinner format!!! A great urban apartment painting that goes well with post modern furniture...

Arthur Meltzer (1893 - 1989) "Winter Farm Landscape" Image size: 12 x 21 inches Framed: 32.5 x 23.5 inches watercolor on paper landscape painting with F...

A striking original painting by Dutch artist Dick Elffers, whose work features in the MoMA and Rijksmuseum collections. This piece's composition is incredibly elegant, with a beautif...

Genre: Classic Subject: Portrait Medium: Oil Surface: Canvas Country: United States Dimensions: 21.25" x 18.25" Dimensions w/Frame: 28.75" x 25.75" Bacia Gordon (1904-1977) came to the United States from Poland and studied at the Art Institute of Chicago. She traveled widely the United States, Mexico, Europe, and Israel. She was a member of, and has exhibited with Artists Equity, Jewish Arts Club, the Renaissance Society of the University of Chicago, The Chicago Art Institute, and in Migdal Ashkalon, Israel. She was also a member of the Chicago Society of Artists. Her work is represented in many private collections in New York, Los Angeles, Detroit, Cleveland, St. Paul, Rockford, Milwaukee, and Chicago. Mrs. Gordon spent much time in Israel in the 1950s and 1960s, and most of the works in this web site reflect her stay there. The New York art critic, Alfred Werner, has said: “I find Mrs. Gordon’s freedom of paint aesthetically rewarding. She blends the reporter’s task of objectively recording appearance with the poet’s privilege of imprinting subjective reaction upon exterior reality... Here is the talent that often omits details, to let the spectator fill in, that prefers an allegorical hint to a straight tale, and that translates the strangeness of Maabaroth and Kibbutzim into terms of universally acceptable humanity” An Israeli critic has written of Mrs. Gordon : “The Jewish Daughter, born in Lithuania and reared in the United States, was stirred by the miracle of the Ingathering of the Exiles. The men, women and children she pictures thrill and pulsate with life because of her warm and loving brush.” "My first encounter with Israel in 1955 was inspiring and productive. It was a birds-eye view of the land and the people – the kibbutz, the village, the settlement, the Maabora, the Huleh project, Lachish at its inception, dedicated Israelis, new immigrants and the military of all ranks. I lived among people of many lands sketching and painting. I felt a great urgency to record and interpret. Working at an accelerated pace – line and color merged as I endeavored to express the universal qualities in these people. It was a tremendously stimulating experience and resulted in rechanneling my creative energy. I sketched and I wandered. I sketched in the Uval Gad where pipes are made to carry water to the Negev. I wandered among the bewildered white-robed bearded men of Morocco in Lachish… and among the older Yemenite settlements in Migdal Ashkalon. In Tiberias I saw people dressed in all garbs, the orthodox mantles of the polish ghetto and the oriental robes...

David Redpath Michie Scottish, 1928-2015 Modern City Scene Oil on board 30 by 40 in, w/ frame 33 ¼ by 43 ¼ in Signed lower right, dated 1955 Son of the painter Anne Redpath, David ...

Born in Terrenoire in the Loire, France, self-taught painter Charles Marcon was encouraged by Madeleine Castaing and Paulette Jourdain. Marcon exhibited throughout Paris and in Arles...

Antique European flower field oil painting. Oil on canvas. Signed. Framed. Image size, 24L x 18H.

A watercolor painting by Clarence Holbrook Carter from 1955. Carter's modernist style utilizes strong structural lines and architectural aesthetics to form almost surreal-like scenes...

Italy,Italian Painter,Women,Nude,Orange,Red ,1952 Edgardo CORBELLI (Turin, 1918 - 1989) From the traditional composition of the 1930s, the painting of Corbelli leads to technical a...

Date: 1954 Medium: Oil on Board Dimensions: 24.75" x 15.5" Signature: Signed Lower Left This illustration was published as the paperback cover of Treachery in Trieste by Charl...

Pioneering Female Illustrator Barbara Briggs Bradley was an in-demand illustrator in the 1950s. Merrill Publishers of their famous children's books hired Barbara Briggs Bradley to d...

Persephone Oil on canvas, 1952 Signed lower left (see photo) Titled reverse "Persephone" Signed "V. 52" Exhibited: Columbus Gallery of the Arts label "71/30 Bt. 2", see label Condition: two very small flakes of missing paint Canvas size: 20 1/8 x 16" Frame size: 20 7/8 x 16 3/4" Provenance: Estate of the artist Dehn Heirs An important painting by the artist. Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn (1922-2005) Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

An original mixed media mid century modern painting by American female artist Irene Zevon.

Eugene Thurston (1896 - 1993) El Paso Artist Image Size: 40 x 30 Frame Size: 52 x 42 Medium: Oil on Canvas "Golden Autumn" El Paso Biography Eugene Thurston (1896 - 1993) A prominent early Texas...

Painting with boat in warm brown colors A. Zviedris was a member of the Latvian Artists’ Union since 1945 and had more than 50 solo exhibitions in Latvia. He travelled extensively by...

Dynamic French abstract fusing various shapes and patterns with bright and bold hues, circa 1950. Original artwork on paper displayed on a white mat with a gold border. Archival ...

Artist: Alexandre Sacha Garbell, French (1903 - 1970) Title: Israel Year: circa 1958 Medium: Gouache on Paper, signed Image Size: 4.5 x 6.5 inches Frame Size: 12.75 x 15.25 inches

Acrylic painting of a marble female statue by French artist C. Carlinet, circa 1950. An open book and green folded fabric can be seen in the foreg...

An oil on board Judaic painting by modern artist Ben-Zion Weinman. The work depicts a standing prophet with white robes raising his arms towards heaven. The work is signed "Ben-Zion" in the bottom right corner. The work is signed and dated "4/14/59" on verso. Provenance: Ex. Sotheby's Parke Bernet Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet...

A beautiful oil on canvas impressionistic painting featuring a young lady dressed in white and holding a white umbrella while watching the sea and seagulls. The sky shows rainbow col...

A modern abstract painting by American female New York City artist Irene Zevon titled "Woman" created in 1959. This painting despite being titled "Woman" is most likely a self-por...

Large colorful sculptural abstract painting by Texas artist Patrick Cronin. Painted with acrylic paint and mixed media, dated 1986.

Belgium. Bruges, The Market Square by Leonard Machin Rowe (1880-1968) signed front lower left, inscribed and dated to the back watercolour painting on artist's paper, unframed Image 9.75 x 13.75 inches, sheet 11.25 x 15 inches Colourful and busy painting by Leon. Rowe, dated 1950 to the back. It is signed front lower left and inscribed to the back. The artist painted this view seated facing the 13th century Bell Tower and the Cloth Hall. The statue in the foreground is that of Jan Breydel and Pieter de Coninck flying the Belgian flag...

Artist: Remo Farruggio, Italian/American (1904 - 1981) Title: Champagne Glasses Year: 1954 Medium: Oil on Masonite, Signed l.r. Size: 26 in. x 19 in. ...

An unsigned mid century modern American abstract painting

Crimea. 1957, oil on cardboard, 35x71 cm

Signed lower right: "Kupferman". Inscribed lower right: "1204". Titled, signed, dated, and inscribed verso: "EG: 1,204.J / "September Landscape, 1967" / Lawrence Kupferman". From the...

Old Luxembourg. La Passerelle and The Ramparts by Leonard Machin Rowe (1880-1968) signed and inscribed front lower right corner. Inscribed, dated and s...

Small longitudinal dark green and yellow toned portrait by Houston, TX artist Pat Colville depicting a young pregnant woman with short hair and a sleeveless top. The subject's striki...

Sewell Sillman Red, circa 1958 Acrylic on masonite 18 x 36 inches Upon attending Black Mountain College in Asheville, North Carolina, Sewell Sillman’s life was arguably altered for...

Artist: Abraham Straski, Polish (1903 - 1987) Title: Violinist Year: 1958 Medium: Oil on Canvas, signed l.r. Image Size: 12 x 15 inches Frame Size: 20 x 22.5 inches

Artist: Eugene Stevens, American (1882 - 1959) Title: Boat Dock Year: circa 1950 Medium: Oil on Masonite, signed l.l. Size: 14 x 18 in. (35.56 x 45.72 cm)

Robert Azensky Fine Art is pleased to offer this Mid Century Landscape in Oil on Canvas "After the Harvest" Wonderful mid century landscape of...

An original modern landscape painting by American female artist Virginia Tillou.

Oil on canvas, 33" x 43" including the frame, 25" x 35" canvas only. Signed lower right and signed and inscribed in verso. Henry Robertson Craig R.H.A., R.U.A. Scottish, 1916-1984...

A watercolor painting by Clarence Holbrook Carter from 1956. Carter's modernist style utilizes strong structural lines and architectural aesthetics to form almost surreal-like scenes. Signed on lower right corner, framed in elegant silver wooden frame. Artist: Clarence Holbrook Carter, American (1904 - 1998) Title: House Key...

Spanish painting from the mid-20th century. Oil on canvas, glued on masonite, painting depicting Maternity, Woman with child in her arms of excellent pictorial quality. Painting of g...

Legendary Graphic designer Paul Rand was also a Fine Artist/Painter. In the present work, " Untitled: Asian Calligraphic Shapes Over Biomorphic Forms," Paul explores the relationship...

Constantin Font, born January 11, 1890 in Auch (Gers) and died in 1954 in Paris, is a French artist, painter of genre, nudes, landscapes, orientalist, sculptor and engraver. Outstand...

Arthur Wilson Gay 1901–1958 Artist and portrait painter of whose early training nothing is as yet known. Gay was elected a member of the Bristol Savages in 1928 and for more than thirty years worked at the studios of E. S. & A. Known for "Conchie" which is displayed in the Bradford Peace Museum. This piece was created with watercolour and is in a circle frame under glass. Keywords: Flowers Mid 20th Century Watercolor, British Still Life...