Miniature Abstract Prints

Four color process print on vélin paper. Paper size: 10.75 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, George Condo, Drawing Paintings, 201...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 8 (double) J...

Lithograph, stencil on vélin paper. Paper Size: 11.5 x 9.24 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Joan Miró. Jo...

Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Mark Tobey, Peintres d'aujourd'hui, ...

Kees van Dongen - Portrait - Original Lithograph 1950 Signed in the plate Dimensions: 22 x 16 cm Publisher: Sauret. From The Gods Are Athirst

'Quintet', etching and aquatint, edition 20, c. 1948. Signed, titled, and numbered '12/20' in pencil. A superb, richly-inked impression, on off-white wove paper, with full margins (1...

Albert Gleizes, 'Descente de Croix', color pochoir, 1928, edition c. 50. Signed and dated in pencil. A fine, painterly impression, with fresh colors, on heavy, cream wove paper; the full sheet with margins (3 to 4 inches), in very good condition. The publisher's ink stamp 'EDITIONS MOLY-SABATA' beneath the image, lower left. Matted to museum standards, unframed. Image size 12 x 14 inches (305 x 356 mm); sheet size 18 x 22 inches (457 x 559 mm). ABOUT THE IMAGE After the 1927 painting 'Descente de Croix', one of three religious-themed works that Gleizes developed as preliminaries for murals at the church at Serrières, France, the project was terminated at its final phase, and Gleizes commissioned master printer Robert Pouyaud to create prints of the paintings, closely overseeing the production. ABOUT THE MEDIUM Pochoir is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique. ABOUT THE ARTIST Albert Gleizes (1881-1953), born in Paris, France, was a pioneering figure in the development of abstract art and one of the leading proponents of Cubism. His contributions to the art world extended beyond his paintings; he was also a prolific writer and theoretician, advocating for a new approach to art that emphasized the geometric abstraction of form and a departure from representational traditions. Gleizes initially studied painting at the Académie Julian and the École des Beaux-Arts in Paris, where he was exposed to the academic conventions of the time. However, his artistic vision was profoundly influenced by encounters with avant-garde movements, including Fauvism and the work of Paul Cézanne. These influences led Gleizes to experiment with form and color, gradually moving away from traditional representation toward a more abstract and geometric style. After completing his secondary schooling, Gleizes spent four years in the French army and then began pursuing a career as a painter, primarily doing landscapes. Initially influenced by the Impressionists, he was only twenty-one years of age when his work titled ‘La Seine à Asnières’ was exhibited at the Société Nationale des Beaux-Arts in 1902. The following year, he was part of the first Salon d'Automne and soon came under the influence of Fernand Léger, Robert Delaunay, Jean Metzinger, and Henri Le Fauconnier. In 1907, Gleizes and some of his friends pursued the idea of creating a self-supporting community of artists that would allow them to develop their art free of any commercial concerns. For nearly a year, Gleizes  , with other painters, poets, musicians, and writers, lived at a large house in Créteil, but a lack of funds forced them to give up their facility in early 1908, and Gleizes moved temporarily into La Ruche, the artist commune in the Montparnasse Quarter of Paris. In the early 1910s, Gleizes became associated with the Cubist movement, which was spearheaded by artists such as Pablo Picasso and Georges Braque...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Ernst, Max, et al. Max Ernst: Graphische We...

Claude Flight (1881-1955), Swing Boats, circa 1919-1921, color linoleum cut on very thin Japan paper, signed and numbered by the artist lower left. In very ...

Louis Schanker : 1903-1981. Well, listed American abstract artist. He was well exhibited and is in the permanent collections of many important museums. This fabulous piece is a color...

The series ‘In Between the Shadows’ consists of structural and geometric photographs that take their inspiration from the cubist movement. The works aim to challenge the conventional perception of depth within the medium of photography by showing different viewpoints at the same time and within the same space. The chiaroscuro lighting embraces shadows and light as juxta- positional tools to deconstruct familiar objects and transform them into surreal compositions. Sander Vos...

Juan Genovés (Spain, 1930-2020) 'Untitled', 1996 engraving, aquatint on paper 15.8 x 11.9 in. (40 x 30 cm.) Edition of 150 ID: GEN1205-005-1 Hand-signed by author ___________________...

Silkscreen on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 8 x 6 inches. Notes: From the album, Paul Klee, Paintings Watercolors 1913 to 1939,...

Medium: serigraph (after Ad Reinhardt). Printed in Germany by Siebdruck Michel of Dusseldorf in 1972 for inclusion as a special loose insert with the catalogue for the Ad Reinhardt e...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 12.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (20...

Collotype on vélin d’Arches paper. Paper size: 16.5 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et al. Pablo ...

Lithograph, stencil on vélin paper. Paper Size: 12.375 x 8.687 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XLe Année, N°51, Décemb...

Collotype on vélin d’Arches paper. Paper size: 16.5 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et al. Pablo ...

Lithograph, stencil on vélin d’Arches paper. Paper Size: 15.75 x 11.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...

Collotype on vélin d’Arches paper. Paper size: 10.375 x 16.5 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et al. Pablo ...

Collotype on vélin d’Arches paper. Paper size: 10.375 x 16.5 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et al. Pablo ...

Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, André Lanskoy, Peintres d'aujourd'hu...

Collotype on vélin du Marais paper. Paper size: 14.5 x 11.125 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et al. Pablo...

V by Kim Lim, 1991 Additional information: Medium: woodcut on paper 36 x 32.5 cm 14 1/8 x 12 3/4 in signed and dated in pencil verso Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making. On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...

Linocut on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Chroniques du jour, 13 rue Vale...

Tyler, Richard Oviet (American, 1926-1983). THE PLANETS. Uranian Press, New York, 1958. Uranian Press, New York, 1958. The Second Edition of 20, with the plates loose in a portfolio, and with each of them titled, inscribed "Ed 2," numbered "6/20, signed in pencil by Tyler, and bearing the emossed seal of the Uranian Press at the lower right (the First Edition, of 5 copies, was a bound set of the plates, signed on the Justification page by Tyler, but with the individual plates unsigned). Quarto, string-tied boards covered in white linen printed in black from woodblocks, endpapers printed in purple and red, paper folder enclosing 20 woodblock plates printed in colors. The portfolio 14 x 10 1/2 inches, the plates each about 12 1/2 x 9 3/4 inches. The whole in excellent condition except that the paper folder containing the plates is foxed. We have seen a copy of the bound edition, but the work seems to very rare in either iteration. The plates are as follows: Plate 1: Title "The Planets," Plate 2: "Sun," Plate 3: "The Sun ever generous force of his being in the flow of self strength striving," Plate 4: "Moon," Plate 5: "The moon of our emotions surrounding memory influenced reflections of pleasant remembrance," Plate 6: "Mercury," Plate 7: "Mercury messenger of mind influence most observant and discriminating reaches attracts resembles snake a tree a heavy ___??," Plate 8: "Venus," Plate 9: "Venus upon us as into us the longing of love rules existence," Plate 10: "Mars," Plate 11: Mars infinitely delicate degree of devotion leads to deeds against falsehood destruction for the sake of creation inalienable dream of passion," Plate 12: "Jupiter," Plate 13: Jupiter father of forgiveness and sustaining belief of plenty keep faith favorable and optimism omnipresent," Plate 14: "Saturn," Plate 15: "Last planet of limitation leads us through purification into silence," Plate 16: "Uranus," Plate 17: "Cause ruler of spirit inspired in matter unknown and omnipotent," Plate 18: "Neptune," Plate 19: "Neptune dissolution unity divinity," Plate 20: "The Planets." Richard Oviet Tyler...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXIIe Année, N° 14, Jui...

Artist: Peter Max Title: Cosmic Profile Medium: Unique watercolor and mixed media on paper Date: ca. 1990s Edition: One of a kind Sheet Size: 15" x 11" Signature: Hand signed "MAX" i...

Artist: Peter Max Title: Blushing Beauty Medium: Unique mixed media with watercolor on paper Edition: One of a kind Sheet Size: 15" x 11" Signature: Hand signed "MAX" in gold ink

Artist: Peter Max Title: Mermaid with Sailboat Medium: Unique mixed media with watercolor on paper Date: 1990 Edition: One of a kind Sheet Size: 13 3/4" x 12" Signature: Hand signed ...

Collotype on vélin du Marais paper. Paper size: 14.5 x 11.125 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et al. Pablo...

Collotype on vélin du Marais paper. Paper size: 14.5 x 11.125 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et al. Pablo...

Collotype on vélin du Marais paper. Paper size: 14.5 x 11.125 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et al. Pablo...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe IV Catalogue Raisonne. Nicely framed. Lithographs II ...

Artist: Robert Motherwell Title: Telemachia - Odyssey - Nostos Medium: Etching on Johannot paper Date: 1988 Edition: 27/40 Sheet Size: 13" x 10" Signature: Initialed (RM) in pencil

This piece is featured in Bruckner’s 2024 solo exhibition at Susan Eley Fine Art titled, “Keeping Memories”. Artist Biography: Karin Bruckner was born in Zurich, Switzerland and...

Lithograph on vélin paper. Paper Size: 12.5 x 9.625 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Joan Miró. Joan Miró,...

This piece titled "Screen Time" is an original piece by Alexis Nutini and is made from a woodcut monoprint mounted on panel. This piece measures 9.5"h x 7.25"w. Born in Mexico City...

Signed, titled and numbered by the artist. Edition of 10. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satelli...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXIe Année, ...

Lithograph, stencil on vélin paper. Paper Size: 9.24 x 11.5 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Jo...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Contes de Boccace, peinture...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 60-61, 1953. Publishe...

Bernard Sanders (1906-1967) was a master of minimalist prints. In several I've posted the subject is really atmosphere and tension. This could be r...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Rivière, Yves. Vieira Da Silva Les Estampes...

Héliogravure on vélin paper. Paper Size: 10.83 x 13.78 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Vieira da Silva, Peintres d'aujourd'...

Lithograph, stencil on vélin paper. Paper Size: 11.5 x 9.24 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Jo...

Lithograph on vélin d'Arches paper. Paper Size: 14 x 10.5 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, San Lazzaro et ses Amis, Hommage au fondateu...

Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Pierre Soulages, Peintres d'aujourd'...

Paula Valenzuela What Is Left, 2019 Giclée archival inkjet print on watercolor paper Unframed dimensions: 14 x 14 inches Framed dimensions: 17.12 x 17.12 inches Edition of 10 Limite...

Taillandaise Aviation Campaign - Campata Green Screen Print Limited edition of 60 copies Canson paper 24 x 12 cm with borders 18.8 x 6.4 cm without Signed in pencil by the art...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...

Lithograph on vélin d'Arches paper. Paper Size: 14 x 10.5 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Joan Miró. Joan...

Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe IV Year: 1981 Edition: 150 Image Size: 10" x 13"...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 127, 1961. Published by Aimé Mae...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 8 (double)...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 101-103, 1957. Publis...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N°3 (double) Juin 1952, ...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, La Comédie Humaine, Suite d...