Miniature Abstract Prints

Artist: Fred Bugs (Federico Cabras) Untitled N.11 of 100 Acrylic,water colour on paper 30x42 cm Year: 2022

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 142, 1964. Published by Aimé Maeght, Éditeur, Paris; pr...

18" x 16" Unframed Etching on Hand Made Paper Hand Signed by Michel Dupont

Alexander Liberman, hand signed and inscribed by both Alexander Liberman and Barbara Rose, and accompanied by a separate hand signed note, 1981 Hardback monograph (hand signed and inscribed by Alexander Liberman as well as art historian Barbara Rose), plus accompanied by a separate handwritten card signed by Liberman in the original envelope Warmly signed and inscribed on the monograph and card by Alexander Liberman and hand signed by Barbara Rose on the first front end page 13 1/4 × 12 1/4 × 1 3/4 inches A unique and memorable gift for any collector or fan of the sculptor Alexander Liberman! This lavishly illustrated hardback monograph with dust jacket is warmly signed and inscribed on the first front end page by both Alexander Liberman and the author, art historian, Barbara Rose, and it is accompanied by a separate handwritten card, signed by Alexander Liberman and held in the original envelope. (see photos). The book and card was inscribed to Jack Haber, the Editor-in-Chief of the magazine Gentlemen's Quarterly (GQ) from 1969 to 1983. GQ was owned by Conde Nast, and Alexander Liberman, who worked for Conde Nast for 32 years, was the Editorial Director from 1962-1983. Sadly, Jack Haber would die in 1984 at the age of 45 - one of the first casualties of the AIDS crisis, which was devastating to the art and publishing industries. Inscription on the monograph reads: To Jack Haber with warm friendship Alexander Liberman Inscription on the card reads: Dear Jack [Merry Christmas and a Happy New Year] with warm friendship Alex Book information: Publisher: Abbeville Press, 1981. Hardcover. Bound in publisher's original white cloth with spine and front cover stamped in black. Full color illustrations throughout, including several color foldouts. 392 pages. About Alexander Liberman: Considered a revolutionary Minimalist artist, Alexander Liberman produced works that predated the movement by more than a decade. Liberman, not wanting to limit himself to any one form of expression, worked to produce radically minimalist paintings and sculpture in order to illuminate his beliefs about celestial motion, the movement of the eye, as well as human sexuality. The artist’s fascination with American industrialization and modernization ultimately resulted in his widely known red steel sculptures and geometric paintings, which seem to decompose the turbulence of the time period. Alexander Liberman was born in 1912 in Kiev, Russia. He studied first in London and then in Paris. He took courses in philosophy and mathematics at the Sorbonne and architecture at L’École des Beaux-Arts in Paris. Liberman has had numerous solo exhibitions at museums such as the Jewish Museum, New York (1966); Storm King Art Center, Mountainville, NY (1970); and the Corcoran Gallery of Art, Washington, DC (1970). His sculpture and paintings are included in the museum collections of the Art Institute, Chicago; the Museum of Fine Arts, Houston; the Los Angeles County Museum of Art; the Metropolitan Museum of Art, New York; the Solomon R. Guggenheim Museum, New York; the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; the Hirshhorn Museum & Sculpture Garden, Washington, DC; the Tate Gallery, London and many others. Additionally his public sculpture can be seen in over 40 cities around the world including Honolulu, Los Angeles, Miami, New Haven, New York, Oklahoma City and Philadelphia. Alexander Liberman died in November of 1999 at the age of 87. - Courtesy of Mitchell-Innes & Nass About Barbara Rose: Barbara Ellen Rose (June 11, 1936 – December 25, 2020) was an American art historian, art critic, curator and college professor. Rose's criticism focused on 20th-century American art, particularly minimalism and abstract expressionism, as well as Spanish art. "ABC Art...

Max ERNST Composition with Blue Vase, 1958 Lithograph and stencil (Jacomet workshop) after a painting On wove paper 31 x 24 cm (c. 12 x 10 in) Edited by San Lazarro, 1958 Excellent...

Phrases - Souffle is a Contemporary artwork realized by the Italian Contemporary artist Achille Perilli  (1927 -2021) and by the French philosopher Philippe Lacoue-Labarthe (1940-200...

Okaga - Abstract Composition, Year: 1998, Medium: Screenprint Monoprint, signed and dated in pencil, Size: 15.75 x 12 in. (40.01 x 30.48 cm)

Dipak Banerjee - Untitled AP - 25/32, Etching on Paper 11 x 10.5 inches, 1985 ( Unframed & Delivered ) Dipak Banerjee is today the undisputed leader and ‘creator’ of what was earlie...

Renowned contemporary conceptual African American artist Glenn Ligon Black Rage (back cover), 2019 Silkscreen and digital print Edition number 53/100 Accompanied by an official Certi...

Phrases - Orafe is an original Contemporary artwork realized by the Italian Contemporary artist Achille Perilli  (1927 -2021) and by the French philosopher Philippe Lacoue-Labarthe (...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 179, 1969. Published by Aimé Maeght, Éditeur, Paris; pr...

"Miró Lithographe II - Plate I" is a lithograph realized by Joan Miró in 1975. Perfect conditions. It comes from the set of 11 lithographs realized for the catalog "Miró Lithograph ...

Lithograph on vélin Chiffon de Mandeure paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Lithographies et Eaux-Fortes Originales, Livres Illustres Or...

Joan MIRO (after) In the Garden under the Stars, 1958 Lithograph and stencil after a charcoal drawing Printed signature in the plate On wove paper 31 x 24 cm (c. 12 x 10 in) Edited ...

From: Kaleidoscope (6 plates) Signed and numbered in pencil Edition: 100 (3/100) Printer: Lacouriere et Frelaut Imprimeur, Paris Paper: BFK RIVES watermark on some sheets from the se...

Chris Keegan Red Drift Limited Edition Silkscreen Print Edition of 50 Size: H 40cm x W 40cm x D 0.1cm Sold Unframed (Please note that in situ images are purely an indication of how a...

Kenneth Noland Themes and Variations 1958-2000 (hand signed by Kenneth Noland), 2002 Softback monograph with stiff wraps (hand signed and dated by Kenneth Noland) Official hand signe...

Luke Gilliam has an unusual woodcut technique that he pairs with a complex object of his own creation. He uses technique to create a technical tour-de-force with the intriguing title...

Lithograph on vélin Sarrió paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Tapís De Tarragona, il·lustracions, Joan Miró...

David Salle HOW TO SEE Looking, Talking and Thinking about Art (hand signed, dated and inscribed), 2016 Hardback monograph with dust jacket (hand signed and inscribed to Kevin) Hand ...

Ascension Etching and aquatint printed in red and gold leaf on Arches France paper Signed, titled, and editioned in pencil by the artist (see photos) Edition: 60 of which this number...

Abstracted drypoint etching by Tomoya Uchida (Japanese, 20th Century). Two cottonballs on the stalk sit in a minimalist space. Titled "II Cottonballs" along the bottom edge. Signed and dated "T. Uchida - 89" in the lower right corner. Presented in a new light grey mat with foamcore backing. Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...

André Masson, French (1896 -1987) - L'oeuf Cosmique, Year: circa 1946, Medium: Etching, numbered in pencil, Edition: Epreuve d'Artiste, Image Size: 9.75 x 8 inches, Size: 14.5 x...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Ediciones Polígrafa, Redfern Gallery, 1979. Published by Redfern Gallery, London; printed by Ediciones Polígrafa, Barcelona, October 23, 1979. Excerpted from the album (translated from French), This book has been published for the exhibition of artists who have worked for Ediciones Polígrafa, Barcelona, at the Redfern Gallery, 20 Cork Street - London W. 1 from December 4th, 1979, to January 31st, 1980. This album was finished in Barcelona on 23rd October 1979 on the presses of La Polígrafa, S.A. The English edition for the Redfern Gallery has been limited to M examples. There is also a de luxe edition with a portfolio containing a selection of the lithographs with full margins, 3742 x 27 cm., specially made for this book, signed and limited to C examples. JOAN PONC (1927-1984) was a Catalan artist and member of the avant-garde group Dau al Set. Ponç was born in the Sarrià neighborhood of Barcelona, Spain to Gumersindo Pons and Dolors Bonet. He attended the Colegio Salesiano San Antonio de Padua...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

Phrases - Sombre is a Contemporary artwork realized by the Italian Contemporary artist Achille Perilli  (1927 -2021) and by the French philosopher Philippe Lacoue-Labarthe (1940-2007...

Medium: Lithograph on vélin paper, hinged on archival support sheet, as issued Year: 1968 Paper Size: 13 x 16 inches; image size: 10.25 x 13.75 inches Inscription: Signed in the plat...

Composition is an original Contemporary artwork realized in the half of of the 20th Century. Original colored Etching on paper. Mint conditions. Composition is an original Contem...

This exquisite lithograph by Pierre Tal-Coat (1905–1985), titled Oiseau et son ombre (Bird and Its Shadow), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hom...

This exquisite lithograph by Pierre Pallut (1900–1985), titled Sans titre (Untitled), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque ...

Reflets au Port is an artwork realized by Shoichi Hasegawa. Color aquatint etching, signed lower right, titled in center, lower left num. Edition of 25 Dimensions: 20 x 25 cm. Pass...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...

Lithograph, 1951 Handsigned by the artist in pencil Edition : 300 Publisher : Editions Falaize (Paris) Printer : Mourlot (Paris) Catalog : Saphire 109 32.00 cm. x 45.00 cm. 12.6 in....

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 252, 1982. Published by Aimé Maeght, Éditeur, Paris; pr...

Thomas Nozkowski Flare: Thomas Nozkowski Images (hand signed by Thomas Nozkowski), 2009 Limited Edition monograph on fine art paper (hand signed and dated by Thomas Nozkowski on the ...

Julius BALTAZAR (1949 -) Storm Etching on vellum Signed on the right bottom and numbered on /20 Size : 41 x 31 cm (c. 16 x 12 in) Excellent condition, paper slightly yellowed

Camille BRYEN Abstract House, 1956 Original Etching Signed in pencil On paper Van Gelder Zonen 22 x 16.5 cm (c. 8.5 x 6.5 in) INFORMATION : Printed in the...

Martha Reed was the daughter of the artist Doel Reed and as an adult she joined her parents in Taos, New Mexico. There she designed clothes with a south-we...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...

Phrases - Silence is a Contemporary artwork realized by the Italian Contemporary artist Achille Perilli  (1927 -2021) and by the French philosopher Philippe Lacoue-Labarthe (1940-200...

Invitation to an exhibition is an original woodcut on paper realized by Oscar Dalvit (1911-1975). Passepartout including: cm 30 x 40. Image Dimensions: 14.5 x 20.5 cm Very good c...

Bernard Sanders (1906-1967) was a master of minimalist prints. In several I've posted the subject is really atmosphere and tension. This could be r...

Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Une Étoile de Craie, seize lithographies originales par An...

Walasse Ting 丁雄泉 Chinese Moonlight (signed, dated and inscribed by Walasse Ting), 1967 Illustrated Softback monograph with four original double-page litho...

Joseph SIMA Abstract Window Original etching and aquatint On Johannot vellum 37.5 x 28 cm (c. 15 x 11 inch) From the illustrated book PAROLES PEINTES III (PAINTED WORDS III) Publish...

Artist: James Jean Title: Zugzwang Edition: Limited Edition, Signed and Numbered Condition: Mint/Like New Dimensions: 11" x 14" Pages: 80 (approx.) Print Details: Hardbound with prem...

"41 Budmen" - 1975 Lithograph on Paper Black and white figurative lithograph by Jim Crabb (American, b. 1947). Numerous abstracted figures take up the paper, with black, white and g...

Emily Mason The Fifth Element (Hand signed and inscribed by Emily Mason), 2009 Hardback monograph with dust jacket (Hand signed, dated and inscribed by Emily Mason) Hand signed in marker directly underneath the title; inscribed to Kevin and dated 2013 top right by Emily Mason 10 1/2 × 9 × 1 inches Provenance Signed for the present owner at the artist's opening at the David Findlay...

Cahiers d'Art is a splendid abstract artwork realized by Joan Miró in the 1960. Color lithograph. Not signed and not numbered. Good conditions except for some light foxings and so...

Shusaku Arakawa Still Life, from To and From Rrose Selavy, for Marcel Duchamp, 1967 Limited Edition Silkscreen on velincarton (thin board) paper 10 1/2 × 13 1/4 inches Limited Edition of 60 Hand signed, titled and dated on the front Unframed The entire portfolio, including the present work, is referenced in the Marcel Duchamp catalogue raisonne: Arturo Schwarz The Complete Works of Marcel Duchamp, Abrams, P.532, 344c Eager to share Marcel Duchamp with Japanese audiences, Shuzo Takiguchi - a Japanese-born poet, critic, and artist with ties to Surrealist circles, assembled an international portfolio of graphic works by various artists with strong ties to Duchamp, to accompany the deluxe version of his monograph, "To and From Rrose Sélavy". The present work was created for this portfolio by one of Marcel Duchamp's friends, Shusaku Arakawa. It is signed, dated and titled on the front - and can be exhibited both vertically and horizontally - (see photos). The present work, along with others in the portfolio, was published in Japan and is rarely found stateside. Shusaku Arakawa (荒川 修作 Arakawa Shūsaku, July 6, 1936 – May 18, 2010) who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and over time formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard has said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer has described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul Celan...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 138, 1963. Published by Aimé Maeght, Éditeur, Paris; pr...

This exquisite lithograph by Joan Miro (1893–1983), titled La Melodie acide (The Acid Melody), from the folio 14 original lithographs by Joan Miro "La Melodie acide" (The Acid Melody...

Lithograph on vélin Sarrió paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Tapís De Tarragona, il·lustracions, Joan Miró...

Etching on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and printed by Louis B...

Facsimile on paper, 1964 Printer : Daniel Jacomet (Paris) Dedication "For Monsieur Baudier, amicably" and printed signature LCD4594

"The Waiting" - 1977 Surrealist Lithograph on Paper Surrealist lithograph titled "The Waiting" by Jim Crabb (American, b. 1947-). Black and white surrealist figures take up the pape...

Jennifer Losch Bartlett Rhapsody (hand signed and inscribed), 1985 Hardback monograph with dust jacket (hand signed and inscribed to Nadine) Hand signed and inscribed in black marker "for Nadine" by Jennifer Bartlett on the half title page 12 × 12 × 1 inches Provenance signed for the present owner at Paula Cooper Gallery on January 21, 2016 This substantial, lavishly illustrated hardback monograph with dust jacket, was hand signed by Jennifer Bartlett for the present owner at Paula Cooper Gallery on January 21, 2016. Makes an excellent gift Book information: Publisher‏: ‎ Harry N Abrams (November 1, 1985) English; Hardcover; 108 pages with color illustrations Editorial Review: Rhapsody'' is Bartlett's multi-part, multi-theme epic, a statement of the coming of age of an artist. A portable mural extended over 987 one-foot steel plates requiring 153 running feet of wall space, it is an enormous and infrequently mastered challenge to install and exhibit. In 1985-86, however, it will be on view in Minneapolis, Kansas City, Brooklyn, La Jolla, and Pittsburgh, and well worth a trip. In book form it becomes more available, with Smith's guided tour through sections, with Bartlett's notes giving conceptual coherence, and the opportunity to move from close-up to long view by turning a page. Rhapsody'' and this book afford a glimpse of a mind and art in action, a discovering and ordering process, an exciting demonstration of ways of growing and expressing the self and the world. Highly recommended. About Jennifer Bartlett: By the mid-1970s, Jennifer Bartlett (1941-2022, b. Long Beach, California) had emerged as a leading American artist of her time—particularly following the landmark presentation at Paula Cooper Gallery of Rhapsody (1976), Bartlett’s magnum opus, now in the collection of the Museum of Modern Art, New York. Bartlett’s first survey exhibition was held in 1985 at the Walker Art Center, Minneapolis, and traveled to the Brooklyn Museum, New York, and the Carnegie Museum of Art, Philadelphia, among others. In 2006, the Addison Gallery of American Art surveyed Bartlett’s early enameled steel plate paintings in the period from 1968–76. In 2013-14, Klaus Ottmann curated her second traveling survey, which visited the Pennsylvania Academy of the Fine Arts and the Parrish Art Museum, New York. In 2014, the Cleveland Museum of Art united her three monumental plate...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Ediciones Polígrafa, Redfern Gallery, 1979. Published by Redfern Gallery, London...

Lithograph on vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Poêmes insoumis, 1963. Published by Marc Barbezat, Paris; ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, Hommage à Aimé et Marguerite Maeght, N° 137, 1963. Publish...