Photography Paintings

Henri Auguste Cesar SERRUR (Lambersart, 1794 – Lille, 1876) People's Woman of Venice Oil on canvas Signed, located and dated 65 x 60 cm Venice 1850 Exhibitions: - Paris Salon of 1...

The picture is oil on canvas and signed Julius Friedrich Antonio Schrader (1815–1900) was a German painter known for his portraits and history paintings. A prominent figure of the D...

A charming mid 20th century painting depicting a young lady in traditional dress with a basket of corn. The artist has used vibrant colours to reflect the girl's attire, whilst detai...

Self-portrait, oil on board. Unsigned. (Provenance: Studio Sale, George Weissbort).

Portrait General George Brinton McClellan (1826-1885), 19th Century Commanding General Of US Army to Abraham Lincoln, Governor of New Jersey American School Large 19th century military portrait...

Amazing Impressionist oil sketch of a beach scene on the West Coast of Scotland Charles Bertie Hall painted scenes all over England, Europe, and Ame...

As an aesthetic movement, Abstract Art has had its time, at least in terms of being the dominant style of modernism. Fine art can be recognisable again, and Realism is once again rec...

A delightful oil study by the artist George Weissbort (1928-2013). Unsigned. (Provenance: Studio Sale, George Weissbort). On board.

Hedwig Friedländer was a daughter and pupil of well-known Vienna artist Friedrich Friedlaender Baron von Malheim (1825-1901), she studied also under the professors F. Laufberger and ...

Josep Serrasanta (1916-1998) - Gypsy woman - Oil on canvas Oil measures 65x50 cm. Frame measures 88x73 cm. Josep Serrasanta was born in Buenos Aires (Argentina) in 1916 - 1998 Valdo...

Artist: Antonio Gonzalez Collado The Two Clowns (Les Deux Clowns) mixed media on paper signed artist studio stamp on the back dimensions (motif) 15...

Signed Lower Right by Artist

Provenance: Robert L. and Bertina Suida Manning, New York, until 1996 Private Collection, USA One of the leading artists in Genoa during the second half of the seventeenth century, Domenico Piola came from a successful family of artists, renowned for their many illusionistic ceiling programs throughout Genoese churches and palaces. A prolific draughtsman and painter, Domenico oversaw an extremely productive studio. In addition to his collaborations with numerous other artists, Domenico also provided many designs for book illustrations and prints that circulated throughout Europe, earning him international exposure and high acclaim in his own day. As Dr. Anna Orlando has indicated (written communication), the present work is an early work by Piola, datable from the late 1640s. At this time the young artist came strongly under the influence of Castiglione and Valerio Castello, while admiring the works of Giulio Cesare Procaccini. Piola’s works from this period are exuberant and fluid, and the artist’s love of portraying children is evident from the angels and putti that populate both his altarpieces and more intimate paintings. The present work depicts three angels...

Title: Girl with Red Hair Medium: Oil on canvas Size: 27 x 35 inches Frame: Framing options available! Condition: The painting appears to be in fair condition. Year: 2000 Cir...

"Ojulari" is a series of three (3) paintings which does have a similarity of a big eyeball. Ojulari simply means "Exterior Appearance" of a person. There is one Yoruba adage that s...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

Ioanna Stefou (b. 1981, Lamia, Greece) is a painter based in Athens. In 2006, she completed her degree in Architecture at the National Technical University of Athens and worked in th...

Signature: Signed Lower Left Medium: Oil Paint Story illustration for "Farewell Without Regret" by Sarah-Elizabeth Rodger for Good Housekeeping, published September 1940, page 47. ...

René Michallon is a French artist born in 1928 and died in 2009. This work is sold with frame Total size with frame 58x67 cm

This contemporary figurative oil painting explores themes of politics and culture. Deborah Root’s dynamic, colourful compositions tell an intimate story about her experience during ...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Japan, Moore spent time in Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this sparkling portrayal of a young woman dressed in a traditional kimono and carrying a baby on her back, a paper parasol...

Emile TRONCY Sétif (Algeria), 1859 - Marseille, Bouches-du-Rhône, 1943 Oil on canvas Around 1910 Signed lower left “E. Troncy” 42 x 33 cm (58 x 50 cm with the frame) Stamp of the mer...

Gilbert Lewis (b.1945). Influence of Red (male portrait), ca. 1990s. Oil on masonite panel, 16 x 20 inches. Signed upper right. Excellent condition. Measures 18 x 22 inches in custom gold leaf float frame. Original gallery labels affixed on verso. Provenance: estate of the artist. Artist statement: Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple. My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself. Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”. Biography: Gilbert Braddy Lewis born September 25, 1945 in Hampton, Va. Son of David Blake Lewis (born in Atlanta, Ga.) and Gladys Louise Braddy [Lewis] (of Sanford, Fl.); brother of David Blake Lewis (Jr.) and Linda Lewis [Hunter]. The family resides at 3 South Linden Street, Hampton, Va. 1953 until 1962 “I studied from the age of seven, in Virginia, with two well-known Tidewater artists, Jean Craig and the late Allan Jones. The teaching methods of carefully observed studies from nature in charcoal or tempra paint, derived, of course, from the original French academic model, conveyed its impact on my early development; however, my eye and consciousness were mostly activated by the reproductions on the studio wall of works by Botticelli, Da Vinci, and Michelangelo.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1963-68 Studies at Pennsylvania Academy of the Fine Arts with Franklin Watkins, Hobson Pittman, Morris Blackburn, and Walter Stuempfig. While a student at PAFA he shares apartment [261 South 21st Street] with PAFA students, Jody Pinto and Barbara Sosson. In 1967 he receives PAFA’s: Bergman Prize in Painting; M. Herbert Syme Prize; and Samuel Cresson Memorial Travelling Scholarship. The latter award enables Lewis to travel to Europe during the summer of 1967 where he visits museums. “In 1967, after having seen the Italian master’s work while on scholarship from the Pennsylvania Academy, I was to realize my great influences and to discover the earlier Sienese masters whose clarity and energy still move me.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1968 Horizontal painting [of an interior with a seated woman and cat by a large window] reproduced in black and white in school catalog for Pennsylvania Academy of the Fine Arts 1968-1969, p. 24. Other students whose works are reproduced include Clayton Anderson, Barkley...

Oil on cardboard realized in Italy in 19th Century. Includes a leather frame. Good condition except for some losses of color in the mid-right.

This artwork captures a solitary figure standing beside a sleek, vintage black car against a muted, ethereal background. The figure, viewed from behi...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issue by ...

Contemporary figurative acrylic on canvas painting by Polish artist Joanna Woyda. Painting is in minimalistic, pop art style. The artwork depicts a sunbed on a beach. Colors are blue...

As an Antique sculpture, Dario Moschetta creates strength and movement in this artwork. Moreover, experimental technique brings an unique texture to the figure. Hair are waving alon...

Up for sale is a vintage original oil painting on canvas, depicting a portrait of a woman by listed American Artist Jacob Binder. Signed in the lower-le...

"Anastasia" by Mark Bradley Schwartz is an original oil on canvas depicting a brunette model. A native of Illinois, He began his professional life as a graphic designer and art dir...

Samuel Raven (British, 19th Century) Setters Flushing Game in an Upland Landscape Oil on panel, circa 1830 Presented in a deeply moulded and carved giltwood frame of the period This...

Oil on canvas Kamsar Ohanyan is an Armenian artist born in 1991 who lives and works in Yerevan, Armenia. He studied in Yerevan at State Pedagogical University with Kh. Abovyan at th...

Frameless Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. After starting his...

Artist: Peter Max, German/American (1937 - ) Title: Flag (Pink) Year: 2009 Medium: Acrylic and Collage on Paper, Signed Size: 11 in. x 8.5 in. (27.94 cm x 21.59 cm) Frame Size: 20 x...

"Spectre" (2024) by Andrew Cadima is an original handmade oil painting that depicts a portrait of a distorted woman with contrasting blue and red. This piece measures 11 x 9 inches a...

"Reflect" (2024) by Josh Sorrell depicts a portrait of a woman with reflected pink light. This painting measures 20 x 16 inches and is unframed but ready to hang. Josh Sorrell (b. ...

"Homewrecker" Figurative Oil Painting 47" x 39" inch by Dmitriy Krestniy ATTENTION: Painting ships rolled in a tube. A look through Dmitriy’s designs reveals a glamorous, feminine,...

John Riley 1646 – 1691 Portrait of William Chiffinch (c.1602-88) Oil on canvas Image size: 30 x 25 inches Original frame Another version of this can be found in the Dulwich Pictur...

American Impressionist sketch of an American Yacht moored in a harbor ,CT or MA Charles Bertie Hall painted scenes all over England, Europe, and America in a traditional Impressioni...

"Remember when we used to go to the beach? Before you were sick? I miss you..." (2023) by Andrew Cadima is an original handmade oil painting that depicts a portrait of a woman standi...

Christina Major was born in Concord, New Hampshire in 1982. She currently resides in North Carolina. Major earned her MFA from Florida Atlantic University and has exhibited throughou...

Pietro Fancelli (Italian 1764 - 1850) bio details attached to the frame 'St. Anne & The Virgin' ink with watercolor wash on paper, framed framed: 22 x 16 inches image: 11 x 6.5 inche...

Figurative hyperreal landscape oil painting, "(Untitled (Ausable River 1))," by Cobi Moules. Oil on canvas. 8 x 6 inches. Offered unframed. Driven by the desire for adventure and di...

Shana Levenson's "Rare" is an original, handmade oil painting that depicts the artist in a lace dress with butterflies surrounding her. Shana Levenson is an accomplished representa...

Artist: Osmond Caine (1914-2004) English Title: "Rue De Furstenberg Paris" Medium: oil on board Size: 77cm x 90cm inc frame Condition: excellent Notes: Artist in oil, watercolour and stained glass and teacher, born Manchester, full name George Osmund Caine...

This is an original painting by Jean. Painting is very well done and is one of his better pieces. The detailing is amazing in this painting. Came from a New York collector. Conditon ...

Expressionist oil on canvas self portrait of the artist Stéphane LOVIGHI-BOURGOGNE. The painting is signed bottom right and is signed and dated to the back of the canvas. Presented i...

Oil on canvas Image size: 30 x 25 inches (76 x 63.5 cm) Hand carved gilt frame This is a charming 18th century portrait of a young boy, sporting a golden child's two-piece with a fl...

A peaceful landscape scene is set in shades of blue with pale yellow and ivory in this oval encaustic (pigmented beeswax) painting with oil, pigments from Morocco and India, volcanic...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Lawrence...

Alexandra Telgmann's "Golden Ocean Reflection - Rise" (2023) is an oil and 24kt gold leaf painting on aluminum, measuring 8 x 8 inches and depicting...

Vincente Romero Mademoiselle, 2022 Oil painting on canvas Image Size: 39 x 25 inches Frame Dimensions: 50 x 36 inches Custom framed to museum standards

Original painting signed by the Artist on lower right.

Rizaldy Celi Jr. (American, Filipino-Vietnamese, born 1983) "The Coward" 2025 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the paint...

Ohio-born painter William J. Forsyth (1854-1935) spent most of his life in Indianapolis and initially trained at the Indiana School of Art. But by 1882 Forsyth wanted to hone his drawing and rendering skills abroad. He enrolled at the Royal Academy in Munich, Germany. Fellow Hoosier students in Munich included artists T. C. Steele and J. Ottis Adams, which helped the new arrival’s transition. Forsyth painted figures like this one while in Munich. One intriguing indication that this piece may have been done during the artist’s Academy period is that a very similar portrait of a remarkably similar sitter was described at auction as "German School, 1891" with the inscription "G. Büttner/Munich '91." However, while there Forsyth shifted his interest to landscapes under the influence of American artist J. Frank Currier...

Full of texture and color, Lupkin depicts an emotional portrait of himself. The intricate color choices of light pinks and blues throughout the skin and background bring a somber fee...

The Saturday Evening Post cover, June 9, 1951 'John Clymer, while migrating through Wyoming in a motorcar, was amazed at the variety of birds that go there summers to keep house....

Signature: Signed Lower Right Homeward Bound is a product of John George Brown’s 1877 and 1878 trips to Grand Manan Island, off the coast of Maine in t...

Marina Dieul's "Petite Souris 700", 2024" is an exquisite handmade original oil on panel artwork, measuring 4 x 4 x 1 inches, that comes directly from the artist's studio. This piece is a primary market offering that showcases Dieul's impeccable talent and her mastery of the trompe l'oeil technique. The painting features the captivating face of an adorable mouse with a an orange knitted cap and mittens peering from a green shuttered...

Gigino Falconi was born in Giulianova (Teramo) in 1933. He began painting at the age of sixteen, and in 1954 he obtained a Liceo Artistico of Pescara. During the early years of his c...