Figurative Photography

Lord Fauntleroy Ahmedabad 151209-17 Pigment Print Year: 2015 Visible Size: 9.25 x 9.25 inches Framed: 10.6 x 10.6 inches Signed: On Label Edition: 8 COA provided *White frame with s...

The Virgin Suicides is an original artwork realized by the Italian artist and photographer Angelo Cricchi in 2010. Original digital photograph on p...

Women's Rights Movement - Historical Photos is a vintage black and white photograph realized in the 1960s in Italy, it belongs to an album of women rights, protests, manifestation f...

Indian Prime Minister, Turin Rajiv Ratna Gandhi and Sonia Maino- Vintage Photo is a black-and-white photograph, realized in 1968. Good condition. In the photo: Indian Prime Ministe...

John Casado - Untitled 20259, Unique silver gelatin print. image = 14 5/8 x 22 or 37 x 55.9 centimeters / ppr 20 x 24 horizontal Each photographic print from John Casado is sold as ...

Americans in Cuba - at the Beach is a black and white vintage photo, realized in the 1960s. It belongs to historical album including photo reportages of historical moment and politic...

Church of St. Marcellino is vintage offset print on paper realized after a photograph by Mimmo Jodice in 1980 ca.Name of the artist and title on the lowe...

George Platt Lynes Photograph #7 of dancer Francisco Moncion 1949. George Platt Lynes rare original vintage 1949 gelatin silver photograph of dancer Francisco Moncion. Stamped on verso - GEORGE PLATT LYNES. Photo is 7 3/4 x 9 1/2 inches, glossy finish in excellent condition. This photograph is #7 from a collection of 12 different poses in this series taken in Platt Lynes's NYC studio in 1949 (as per the NY Public Library archives). The cloud backdrop is recognizable in other Platt Lynes photographs. Moncion was a personal friend of Platt Lynes and this photograph is from Moncion's personal photographic collection. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Platt Lynes photographs are in the collections of every major art museum and university archive including the Metropolitan Museum of Art, Museum of Modern Art, Yale Art Museum, and the Smithsonian. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel in Orpheus, Death in La Valse, Prince Ivan in Firebird, and the Boy in Afternoon of a Faun. He was also a choreographer and a talented painter who exhibited alongside Miro, Picasso and Carrado Cagli. Moncion was a popular model for many famed mid-century (late 1930s, 1940s - 1950s) figure photographers including Platt Lynes, Carl van Vechten, Maurice Seymour...

'Sun Worship' 1981 Bianca Volpato sunning herself at Capri in a lilac coloured bikini. Paper Size 24x20 inches / 60 x 50 cm Estate Stamped Collection Edition to 150 Photo by...

Groucho Marx- Vintage Photo is a black-and-white photograph, realized in the 1960s. Good condition.

' India Blue ' Limited Edition, Signed Oversize Archival Pigment print Huge and exquisite, intensely vivid Archival Pigment print - signed and numbered by photographer on front - th...

'Poolside Secrets' Flo Smith (left) and Lily Pulitzer at a pool party, Palm Beach, Florida, April 1961. Paper Size 24x20 inches / 60 x 50 cm Estate Stamped Collection Edition t...

This mid-1970s portrait photograph, captured by society photographer Slim Aarons, features Journalist Lucius Beebe beside a gold place setting in the glass roofed Garden Court of the...

Archival pigment print Signed and numbered on label, verso 18 x 12 inches (Edition of 10) 35.5 x 24 inches (Edition of 8) From the series, "Him" This artwork is offered by ClampAr...

This mid-1970s portrait photograph, captured by society photographer Slim Aarons, features Journalist Lucius Beebe beside a gold place setting in the glass roofed Garden Court of the...

This mid-1970s portrait photograph, captured by society photographer Slim Aarons, features Journalist Lucius Beebe beside a gold place setting in the glass roofed Garden Court of the...

Brooke Shields, Martin Hewittin - Endless Love - Vintage Photo is a vintage black and white photograph realized in the 1981. Good conditions.

Original Miroslav Tichý b/w Photography. Woman in Bikini. 17.5cm x 10.5cm Unique Vintage Print on paper with the artist's drawing on it. This piece was part of an art exchange with...

Marcel Duchamp and Eve Babitz, 1963, TIME Walter Hopps, the curator of Duchamp's landmark retrospective at The Pasadena Art Museum, helped direct this shot...

The Old Days Photo - Woman and Dog is a black and white vintage photo, realized in 1912.  It belongs to historical album including historical moment, royal families, and political e...

Women's Rights Movement - Historical Photos is a vintage black and white photograph realized in the 1960s in Italy, it belongs to an album of women rights, protests, manifestation f...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a woman sunbatheing, wearing a novelty straw sun hat with built-in sunglasses, Venice. Th...

Dance - Signed limited edition archival pigment print , 2004 - Edition of 5 Photographed in Vienna during a Strauss concert. Signed,embossed + numbered by artist with certifi...

Chris Smith (b.1937) Ali Versus The Beatles 1964 silver gelatin fibre based print 20 x 30 in. / 34.5 x 48 in. / 46 x 66 in. / 50 x 92 in. signed and numbered printed later This work...

Women's Rights - Historical Photos is a vintage black and white photograph realized in the 1960s in Italy, it belongs to an album of women rights, protests, manifestation for their r...

'Hotel du Cap Eden-Roc' 1976 Slim Aarons Limited Estate Edition Print Guests by the pool at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. Paper Size 24x20 inches / 60 ...

Women's Rights Movement - Historical Photos is a vintage black and white photograph realized in the 1960s in Italy, it belongs to an album of women rights, protests, manifestation fo...

Rare black and white photograph, a portrait of a handsome man by Edward Henry Weston (March 24, 1886 – January 1, 1958). Signed "EW 1949" lo...

X-ray lenticular artwork Lenticular is a ribbed lens that refracts light from different angles. When sequential images are split behind the lenticular lens the image looks like it m...

'Onassis In Office' 1956 Slim Aarons Limited Estate Edition Print Greek shipping magnate Aristotle Onassis (1906 - 1975) in the office aboard his y...

'Cortina D'Ampezzo' by Slim Aarons Isa Genolini and Maria Antonia in the main street of Cortina d'Ampezzo, Italy, March 1982. 'Cortina D'Ampezzo' by Slim Aarons is a vibrant testa...

'Verbier Vacation' 1964 Slim Aarons Limited Estate Edition Holiday-makers take the sun on a mountain top in Verbier, 1964. Slim Aarons Chromogenic C print Printed Later Slim Aar...

Architecture and Art Photo - Church of Frari is a black and white vintage photo, realized in the 1920s. It belongs to masterpiece of art and architecture album meticulously captured....

The Homeless Families is  a black and white vintage photo, realized in 1960s. The photo depicts the homeless families who have found accommodation in the school. Good conditions an...

Skiers at the Cranmore Mountain Resort, North Conway, New Hampshire, USA, 1955. Gorgeous print measuring a huge 60 x 40" inches / ca 152 x 101 cm’s paper size. Estate Stamped Col...

Fresco of  Cathedral is a black and white photograph realized by Zuecca Uno in the early 20th century. Good conditions, aged with foxing.

Faithful Couple Singer Marianne Faithfull and Mick Jagger of the Rolling Stones stand in front of a gilt framed portrait in Castletown Mansion, Eire, August 1968. 40x30” / 76x101 c...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Miles ALDRIDGE (*1964, Great Britain) Immaculée #5, 2007 Chromogenic print Image 152.5 x 117.5 cm (60 x 46 1/4 in.) Sheet 164.4 x 129.5 cm (64 3/4 x 51 in.) Edition of 3, plus 2 AP; ...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

'Racehorse Exercise' by Alain Le Garsmeur Limited Edition Archival Pigment Print A rider exercising a racehorse in the early morning, Churchill Downs, Louisville, Kentucky, USA, ...

Romantic Couple - Signed limited edition archival pigment print 1988, Edition of 10 Paris,Montmartre This image was captured on film in Paris in...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Bruce Cratsley, American (1944-1998) Vintage gelatin silver print (Television) TV Head A surrealist image of a window mannequin man with a TV head. Hand signed, titled and dated 1987 verso image (each): 15 1/4 x 15 1/4 inches, matted to 24 X 20 inches Provenance: From the collection of AGFA Graphics Corporation David Bruce Cratsley (1944 - 1998) was an American photographer specialized in still lifes, portraits of friends, and life in New York City. He had a reputation of master of light and shadow. Bruce Cratsley attended Swarthmore College, graduating in 1966, and then, in the early 1970s, The New School for Social Research, studying under Lisette Model. Cratsley worked for many years as a gallerist at Marlborough Gallery before quitting in 1986 to become a full-time photographer. As "Bruce Cratsley", he exhibited in various New York galleries, like: Laurence Miller Gallery, Howard Greenberg Gallery and Witkin Gallery. Cratsley was represented by Yancey Richardson Gallery, a dealer of fine art photography based in SoHo. He was photographed by Elsa Dorfman...

Beverly Hills Pool Party A party by James Pendleton’s pool in Beverly Hills, California, 1952. Pendleton’s house was later bought by Hollywood director Robert Evans...

Reinhard Görner Biblioteca del Senado, Madrid 2017 59 x 50 inches ed. of 10 $6,000 71 x 60 inches ed. of 7 $9,000 83 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trimmed to the image: actual image size listed Internal Keywords: Reinhard Görner, Library series, Madrid, Spain, Large-Scale Photography, Large-scale German photography, Spanish Libraries, Spanish Monuments, Library Photography...

Surf Wagon, St. Petersburg Beach by Al Satterwhite is a black and white photograph featuring a group of teenagers sitting on top of a car filled with surfboards. Archival Pigment P...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a couple sunbathing by the sea at Palm Beach, Florida. This is an estate stamped and hand ...

'By The Pool In Acapulco' A tanned man surrounded by young women in bikinis by the pool at Warren Avis's villa in Acapulco, Mexico, January 1978. 4...

'Underwater Drink' A woman drinking from a coconut underwater in the pool at Las Brisas Hotel in Acapulco, Mexico, February 1972. 24 x 20" inches / 61 x 51 cm paper size Estate...

Back to the Future Part II is a black and white photograph realized in 1989. A Vintage Photo depicting Michael J. Fox in a scene from "Back to the future part II". Hand written not...

Clare Grossman ‘The Shape of Her’, homage to Henry Moore’ Limited edition of 45 Solar plate etching on Somerset 300gsm paper. Actual plate/image size ...

'Poolside Friendship' 1970 Slim Aarons Limited Estate Edition Print Nelda Linsk (left, in yellow), wife of art dealer Joseph Linsk with guests by...

In this evocative underwater photograph, a crimson dress billows like a delicate flower petal beneath the surface, creating a powerful contrast against a serene aqua backdrop. The mi...

Pinhole camera Chromogenic print (Unique) Signed and dated, verso This artwork is offered by ClampArt, located in New York City. Robert Calafiore employs a hand-built pinhole camer...

"Lola’s Offering" (FRAMED) Nude Photography 50 x 40 in Ed. 1/7 by Aaron Mcpolin Size framed: 52" x 42" inch Medium: Archival Giclee Print "A Tender Dissolution" series: Shibari is ...

"Femininity" Photography 39" x 31" in Edition of 7 by Kseniya Vashchenko Not framed. Ships rolled in tube. Available sizes: Edition of 15: 29.5" x 24" in Edition of 7: 39" x 31"...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...