Miniature Abstract Prints

Maurice Esteve Composition 1964 Original Color Lithograph on Velin d'Arches Size: 10x7.375in Edition: 2,000 Annotated verso Unsigned as issued Publisher: Mourlot, Paris Printer: Mour...

Not Signed. Belongs to the series "Hommage à San Lazzaro" realized by artists such as Lucio Fontana, Marc Chagall, Alexander Calder and Max Ernst among others. Edited by the Magazine...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 144-145-146, 1964. Published by Aimé Maeght, Éditeur, P...

Medium: Print Condition Print in good condition and has been stored flat since purchase. Signature Hand-signed by artist, Hand Signed and Numbered by the Artist in Pencil, CB HOYO. ...

"Denmark" abstract lithograph from "Escultor" suite of seven by Joan Miró. Plate-signed Miró on front. Unframed/never framed. Miro Escultor Denmark 1975 hand-written in pencil on back.

"Juggler on a Tightrope" Etching in Ink on Paper Playful etching of a performer by Dick Swift (American, 1918-2010). A juggler is show in a cubist style, w...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Four Reddish Arches a vintage offset print after Antoni Tàpies, printed on handmade paper and part of a deluxe edition of reproductions published in 1982 and limited to 2.000 specime...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Souvenirs et portraits d'artistes, 1972. Published by Fernand Mourlot, ...

Antoni Tapies (Spain, 1923-2012) 'Las segovias', 1996 silkscreen on paper 14.2 x 10.2 in. (36 x 26 cm.) Edition of 150 Ref: TAP1205-005-150 Hand-signed by author ____________________...

This piece titled "This Must Be the Place VE 5/7" is a variable edition piece by Kate VanVliet and is made from Intaglio with soft ground on Rives BFK. This piece is an edition of 7 ...

Andy Warhol (After) Camouflage Self-Portrait 1986, 2020 Fine Bone China 10 1/2 × 10 1/2 inches Limited Edition of 175 Signed in plate, Authorized signature and edition details fired ...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Silkscreen on handmade Hahnemühle paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Salute, 1960. Published and printed by Tiber Press, New York under...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

A very good impression of this color lithograph. Initialed and numbered 73/100 in pencil by Miro. Published by Sala Gaspar, Barcelona. From the same-titled suite.

Alexander Liberman, hand signed and inscribed by both Alexander Liberman and Barbara Rose, and accompanied by a separate hand signed note, 1981 Hardback monograph (hand signed and inscribed by Alexander Liberman as well as art historian Barbara Rose), plus accompanied by a separate handwritten card signed by Liberman in the original envelope Warmly signed and inscribed on the monograph and card by Alexander Liberman and hand signed by Barbara Rose on the first front end page 13 1/4 × 12 1/4 × 1 3/4 inches A unique and memorable gift for any collector or fan of the sculptor Alexander Liberman! This lavishly illustrated hardback monograph with dust jacket is warmly signed and inscribed on the first front end page by both Alexander Liberman and the author, art historian, Barbara Rose, and it is accompanied by a separate handwritten card, signed by Alexander Liberman and held in the original envelope. (see photos). The book and card was inscribed to Jack Haber, the Editor-in-Chief of the magazine Gentlemen's Quarterly (GQ) from 1969 to 1983. GQ was owned by Conde Nast, and Alexander Liberman, who worked for Conde Nast for 32 years, was the Editorial Director from 1962-1983. Sadly, Jack Haber would die in 1984 at the age of 45 - one of the first casualties of the AIDS crisis, which was devastating to the art and publishing industries. Inscription on the monograph reads: To Jack Haber with warm friendship Alexander Liberman Inscription on the card reads: Dear Jack [Merry Christmas and a Happy New Year] with warm friendship Alex Book information: Publisher: Abbeville Press, 1981. Hardcover. Bound in publisher's original white cloth with spine and front cover stamped in black. Full color illustrations throughout, including several color foldouts. 392 pages. About Alexander Liberman: Considered a revolutionary Minimalist artist, Alexander Liberman produced works that predated the movement by more than a decade. Liberman, not wanting to limit himself to any one form of expression, worked to produce radically minimalist paintings and sculpture in order to illuminate his beliefs about celestial motion, the movement of the eye, as well as human sexuality. The artist’s fascination with American industrialization and modernization ultimately resulted in his widely known red steel sculptures and geometric paintings, which seem to decompose the turbulence of the time period. Alexander Liberman was born in 1912 in Kiev, Russia. He studied first in London and then in Paris. He took courses in philosophy and mathematics at the Sorbonne and architecture at L’École des Beaux-Arts in Paris. Liberman has had numerous solo exhibitions at museums such as the Jewish Museum, New York (1966); Storm King Art Center, Mountainville, NY (1970); and the Corcoran Gallery of Art, Washington, DC (1970). His sculpture and paintings are included in the museum collections of the Art Institute, Chicago; the Museum of Fine Arts, Houston; the Los Angeles County Museum of Art; the Metropolitan Museum of Art, New York; the Solomon R. Guggenheim Museum, New York; the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; the Hirshhorn Museum & Sculpture Garden, Washington, DC; the Tate Gallery, London and many others. Additionally his public sculpture can be seen in over 40 cities around the world including Honolulu, Los Angeles, Miami, New Haven, New York, Oklahoma City and Philadelphia. Alexander Liberman died in November of 1999 at the age of 87. - Courtesy of Mitchell-Innes & Nass About Barbara Rose: Barbara Ellen Rose (June 11, 1936 – December 25, 2020) was an American art historian, art critic, curator and college professor. Rose's criticism focused on 20th-century American art, particularly minimalism and abstract expressionism, as well as Spanish art. "ABC Art...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

Corita Kent Yes to You, 1979 Color silkscreen Hand signed, numbered and uniquely inscribed with a heart doodle by the artist on the front. Artists Proof (aside from the regular editi...

Untitled (for the journal, XXe Siécle) Color lithograph on wove paper, 1973 Unsigned (as issued) From: XXe Siecle,, December 1973, No. 41 Published by G. di San Lazzaro for A. Maeght, Paris Printed by Mourlot, Paris Edition 3000 (There was also a signed edition of 75 on larger paper) Catalogue raisonné: Subsequent to Schmücking Condition: Excellent Image/Sheet size: 12 1/4 x 9 1/2 inches "Hans Hartung B. 1904, LEIPZIG, GERMANY; D. 1989, ANTIBES, FRANCE Hans Hartung was born on September 21, 1904, in Leipzig, Germany. He cultivated interests in philosophy, astronomy, music, and religion at a young age before he turned to painting. Early in his career he found inspiration in the works of Rembrandt van Rijn and Francisco de Goya, and later influences included Lovis Corinth, Oskar Kokoschka, Emil Nolde, and Max Slevogt. At just 17, Hartung began to experiment with abstraction, synthesizing the graphic techniques of his artistic models while completely eliminating figurative elements. Hartung entered the Universität Leipzig in 1924 to study philosophy and art history but left to concentrate on painting at the Kunstakademie, Leipzig. While Hartung was advised to pursue further training at the Bauhaus, he opted to study at the Kunstakademie, Dresden. In 1926 Hartung saw an exhibition of international art in Dresden, which exposed him to Cubism and other modern styles that had emerged in France. His encounters with works by Georges Braque, Juan Gris, Henri Matisse, and Pablo Picasso, along with various travels abroad, encouraged him to move to Paris in 1926, where he spent the majority of his time until 1932, although he passed the summer of 1928 in Munich studying under artist and theorist Max Dörner. In 1929 Hartung married the Norwegian painter Anna-Eva Bergman. After several years abroad, they tried to reestablish themselves in Berlin in 1935 but were soon forced into exile by the National Socialist regime. In the years leading up to World War II, Hartung's work reflected his attempts to reconcile chance and control, combining expressive graphic elements with patches of black and color to produce a sense of spontaneity. After the outbreak of the war, Hartung served in the Foreign Legion (1939–40), and later in the Free French (1943–44). He was gravely wounded at the German Front, and one of his legs was amputated. In 1945 he returned to Paris and resumed painting and the following year earned French citizenship. Hartung was a major figure in Art Informel and Tachisme (from the French tache, meaning blot or stain). While Hartung's postwar paintings are generally described as exhibiting a calligraphic quality, his work moved through a series of phases, becoming less spontaneous and more formally aggressive than his work from the late 1930s. In many works of the late 1940s and early 1950s, such as T-50 Painting 8 (T-50 peinture 8, 1950), he applied large areas of color to the canvas on which he painted a combination of bold black brushstrokes and thinner frenetic linear strokes. Hartung received several international awards, including the 1956 award for the Europe-Africa section at the Guggenheim International Award and the International Grand Prize for painting at the 1960 Venice Biennale. His first major group show was organized by curator and critic Christian Zervos at the Jeu de Paume, Paris (1937). After settling permanently in Paris, he exhibited regularly at the Salon des Surindépendants (1935, 1937, 1945). His first solo show took place at Galerie Lydia...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. I, N° 3, Oct...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 162. Published by Aimé Maeght, Éditeur, Paris; printed by Éditions...

Joan Miró La Mélodie Acide - 11 Color lithograph Year: 1980 Edition: 1500 Artist Dry Stamp lower right, Annotated "H.C" (hors commerce) in pencil lower left Size: 8.2 × 6.6 on 12.9...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°7, 1956. Published and printed under the direction of Gualti...

Sol LeWitt (American, 1928-2007) Lines, Not Long, Not Heavy, Not Touching, Drawn at Random (Circle), 1970 Medium: Lithograph on wove paper Dimensions: 44.5 × 32.1 cm (17.5 × 12.6 in)...

"cocoons?" - 1976 Surrealist Lithograph on Paper 1976 surrealist lithograph on paper titled "cocoons?" by Jim Crabb (American, b. 1947). This piece features a variety of lines and f...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From volume, Joan Miro by Jacques Prévert and Georges R...

DORR BOTHWELL ( 1902 - 2000) MALLORCA Serigraph, Signed, titled and numbered 8/25 in pencil. Signed and dated in the print. Image. 13 1/8 x 9 inches, sheet 19 7/8 x 12 3/4 inches. ...

December The Happy Year Harry Bunce Limited Edition Print Published 2017 as an edition of 365 worldwide (one for each day of the year) + 31 unique hand-embellished pieces. 31.5 x 28...

Damien Hirst
 Fruitful (small), 2020 Laminated Giclée print on aluminium composite panel

 Digitally signed by the artist 
 39 x 39 cm Edition of 3308 The editions titled Fruitful f...

Joan Miró (Spanish, 1893-1983) Atmosfera Miró, 1959 Color lithograph Signed lower right, numbered 108/160 lower left 8.25 x 8 inches Joan Miró Ferra was born April 20, 1893, in Barc...

The Soldier's Ballad is a contemporary artwork realized by Max Ernst in 1972. Mixed colored lithograph on Arches Paper. Edited by Manus Presse, Stuttgart 1972. Not signed and not ...

Basquiat: Vrej Baghoomian gallery New York, 1989: Vintage original folding announcement card to Jean-Michel Basquiat at Vrej Baghoomian Gallery New York: 10/21 to 11/25, 1989. Pictured on front side is an image of Basquiat's iconic, 'Red Warrior.' A rare, highly collectible Basquiat ephemera piece that works well in any collection. Off-set printed gallery announcement. 8.75 x 5.75 inches (folded closed). Light signs of handling; otherwise very good overall vintage condition. Published by Vrej Baghoomian Gallery, New York, 1989. Unsigned from an edition of unknown. Scarce. Jean-Michel Basquiat rose to success during the 1980s. Basquiat’s paintings are largely responsible for elevating graffiti artists into the realm of the New York gallery scene. His spray-painted crowns and scribbled words referenced everything from his Haitian and Puerto Rican heritage, to political issues, pop-culture icons, and Biblical verse. The gestural marks and expressive nature of his work not only aligned him with the street art of Keith Haring and Kenny Scharf, but also the Neo-Expressionists Julian Schnabel and David Salle. “If you wanna talk about influence, man, then you've got to realize that influence is not influence,” he said of his process. After quickly rising to fame in the early 1980s, Basquiat was befriended by many celebrities and artists, including Andy Warhol, with whom he made several collaborative works. At only 27, his troubles with fame and drug addiction led to his tragic death from a heroin overdose on August 12, 1988 in New York, NY. The Whitney Museum of American Art held the artist’s first retrospective from October 1992 to February 1993. Related Categories: Basquiat Tony Shafrazi. Basquiat ephemera. Basquiat poster. Basquiat prints...

Division by Diagonal is a vintage offset print after Antoni Tàpies, printed on hand made paper. It is one of the prints belonging to a deluxe edition of 1982 limited to 2.000 specim...

A very good impression of this color lithograph on light gray Rives BFK. It is signed, dated and numbered 119/120 in pencil by Brown. Printed and published by Gemini, G.E.L., Los Ang...

JOSEF ALBERS, Bottrop 1888 - New Haven 1976 Homage to the Square, Renewed Hope, 1977 (no. 5) Color d'après silkscreen, mm. 207x207. (from 1962 oil on masonite). Perfect copy, publis...

Untitled (Plate 7) DLM Color lithograph, 1963 Unsigned (as issued) From: Derriere le Miroir, No. 141 Edition: 1500? Published by A. Maeght, Paris Condition: Mint Sheet/Image size: 1...

Christopher lithograph 2017: A rare original hand-signed lithograph by Christopher Wool, letter-pressed on fine, textured matte paper. This work was included as part of a ‘Merde 3/4’...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 164-165, 1967. Published by Aimé Maeght, Éd...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Joan Miró Lithographs, Volume III, 1977. Published by Maeght Édite...

Lithograph on papier vélin teinté, fait a la main paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Illuminations, 1949. Published by...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper - Artist Authorized reproduction Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Louise Bourgeois (French-American, 1911-2010) Je t'aime, 2005/2023 Medium: Fine bone china plate Dimensions: 26.7 diameter (10.5 in) Edition of 250: Not signed, not numbered (Printed...

Roy Lichtenstein Vintage Museum Press Kit (National Gallery, LACMA & Dallas Museum), 1994 -1995 Offset Lithograph brochures, press releases, magazines and a bookmark 12 x 9 inches Un...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Peintres mes amis, 1965. Published by Éditions d'art Les Heures Cla...

ARNALDO POMODORO Medaglia 25 Anni Tecno (Two Sided Bronze Medallion), 1979 Bronze (incised signature) 2 1/2 × 2 × 7/10 inches Edition 196/1600 Unframed This beautiful two sided limit...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°64, 1964. Published and printed under the direction of Gualt...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Paul Jenkins - Composition - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 Paul Jenkins, American (1923 - 2012) Paul Jenkins, an artist originally associated with abstract expressionism, exhibits in his mature works a redefining of color, light and space on the canvas surface. Born in Kansas City, Missouri in 1923, Jenkins worked as a teenager in a ceramics factory, where he was first exposed to color intensity and the creation of form. From age 14 to 18, he studied drawing and painting at the city's Art Institute. Initially interested in drama, Jenkins received a fellowship to the Cleveland Playhouse, then continued his dramatic studies in Pittsburgh at the Drama School of the Carnegie Institute of Technology. Deciding to become an artist, Jenkins moved to New York City in 1948 and studied at the Art Students League. During Jenkins's three years at the League, Yasuo Kuniyoshi and Morris Kantor were his influential instructors. While Jenkins continued to live and paint in New York City, his personal explorations took a metaphysical turn, which would ultimately become dominant in his work. P.D. Ouspensky's The Search of the Miracu/ous changed the artist's thoughts on human growth and limitations, while the Chinese I Ching, through its thematic emphasis on constant change, heightened his interest in flowing paint on canvas. Painting for Jenkins became an intuitive, almost mystical process. He commented, "I paint what God is to me." In 1953, Jenkins traveled to Paris, where, a year later, he had his first one-man show. While working at the American Artists Center, he continued to experiment with flowing paints, pouring pigment in streams of various thicknesses, with white thin spills as linear overlays. Jenkins's intent was to deny stasis and create a literal and metaphysical sense of dynamism, while maintaining a sense of unity. Beginning in 1958, Jenkins titled each canvas Phenomena, with additional identifying words. He believed the work to be descriptive of the discovery process inherent in each painting. Paralleling his beliefs, the artist's paintings have undergone subtle but definite changes. Beginning in the early 1 960s, a shift of color saturation and exposure of the white areas gave Jenkins's canvases an enhanced feeling of illumination. If Jenkins's technique is unorthodox, he is in many other ways a traditional artist. He works in an acrylic medium on traditional linen canvas or fine rag paper. Often he uses an ivory knife...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Things Kept Color lithograph, 1970 Signed & titled in pencil (see photos) Annotated: "Artists Proof" Printed on RIVES wove paper Condition: Excellent Sheet has aging consistent with ...

Reclining Figure by Henry Moore, 1967 Additional information: Medium: lithograph 30 x 30 cm 11 3/4 x 11 3/4 in signed, dated and numbered in pencil; further signed and dated again i...

Medium: original lithograph. Printed in 1980 for the art revue XXe Siecle and published in Paris by San Lazzaro. Size: 12 1/4 x 9 1/8 inches (310 x 232 mm). Not signed.

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 155, 1965. Published by Aimé Maeght, Éditeu...

This etching by Lucien Coutard is part of my private collection since the 1970's. It is signed. Lucien Courtard created surrealist depictions of sexuality, he called it Eroticism and...

Bat Embossed color aquatint and etching on Arches paper, 1976 Signed by the artist in pencil lower right (See photo) The Print Club of Cleveland stamp verso Edition: 261 The Print Cl...

Linocut on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°4, 1938. Published and printed under the direction...