Figurative Photography

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Sandrine ‘. Signed by Ian Sanderson ...

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...

Super Giant Oversize - C3PO Star Wars Archival Pigment Print 1977 by Geoff Wilkinson / Mirror Trinity Group Archive size : 71 x 45.5" inches / 180 x 116 cm paper size print type ...

Circular color photograph a red mythical figure in an icy Arctic landscape Archival pigment print, ed. of 5 10 inch diameter image on 22 x 17 inc...

War in Algeria - Attack is a black and white vintage photograph realized in the 1960s. It belongs to historical album including photo reportages of historical events and political is...

"Brian Griffin turned the tables on commercial assignment portraiture with a style all his own. When Margaret Thatcher came to power in 1979, business was empowered and labor was bel...

Rémy Duval, 'Street Corner, L'ile Saint Louis, Paris', photogravure, 1946. A fine, richly-inked impression in warm black ink, on cream wove B.F.K. Rives pap...

Photogravure on papier gravure Cartiere Enrico Magnani à la main, mounted on papier Cartiere Enrico Magnani à la main moulé-pressé paper, as issued. Inscription: unsigned and unnumbe...

Dasha & Mari - Tennis - limited edition 30x30" inches oversize C print - numbered and stamped limited to 100 only. Sumptuous, sensual with erotic undertones, this is a beautiful fi...

Leonard Cohen is a black and white vintage photo, realized in Mid 20th Century . The photo depicts the Canadian poet and songwriter. Hand signed. Good condition and aged. It belon...

Colourful Crew 1970 - Slim Aarons Estate Stamped A group of colourfully dressed holidaymakers on a yacht, Bermuda, June 1970 40 x 30" inches / 101 x 76 cm paper size Estate Stamp...

Edition 2 of 3, 2APs Large Size: 24 x 36 inches STATEMENT: e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the h...

Flora 10 is a vibrant Digital C-Type print in an Edition of 15 in this size by contemporary photographer duo Tortora & Travezan. Photography duo Tortora & Travezan create vibrant po...

Villa Nirvana 1972- Slim Aarons Estate Stamped Guests at the Villa Nirvana, owned by Oscar Obregon, in Las Brisas, Acapulco, Mexico, February 1972. 40 x 30" inches / 102 x 76 cm pa...

Nat Fein Babe Bows Out, 1948 Signed lower right Gelatin silver print on paper Image size: 16 x 20 inches Mat size: 22 1/2 x 24 3/4 inches Nat Fein (1914–2000) was a prominent Ameri...

Portrait of Silvana Mangano is a vintage black and white photograph realized in the 1970s. Good conditions.

On the set of the film Paris Texas - Wim Wenders is a vintage black and white photograph realized in 1984. Good conditions.

Palm Springs Party 1970 by Slim Aarons Slim Aarons Limited Estate Edition A poolside party at a desert house, designed by Richard Neutra for Edga...

Vintage black and white photograph depicting Diego Armando Maradona wearing the Argentina shirt. Very good condition.

'George Hamilton' American actor George Hamilton holidays in Saint-Tropez, on the French Riviera, August 1977. 40 x 30" / 101 x 76 cm paper size Estate Stamped Collection Edi...

ABOUT THIS ARTIST: Through his hundreds of vibrant photographic collages, his sculptural nudes in his recent series For A Good Time and his frequent editorial work for magazines such...

This photograph of Marilyn Monroe was shot by photographer, George Barris, in 1962 on Santa Monica Beach in California. This photograph is from a collection entitled "The Last Photos...

Sükan created the series as he was working for international magazines such as L'Uomo Vogue (Italy), A Magazine (France), Crash (France), Faces (Switzerland), and Muse Magazine (Ital...

Héliogravure on vélin paper. Inscription: Unsigned and unnumbered, as issued. Paper Size: 15.75 x 11.75 inches. Notes: From the folio, Diane Arbus, Electa Editrice Portfolios, 1979. ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Jean Serpieri 1961 - Slim Aarons Estate Stamped Madame Jean Serpieri sits in the ballroom of the Tour La Reine near Athens, wearing a gown that belonged to the wife of Otto, the fir...

Israel's Parachute Girls is a vintage black and white Photograph realized in the 1970s. Good conditions. The description on the rear.

Robert Longo (American, born 1953) Janet (from Men in the Cities), 1981/2016 Medium: Archival pigment print in colours, on Canson Platine fiber paper Dimensions: 47.7 x 35.5 cm Editi...

Annie’s Big Book Famed photographer Annie Leibovitz weighs in with her own SUMO Art Edition (No. 1–1,000) Archival pigment print Keith Haring (contact sheet), New York City, 1986...

'Saint-Tropez' Two young women, one wearing a kaftan, stepping onto a yacht on the waterfront at Saint-Tropez, France, August 1971. 40 x 30" inches / 101 x 76 cm paper size Es...

Tennis In The Bahamas 1957 by Slim Aarons Slim Aarons Limited Estate Edition Two women stand talking to a man on the edge of a tennis court in the Bahamas, circa 1957. Behind the ...

Each image is hand-printed by the artist on archival paper Signed Edition of 17/ 3AP Ask about other sizes Renée Jacobs is one of the most celebrated pho...

Archival pigment print Signed and numbered on label, verso 12 x 18 inches (Edition of 10) 24 x 35.5 inches (Edition of 8) From the series, "Him" This artwork is offered by ClampAr...

Tennis In The Bahamas 1957 by Slim Aarons Slim Aarons Limited Estate Edition Two women stand talking to a man on the edge of a tennis court in the Bahamas, circa 1957. Behind the ...

Please bear in mind that all prints are produced to order and lead times are expected between 15-20 days. Basketball, Clapham I is a stunning C-Type Print by contemporary photograph...

Digital C-print Signed, dated, and numbered, verso 17 x 15 inches, image (Edition of 25) 24 x 22 inches, image (Edition of 15) 34 x 30 inches, image (Edition of 15) This photograph is offered by ClampArt, located in New York City. A stylistic precursor of such artists as Pierre et Gilles...

Yokohama, Japan: c 1890. Hand-tinted albumen print, 10 1/2 x 8 inches (266 x 203 mm), numbered B334 in negative, right side of image printed somewhat lighter than left, tiny in-nega...

Il Pellicano Beach 1973 - Slim Aarons Estate Stamped A jetty juts out from the rocky shoreline at the Hotel Il Pellicano in Porto Ercole, Tuscany, August 1973. 40 x 60" inches / 10...

This captivating, one-of-a-kind silver gelatin photograph print showcases a timeless black-and-white view of New York City as it appeared under the nocturnal sky circa 1950. Framed w...

Old Days - Camping is a vintage photograph realized in the Mid 20th Century.  The photo belongs to Albumen of historical painting, photographs, meticulously captured. Good conditio...

Portrait of Miranda Martino - Vintage Photo is a vintage black and white photograph realized in the mid-20th Century. Fair conditions with oxidation.

Digital C-print Signed, dated, and numbered, verso 15 x 15 inches, image (Edition of 25) Sold out. 22 x 22 inches, image (Edition of 15) $9,000 31 x 31 inches, image (Edition of 1...

'Harvest Dance' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Late August, captured in the glow of the evening sun, my daughters join han...

ABOUT THIS PIECE: "I wanted to photograph the pools to show the beauty of the architecture, while minimizing the modern elements. I love the geometry of the tiles, the lines on the b...

Subway 39 by John Conn was originally photographed in New York City between 1975 and 1982. Each black and white photograph is signed. Edition of 20. It is 13x19, unframed. In this series, Conn captured the graffiti and one of the most crime ridden periods in New York. According to one source “In the 1980s, over 250 felonies were committed every week in the system, making the New York subway the most dangerous mass transit system in the world.” One image captures an Irish Catholic Nun...

Catherine Wilke joins the topless sunbathers on the island of Capri, 1980. Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Sl...

This ethereal underwater photograph showcases minimalist composition in rich teal and turquoise tones, capturing a performer suspended in crystalline waters. The topless young woman ...

Vuccino And Rava 1958 - Slim Aarons Estate Edition Carla Vuccino, wearing a swimming cap, and a sunbathing Marina Rava, both wearing bikinis as they sit on the rear of a boat, on th...

For this series the artist explores the moment when nature in animal form intertwines with the human form, there you can learn true balance. -In this series the artist studies the balance between black and white photography. The harsh lights and shadows in the warm Florida weather led Ricky Rocket to explore photography. The sharp and refined effect of these types of lighting conditions became a necessity to avoid studio environments. Self-taught, while photographing ballet...

Underwater photograph of a young woman in red dress dancing underwater in a pool. A very bright photograph with plenty of sun and positivity. The model was an amazing Russian dancer...

Laguna Beach Surfers 1970 - Slim Aarons Estate Stamped A surfer in the sea at Laguna Beach, California, January 1970 60 x 40" inches / 152 x 102 cm paper size Estate Stamped Coll...

An insipid notion (The astonished world) is a collection of unreal experiences caused by the feeling of late and inexperienced love, and the inability to fully know the experience of...

This late 1960s landscape photograph, captured by society photographer Slim Aarons, features a couple relaxing at the beach on Harbour Island, Bahamas. This is an estate stamped and...

Horse Packing - American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series of American life in the 20th Century. W...

Cohete's ritual with movement and the male dancer formations, inhabits his black and white theater-like habitat. Like light; always in motion. The harsh lights and shadows in the wa...

Héliogravure on vélin paper. Inscription: Unsigned and unnumbered, as issued. Paper Size: 15.75 x 11.75 inches. Notes: From the folio, Diane Arbus, Electa Editrice Portfolios, 1979. ...

'Hotel Du Cap-Eden-Roc' by Slim Aarons ESTATE EDITION - numbered and emboss stamped on front. (edition size 150 only) Waterskiing from the Hotel Du Cap-Eden-Roc in Cap d'Antibes, ...

'Hard To Reach' 1984 by Alain Le Garsmeur Limited Edition Archival Pigment Print A small immigrant child from Cape Verde standing under the family’s washing, Lisbon, Portugal, 1984...

"Doris and Henry (and her brothers)" is an original piece by Shawn Theodore made from found/family photos, polaroid lift, acrylic on wood panel. This pieces measures 16.75"h x 16.75"...

New York City, USA, 1954 is a 13" x 9" archival pigment print (baryta) in a limited edition of 5. Signed verso (back of photo) by Brigitte Freed (wife of the photographer), with Leon...