Unframed Abstract Prints

In this dynamic print, Pablo Picasso depicts a scene of bustling movement and overlapping subjects. The artist's use of perspective and use of layering deeply exaggerates the emotion...

This silkscreen was created by Swiss architect, designer, and artist, Max Bill. Bill is widely considered the single most decisive influence on Swiss graphic design. He sought to create forms that visually represent the New Physics of the early 20th century. This print was published for the 1972 Munich...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Presented by The Merchant House Gallery, Amsterdam (www*merchanthouse*nl). Please note: We have a special deal / discount through Fedex. Shipping prices are negotiable. Dry print on...

Peter Green Night Form #2, 1970 Paper Size = 26½" x 38½" inches Signed in pencil, titled, dated and marked 2/30 Born in 1933, Peter Green studied at Brig...

large scale abstraction of floral water clouds in a liquid landscape FLORA I by Christian Stoll 48 x 76 inches (122 x 193cm) signed edition of 7 25 x 40 inches (64 x 102cm) signe...

LIFE FORCE is a limited edition color lithograph printed using traditional lithography techniques on archival Arches paper by Lamar Briggs (1935-2015) American painter and Texas arti...

Cover for Derrière Le Miroir is an original lithograph realized by Antoni Tapies for the Art Magazine Derrière le Miroir no. 175, in 1968. Printed by Ateliers de Maeght, Paris, 19...

Carlos Almaraz Los Angeles 1984 Olympic Games (with COA from Olympic Committee), 1982 Offset Lithograph on Parson's Diploma paper, accompanied by COA from Olympic Committee. Signed i...

Alexander CALDER (1898-1976) Red, blue and black balloons Original lithograph, 1973 Signed in the plate On Arches vellum size 78 x 59 cm (c. 29 x 23 in) Very good condition

"Amazing day in Paris II". Inspired by my trip to Paris, the museums, the Eiffel Tower and the metro... We feel the diversity of cultures everywhere, a light Parisian atmosphere... I...

Antoni Tapies (Spain, 1923-2012) 'Oval i blanc', 1982 etching, aquatint, carborundum on paper Guarro Biblos 250g. 22.1 x 30 in. (56 x 76 cm.) Edition of 99 Unframed ID: TAP1162-018 H...

Nick Thomm 'After Dark' (Green) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #104 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NE...

Sightseeing is one of a group of ten prints which the artist made at Petersburg Press in 1972, each based on one of his paintings. Rosenquist’s Sightseeing 1962 oil painting on canva...

Nancy Graves 5745, for the Jewish Museum, 1984 Silkscreen on paper Signed, numbered 5/90 and dated in graphite pencil on the front; bears publishers' blind stamp front left corner 30 1/4 × 40 1/2 inches Unframed Commissioned by the Mr. and Mrs. Albert A. List Graphic Fund for The Jewish Museum, New York Signed, numbered and dated in graphite pencil on the front; bears publishers' blind stamp front left corner. Commissioned by the Mr. and Mrs. Albert A. List New Year's Graphic Fund for The Jewish Museum, New York. During the 1980s, various artists were commissioned to create a print celebrating the Jewish New Year. This is the silkscreen renowned sculptor Nancy Graves created to celebrate the year 5745 of the Jewish Calendar, beginning in September 1984 (Rosh Hashanah). This work was published in a limited edition of 90. The number 90 has special significance in Jewish gamatria (numerology) for several reasons, including the fact that it equals five times life - or Chai. The number for Chai, meaning "Life " s 18, and 18 x 5 = 90. This is a magical number in Judaism. All of the works were published in editions that were multiples of 18, or the Life. In her lifetime, Nancy Graves did not receive the renown or acknowledgement that her ex-husband and former Yale School of Art classmate Richard Serra did, but she is finally getting the recognition she richly deserves. Biography: Nancy Graves (1939 – 1995) is an American artist of international renown. A prolific cross-disciplinary artist, Graves developed a sustained body of sculptures, paintings, drawings, watercolors, and prints. She also produced five avant-garde films and created innovative set designs. Born in Pittsfield Massachusetts, Graves graduated from Vassar College in 1961. She then earned an MFA in painting at Yale University in 1964, where her classmates included Robert Mangold, Rackstraw Downes, Brice Marden, Chuck Close, as well as Richard Serra with whom she was married from 1964 to 1970. Five years after graduating, her career was launched in 1969 when she was the youngest artist — and only the fifth woman — to be selected for a solo presentation at the Whitney Museum of Art. Graves’ work was subsequently featured in hundreds of museum and gallery exhibitions worldwide, including several solo museum exhibitions. She was awarded commissions for large-scale site-specific sculptures and her work is in the permanent collections of major art museums. A frequent lecturer and guest artist, her work was widely documented during her lifetime. In 1991 she married veterinarian Dr. Avery Smith. Graves travelled extensively and was fully engaged with the cultural and intellectual issues of her times. Her brilliant career and life were cut short by her untimely death from cancer at age 54. From a point of view that she described as “objective,” Graves transformed scientific sources, such as maps and diagrams, into artworks by re-producing their complex visual information in detailed paintings and drawings. Investigating the intersections between art and scientific disciplines, Graves created compelling, formally rigorous, yet ultimately expressive works of art that examine concepts of repetition, variation, verisimilitude, and the presentation and perception of visual information. Based in SoHo, New York, Graves gained prominence in the late 1960s as a post-Minimalist artist for innovative camel, fossil, totem, and bone sculptures that were hand formed and assembled from unusual materials such as fur, burlap, canvas, plaster, latex, wax, steel, fiberglass and wood. Made in reaction to Pop and Minimalism, these works reference archaeological sites, anthropology, and natural science displays. Suspended from the ceiling or clustered directly on the floor, these early sculptures also engage with Conceptualist ideas of display. For her Whitney Museum presentation Graves exhibited three seemingly realistic sculptures of camels in an installation that evoked taxidermy specimens and questioned issues of verisimilitude in art and science, particularly in light of their hand patched and painted fur surfaces. The exhibition elicited wide spread critical responses and established her artistic significance. After intensely engaging with sculpture in the early 1970s, Graves returned to painting. Her detailed pointillist canvasses re-produced — in paint — images culled from documentary nature photographs, NASA satellite recordings, and Lunar maps, commingling scientific exactitude with abstraction. Resuming sculpture in the late 1970s, Graves was among the first contemporary artists to experiment with bronze casting. She re-invigorated the traditional lost wax technique by assembling cast found objects into unique improbably balanced sculptures, with bright polychrome surfaces and distinctive patinas. Throughout the 1980s Graves became widely recognized for her increasingly large and graceful open-form sculpture commissions. At the same time, she also expanded her drawing, painting, and printmaking practice and made large gestural watercolors. Then, in the late 1980s she created wall-mounted works that combined her explorations of sculpture, painting, form and color. In these large-scale pieces, she mounted high relief polychrome sculptural elements to the surfaces and edges of painted shaped canvases so that patterned shadows were cast onto the paintings and surrounding wall. By the 1990s Graves was casting in glass, resin, paper, aluminum, and bronze, combining these varied materials and colors into daring sculptures with moving parts. As she proceeded in all the media she mastered, Graves increasingly re interpreted and transmuted forms sourced from her own earlier artwork — rather than from outside research — creating elaborate compositions that form a layered a-temporal archaeology of her own visual production. Nancy Graves’ pioneering art...

No 8.69 Ian Fraser Medium - Screen print Edition - 4/12 Signed - Yes Size - 780mm x 585mm Date - 1969 Provenance - From the Andrew Purches collection Condition - Very good. 9...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

STONE OF THE TEMPLE by the Israeli artist Moshe Castel (1909-1991) is a limited edition lithograph printed using traditional lithographic techniques on archival Somerset paper 100% acid free. In STONE OF THE TEMPLE, a three dimensional relief 3D effect is visible in the black writings and textural stone tablet achieved by using shades of gray and black with predominate colors of deep red and yellow gold, warm orange, brown and black. Castel creates a very aesthetically appealing and captivating contemporary arrangement of ancient Jewish...

This is a super rare and imaginative print - LAST ONE - from the edition of only 10  (TEN) - and it makes an amazing gift!  Paul Leibow Coffee + Cigarettes, 2019 Lithograph on Newsprint Grey Somerset Velvet Printed at Tamarind Institute. Hand printed by Elena Carrasco under the supervision of Master Printer Brandon Gunn Pencil signed and numbered lower right from the edition of only 10 Bears Tamarind Institute chop mark lower left Accompanied by copy of detailed Tamarind documentation sheet Measurements: 28.25" (vertical) x 22" (horizontal) Unframed Critic Tris Mccall writes in a recent review: "Felix the Cat is older than Mickey. He was created over a century ago, and he's been fading in plain view ever since sound was added to motion pictures. But in his Gilded Age prime, Felix was incredibly popular: famous enough to leave a burn mark in his image on the collective imagination. The spirit of the Cat retains enough psychic power to guide the hand of at least one contemporary artist - painter and sculptor Paul Leibow... This playful, irreverent work uses the figure of Felix, or what's left of him, to comment on sexuality, decay and reassembly, mechanical reproduction and corporate branding, and the ubiquity and ambiguity of the commercialized image..." Lithograph with image concept invention of a non existent character: Feel licks ears over ads of vintage comics, creating a unique abstract work, including ghosted figures and cigarettes and coffee falling from an imagined earthquake. The attempt was to use a series from vintage characters that inform the piece, with a body inside the Feel Licks cat face structure. Includes a brain W-ray with lamb faces as a surreal interplay. 6-color print, derived from the artist Mark Rothko in a blend roll or orange and red hue. Limited edition print, signed recto from the edition of only 10 PAUL LEIBOW BIOGRAPHY Paul Leibow works in painting, sculpture, mixed media, and film. A documentary art video about his archival process was selected for the Metropolitan Museum of Arts (a program for art on film). Over his art career, his work has been selected for art books and exhibitions by curators from the Whitney Museum and Met. Leibow has created artworks for recording artist Bruce Springsteen for his world tour, including books, and branded icons/logos utilized for his concerts. 2019 awarded an art residency at Tamarind Institute New Mexico, with two editions archived in the New Mexico Art Museum (UNM). 2020 artworks featured in ArtMaze Magazine’s Winter Issue 16. Hyperallergic -FeelLicks Artwork “Pink”: painting included in review (Art Fair 14C) 2022 Born: New York City / School of Visual Arts - NY, BFA, / Summer Works: Art and design program– NY State / Studied with Milton Glaser 2023 Noyes Museum. NJAA Stockton. 2022 Jersey City Times Review from art critic Tris McCall at (Art Fair 14C) Nov. 2022 2021 Jersey City Times(BEST 2021 SHOW) #5 by art critic Tris McCall 2021 Novado Gallery - Review Solo Show review, Tris McCall_Jersey City Times 2021 ArtsBergen Sneak Peak: Award / Art video and panel discussion 2020 One Fair Wage: Created artwork for vertical billboard shown all over USA 2020 OFW: Featured artwork for new brand as vertical billboard in Times Square NYC 2019 New Mexico Art Museum (UNM) – Two Tamarind Editions archived into the museum. 2019 Tamarind Institute – Artist Residency (one of 4 artist awarded residency) 2019 Tamarind Institute Gallery – No Modifiers exhibition 2019 PABT Arts – New York City, Windows Gallery Aug. – November 2019 Le Galerista – French Canada –art used on apparel line 2016 MoRUS Museum, – Black Babylonian Beads- film premier, Museum reclaimed urban-space 2010 Borghi Fine Arts Gallery – NJ 2004 Waltouch Gallery – NJ 1998 Liquid Gallery – NJ Sibling Rivalry-a show with his brother. 1989 John Harms Center for the Arts, Bergen PAC – NJ 1987 John Harms Center for the Arts, Bergen PAC- NJ 1995 Watchung Arts Center NJ Installation (Elucidations of the empty) 1995 Montclair State University Art Gallery – NJ Abstract Polarities -Jurior by Ivan Karp SELECTED EXHIBITIONS 2022 Hyperallergic -Artwork painting included in review from Art Fair 14C Nov. 2022 2022 ART FAIR 14C Artwork selected for juried exhibition fundraiser Art Fair 14C Nov. 2022 2021 Novado Gallery_ Solo Show Sept 10th / Jersey City Times review by Tris McCall 2021 SHRINE.NYC / Group Show 7 2021 WNYC –poem entitled THIS, aired on April’s (poetry month) 2021 SHRINE – NYC / Group Show - online Exhibition 2020 Montclair Art Museum – JAM at MAM auction / online Exhibition 2020 Art maze Magazine’s Winter Issue 16 - international artists featured in the print edition 2020 Artcritical –David Cohen selected work for Alpha 137 Gallery show 2020 The Museum of Hoboken: Featured in Every Mask a Blank Canvas Exhibition 2020 BSB gallery – Silent auction / Online Exhibition 2020 Transformative – Online Exhibition 2020 Novado Gallery – N.J. handling work included in Exhibition RED 2020 Sugar Press – CA Print editions 2019 Paper west –Utah 2019 Frontline Arts –Oct. (The war on the world) 2019 Edward Williams Gallery – FDU, NJ Red carpet hides beneath our desire 2019 Tamarind Institute, Artist Residency New Mexico, May exhibition ”No Modifiers” 2019 Studio Montclair Gallery, NJ, Everyday Objects 2019 Studios Projects Gallery “HA exhibition” and artist talk – Hoboken NJ 2018 Paper west – Utah 2018 1340 Galley – Art registry 2018 The Rotunda Gallery – Abstract show- June, Photography shows July 2018 Edward Williams Gallery – Group FDU 2018 Union Street Galley – Pen & Ink show- March, Chicago Il. 2018 bG Galley: Stripes show – Santa Monica CA 2017 Alvin...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°23, 1963. Published and printed under the direction ...

Lithograph, 1965 Handsigned by the artist in pencil and numbered 38/75 Publisher : Pierre Matissse (New York) Printer : Mourlot (Paris) Catalog : [Maeght 384, p. 79] 42.00 cm. x 55.0...

Composition in red is a colored screen print realized by the contemporary artist Giulio Turcato. Hand-signed in pencil on the lower right. Numbered on the lower left margin, editi...

Color Lithograph on Arches paper realized by Sonia Delaunay in 1972. Hand signed in pencil, dated 72 and numbered 43/90. Prov. Private Collection, Milan. Very good condition.

Mul, Bul Dang & Sentimentality A.R. Penck, German (1939–2017) Date: 1988 Woodblock, signed and numbered in pencil Edition of 300 Size: 35 in. x 27 in. (88.9 cm x 68.58 cm)

Pablo Picasso (after) "Pigeons" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 327/500 lower left From the estate of Pablo Picasso wit...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper - Artist Authorized reproduction Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

Collotype in colours with collage and hand-colouring Edition 24 of 98 75.8 x 55.8 cm (29.8 x 22 in) Signed with initials and numbered on the front Condition upon request Published by...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°9, 1957, in an edition of MM; however, unsold issues...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world of digital art. Drawing inspiration from the ethereal beauty of nature, Fontaine's artistic journey has taken her on an imaginative exploration of space, depth, and emotion through the medium of large digital prints. Her signature style is characterized by the use of vast, immersive gradients that seem to stretch infinitely across space. These gradients evoke a sense of enigmatic calmness, inviting viewers to lose themselves in the expanse of her visual landscapes. Her ability to create a feeling of boundless depth and space within her pieces, combined with subtle minimalist compositions, is a testament to her mastery of the digital medium. Fontaine’s pieces resonate with audiences seeking a connection to the sublime, offering a window into a world where colors blend seamlessly and boundaries dissolve. Her work can be found in several private collections throughout Europe and the United States. She currently lives and works between Barcelona and Lausanne. Details: Title: Dawn from an Airplane...

Nick Thomm 'After Dark' (Orange) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #104 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: N...

Colored etching on paper. Image Dim: cm 32 x 44; Dim: cm 50 x 65. Embossed stamp on paper. Hand-signed on lower-right and hand-numbered with pencil on lower-left. Title at the cent...

Silkscreen on Mohawk Superfine Bristol paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, X + X, Ten Works by Ten Painters, 1964. Publishe...

Artist: After Francis Bacon (1909-1992) Title: Le Boeuf, exhibition poster Year: 1986 Medium: Offset Lithograph on premium paper Size: 30.75 x 18 inches Condition: Excellent Notes: Published by Foundation Maeght FRANCIS BACON (1909-1992) Francis Bacon has a distinctive style as a figure painter. In his mature style, developed in the 1950s, the paintings include images of either friends or lovers, or images of people found in movie stills...

8 Colour Screenprint on Somerset Satin White 410gsm Paper 78 x 61 cm hand-signed and numbered by the Artist Eelus is a contemporary British artist known for his striking use of colo...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Prints from the Mourlot Press, 1964. Published by Fernand Mourlot, Par...

John Baldessari The Sprinters, 1982 Limited Edition Offset Lithograph on Parson's Diploma paper Signed in graphite pencil on the front. Accompanied by letter of authenticity from the publisher 36 x 24 inches Unframed Provenance: Acquired as part of the complete SIGNED 1984 Olympic Lithographic Print Portfolio Exhibition History: Olympic Museum in Lausanne, Switzerland, 2017 (different edition) Accompanied by a letter of authenticity from the publisher on Olympic Committee letterhead. This is one of 750 hand signed lithographic posters, published in 1982 to celebrate the 1984 Los Angeles Olympics...

Cin Cin is an original etching artwork realized by G. I Brook, Signed on the plate. In very good condition. Included a White Passepartout: 49 x 34 cm. The a...

Roland Martin Abstract Geometric Composition Medium: Color Silkscreen Year: 1972 Signed, numbered and dated by hand Edition: 15 Condition: Minor Defects Size: 23.2 × 16.4 inches COA provided Roland Martin (born July 29, 1927 in Tuttlingen ) is a German sculptor . As a 16-year-old Martin was used in 1943 as a Luftwaffenhelfer, towards the end of the war he was taken prisoner. From 1946 to 1951 he studied at the Bernstein School in Glatt with Hans Ludwig Pfeiffer and Paul Kälberer In 1950 he was for a short time at the State Academy of Fine Arts Karlsruhe, Field Office Freiburg in Freiburg im Breisgau with Wilhelm Gerstel, from 1951 to 1952 he was a student of Fritz Nuss. Since 1952 Martin works as a freelance sculptor in Tuttlingen. Among his students is Jörg Bach...

Lithograph on Velin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Au Soleil du Plafond, 1955. Published by Éditions de la Re...

Artist: (after) Helen Frankenthaler (American, 1928-2011) Title: "Rose Art Museum (Open Wall)" Year: 1981 Medium: Original Offset-Lithograph, Exhibition Poster on light wove paper Li...

Lithograph, 1974 Handsigned by the artist in pencil and numbered 128/190 LCD5080

"Day For Night-Summer Night" captures a view from the east side of Shizico Yi's long garden, looking towards the west gate where the 130-year-old lime trees canopy frames her summer ...

Giclée on Somerset Photosatin paper with deckled edges Edition of 100 53.3 x 43 cm (21.1 x 17 in) Signed and numbered Mint, as issued. Sold with accompanying book 

Frank Stella at Leo Castelli (Hand Signed and Dated), 1969 Offset Lithograph Invitation Boldly signed and dated 2014 in black marker; Stella signed this f...

A moody, evocative black and white abstract etching by pioneer Bruce Nauman. Bruce Nauman (born December 6, 1941) is an American artist. His practice spans a broad range of media inc...

Pablo Picasso (after) "Tete De Mort, Lampe, Cruches Et Poireaux" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 318/500 lower left From the estate of Pablo Picasso with an embossed blindstamp in the lower right side of the piece. After Pablo Picasso's death in 1973, his granddaughter Marina authorized the printing of these original lithographs, which have come to be known as the Picasso Estate...

James Brooks James Brooks at Martha Jackson gallery (rare Abstract Expressionist poster), 1972 Offset Lithograph poster Unsigned, unnumbe...

Constellation Silkscreen in colors, 1969 Signed, dated, titled and numbered in pencil Edition: 100 (56/100) Condition: Excellent Image Size: 17 x 17 inches Sheet size: 20 x 20 inch...

Etching Handsigned by the artist in pencil and annoted EA 90.00 cm. x 63.00 cm. 35.43 in. x 24.8 in. (paper) 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (image) Annoted "EA" LCD4559

Karel Appel Looking Around Signed Limited Edition Lithograph 1971 39.25 x 28.25" inches Signed, marked 12/100 and dated 71 Karel Appel is one of the founding members of the CoBrA ...

L'Eunuque Impérial is a contemporary artwork realized by Joan Mirò in 1975. Mixed colored lithograph hand signed and numbered in pencil. Edition of 13/50. Ref. Cramer 1023.

Staring at each other lovingly, the mother and child in this print by Pablo Picasso are representative of the maternal bond between individuals in this relationship. Rendered in soft...

Colorful dots, lines and squares in bright blue, pink, green, lilac and yellow in wood grain form a totem against a lavender purple background. This jubilant take on Cubism features David Hockney’s signature palm trees on either side of the composition, and geometric clouds float in the dark sky. Based on Hockney’s 1980 drawing “Cubistic Bar.” This vintage poster was designed by the artist in our studio and comes directly from our Petersburg Press...

Pierre Clerk African Suite #7 Monaco - 1980 Print - Silkscreen, on Arches archival paper 30.5'' x 19.5'' Edition: Signed in pencil, dated and marked 173/200 unframed The images of ...

Artist: (after) Jasper Johns (American, 1930-) Title: "Flag III" Series: Facsimile Catalogue of Jasper Johns Prints *Issued unsigned Year: 1975 Med...

Orange Personage is an original limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on archival Arches printmaking paper, 100% acid f...

Rendered in soft, neutral colors with light lines and shading, this portayal of a young child at breakfast time is sweet and endearing. Forgoing the Cubist style, Pablo Picasso inste...

Artist: Helen Frankenthaler (after), American (1928 - 2011) Title: Live from Lincoln Center, 20th Year (Eve) Year: 1995 Medium: Lithograph Poster, signed in the plate Size: 48 in. x ...