Framed Portrait Paintings

Unknown Artist, Possibly Gustaf Brandelius (1833-1884) Portrait of a Young Boy With Hat oil on tree panel painted c.1850-70 panel 9.05 x 5.90 inches ...

Up for sale is an unusual unique antique 18-century original oil painting on board depicting a figure of a gentleman wearing a white wig and is dressed in a red jacket and white jab...

Circle of Adam de Coster (Mechelen 1586 – Antwerp 1643) Portrait of a Young Man with a Turban, Dressed in Oriental Style Oil on canvas H. 43 cm ; W. 33 cm This portrait of a young m...

The Nude Model British School, circa 1970's oil on board, unframed board: 20 x 28 inches provenance: private collection, Cotswolds, England condition: good and sound condition

Bright colored contemporary figurative painting by Moroccan artist Khalid Nadif. The painting is offered in a simple wood frame. Size: 40 x 32.5 inches (framed) Signed on the ba...

Portrait of a 17th century lady, three-quarter length, in an ivory silk gown standing on a garden terrace. The lady, painted circa 1670, gestures with her hand towards the gardens and land beyond off her country estate, wearing a sumptuous ivory silk gown adorned with pearls and precious stones and pearl earrings and necklace, signaling her wealth and status. She wears a ring on her left hand, which combined with her pale gown possibly alludes to her recent marriage. There are traces of a signature in ligature 'JG' in a lower fold of the sitter's right hand sleeve. John Greenhill...

This distinctive acrylic painting by Natasha Lelenco from her acclaimed series Ancestor Clones presents a captivating portrait characterized by a symbolic face composed entirely of s...

Provenance: Sold at Christie's in 1978, bought by the historian Friedrich Gorissen (1912-1993), director of the Koekkoek Museum. Heins Burgers (1834-1899) was a student of Jozef Isr...

"Tea Party" by Kirsten Savage is an original, handmade oil painting on panel that depicts a woman sitting on an orange couch, in a sheer white skirt and a bare chest holding a cup of...

This superb vibrant Oriental Post Impressionist oil painting is by noted British artist Gerald Spencer Pryse. It was painted circa 1925 when Pryse first visited Morocco. He was so en...

This charming 17th century Old Master portrait oil painting is attributed to the circle of Swedish born Michael Dahl who lived and work in England for most of his life. Painted circa...

The realist portrait is of a no-nonsense woman. A mystery woman, one accustomed to being respected. By her subdued costume, not selected to flatter her, as well as by her analytical ...

This painting depicts a whimsical portrait of a young girl with brown hair against a light blue background. The bright colors used and quick brush strokes are what makes this paintin...

Portrait of the Hon. James Thynne (c. 1680-1704), full-length, in the gardens of Longleat House, seated beside a fountain, holding a shell beneath water spouting from a horn blown by a cherub on a dolphin. A glimpse of part of Longleat House can be seen upper left. Oil on canvas in a period giltwood frame, decorated with leaves and acorns. C. 1682. Dimensions: 145 x 123cm (57 x 48in) in frame Provenance: Ex Longleat House, Wiltshire Private collection, Bath James Thynne was the youngest son of Thomas Thynne, 1st Viscount Weymouth and Frances Finch of Longleat House, Wiltshire. He died in his youth and his Aunt, Anne Kingsmill Finch, Countess of Winchilsea (1661-1720), wrote a moving poem on his death. He was buried in the family vault at Longbridge Deverill, Wiltshire. A mezzotint of this painting by William Faithorne the Younger is held in the Royal Collection. Johann Kerseboom (d.1708) was the nephew of Frederick Kerseboom and first worked in Germany before coming to England in the 1680's where his sitters included the 'Electress Sophia Dorothea' (known from a mezzotint by William Faithorne). His early works were influenced by William Wissing...

Francesc Sans Castaño (Barcelona 1868-1937). Maja con abanico y mantilla. Óleo sobre lienzo. Firmado en el ángulo inferior izquierdo. Medidas: 65 x 50 cm; 76 x 61 cm (marco) Precios...

A charming 19th-century portrait depicting a woman wearing a blue dress with an elaborate lace collar. Unsigned. Well presented in a gilt frame. On canvas.

French school circa 1870 Holy Family under an oak, after Raphaël, on gold background Oil on canvas H. 92 cm; W. 60 cm This aesthetic curiosity takes up the very famous composition b...

William Malherbe (1884-1953) Signed lower right Dated 1928 Oil on Canvas 27x22 inches unframed 34x29 inches Framed Carved American period Frame Good Condition William Malherbe was ...

Portrait of a lady, traditionally identified as Grace Loftus,of Beverley hall yorkshire.Three-quarter-length, before a window. Dressed in blue and wearing a white bonnet. The paintin...

This impressionist painting by Virginia artist Walter Biggs captures a moment of quiet strength and familial connection. A seated man rests outside with his hat in hand, while a youn...

This captivating antique oil painting on canvas is a fine example of Dutch School genre art, evoking the style of the 17th-century master Adriaen van Ostade. The composition features...

Léon Herbo (1850-1907), "Portrait of a Girl," oil painting on canvas signed and dated 1884 lower left. In its original gilt frame. With extreme elegance and refinement, Léon Herbo p...

Nicole Kidman (Moulin Rouge) by Liz London, British contemporary signed acrylic on canvas, framed framed: 46 x 36 inches canvas: 39 x 30 inches provenance: private collection, UK Pre...

ARTIST: Jeanette Lassen (1924-2008) Scottish TITLE: "Contemplating Their Next Move" SIGNED: lower left MEDIUM: oil on canvas SIZE: 67cm x 62cm inc frame CONDITION: excellent DETA...

Carlo Ceresa (San Giovanni Bianco 1609 - Bergamo 1679) attributable Full-length portrait of Giacomo Pesenti Oil on canvas (206 x 121 cm - in frame 212 x 133 cm.) This fascinating portrait, portraying a full-length gentleman and datable to the 17th century, illustrates the stylistic and compositional details typical of the pictorial production of the Lombardy area, Bergamo in particular. This reference is reflected in elements such as the natural light, the sober and austere setting and, above all, the subtle psychological characterisation of the face. We are inclined to identify the hand of portrait painter Carlo Ceresa, one of the most illustrious Bergamasque figure painters of the 17th century, capable of developing a style of intense realism and acute psychological investigation. In his works, and our portrait perfectly reflects his canons, an extraordinary naturalistic imprint, great realism and remarkable essentiality are evident. Those traits of severity, moral rigour and austerity typical of his portraiture find a perfect balance here: never courtly or rhetorical, his portraits are profoundly linked to the concept of counter-reform. Immortalising the main personalities of the time, he established himself as a point of reference for the Bergamasque aristocracy, from the Vertova to the Pesenti to the Secco Suardo. The subject of the portrait is Giacomo Pesenti, here immortalised life-size in a rigorous black suit, his left hand resting on a table, on which is placed the necessities for writing and a manuscript, and his right hand, with a sealed ring on his little finger, abandoned along his side while he holds his gloves. He wears a suit of incredible rigour, dressed as befits a man of his high social standing, while the sharp light focuses on his face, with an intensity that seems to be accentuated by the reflection of the white collar, with its sharp profile. For Ceresa, it is not the richness of the garment that gives value to the person portrayed, it is the need to give feeling and bring out the character of the person, and this he succeeds in marvellously, aided by his ability to capture the essence of the person and return it to us in painting through the face and light used as a strong expressive element. In fact, the image highlights that 'counter-reformed' composure typical of the portraiture of painters active in this area and era, adhering to a verism...

A vibrant and rich portrait of a young girl wearing an oversized white shirt and colourful scarf. Her long brown hair falls effortlessly across her shoulders and is tied with an oran...

The Madonna & Child French School, 19th century presented in carved wood scrolled frame oil on canvas, framed frame: 27 x 20 inches canvas: 15.5 x 13 inches provenance: private colle...

Portrait Of Isabella Blackett, Countess Of Buchan, 18th Century English School Large 18th Century English portrait of Lady Isabella Blackett, Duchess of Buchan oil on canvas. Excel...

Oil on canvas by Louis BERTHOMME SAINT-ANDRE, France, 1940s. Young Red-haired Woman. with frame: 74x63 cm - 29.1x24.8 inches ; without frame: 61x50 cm - 24x19.7 inches. Format 12F. ...

This bold and expressive mixed-media portrait by artist Serg Graff presents a fantastical reimagining of a young George Washington (1732-1799) - the Founding Father of the United Sta...

Artist Edward Cucuel and his wife Clara Lotte von Marcard spent their first two decades together in Germany, mostly in a villa on Lake Ammersee in Holzhausen near Munich. It is the works created in this period, mainly outdoor scenes of young women in fashionable attire of the day, that are most collected and appreciated among his works. It’s easy to see why- they capture an elegance and sense of calm and easy leisure- of long days in gardens or by the water.  This is one of those captured moments with a well-dressed woman watching the sailing yacht...

Mythological II (Faun), 2016 Acrylic marker on canvas sheet (signed and dated front left corner) 23 5/8 H x 17 3/4 W in. 60 H x 45 W cm (reproduced at page 23, in the catalogue 'Myth...

Fritz Muller (1913 - 1972) oil painting on board, framed signed framed: 17 x 14.5 inches board: 14 x 12 inches provenance: private collection, England condition: very good and sound ...

Oil on board realized by Achille Sdruscia  between 1960s and 1970s. Hand signed. Includes a wooden frame cm. 53x43 Very good condition.

'French Boy in Bloomers', gouache on art paper (circa 1960s-70s), by Raymond Debiève. A young boy emerges from a beach cabana wearing a bloomer bathing costume that was still in use ...

Portrait of a Lady as Venus ATTRIBUTED TO PIERRE GOBERT (1662-1744) FRENCH SCHOOL AROUND 1720 OIL ON CANVAS: H. 55.51 in, W. 42.91 in. IMPORTANT 18TH CENTURY GILTWOOD FRAME (RE-GILT)...

By Martha Ochoa Oil on Canvas Canvas Size: 59" x 39" Framed Size: 70.5" x 50.5" This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artistic tradition that first emerged in the 16th and 17th centuries in Cusco, Peru, blending indigenous and European baroque artistic styles. It is renowned for its catholic iconography, which often feature vibrant colors, elaborate ornamentation, and blended elements combining Catholic and native symbolism. This painting portrays the angel Zaamael playing a lute in ornate red, green, yellow, and pink clothing. About the Artist: Martha Ochoa, born in Cusco, Peru, studied at Santa Ana School, the Cusco School of Fine Arts, and San Antonio Abad University, focusing on design, architecture, and restoration. She is the granddaughter of renowned Peruvian artists Francisco Olazo, a founder of the Cusco School of Fine Arts, and Ernesto Olazo, a famous sculptor. Influenced by the Cusco School, she transformed religious themes into decorative renditions of Archangels and Madonnas with Peruvian colonial...

Portrait Of Elizabeth Plumer (nee Byde) & Daughter, circa 1735 by ENOCH SEEMAN (1694-1744) Large 1735 portrait of Elizabeth Plumer & her daughter holding a rattle, oil on canvas by...

Artist/ School: 18th/ 19th century Continental School, after Murillo Title: Figures eating Grapes Medium: signed oil painting on metal, framed. Size:...

Portrait Of Sir Joshua Reynolds (1723-1792), 18th Century English School Large 18th Century English portrait of painter Sir Joshua Reynolds, oil on canvas. Excellent quality and co...

original paiting of Lady on a walk by Sean Drukin. Sean uses very toned colours but draws attention to her red scarf and red skirt. ADDITIONAL INFORMATION: Acrylic paint on Canvas 3...

Orignal and unique artwork by Russell Young. Acrylic paint, enamel and diamond dust screen print on linen, unframed 62 x 48 inches, from the series "Diamond Dust". Dark colors, hand...

Huile sur toile Dim avec cadre 92/69 cm Dim sans cadre 62/85 cm Il est tout à fait possible que ce portrait ait été réalisé par un peintre itinérant,spécialiste du portrait d’appar...

A unique oil painting on paper, framed with a thin, black aluminium box frame. Artwork floated and raised to the back board. Ready to hang. Size of 100 x 70 cm is that of the artwork...

(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Fresco, 20 x 16 inches unframed, 22 x 18 inch...

These two royal portraits are a major historical testimony to the stay of the Comte d'Artois (the future Charles X) and his family in Edinburgh in 1796-1797. Given by the sitters to Lord Adam Gordon, the Governor of Edinburgh, and kept by family descent to this day, these two portraits provide us with a vivid and spontaneous image of the Duc d’Angoulême and his brother the Duc de Berry. Danloux, who had emigrated to London a few years before, demonstrate his full assimilation of the art of British portrait painters in the brilliant execution of these portraits. 1. Henri-Pierre Danloux, a portraitist in the revolutionary turmoil Born in Paris in 1753, Henri-Pierre Danloux was first a pupil of the painter Nicolas-Bernard Lépicié (1735 - 1784) and then, in 1773, of Joseph-Marie Vien (1716 - 1809), whom he followed to Rome when, at the end of 1775, Vien became Director of the Académie de France. In Rome he became friends with the painter Jacques-Louis David (1748 - 1825). Returning to France around 1782, he settled in Lyon for a few years before returning to Paris in 1785. One of his first portraits was commissioned by the Baroness d'Etigny, the widow of the former Intendant of the Provinces of Gascony, Bearn and Navarre Antoine Mégret d'Etigny (1719 – 1767). He then became close to his two sons, Mégret de Sérilly and Mégret d'Etigny, who in turn became his patrons. In 1787, this close relationship with the d'Etigny family was further strengthened by his marriage to Antoinette de Saint-Redan, a relative of Madame d'Etigny. After his marriage, he left for Rome and did not return to France until 1789. It was during the winter of 1790-1791 that he painted one of his masterpieces, the portrait of Baron de Besenval. Set in a twilight atmosphere, this portrait of an aristocrat who knows that his death is imminent symbolizes the disappearance of an erudite and refined society which would be swept away by the French Revolution. The Jacobin excesses led Danloux to emigrate to England in 1792; many members of his family-in-law who remained in France were guillotined on 10 May 1794. Danloux enjoyed great success as a portrait painter in England before returning to France in 1801. During his stay in England, Danloux was deeply under the influence of English portraitists: his colors became warmer (as shown by the portrait of the Duc d'Angoulême that we are presenting), and his execution broader. 2. Description of the two portraits and biographical details of the sitters The Duc d'Angoulême (1775-1844) was the eldest son of the Comte d'Artois, the younger brother of King Louis XVI (the future King Charles X), and his wife Marie-Thérèse of Savoie. He is shown here, in the freshness of his youth, wearing the uniform of colonel-general of the "Angoulême-Dragons" regiment. He is wearing the blue cordon of the Order of the Holy Spirit, which was awarded to him in 1787, and two decorations: the Cross of Saint-Louis and the Maltese Cross, as he was also Grand Prior of the Order of Malta. Born on 16 August 1775 in Versailles, Louis-Antoine d'Artois followed his parents into emigration on 16 July 1789. In 1792, he joined the émigrés’ army led by the Prince de Condé. After his stay in Edinburgh (which will be further discussed), he went to the court of the future King Louis XVIII, who was in exile at the time, and in 1799 married his first cousin Marie-Thérèse Charlotte of France, the daughter of Louis XVI and the sole survivor of the royal family. The couple had no descendants. He became Dauphin of France in 1824, upon the accession to the throne of his father but played only a minor political role, preferring his military position as Grand Admiral. Enlisted in Spain on the side of Ferdinand VII, he returned home crowned with glory after his victory at Trocadero in 1823. He reigned for a very short time at the abdication of Charles X in 1830, before relinquishing his rights in favor of his nephew Henri d'Artois, the Duc de Bordeaux. He then followed his father into exile and died on 3 June 1844 in Gorizia (now in Italy). His younger brother, the Duc de Berry, is shown in the uniform of the noble cavalry of the émigrés’ Army. He is wearing the blue cordon of the Order of the Holy Spirit, awarded to him in May 1789, and the Cross of Saint-Louis (partly hidden by his blue cordon). Born on 24 January 1778 in Versailles, Charles-Ferdinand d'Artois also followed his parents into emigration and joined the émigrés’ army in 1792. After his stay in Edinburgh, he remained in Great Britain, where he had an affair with Amy Brown...

Mitzy Renooy Hanging-A-Round Ø 45 cm Frame is included in price, size with frame 55 cm Dutch artist Mitzy Renooy, a former camera woman for national television, did follow art acade...

A wonderful painting of a beautiful woman in the style of the Pre-Raphaelites. It is signed Arnhold. It is in very condition and in the original frame. Picture Size: 21 x 21" (51 ...

Calvin Lai's (US based) "Deep Breath" is an original, handmade oil painting that depicts two acrobats, cast in red light, with the female figure balancing on the male figure. Artis...

Antique American school modernist portrait painting. Housed in a period frame. Measuring 29 by 33 inches overall and 20 by 24 painting alone.

Reclined Nude with Parrot is an original artwork realized by the Italian artist Antonio Feltrinelli in 1930s. Oil on canvas Beautiful and representative artwork depicting a reclin...

18th century English painter William Hogarth (London 1697 - 1764) School of Hudibras Triomphante (from the poem by Samuel Butler) Circa 1740, England Oil on canvas (62 x 50 cm. - F...

Judd Mercer's (US based) "Heading Down" (2023) is an original handmade oil painting depicting a man hiking back down the path during sunset. Artist bio/statement Judd Mercer is a c...

La obra no va firmada, es de autor anónimo Se presenta enmarcada la obra (la placa que pone "ESCUELA SEVILLANA XVIII" es errónea, esta obra es del siglo XIX Estado de conservación ...

This painting titled "Mme de Noirmont" is an oil on canvas work from the studio of Nicolas de Largilliere, one of the most prolific and esteemed French portrait painters of the 18th ...

Portrait of a Lady by Natalya Sultanov (Russian, contemporary) signed oil on linen canvas, framed framed: 27.5 x 23 inches canvas: 22.5 x 18 inches provenance: private collection, UK...

Painting, oil on canvas, measuring 92 x 77 without frame and 107 x 82 cm with frame , depicting a Saint Jerome in ancient philosopher and ascetic version, typical of the greatest tra...

19th century French oil painting of a lady and a parrot by Semenowsky French, 1891 Panel: Height 56cm, width 38cm Frame: Height 68cm, width 49.5cm, width 3cm This wonderful oil on p...

'Portrait of a Young Man', oil on board, by Peter Robert Keil (1983). Big, bold with brash brush strokes painted in exuberant colours is the tr...

A striking and very intimate work created by the renowned Fauvist artist Raoul Dufy in the early 20th century, depicting his wife in 1915. This artwork is a rare and very precious ge...