Oversized Prints and Multiples

TECHNICAL INFORMATION Robert Rauschenberg Soviet American Array VI 1988 - 1990 Intaglio in 16 colors on Saunders Paper 88 1/2 x 52 in. Editi...

Tadanori Yokoo "The 6th International Biennial Exhibition of Prints in Tokyo" The National Museum of Modern Art, Tokyo, 1968 Offset lithograph poster 42...

Carlos Ruano Llopis (1878-1950) Original Vintage Bullfighting Poster June 1947 107cm x 53cm Carlos Ruano Llopis was born in 1878 in Orbs, Spain w...

This large scale, ethereal portrait depicts a tranquil male nude figure floating in pink and blue. Based on a tempera painting, an expressionist, emotive piece to bring dramatic impa...

large scale abstract photograph of muted color monochromatic water surface and horizon SEASCAPE IV by Frank Schott an homage to Mark Rothko 70 x 56 inche...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic marine nature of oceanic water and cloudscapes Sea...

The Fabriques de Geneve is a charming poster created for a jewelry store that specialized in engagement and bridal presents. The poster uses the cameo of an engagement ring to show t...

Original Queen of the Jungle vintage lithograph movie poster, archival linen backed. US 1-sheet. "The Temple of Mu." Serial. Episode No 10. St...

This abstract landscape limited edition print by Elwood Howell features the artist's signature high horizon line. Lush, green abstracted land extends the width of the composition, wi...

Original poster made Jean Carlu 🇫🇷 (1900-1997) a French advertising designer and poster artist for the Ministry of War, to invite "young sportsmen to join the French army." He beg...

Rhythmic serenity emanates from this delightful work. Miro creates a quirky yet sophisticated pattern of decorative and playful spots, irregular yet rep...

In a number of posters, Cappiello gave the advertised product life by conjuring up a personality for it. He found a way either to breathe life into a commodity by adding arms, legs o...

Artist: LeRoy Neiman, American (1921 - 2012) Title: Harlem Streets Year: 1982 Medium: Screenprint, signed in pencil Edition: PP Image Size: 24 x 41.5 inches Size: 30 x 48 in. (76.2 x...

Original BLAZING the OVERLAND TRAIL 1956 Chapter 1, US 1-sheet .. Lee Roberts, Tom Bridger. Chapter 1. "Gun Emperor of the West!" NSS: 56/4803. Archival linen backed with original fold marks restored, ready to frame. Blazing the Overland Trail, Heroes of the Pony Express!, the 1956 Spencer Gordon Bennet cowboy western serial ("A Columbia Super-Serial") starring Lee Roberts ("as Tom Bridger, Army Scout"), Dennis Moore, Norma Brooks, Gregg Barton, and Don C. Harvey. Heroes of the Pony Express! Movie poster description: BLAZING THE OVERLAND TRAIL 15 CHAPTER SERIAL , Chapter ! 1956 "Blazing the Overland Trail" is Columbia's 57th and last serial production and also the last sound-era serial (of 231 total) made for theatrical release by any major studio. PLOT: Rance Devlin intends to build his own empire in the American west, using his Black Raiders and allied Indians to do so. Only US Army scout Tom Bridger, associated with Pony Express rider Ed Marr and US Cavalry Captain Frank Carter, can stop him. This is a genuine 27" x 41" U.S. one-sheet ORIGINAL MOVIE POSTER issued by the studio when the film was released and meant for theatrical display. CAST: Lee Roberts … Tom Bridger Dennis Moore … Ed Marr Norma Brooks … Lola Martin Gregg Barton … Captain Carter Don C. Harvey … Rance Devlin Lee Morgan...

This is a contemporary photograph of an African Lion. 40x60 Edition of 10. Signed by Shane. Printed on archival paper and using archival inks Framing available. Inquire for rates...

Paper Size: 46 x 46 inches ( 116.84 x 116.84 cm ) Image Size: 46 x 46 inches ( 116.84 x 116.84 cm ) Framed: No Condition: A: Mint Additional Details: Reproduction of Merlin, an...

This limited edition three-color silkscreen poster was designed by renowned artist Robert Indiana and donated to the Lincoln Center for the Performing Arts in 1964. As the second pos...

color lithograph, linocut, and screenprint with hand-coloring collage on T.H. Saunders and hand-cut Somerset paper Edition 48 of 60 signed, dated, and numbered in pencil (sheet) 52....

Heidler & Heeps Vinyl Collection Fifteen Piece Rainbow Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler h...

"Diamond Dust Shoes (Black and White)" is a screen print by American pop artist Andy Warhol. It is signed and editioned verso, " 18/60 Andy Warhol" Stamped verso, "© Andy Warhol 1980...

The timeless tale of "La Belle et la Bête" has captivated audiences for centuries, with its origins dating back to Gabrielle-Suzanne Barbot de Villeneuve's 1740 novel. In 1946, the visionary filmmaker Jean Cocteau brought this beloved story to life in his first feature film adaptation. His cinematic masterpiece enchanted viewers with its breathtaking sets, lavish costumes, and groundbreaking visual effects. The film, starring Jean Marais and Josette Day, has since become a cherished gem of French cinema, with its enduring legacy living on in both animation and live-action adaptations. In 2017, the tale was reimagined once again in a live-action format. However, in the realm of film poster art, the 1951 original second edition by Jean-Denis Malclès stands as a true work of art. Jean-Denis Malclès, an accomplished French artist, was known for his expertise in various artistic mediums. From opera set designs to book illustrations, his passion for painting shone through. His lifelong friend and renowned filmmaker, Jean Cocteau, commissioned Malclès to create a poster that would capture the essence of his fantasy romance film, "La Belle et la Bête." Malclès' foray into the world of film poster design was a departure from his usual artistic pursuits, but it resulted in a work of sheer magnificence. Malclès' poster for "La Belle et la Bête" is nothing short of magnificent. It exquisitely captures the magical and surreal imagery that defines the film. The central imagery depicts a stunning representation of Belle and the Beast, with the Beast in a regal pose as Belle gently embraces him. The use of color, shadow, and light in the poster evokes the enchanting atmosphere of the film. It is a true testament to Malclès' ability to convey complex emotions and themes with simplicity and elegance, much like the film itself. Jean-Denis Malclès' poster for "La Belle et la Bête" is widely regarded as one of the most iconic and definitive film posters of the 20th century. Its ability to capture the essence of Cocteau's cinematic masterpiece while retaining its artistic integrity is nothing short of remarkable. The poster has endured through the decades and remains a testament to the enduring power of art to evoke the magic of cinema. In conclusion, Jean-Denis Malclès' 1951 original second edition movie poster for "La Belle et la Bête" is a testament to the everlasting appeal of both the film and the story. Malclès' exceptional artistic talent was instrumental in creating a work of art that transcends the boundaries of mere film promotion...

Artist: Kenny Scharf Title: Schrungle Year: 2022 Medium: Archival pigment print in colors with high gloss varnish and diamond dust on Innova Etching cotton rag 315 gsm fine art pape...

from a series of photographic observances capturing the antics of urban gardening's tree trimming and striking art of topiaries' green minimalism Topiary V by Frank Schott 60 x 44....

This is a black and white archival inkjet print on Canson Infinity paper. Hand signed and numbered by the artist, John Baldessari. To commemorate the 40th anniversary of Lincoln Cent...

ATARI Imperatore by Frank Schott from a series of photographic observances capturing urban textures and color palettes 30 x 46.25 inches / 76cm x 118cm edition of 25 signed 48 x ...

The original vintage poster by Emil Cardinaux for the Jungfrau Railway in the Bernese Oberland, Switzerland, is a classic example of early 20th-century travel advertising. Emil Cardi...

"Mozart Night" by Jules Olitski is a captivating work that epitomizes the artist's innovative approach to color and abstraction. Hand signed, dated, titled, and numbered out of an ed...

Murakami's epic 'Of Chinese Lions, Peonies, Skulls and Fountains' is a large-format offset lithograph based on a painting from 2011 - image size 28 x 55.25 inches and framed size 41....

Screenprint on paper , edited in 1975 Limited edition of 150 copies Current copy numbered: 143/150 on the verso Initialed in pencil by artist lower right Blindstamp on the verso: spe...

Carlos Ruano Llopis (1878-1950) Original Vintage Bullfighting Poster March 1953 107cm x 53cm Carlos Ruano Llopis was born in 1878 in Orba, Spain ...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Stratosphere' STRA...

Kingsdown Beach which is part of the ’Coast Paintings’ series. Created in 2019, ’Coast Paintings’ are colourful action paintings which convey the energy, excitement and change experi...

edition 2/5 BARBARA KUEBEL is a Daphne, AL-based artist who uses oil and pencil for her works on paper and on canvas. She was born and raised in Austria and earned two art degrees f...

ROY LICHTENSTEIN (1923-1997) Roy Lichtenstein's 'Two Paintings (Corlett 205)' is a 1984 multimedia relief print in colors using woodcut, lithograph and screen print techniques on wo...

Blindspot Richard Serra, American (1938–2024) Date: 2003 Poster, signed in marker lower right Size: 35 x 40.5 in. (88.9 x 102.87 cm) Printer: Anthony McCall...

A contemporary photograph of 2Pacs iconic "All eyez on me" cassette tape. This is s the first release in the much anticipated series "The Music" by pop Artists Destro These iconic ta...

This is a contemporary black and white photograph of American Wild Mustangs. "They represent the ultimate expression of American freedom" - Wild Horses 36x48 Edition of 12. Printed...

Tom Alan Lieber, (American, born 1949), GTW TL-11 1986, Oil and mixed media on paper, 30.25 x 44 inches, Hand signed and dated lower right Provenance: Garner Tullis Workshop, N....

This is an exclusive handprinted limited edition cyanotype. "Serene Cove Ripples" is a gorgeous original cyanotype diptych showing calming sea ripples in a Mediterranean cove. Deta...

Flauta is a digital pigment print on canvas printed by the award-winning Kolibri Art Studio, 25.5 x 39.5 inches, signed 'Felix Mas' lower right and numbered 282/295 lower left. Frame...

The Spring series represents Katz’s profound engagement with the cyclical nature of time. The abstracted compositions of falling leaves or budding branches embody a conceptual rather...

Francesco Clemente (Italian b. 1952), 'This side up / Telemone #2, 1981 Medium: Intaglio hard ground etching, color aquatint, drypoint, and soft-ground etching with chine collé (ha...

Step into the alluring world of vintage poster art, where Leonetto Cappiello's 1933 masterpiece, "Baudin La Cuisinière des Cuisinières" (Baudin, the Cook of Cooks), invites us to cel...

Alphonse Mucha 1898 "JOB" poster. Printed by: “Imp. F Champenois 66 Boul, St Michel, Paris” in 1898 Very good (A-) condition with toning throughout and less under matting. Linen b...

Nancy Graves 5745, for the Jewish Museum, 1984 Silkscreen on paper Signed, numbered 5/90 and dated in graphite pencil on the front; bears publishers' blind stamp front left corner 30 1/4 × 40 1/2 inches Unframed Commissioned by the Mr. and Mrs. Albert A. List Graphic Fund for The Jewish Museum, New York Signed, numbered and dated in graphite pencil on the front; bears publishers' blind stamp front left corner. Commissioned by the Mr. and Mrs. Albert A. List New Year's Graphic Fund for The Jewish Museum, New York. During the 1980s, various artists were commissioned to create a print celebrating the Jewish New Year. This is the silkscreen renowned sculptor Nancy Graves created to celebrate the year 5745 of the Jewish Calendar, beginning in September 1984 (Rosh Hashanah). This work was published in a limited edition of 90. The number 90 has special significance in Jewish gamatria (numerology) for several reasons, including the fact that it equals five times life - or Chai. The number for Chai, meaning "Life " s 18, and 18 x 5 = 90. This is a magical number in Judaism. All of the works were published in editions that were multiples of 18, or the Life. In her lifetime, Nancy Graves did not receive the renown or acknowledgement that her ex-husband and former Yale School of Art classmate Richard Serra did, but she is finally getting the recognition she richly deserves. Biography: Nancy Graves (1939 – 1995) is an American artist of international renown. A prolific cross-disciplinary artist, Graves developed a sustained body of sculptures, paintings, drawings, watercolors, and prints. She also produced five avant-garde films and created innovative set designs. Born in Pittsfield Massachusetts, Graves graduated from Vassar College in 1961. She then earned an MFA in painting at Yale University in 1964, where her classmates included Robert Mangold, Rackstraw Downes, Brice Marden, Chuck Close, as well as Richard Serra with whom she was married from 1964 to 1970. Five years after graduating, her career was launched in 1969 when she was the youngest artist — and only the fifth woman — to be selected for a solo presentation at the Whitney Museum of Art. Graves’ work was subsequently featured in hundreds of museum and gallery exhibitions worldwide, including several solo museum exhibitions. She was awarded commissions for large-scale site-specific sculptures and her work is in the permanent collections of major art museums. A frequent lecturer and guest artist, her work was widely documented during her lifetime. In 1991 she married veterinarian Dr. Avery Smith. Graves travelled extensively and was fully engaged with the cultural and intellectual issues of her times. Her brilliant career and life were cut short by her untimely death from cancer at age 54. From a point of view that she described as “objective,” Graves transformed scientific sources, such as maps and diagrams, into artworks by re-producing their complex visual information in detailed paintings and drawings. Investigating the intersections between art and scientific disciplines, Graves created compelling, formally rigorous, yet ultimately expressive works of art that examine concepts of repetition, variation, verisimilitude, and the presentation and perception of visual information. Based in SoHo, New York, Graves gained prominence in the late 1960s as a post-Minimalist artist for innovative camel, fossil, totem, and bone sculptures that were hand formed and assembled from unusual materials such as fur, burlap, canvas, plaster, latex, wax, steel, fiberglass and wood. Made in reaction to Pop and Minimalism, these works reference archaeological sites, anthropology, and natural science displays. Suspended from the ceiling or clustered directly on the floor, these early sculptures also engage with Conceptualist ideas of display. For her Whitney Museum presentation Graves exhibited three seemingly realistic sculptures of camels in an installation that evoked taxidermy specimens and questioned issues of verisimilitude in art and science, particularly in light of their hand patched and painted fur surfaces. The exhibition elicited wide spread critical responses and established her artistic significance. After intensely engaging with sculpture in the early 1970s, Graves returned to painting. Her detailed pointillist canvasses re-produced — in paint — images culled from documentary nature photographs, NASA satellite recordings, and Lunar maps, commingling scientific exactitude with abstraction. Resuming sculpture in the late 1970s, Graves was among the first contemporary artists to experiment with bronze casting. She re-invigorated the traditional lost wax technique by assembling cast found objects into unique improbably balanced sculptures, with bright polychrome surfaces and distinctive patinas. Throughout the 1980s Graves became widely recognized for her increasingly large and graceful open-form sculpture commissions. At the same time, she also expanded her drawing, painting, and printmaking practice and made large gestural watercolors. Then, in the late 1980s she created wall-mounted works that combined her explorations of sculpture, painting, form and color. In these large-scale pieces, she mounted high relief polychrome sculptural elements to the surfaces and edges of painted shaped canvases so that patterned shadows were cast onto the paintings and surrounding wall. By the 1990s Graves was casting in glass, resin, paper, aluminum, and bronze, combining these varied materials and colors into daring sculptures with moving parts. As she proceeded in all the media she mastered, Graves increasingly re interpreted and transmuted forms sourced from her own earlier artwork — rather than from outside research — creating elaborate compositions that form a layered a-temporal archaeology of her own visual production. Nancy Graves’ pioneering art...

Drypoint etching with stencil on Rives paper, edited in 1971. Limited edition in 150 copies. Numbered as EA (épreuve d'artiste) (artist's proof) in lower left corner. Hand-signed in ...

**Annual Summer Sale Until August 31st** **This Offer Won't Be Repeated Again This Year - Tale Advantage of it** GIGI: Serengeti Dancing Queen is a very speci...

Archival pigment print, 2021, on Innova Etching Cotton Rag 315 gsm paper, signed in pencil, numbered from the edition of 100, Lococo Publishing, Missouri, 80 x 119 cm. (31½ x 46¾ in.)

The original poster by J. Basté in 1918, promoting the 4th national loan for the Banque Industrielle de Chine, stands as a testament to the financial mobilization efforts during Worl...

This realistic limited edition print captures highly detailed, close up view of river water running over small, colorful rocks. Above the shapes, textures, and earthy colors of the r...

Juan Reus (1912-2003) Original Vintage Bullfighting Poster March 1944 107cm x 53cm Juan Reus was born in 1912 in Valencia, where he became a well-known pain...

The wife of Thadée Nathanson, the editor of the French art and literary magazine La Revue Blanche, Misia Nathanson is presented here in beautiful form. Wonderfully strong but sparse line work mixed with soft curves and billowing forms are Lautrec signatures, but what is interesting is his respect for Misia is widely apparent. A white fur shawl...

Pablo Picasso, After, Spanish (1881 - 1973) - Maternite, Portfolio: Marina Picasso Estate Lithograph Collection, Year: of Original: 1921 Year Printed: 1979-1982, Medium: Lithogra...

mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic pool reflections paintings by artist David Hockney H2O ll by Erik...

Paper Size: 29.75 x 41.75 inches ( 75.565 x 106.045 cm ) Image Size: 22.5 x 41.75 inches ( 57.15 x 106.045 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Ag...

**ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** THIS PRICE WON'T BE REPEATED AGAIN THIS YEAR - TAKE ADVANTAGE OF IT** **IMPORTANT: This is a Limited edition of 30 museum quality prints on...

This abstract limited edition print by Sofie Swann features a square pattern composition in a deep red color, with abstracted, thin black line drawings of roses within each square. T...

Pablo Picasso (1881-1973) - L'homme au mouton Lithograph from 1967. The edition of 223/500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, second of the ...

Faces Abstract Collection by Irena Orlov Introducing "Abstract Cubist Portrait - Human Faces Abstract Collection - HFC 29" - Limited Edition Textured Canvas Print "Abstract Cubist ...

ROBERT MOTHERWELL (1915-1991) London Series II: Untitled (Blue/Pale Blue) Screenprint in color on J.B. Green paper, c. 1971 Initialed and numbered by the artist, full ...