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Medium: Etching
HAMBURGER KNIEPPE
Located in Santa Monica, CA
KATHE KOLLWITZ (1867-1945)
HAMBURGER KNIEPPE, 1901) (K.58 IIIb)
Soft Ground Etching, Plate 9 ¾ x 8 ¼ sheet 10 ½ x 13 ¾. With the von de Becke blind stamp in the lower right. Prin...
Category
Early 1900s Expressionist Etching Interior Prints
Materials
Etching
Home David Hockney (Six Fairy Tales from the Brothers Grimm) Clandeboye House
Located in New York, NY
From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of ‘The boy who left home to learn fear’. Hockney chose this story for its ...
Category
1960s Modern Etching Interior Prints
Materials
Etching, Aquatint
The Roman Colosseum: A Framed 18th Century Etching of the Interior by Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta dell'interno dell'Anfiteatro Flavio detto il Colosseo" (View of the interior of the Flavian Amph...
Category
1760s Old Masters Etching Interior Prints
Materials
Etching
Those... Plants Howard Hodgkin red orange green etching watercolour gouache
Located in New York, NY
Around each corner of the print, a brilliant stripe of green outlines the image field, as if the viewer were looking through an eye, or peering through a frame. The back of a figure’...
Category
Late 20th Century Abstract Etching Interior Prints
Materials
Watercolor, Gouache, Etching
Rococo interior design and furniture, German mid 18th century etching
By Franz Xaver Habermann
Located in Melbourne, Victoria
Rococo interior design and furniture, etching, by Franz Xaver Habermann (1721-1796), circa 1750.
Lettered 'F. X. Haberman, inv. et del. loh. Georg Hertel, excud : Aug. Vind., number...
Category
Mid-18th Century Rococo Etching Interior Prints
Materials
Engraving, Etching
Inside the castle by David Hockney (Six Fairy Tales from the Brothers Grimm)
Located in New York, NY
From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image of the story ‘The boy who left home to learn fear’. Hockney chose this story for its obscu...
Category
1960s Modern Etching Interior Prints
Materials
Etching, Aquatint
The Giant Wheel (Carceri IX), (2nd State)
Located in Chicago, IL
This is a second state impression from three states.
Category
Mid-18th Century Old Masters Etching Interior Prints
Materials
Engraving, Etching
The Well, Carcere XIII - Etching by G.B.Piranesi - 1750s
Located in Roma, IT
Giovanni Battista Piranesi, The Well, Carcere XIII , from “ Images of Prisons”, Buchard , Rome, 1749-50
Etching on laid paper. Signed on plate “ Piranesi F.” lower-right. Very good ...
Category
1750s Modern Etching Interior Prints
Materials
Etching
New York Map of Days, Illustration New York Map, Blue Art, NYC, Geography print
Located in Deddington, GB
New York Map of Days is a limited edition etching by Mychael Barratt. The illustrative style of this piece brings New York, it’s landmarks and endless stor...
Category
2010s Contemporary Etching Interior Prints
Materials
Paper, Etching
Ancient Roman Marble Vase: 18th C. Piranesi Etching Vaso Cinerario di Gran Mole
Located in Alamo, CA
"Vaso Cinerario di Gran Mole. Le Teste dei Giovenchi mostrano di reggere it pesante Festone composto di Frutti Fiori Grans ed use. Il tuto Necefsario all Vita Umana. Il Restante degl...
Category
1760s Old Masters Etching Interior Prints
Materials
Etching
Paintbrushes in a Pitcher - Still Life Etching by Don Weygandt (#20/150)
Located in Soquel, CA
Paintbrushes in a Pitcher - Still Life Etching by Don Weygandt (#20/150)
Elegant lithograph of a pitcher holding paintbrushes by Don Weygandt (American, 1926-2018). This piece has a...
Category
1990s American Modern Etching Interior Prints
Materials
Paper, Ink, Etching
A room full of straw by David Hockney (Six Fairy Tales from the Brothers Grimm)
Located in New York, NY
This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio pictures the story ‘Rumpelstilzchen’. A room full of straw references Magritte’s The To...
Category
1960s Modern Etching Interior Prints
Materials
Etching, Aquatint
Howard Hodgkin hand-colored Early Evening in the Museum of Modern Art
Located in New York, NY
Large scale black and white abstract interior scene with dots, lines, brushstrokes, and hand painting in grey, to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract.
Early Evening in the Museum of Modern Art, by Howard Hodgkin. Signed by the artist, numbered, and dated 79 lower center in red crayon. Soft-ground etching printed from the same plate as 'Late Afternoon in the Museum of Modern Art', with hand coloring in black gouache on Grey BFK Rives mould-made paper.
This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Wide areas of deep black pigment contrast urgent swipes of ink. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each impression in the edition unique.
Part of a series of four prints reflecting on a visit to...
Category
Late 20th Century Abstract Etching Interior Prints
Materials
Gouache, Etching
Le Peseur d'Or - Original Etching by Léopold Flameng - 1873
Located in Roma, IT
Le Peseur d'Or (The Money Exchanger) is a wonderful black and white etching on wire rod cream-colored paper, realized by Léopold Flameng, an after by the Flemish artist Gabriel Metsu...
Category
1870s Modern Etching Interior Prints
Materials
Etching
Scene Galante au XVIII eme Siecle #1
Located in San Francisco, CA
This artwork titled "Scene Galante au XVIII eme Siecle" c.1930 in an aquatint on paper by French artist Antoine Calbet, 1860-1944. It is hand signed in pencil at the lower right corner. The plate mark (image) size is 9.60 x 12.25 inches, framed size is 16.5 x 19.5 inches. Framed in a wooden gold and black frame, with fabric matting. The artwork is in very good condition, frame and matting are in good condition, frame have some minor dents, matting have a small point of discoloration at upper left.
About the artist.
Antoine Calbet is the son of Marie Singlande and Jean-Baptiste Calbet, landowner at a place called Gaubert.
Trained at the School of Fine Arts in Montpellier by Édouard - Antoine Marsal (1845-1929) where he learned drawing, this illustrator and illustrator, a painter of nudes and gallant scenes, was very popular during his lifetime.
Antoine Calbet is then admitted to the School of Fine Arts in Paris in the studio of Alexandre Cabanel (1823-1889). He was a member of the admission jury of the Beaux-Arts from 1913 to 1930. He began to exhibit in 1880 and became a member of the Society of French Artists . He was the friend of his compatriot of Lot-et-Garonne, the President of the Republic Armand Fallières , for which he drew the menus of his meals, which made him known in Parisian salons.He illustrated works by Jean Lorrain , Henri de Regnier , Pierre Loues 3 and for periodicals like L'Illustration .
Selected museums and collections
Dallas , Dallas Museum of Art : Back woman...
Category
Mid-20th Century Realist Etching Interior Prints
Materials
Aquatint
INVITATION TO STUDIO PARTY
By John Sloan
Located in Portland, ME
Sloan, John. INVITATION TO STUDIO PARTY. Morse 200. Etching, 1921. Edition of 100 of which only 75 were printed. Signed in penci land inscribed "100 proofs." 3 3/4 x 2 3/8 inches, 96...
Category
1920s Etching Interior Prints
Materials
Etching
The Egyptian Book
By Lucian Freud
Located in New York, NY
Lucian Freud
The Egyptian Book
1994
Etching on T.H.S. Saunders paper
18 1/4 x 16 3/4 inches; 46 x 43 cm
Edition of 40
Initialed and numbered in graphite (lower recto)
Frame available upon request
Published by Matthew Marks...
Category
1990s Contemporary Etching Interior Prints
Materials
Etching
Stanwick Churchyard
Located in Middletown, NY
Etching on cream wove paper, 2 3/8 x 3/14 inches (61 x 83), full margins. Signed, dated and inscribed "IV" in the artist's hand. In very good condition. Fletcher states only two tria...
Category
Mid-20th Century American Modern Etching Interior Prints
Materials
Handmade Paper, Etching, Aquatint
Greenwich Window I
Located in Bournemouth, Dorset
Joanna Irvin
Greenwich Window 1
Etching A/P
Image: 15 x 10
Mount 27.0 x 22.0 cm
Joanna Irvin - Joanna was born in Aberdeen and spent her childhood in Scotland and Ireland. She stud...
Category
2010s Etching Interior Prints
Materials
Etching, Aquatint
Carcere ascura
Located in Fairlawn, OH
Carcere ascura
Etching, 1743
Signed in the plate bottom left corner
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
This image foretells Piranesi's famous set, Carceri (Prisons) which is his next creative effort.
Condition: Horizontal crease midway in the sheet associated with the manufacture of the paper.
Visible watermark verso
Small printer crease in the bottom right below the caption plate.
Image size: 14 1/2 x 9 1/2 inches
Reference: Robison 3 iii/VI
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Etching Interior Prints
Materials
Etching
Farmers enjoying a barn dance with a violinist and a bagpiper.
Located in Middletown, NY
Etching on cream laid paper mounted to a cream laid paper support, 9 x 12 7/8 inches (230 x 327 mm), thread margins. Three small areas of light skinning with one extremely small hole...
Category
Mid-17th Century Old Masters Etching Interior Prints
Materials
Etching, Laid Paper
The So-Called Tempio della Tosse, Near Tivoli. Interior Upright
Located in Fairlawn, OH
The So-Called Tempio della Tosse, Near Tivoli. Interior Upright (Veduta interna del Tempio della Tosse)
"Temple of the Cough"
Etching, 1764
Signed in the plate
From: Vedute di Roma...
Category
1760s Old Masters Etching Interior Prints
Materials
Etching
Howard Hodgkin Late Afternoon in the Museum of Modern Art abstract black white
Located in New York, NY
Abstract black, white and tan print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract.
Late Afternoon in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36/100. Signed by the artist, numbered 36/100, and dated 79 lower center in red crayon. Printed from the same plate as Early Evening in the Museum of Modern Art. Published by Petersburg Press.
This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Hodgkin used his hand as a mark-making tool, combining these textures with loose and urgent brushwork.
Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Part of a series of four prints reflecting on a visit to the Museum...
Category
Late 20th Century Abstract Etching Interior Prints
Materials
Etching
Synagogue Duke's Palace Houndsditch by Th. Sunderland after Pugin & Rowlandson
Located in Middletown, NY
A faithful architectural rendering of the earliest Ashkenazi synagogue constructed in London; built about 1690, and subsequently destroyed in the Blitz, 1941.
London: Rudolph Ackerm...
Category
Early 19th Century English School Etching Interior Prints
Materials
Handmade Paper, Engraving, Aquatint
The Art of Conversation (Three characters on...)
Located in Fairlawn, OH
The Art of Conversation (Three characters on...)
Etching, 1958
Signed in pencil lower right: “Gromaire” (see photo)
Edition: 110 (18/110) see photo
Printed on RIVES paper
Publisher: ...
Category
1950s Cubist Etching Interior Prints
Materials
Etching
France at her Furnaces
By James McBey
Located in Storrs, CT
1917. Etching. Hardie 175. 8 x 15 (sheet 10 1/8 x 16 15/16). Edition 76. Slight mat line; otherwise excellent condition. A rich impression printed on antique laid paper with full m...
Category
1910s Modern Etching Interior Prints
Materials
Drypoint, Etching
Coexistence, by Yuji Hiratsuka
Located in Palm Springs, CA
Signed, titled, and numbered by the artist. A young woman with with an elaborate necklae holds a flower hiding her face. While Hiratsuka's images have some resemblance to traditiona...
Category
2010s Contemporary Etching Interior Prints
Materials
Etching, Aquatint
Artist and Model Howard Hodgkin abstracted orange and black watercolor gouache
Located in New York, NY
Large black and marigold orange abstract interior scene of a bust in front of a window with fingerprints and painterly brushstrokes. Rich color and texture ideal for hanging in minimalist, contemporary and modern living spaces.
Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring on Stoneridge mould-made etching paper.
This print is one of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), Those…Plants). The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, marigold orange contrasts beautifully with rich black ink. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model.
Howard Hodgkin was introduced to the etching technique used in Artist and Model at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Catalogue reference: Elizabeth Knowles...
Category
Late 20th Century Abstract Etching Interior Prints
Materials
Watercolor, Gouache, Etching
Church of St. Costanza, Rome: An 18th Century Piranesi Architectural Etching
Located in Alamo, CA
This is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...
Category
1770s Old Masters Etching Interior Prints
Materials
Etching
Sportsmen
Located in Storrs, CT
Sportsmen. 1908. Etching and drypoint. Exsteens 271.i/ii. 11 1/4 x 5 3/4 (sheet 17 3/8 x 12 1/4). Series: Les Bars. From the first state edition of 30 proofs with the remarque sketch...
Category
Early 1900s Post-Impressionist Etching Interior Prints
Materials
Drypoint, Etching
An Election Ball
Located in Middletown, NY
London: Thomas Mclean, 1835. Etching with hand coloring in watercolor on cream wove paper. 5 3/8 x 7 3/4 inches (135 x 195 mm), full margins. A lovely well inked impression with fres...
Category
Mid-19th Century Victorian Etching Interior Prints
Materials
Watercolor, Etching
William Hogarth's "Analysis of Beauty": A Set of Two Framed 18th C. Engravings
Located in Alamo, CA
The two plates in this set were created utilizing both engraving and etching techniques by William Hogarth in 1753, originally as illustrations of his book on aesthetics, entitled "Analysis of Beauty". Due to their popularity, these plates were later published separately. The publication line in the lower right reads: "Designed, Engraved, and Publish'd by Wm. Hogarth, March 5th 1753, according to Act of Parliament." Hogarth's original copper plates were refurbished where needed by James Heath and engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's copper plates were used for printing. Most were melted during World War I for the construction of bombs.
These large folio sized "Analysis of Beauty" engravings are presented in antiqued gold-colored frames with double mats; the outer silk mats are light brown-colored and the inner mats are dark brown. Each frame measures 27.38" x 31.25" x 1.13". There is one tiny spot in the right margin of plate 1 and another in the lower margin; the latter could be from the printing process. The prints are otherwise in excellent condition.
The "Analysis of Beauty" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Fine Arts Museums of San Francisco.
The first engraving (Plate 1) depicts a courtyard of statues which is filled with some of the most famous works of classical sculpture. The most important sculptures are surrounded by less impressive works. The Medicean Venus (#13) is in the center with a statue of Julius Caesar (#19) to the right, elevated on a pulley with a short, overdressed Brutus stands over the falling Caesar. The Apollo Belvedere (#12) is next. A judge stands to the right with his foot on a cherub (#16). Another crying cherub holds a gallows and wipes his tears with the judge's robe.
A sphinx (#21) and the drunken Silenus (#107) are below the Venus. Michaelangelo's torso (#54) and a statue of Antonius (#6) are seen in the foreground. The Farnese Hercules (#3) and a bust of another Hercules (#4) under two statuettes of Isis are also included in the scene.
The key to these objects is included in the form of a serpentine line winding around a cone (#26), Hogarth's "Line of Beauty". For Hogarth the winding line is an essential element of beauty in art. Hogarth's theory of beauty is communicated in this plate.
Plate 2 is thought to represent the Wanstead Assembly, with the Earl of Tynley and his household. It is an adaptation of a scene in the Happy Marriage series, which complements Hogarth's Marriage à la Mode...
Category
Mid-18th Century Old Masters Etching Interior Prints
Materials
Engraving, Etching
Pat Schaverien - Framed 20th Century Aquatint, Conservatory
Located in Corsham, GB
Limited edition aquatint. Signed, titled and dated (1984) to the lower margin. Editioned 35/40. Presented in a wide card mount and silver gilt frame. On paper.
Category
20th Century Etching Interior Prints
Materials
Aquatint
Thinking Aloud in the Museum of Modern Art, Hodgkin, abstract black and white
Located in New York, NY
Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract.
Paper: 30 x 40 in. / 76.2 x 101.5 cm.
Thinking Aloud in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on yellowish grey Hodgkinson hand made paper. Signed by the artist, dated 70, and numbered 21/100 lower center in red crayon. Printed from the same plates as 'All Alone in the Museum of Modern Art'. While All Alone features dark pools of hand coloring, the lighter image field of Thinking Aloud reveals how Hodgkin used his entire hand to create lines and textures.
This print depicts an abstracted scene, perhaps a window and a door, in Hodgkin's signature painterly style. The expressive brush marks and fingerprints in this print are an example of the artist’s movement in the late 70s towards pronounced gestures.
Howard Hodgkin was introduced to the etching technique used in Thinking Aloud in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Part of a series of four prints reflecting on a visit to the Museum...
Category
Late 20th Century Abstract Etching Interior Prints
Materials
Etching
Un Sculpteur de Paris
Located in Middletown, NY
Etching and drypoint on cream laid Van Gelder Zonen watermarked paper, 8 7/8 x 6 1/2 inches (220 x 164 mm), full margins. Signed, titled, and inscribed "ed. 100" in pencil, lower mar...
Category
Early 20th Century Modern Etching Interior Prints
Materials
Laid Paper, Drypoint, Etching
The Letter
Located in Storrs, CT
The Letter. 1921. Drypoint. Appleby 107. 7 x 9 3/8 (sheet 10 1/2 x 15 7/16). Edition 100. Illustrated: Fine Prints of the Year, 1925; Salaman, Modern Masters of Etching: Edmund Blamp...
Category
Early 20th Century Modern Etching Interior Prints
Materials
Drypoint, Etching
Fireside Christmas
Located in San Francisco, CA
This artwork titled "Fireside Christmas" c. 1985 is an original color etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered 158/250 in pencil by the artist. Published and printed by the artist. The image (plate mark) size is 11.5 x 17.65 inches, sheet size is 19.25 x 25.25 inches. it is in excellent condition, has never been framed.
About the artist:
Scott Fitzgerald received his Master’s Degree in Arts from California State University Fullerton, and went on to teach drawing and printmaking for 2 years at the university.
During his college years, he focused his study in contemporary art and photography, creating mixed media works often with social comments. It was not until the sophomore year, he discovered the traditional art of etching in his printmaking class. Immediately, he embraced the complex and difficult technical process of making prints from etching on copper plates.
Scott Fitzgerald established himself as a prominent printmaker in the next few years. With a strong interest in history, he accepted a commission to produce a series of etching depicting 15 Orange County historical landmarks. Besides producing very intricate prints in various sizes, he has engaged in many special projects. He worked with renowned English printer John Randle to produce a group of etchings...
Category
Late 20th Century American Realist Etching Interior Prints
Materials
Etching
'Evening Encounter', San Francisco Bay Area Modernist, Atelier 63 Woman Artist
Located in Santa Cruz, CA
Created circa 1975 and stamped, verso, with certification of authenticity for Jane Voitle Mellin (American, born 1952).
Paper dimensions: 13.25 x 19.75 inches
A atmospheric, sugar-...
Category
1970s Surrealist Etching Interior Prints
Materials
Paper, Aquatint
Parmigiani Amica: An 18th Century Engraving and Etching by Strange After Mazzola
Located in Alamo, CA
This is an 18th century engraving and etching entitled "Parmigiani Amica" by Robert Strange after a painting by Girolamo Francesco Maria Mazzola, better known as Parmigianino, who lived during the Renaissance period. It was published in London in 1774. As the inscription states, the painting was in the collection of the King of Naples at the time the engraving was made. The engraving depicts a half-length portrait of a young woman, known as Parmigiani's Amica (meaning "female friend" in Italian). She is depicted wearing a simple but elegant dress with a low-cut neckline, which reveals her delicate features and graceful neck. Her hair is arranged in a simple yet stylish manner. She is turning to the right to look lovingly at her infant, which she is holding with her right arm. She is touching the baby's mouth with her left hand. The background of the engraving is plain and unadorned, allowing the viewer to focus entirely on the subject of the portrait. The result is a beautiful and timeless image that captures the essence of Renaissance portraiture.
The engraving is printed on watermarked paper. The sheet measures 16.25" high and 12' wide. The sheet is adhered to paper in its upper corners and it has been removed from the paper in its lower corners. There is some mild discoloration and some wrinkling in the margins, including the lower inscription area, and a small dark spot in the upper margin, which may represent a drop of ink occuring at the time of printing. These issues do not involve the image, which is in very good condition. The print is held by several museums and institutions, including: The Metropolitan Museum of Art in New York, The British Museum in London, The Royal Museums of the UK, The British National Trust...
Category
Late 18th Century Etching Interior Prints
Materials
Engraving, Etching
Returning to the Stable.
Located in Storrs, CT
Returning to the Stable. 1920. Drypoint. Appleby 64. 8 3/4 x 12 1/4 (sheet 11 7/16 x 16 1/8). Edition 100. A rich impression printed on cream laid paper wi...
Category
1920s Modern Etching Interior Prints
Materials
Drypoint, Etching
Room for One More (New York City Subway)
By Irving Guyer
Located in New York, NY
This Depression-era New York City subway scene says it all. The body language of all five passengers tells us where each of them is in his or her ...
Category
1930s Ashcan School Etching Interior Prints
Materials
Etching, Aquatint
General Washington Saying Farewell to His Officers in Fraunces Tavern, New York
Located in Soquel, CA
General Washington Saying Farewell to His Officers in Fraunces Tavern, New York
This etching, 'General Washington Saying Farewell to His Officers in Fraunces Tavern, New York', was ...
Category
1930s American Impressionist Etching Interior Prints
Materials
Laid Paper, Etching
A Framed 18th C. Piranesi Etching of an Ancient Marble Vase from Hadrian's Villa
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi is entitled "Vaso antico di Marmo adornato di eccellenti Sculture si nella parte anteriere che nell' opposta, le ...
Category
1770s Old Masters Etching Interior Prints
Materials
Etching
Rococo design for a gate, German mid 18th century etching
Located in Melbourne, Victoria
Rococo design for a gate, etching, by Joseph Baumann (active 1740-1760), circa 1750.
Published by Martin Engelbrecht (1684–1756).
Similar works ar...
Category
Mid-18th Century Rococo Etching Interior Prints
Materials
Engraving, Etching
Jane Goldman Contemporary Floral Luminous Color Etching Flowers Chinese Geishas
Located in Surfside, FL
Hand signed and dated intaglio etching in color. 1982
Corner Reflections #2
Jane E. Goldman was born in Dallas, Texas in 1951 and received her Bachelor of Arts degree from Smith College and a Master of Fine Arts from the University of Wisconsin. She is known for her high color floral and nature design painting, printmaking and teaching. Goldman's media include watercolor, oil painting, silkscreen, intaglio print, lithograph, relief, screenprint,. aquatint etching and terrazzo. "Lyrical realism," based on a combination of free association and direct observation, best describes her style. Goldman’s luminous prints reveals the artist’s muse in a graphically novel way. Her work pays homage to 19th-century naturalist and artist John James Audubon. Goldman’s sun-dappled still life compositions, sprays of cut flowers in glass vases and lush flora growing in natural environments frame each setting and cast shadows across opened books that display images from Audubon’s Birds of America. Jane Goldman...
Category
1980s Contemporary Etching Interior Prints
Materials
Color, Etching
Enchanted Doorway, Venezia (La Porta della Carta, Venezia '29)
Located in Storrs, CT
Enchanted Doorway, Venezia (La Porta della Carta, Venezia '29). 1930. Etching. Fletcher catalog 227 state ii. 12 3/8 x 6 9/16 (sheet 15 13/16 x 9 15/16). Edition 148 in this state (...
Category
1920s American Modern Etching Interior Prints
Materials
Etching
La Negresse (The Negress)
Located in Fairlawn, OH
La Negresse (The Negress)
Etching & drypoint, 1909
Unsigned (as issued in the portfolio)
From the album "Les Bars" (8 plates plus cover illustration)
Editi...
Category
Early 1900s Art Nouveau Etching Interior Prints
Materials
Etching
Don Juan
By Louis Icart
Located in Missouri, MO
Aquating Engraving
Image Size: approx. 20 1/4 x 13 3/8
Framed Size: 28 x 20.5 inches
Pencil Signed Lower Right
Louis Justin Laurent Icart was born in Toulouse in 1890 and died in Paris in 1950. He lived in New York City in the 1920s, where he became known for his Art-Deco color etchings of glamourous women.
He was first son of Jean and Elisabeth Icart and was officially named Louis Justin Laurent Icart. The use of his initials L.I. would be sufficient in this household. Therefore, from the moment of his birth he was dubbed 'Helli'. The Icart family lived modestly in a small brick home on rue Traversière-de-la-balance, in the culturally rich Southern French city of Toulouse, which was the home of many prominent writers and artists, the most famous being Henri de Toulouse-Lautrec.
Icart entered the l'Ecole Superieure de Commerce de Toulouse in order to continue his studies for a career in business, particularly banking (his father's profession). However, he soon discovered the play writings of Victor Hugo (1802-1885), which were to change the course of his life. Icart borrowed whatever books he could find by Hugo at the Toulouse library, devouring the tales, rich in both romantic imagery and the dilemmas of the human condition. It was through Icart's love of the theater that he developed a taste for all the arts, though the urge to paint was not as yet as strong for him as the urge to act.
It was not until his move to Paris in 1907 that Icart would concentrate on painting, drawing and the production of countless beautiful etchings, which have served (more than the other mediums) to indelibly preserve his name in twentieth century art history.
Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard.
In Icart's drawings, one sees the Impressionists Degas...
Category
1920s Art Deco Etching Interior Prints
Materials
Engraving, Aquatint
Jewish Shtetl Shabbat Candles Russian Judaica Etching w Hand Watercolor Painting
Located in Surfside, FL
EUGENE ABESHAUS Leningrad, Russia, (1939-2008)
Hand-Colored, with watercolor painting, Etching hand signed in pencil in English and Hebrew
Numbered 47/110
Framed 21.5 x 16. image 13.5 x 9
Eugene Abeshaus (also spelled Evgeny Abezgauz, Евгений Абезгауз in Russian; 1939–2008) was a Jewish artist who worked in Russia (then USSR) and Israel.
Born in Leningrad to a typical intelligentsia family, Abeshaus was educated as an electrical engineer but soon abandoned this career and enrolled in the Mukhina School for Applied Art. By the time of his graduation from the famous “Mukha” (Fly in Russian), he had already developed a critical stance towards the official Soviet art dominated by the Communist ideology and began exhibiting at semi-underground exhibitions. This was culminated by his taking part in a famous 1975 exhibition at the Nevsky Palace of Culture. Abeshaus was fired from his job and censured by the official press – which however admitted his "artistic taste, a good sense of color and form".
Soon afterwards, Abeshaus set up, together with several Jewish artists, the Alef Group and became its leader. The group’s first exhibition in November 1975 was held at Abeshauses’ small apartment. According to the Alef Manifesto written by Alek Rapoport, “We are trying to conquer the influence of small-town Jewish art and find sources for our work in deeper, wiser, and more spiritual European culture, and from it build a bridge to today and tomorrow". He was part of a generation of Russian, mostly Jewish artist's that included Oskar Rabin, Evgeny Rukhin...
Category
20th Century Modern Etching Interior Prints
Materials
Watercolor, Etching, Paper
Cat and book - Original Etching, Handsigned
By Mily Possoz
Located in Paris, IDF
Mily POSSOZ
Cat and book
Original etching
Handsigned in pencil
Limited /40 copies
On Rives vellum 20 x 15"
INFORMATIONS : Bears the blind stamp of the editor "Marcel Guiot"
Excell...
Category
Early 20th Century Modern Etching Interior Prints
Materials
Etching
Night Time in a Stable.
Located in Storrs, CT
Night Time in a Stable. 1927-28. Drypoint. Appleby 131. 10 1/8 x 12 1/8 (sheet 11 1/2 x 16 1/2). Edition 100. Illustrated: Print Collector's Quarterly 25 (1...
Category
Early 20th Century Modern Etching Interior Prints
Materials
Drypoint, Etching
Rococo design for a gate, German mid 18th century etching
Located in Melbourne, Victoria
Rococo design for a gate, etching, by Joseph Baumann (active 1740-1760), circa 1750.
Published by Martin Engelbrecht (1684–1756).
Similar works ar...
Category
Mid-18th Century Rococo Etching Interior Prints
Materials
Engraving, Etching
Drury Lane Theatre, London, colour aquatint, 1808, after Rowlandson and Pugin
Located in Melbourne, Victoria
Colour aquatint by Bluck after Thomas Rowlandson and Auguste Pugin.
From the series 'Microcosm of London', published by Rudolf Ackermann, the great Regency publisher of fine colour...
Category
Early 19th Century Naturalistic Etching Interior Prints
Materials
Aquatint
All Alone in the Museum of Modern Art Howard Hodgkin abstract black painting
Located in New York, NY
Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract.
Paper: 29.5 x 38.75 in. / 74.7 x 98.2 cm.
Soft-ground etching with hand coloring in black gouache on grey BFK Rives mould made paper. Signed by the artist, dated 79, and numbered 59/100 lower center in red crayon. Printed from the same plate as 'Thinking Aloud in the Museum of Modern Art', this print was previously titled "Not Quite Alone in the Museum of Modern Art," suggesting an erotic dalliance in the museum.
This print depicts an abstracted scene, perhaps a window and a door, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Beside bold black strokes, his fingerprints form areas of texture. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each print in the edition unique.
Howard Hodgkin was introduced to the etching technique used in 'All Alone in the Museum of Modern Art' at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Part of a series of four prints reflecting on a visit to the Museum...
Category
Late 20th Century Abstract Etching Interior Prints
Materials
Etching
Newspapers on the Table - Still Life Etching on Heavy Paper
Located in Soquel, CA
Newspapers on the Table - Still Life Etching on Heavy Paper, #20/150
Black and white etching by Darien Payne (American, b. 1951). This piece is a meticulously detailed depiction of ...
Category
1990s Photorealist Etching Interior Prints
Materials
Archival Paper, Drypoint, Etching
Knackers
Located in New Orleans, LA
Binyon 232 - A fine impression in fine condition in an edition of 55 signed and inscribed by the artist.
Strang was a prolific printmaker and across his lifetime produced over 750 o...
Category
1890s Modern Etching Interior Prints
Materials
Etching
"Fete Champetre" - 20th Century Framed Antique Cubist Etching
Located in New Orleans, LA
Jacques Villon, pseudonym of Gaston Émile Duchamp, (born July 31, 1875,Damville, Normandy, France—died June 9, 1963, Puteaux,near Paris), French painter and printmaker who was involved in the Cubist movement; later he worked in realistic and abstract styles. Villon was the brother of the artists Suzanne...
Category
Early 20th Century Etching Interior Prints
Materials
Etching
Joseph Kosuth, L’Essence de la rhétorique est dans l’allégorie IV - Signed Print
Located in Hamburg, DE
Joseph Kosuth ( American, b. 1945)
L’Essence de la rhétorique est dans l’allégorie IV, 1998
Medium: Set of three heliogravure and aquatints, on BFK Rives rag paper
Dimensions: each 4...
Category
21st Century and Contemporary Contemporary Etching Interior Prints
Materials
Aquatint, Photogravure
Etching interior prints for sale on 1stDibs.
Find a wide variety of authentic Etching interior prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add interior prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Robert A. Birmelin, George Cruikshank, Peter Milton, and Franco Gentilini. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching interior prints, so small editions measuring 0.1 inches across are also available Prices for interior prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $250,000, while the average work can sell for $788.