Unframed Abstract Prints

Untitled (for the journal, XXe Siécle) Color lithograph on wove paper, 1973 Unsigned (as issued) From: XXe Siecle,, December 1973, No. 41 Published by G. di San Lazzaro for A. Maeght, Paris Printed by Mourlot, Paris Edition 3000 (There was also a signed edition of 75 on larger paper) Catalogue raisonné: Subsequent to Schmücking Condition: Excellent Image/Sheet size: 12 1/4 x 9 1/2 inches "Hans Hartung B. 1904, LEIPZIG, GERMANY; D. 1989, ANTIBES, FRANCE Hans Hartung was born on September 21, 1904, in Leipzig, Germany. He cultivated interests in philosophy, astronomy, music, and religion at a young age before he turned to painting. Early in his career he found inspiration in the works of Rembrandt van Rijn and Francisco de Goya, and later influences included Lovis Corinth, Oskar Kokoschka, Emil Nolde, and Max Slevogt. At just 17, Hartung began to experiment with abstraction, synthesizing the graphic techniques of his artistic models while completely eliminating figurative elements. Hartung entered the Universität Leipzig in 1924 to study philosophy and art history but left to concentrate on painting at the Kunstakademie, Leipzig. While Hartung was advised to pursue further training at the Bauhaus, he opted to study at the Kunstakademie, Dresden. In 1926 Hartung saw an exhibition of international art in Dresden, which exposed him to Cubism and other modern styles that had emerged in France. His encounters with works by Georges Braque, Juan Gris, Henri Matisse, and Pablo Picasso, along with various travels abroad, encouraged him to move to Paris in 1926, where he spent the majority of his time until 1932, although he passed the summer of 1928 in Munich studying under artist and theorist Max Dörner. In 1929 Hartung married the Norwegian painter Anna-Eva Bergman. After several years abroad, they tried to reestablish themselves in Berlin in 1935 but were soon forced into exile by the National Socialist regime. In the years leading up to World War II, Hartung's work reflected his attempts to reconcile chance and control, combining expressive graphic elements with patches of black and color to produce a sense of spontaneity. After the outbreak of the war, Hartung served in the Foreign Legion (1939–40), and later in the Free French (1943–44). He was gravely wounded at the German Front, and one of his legs was amputated. In 1945 he returned to Paris and resumed painting and the following year earned French citizenship. Hartung was a major figure in Art Informel and Tachisme (from the French tache, meaning blot or stain). While Hartung's postwar paintings are generally described as exhibiting a calligraphic quality, his work moved through a series of phases, becoming less spontaneous and more formally aggressive than his work from the late 1930s. In many works of the late 1940s and early 1950s, such as T-50 Painting 8 (T-50 peinture 8, 1950), he applied large areas of color to the canvas on which he painted a combination of bold black brushstrokes and thinner frenetic linear strokes. Hartung received several international awards, including the 1956 award for the Europe-Africa section at the Guggenheim International Award and the International Grand Prize for painting at the 1960 Venice Biennale. His first major group show was organized by curator and critic Christian Zervos at the Jeu de Paume, Paris (1937). After settling permanently in Paris, he exhibited regularly at the Salon des Surindépendants (1935, 1937, 1945). His first solo show took place at Galerie Lydia...

Image dimensions: 60 x 60 cm. After VHS is a lovely giclée print realized by the contemporary artist Dadodu in 2008. This original artwork shows a VHS in a contemporary and Pop key...

Figurative surreal dypoint print with ink and crayons by Polish artist Leszek Rozga. Artwork depicts several portraits in different styles. There is also a landscape on the bottom pa...

Colorful vintage poster for the 1980 Democratic National Convention, held in Madison Square Garden in New York.Concentric lines of orange and bright green interweave with strokes of ...

L'Oiseau Bleu is an artwork realized by Johnny Friedlander in 1963. Etching, Edition 5/20. Image Dimension cm . 47,5x31; Sheet Dimension cm 55x36. Handsigned in the lower right ...

A large scale abstract interior scene with bold black, white, red, pink, green, white and orange patterns and brushstrokes, based on an abstract oil painting. Pink and purple dots, y...

This is one of the most important motifs in the graphic oeuvre of Chillida. The Spanish artist is very well known for his large-scale sculptures which can be found in public as well ...

A Red, from Three Aquatints, 1979 Aquatint on six copper plates printed on Rives BFK paper Paper Size: 40 3/4 x 40 3/4 inches (103.5 x 103.5 cm); Image Size: 33 x 33 inches (83.8 x 83.8 cm) Signed and titled lower left front Edition of 50, 10 AP, 3 TP Published by Parasol Press, New York Printed by Hidekatsu Takada, assisted by David Kelso, Crown Point Press, Oakland, California Robert Mangold (born October 12, 1937) is an American minimalist artist. He is also father of film director and screenwriter James Mangold. Mangold first trained at the Cleveland Institute of Art from 1956-59, and then at Yale University, New Haven, (BFA, 1961; MFA, 1963). In 1961 he married Sylvia Plimack, and they moved to New York. In the summer of 1962 Mangold was hired as guard at the Museum of Modern Art. Mangold's work challenges the typical connotations of what a painting is or could be, and his works often appear as objects rather than images. Elements refer often to architectural elements or have the feeling architecture to them. He almost always works in extensive series, often carried through both paintings and lithograph works on paper. Mangold’s early work consisted largely of monochromatic free-standing constructions. In 1968 he began employing acrylic instead of oil painting, rolling rather than spraying it on Masonite or plywood grounds. Within the year, he moved from these more industrially oriented supports to canvas. In 1970 he began working with shaped canvases and within the year began brushing rather than spraying paint onto canvas. Mangold made his first prints in 1972 at Crown Point Press and has made prints throughout his career, working with Pace Editions and Brooke Alexander Editions. In 1965, the Jewish Museum in New York held the first major exhibition of what was called Minimal art (Minimalism) and included Robert Mangold. In 1967, he won a National Endowment for the Arts grant and in 1969, a Guggenheim Fellowship. In 1971, he had his first solo museum exhibition at the Guggenheim Museum. Major museum exhibitions of his work have since been held the Museum of Contemporary Art, San Diego (1974), the Stedelijk Museum in Amsterdam (1982), Hallen für Neue Kunst in Schaffhausen (1993), and Musée d’Orsay in Paris (2006). He has been featured in the Whitney Biennial four times, in 1979, 1983, 1985, and 2004. His work is related to Geometric Abstraction. Select Exhibitions Robert Mangold, Bruce Nauman, Richard Serra: Extended Drawing, Bonnefantenmuseum Accrochage: Donald Judd, Louise Lawler, Sol LeWitt, and Robert Mangold, Galerie Greta Meert, Carl Andre, Dan Flavin, Donald Judd, Robert Mangold, Robert Ryman, Andrea Rosen Gallery, NY Tara Donovan, Sol LeWitt, Robert Mangold, James Siena: Minimalist Prints, Augen Gallery, Portland Modulated Abstraction: Josef Albers, Carl Andre, Donald Judd, Ellsworth Kelly, Sol LeWitt, Robert Mangold, Fred Sandback, Richard Tuttle, Brooke Alexander Editions, New York, NY Drawings from the 1970’s, Mel Bochner, Robert Mangold, Robert Moskowitz, Fred Sandback, Richard Tuttle, Lawrence Markey, New York, NY Systematic: Anne Appleby...

This first edition screenprint, designed and created by renowned artist Robert Motherwell, was commissioned for the Mostly Mozart Festival presented at the Lincoln Center for the Per...

1980s Milton Glaser Poster Art: San Diego Jazz Festival: Vintage original Milton Glaser poster c.1983. Designed by Milton Glaser on the occasion of the San Diego Jazz Festival, a Pacific Coast event depicted with a suit-and-sandal clad bear at dusk. Several favorite Glaserisms show up here: the swirling contours, the loose cross-hatching and the saxophone. Offset lithograph poster in colors. 24x36 inches. Very good overall vintage condition with the exception of perhaps some minor signs of handling. A suit-and-sandal bear heralds this Pacific Coast event with a serenade with a beautiful sunset. Several favorite Glaserisms show up here: the swirling contours, the loose cross-hatching and the sax. Literature: Milton Glaser Posters Legendary graphic designer, illustrator, and art director Milton Glaser created some of the most recognizable iconography in America today —including the iconic I ♥ N Y logo —and countless posters and ad campaigns. Glaser changed the face of commercial art in the 1960s and ’70s, breaking with the conventions of modernism and drawing inspiration from a wide variety of art-historical and pop-cultural sources, from Art Nouveau to comic illustration...

NEW DECO by the woman artist Robin Morris, is an original handmade limited edition lithograph printed using hand lithography techniques on archival Arches paper, 100% acid free. NEW ...

Engraving, 2002 Edition : 20/50 76.00 cm. x 56.00 cm. 29.92 in. x 22.05 in. (paper) 76.00 cm. x 56.00 cm. 29.92 in. x 22.05 in. (image) Handsigned by the artist in pencil Ref : LCD...

Le Lézard aux Plumes d'Or is a beautiful and rare color lithograph on parchment, realized in 1967 by the Spanish Surrealist artist Joan Miró (Montroing, 1893 - Mallorca, 1983). Num...

TallerOr Screen print printed on "card board" (cream poster board), 1968 Signed and numbered in pencil Edition: 150 (54/150), plus 11 for the Vasarely Fou...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Giacometti, Alberto, et al. Giacometti: The Com...

Artist: Victor Vasarely (1908-1997) Title: TR-UR Year: 1980 Medium: Silkscreen on Arches paper Edition: 116/250, plus proofs Size: 39.25 x 30.75 inches Condition: Good Inscription: S...

Any work by Tobias Musicant is terrific. These New Jersey-made, mid-century near abstractions are generally scarce. The pieces I know are master works of American Modernism. Cubist c...

Edition of 75, Set of 6 33 x 71 cms (13 x 28 ins)

La melodie acide. original lithograph painting. signed on the stone and numbered 1 to 1500

"The Weight" - 1975 Black and White Lithograph on Paper 1975 Black and white surrealist lithograph by Jim Crabb (American, b. 1947). Black linear figures are depicted over a white b...

Opened to a page full of text, the book in this still life by Pablo Picasso is held open by a skull sitting atop it. Surrounded by angular shapes divided by straight lines, the geome...

Geometric abstract monotype print by David Collins on Asian paper, a unique print with no other editions. Geometric shapes in navy, coral and light blue are layered on a background t...

"Composición", (in Yellow) Year: 1977 Color etching Signed, dated, numbered in pencil Edition of 75 Size: 14.6 × 24.6 on 22.0 × 30.0 inches COA provided Joan Hernández Pijuan’s lif...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Artist: Gene Davis Title: Adam's Rib Year: 1980 Medium: Lithograph on Arches Paper, signed and numbered in pencil Edition: 250 Size: 19 x 27 in. (48.26 x 68.58 cm)

Tom Alan Lieber, (American, born 1949), GTW TL-11 1986, Oil and mixed media on paper, 30.25 x 44 inches, Hand signed and dated lower right Provenance: Garner Tullis Workshop, N....

Large black and marigold orange abstract interior scene of a bust in front of a window with fingerprints and painterly brushstrokes. Rich color and texture ideal for hanging in minimalist, contemporary and modern living spaces. Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring on Stoneridge mould-made etching paper. This print is one of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), Those…Plants). The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, marigold orange contrasts beautifully with rich black ink. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model. Howard Hodgkin was introduced to the etching technique used in Artist and Model at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Catalogue reference: Elizabeth Knowles...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 85-86, 1956. Published by A...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 148, 1964. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré a Georges Braque, Derniers messages,...

Silksreen, 1966 Handsigned by the artist in pencil and numbered 147/150 Publisher : Denise Renè, Paris Printer : Ateliers Arcay Catalog : [Benavides 57] 83.00 cm. x 75.00 cm. 32.68 ...

Agam, Yakov. AGM 167. Screenprint, not dated. Published by Circle FIne Art. Edition of 9, numbered 3/9 and signed in white ink. 5 1/2 x 26 3/4 inches (image), In excellent condition. Framed to 24 x 42...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Prints from the Mourlot Press, 1964. Published by Fernand Mourlot, Par...

Eric Orr, (American 1939-1998) In Barcelona, 1989, Color lithograph, hand signed in pencil and numbered from edition of 75 sheet 30 x 22", Published by Poligrafia Eric Orr (1939–1...

André Masson (1896 - 1987) - Hand-Signed Lithography, 1975 Additional Information: Material: Color lithography Edited in 1975 Limited edition, numbered in lower left corner 26/50 Si...

Artist: Alexandra Nechita Title: Soft Velvet Cat Year: 1998 Lithograph on Arches Archival Paper    Size; 35½'' x 23½'' inches Edition: Signed in pencil, dated and marked 65/199 Embo...

Original “The City of New Orleans” Amtrack railroad travel poster. The only thing that separates Chicago from New Orleans is your imagination. Archival linen backed in excellent, ...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Jennifer Bartlett Los Angeles 1984 Olympic Games (Hand Signed with Olympic Committee COA), 1982 Offset Lithograph; pencil signed on the front 36 × 24 inc...

Artist: Rita Simon, American (1938 - ) Title: Falling in Love Year: 1978 Medium: Screenprint, signed and numbered in pencil Edition: AP 30 Image Size...

L'Eunuque Impérial is a contemporary artwork realized by Joan Mirò in 1975. Mixed colored lithograph hand signed and numbered in pencil. Edition of 13/50. Ref. Cramer 1023.

Robert RAUSCHENBERG Cardbirds, 1972 exhibition, rare original poster For the exhibition "Cardbirds" at the Sonnabend Gallery Signed in the plate framed in walnut. 21 x26.5" framed. ...

Pablo Picasso (after) "Sylvette De Profil Gauche" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 329/500 lower left From the estate of...

Agustin Fernandez Construction - 1979 Print - Lithograph on Arches archival paper Paper size 21.75'' x 29.5'' inches Edition: Signed in pencil, dated and marked 1/300 Agustín Fernán...

Laura Moriarty's Ex Uno Plures 7 is a contemporary encaustic monotype on kozo paper. Layers of pigmented beeswax on lightweight paper create an undulating composition suggesting laye...

Renowned artists and designers April Greiman and Jayme Odgers 1984 Olympic Games Print (Hand Signed by both April Greiman and Jayme Odgers), 1982 Offset Lithograph Poster - art in sports - Signed in graphite pencil on the front. Accompanied by a letter of authenticity from the publisher Also accompanied by Certificate of Guarantee issued by Alpha 137 Gallery 36 x 24 inches Unframed Accompanied by a letter of authenticity from the publisher on Olympic letterhead. This is one of 750 hand signed lithographic posters (though fewer than 200 said to be extant), published in 1982 to celebrate the 1984 Los Angeles Olympics . April Greiman is an American designer widely recognized as one of the first designers to embrace computer technology as a design tool. Greiman is also credited, along with early collaborator, the late artist Jayme Odgers, with helping to import the European New Wave design style to the US during the late 70s and early 80s." The Olympic Committee commissioned 15 nationally known artists, including April Greiman and Jayme Odgers to create unique designs to promote the event. The complete list of artists is: Sam Francis, David Hockney, Richard Diebenkorn, Carlos Almaraz, Robert Rauschenberg, Jennifer Bartlett, Jonathon Borofsky, Roy LIchtenstein, April Gornik, Raymond Saunders, Martin Puryear, John Baldessari, Lynda Benglis, Billy Al Bengston and Garry Winogrand. This was Greiman and Odger's contribution to the portfolio. In 2017, the Olympic Museum in Lausanne Switzerland...

No 8.69 Ian Fraser Medium - Screen print Edition - 4/12 Signed - Yes Size - 780mm x 585mm Date - 1969 Provenance - From the Andrew Purches collection Condition - Very good. 9...

Martel Wiegand Falter Notierung 1 Linoleum Cut 1996 39.37 x 26.77 inches (100 x 68 cm) Edition: Unique Monogrammed and dated by hand COA provided *Condition: Some creasing along the...

Vintage Poster is an original manifesto realized by Leo Guida in 1975. Screen print. Good condition for the 8 copies of the artwork. Edition 42/150. Dated and signed. Leo Guida ...

Willem de Kooning Annual Spring Invitational Art Exhibition (limited edition, hand signed & numbered by Willem de Kooning), 1979 Offset lithograph (hand signed and numbered) Signed a...

Architectural print in conservation mount 59/75 Keith Milow (born 29 December 1945) is a British artist. He grew up in Baldock, Hertfordshire, and lived in New York City (1980–2002...

"Dark Cloudy Shapes" is a blue tones stunning handmade monotype that features an intricate interplay of mid-century modern shapes, all rendered in shades of blue. These shapes are ex...

ABOUT THIS PIECE: Julio Larraz is an expert draftsman, adroitly sketching his subjects and enlivening them with vibrant color. Larraz is recognized for his precise and detailed techn...

Letter I by Rafael Alberti, from the Alphabet series,  is a lithograph, realized by Rafael Alberti in 1972. Hand-signed and dated on the lower right margin.  Numbered on the lower ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 105-106, 1958. Published by Aimé Maeght, Éditeur, Paris...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

JOSEF ALBERS, Bottrop 1888 - New Haven 1976 Homage to the Square, Renewed Hope, 1977 (no. 5) Color d'après silkscreen, mm. 207x207. (from 1962 oil on masonite). Perfect copy, publis...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

LEONARD EDMONDSON (1916 – 2002) THE MOST FORMAL GARDEN, c. 1965 Color intaglio signed titled and annotated “Artist’s Proof" Irregular platemark 10 ¼ x14...