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Medium: Etching
Master B. Finding things are not exactly what he expected-
Located in Middletown, NY
From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 2)
Etching with handcoloring in watercolor on cream wove paper, 1835. 210 x 290 mm; 8 3/...
Category
Mid-19th Century Victorian Etching Interior Prints
Materials
Watercolor, Etching
Le Legacy from Historia de Don Quichotte de la Mancha, Etching by Salvador Dali
Located in Long Island City, NY
Artist: Salvador Dali, Spanish (1904 - 1989)
Title: Le Legacy from Historia de Don Quichotte de la Mancha
Year: 1981
Medium: Etching on Arches, signed and numbered in pencil
Edition:...
Category
1980s Surrealist Etching Interior Prints
Materials
Etching
Garden With Henry, by Peter Milton
By Peter Milton
Located in Palm Springs, CA
Medium: Resist Ground Etching & Engraving
Image Size: 9.5 x 12 inches
Year: 1993
Signed, titled and numbered by the artist, this print was specially made by Milton to accom...
Category
Early 2000s Contemporary Etching Interior Prints
Materials
Engraving, Etching
Dog in an Interior - Original Etching Mid 20th Century
Located in Roma, IT
Dog in an Interior is an original etching, splendid abstract artwork realized by an Anonymous artist of the XX century. The state of preservation of the artwork is very good.
Sheet dimension: 31.5x 22.5 cm.
The artwork represents an abstract scenery with stong emotion created by lines, an Expressionistic style of creation mixed with abstract expression. The shadowy figure of dog...
Category
Mid-20th Century Etching Interior Prints
Materials
Etching
Interiors VI: Soundings
By Peter Milton
Located in New York, NY
Contemporary artist Peter Milton created this etching and engraving entitled "Interiors VI: Soundings" in 1989. The printed image size is 29 7/8 x 23 13/16 and paper size is 36 x 29 inches. This impression is signed, dated, and titled in pencil and inscribed “93/175” – the 93 impression of 175.
“I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton”
“Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul."
– T. L. Johnson and A. Shafer
Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...
Category
Late 20th Century Surrealist Etching Interior Prints
Materials
Engraving, Etching
The Burning Tower, American Modernist Abstract Etching
Located in Surfside, FL
Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...
Category
20th Century American Modern Etching Interior Prints
Materials
Etching
(Four Women at Hat Store)
Located in New York, NY
This is such an interesting image. Are there 'Four women'? Is the head on the upper right from a hat store or is she another person in the scene. And what a...
Category
Mid-20th Century American Modern Etching Interior Prints
Materials
Etching
V's Vase, by Yuji Hiratsuka
Located in Palm Springs, CA
Signed, titled, and numbered from the edition of 15. Japanese still life with vase and flowers on a table. While the images have some resemblance t...
Category
2010s Contemporary Etching Interior Prints
Materials
Etching, Aquatint
Jane Goldman Contemporary Floral Luminous Color Etching Flowers Chinese Geishas
Located in Surfside, FL
Hand signed and dated intaglio etching in color. 1982
Corner Reflections #2
Jane E. Goldman was born in Dallas, Texas in 1951 and received her Bachelor of Arts degree from Smith College and a Master of Fine Arts from the University of Wisconsin. She is known for her high color floral and nature design painting, printmaking and teaching. Goldman's media include watercolor, oil painting, silkscreen, intaglio print, lithograph, relief, screenprint,. aquatint etching and terrazzo. "Lyrical realism," based on a combination of free association and direct observation, best describes her style. Goldman’s luminous prints reveals the artist’s muse in a graphically novel way. Her work pays homage to 19th-century naturalist and artist John James Audubon. Goldman’s sun-dappled still life compositions, sprays of cut flowers in glass vases and lush flora growing in natural environments frame each setting and cast shadows across opened books that display images from Audubon’s Birds of America. Jane Goldman...
Category
1980s Contemporary Etching Interior Prints
Materials
Color, Etching
Marchand Courtyard, French Quarter, Old New Orleans (Signed)
Located in New Orleans, LA
A signed etching by the justifiably famous New Orleans French Quarter artist Eugene Loving, in an edition of 200. It depicts in wonderful detail one of ...
Category
Early 20th Century Etching Interior Prints
Materials
Etching
Overture 1 BY CLARE GROSSMAN, Figurative Art, Solar Etching, Contemporary Print
Located in Deddington, GB
Clare Grossman
Overture 1
Limited edition of 70 solar plate etchings hand printed by the artist on 300gsm Somerset paper.
Actual image/plate size 13x10cm.
One example from a portfoli...
Category
21st Century and Contemporary Etching Interior Prints
Materials
Paper, Etching
INTERIORS VII: THE TRAIN FROM MUNICH
By Peter Milton
Located in Portland, ME
Milton, Peter (American, born 1930). INTERIORS VII: THE TRAIN FROM MUNICH. Milton 113. Resist-ground etching and engraving on copper, 1991. Edition of 175. Signed and dated in pencil. Printed on BFK Rives paper. 20 x 36...
Category
1990s Etching Interior Prints
Materials
Engraving, Etching
Les Vieux (The Elders)
Located in Middletown, NY
A lovely, dark impression with excellent provenance.
Paris: Lemerre, 1880.
Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Fourth state (of 5). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733).
[Bourcard 113].
A note regarding the provenance:
J. H. de Bois was a well known late-19th century modern art...
Category
1880s French School Etching Interior Prints
Materials
Etching, Drypoint, Aquatint
Van Ostade, Le Gourmet en compagnie, c.1664
Located in Torino, IT
ADRIAEN VAN OSTADE, Haarlem 1610 - 1684
Le Gourmet en compagnie, 1664 c.a
Original etching and drypoint, signed in plate at lower left.
Bibliography: Godefroy 50 VII/XII. (mm. 219x2...
Category
1660s Old Masters Etching Interior Prints
Materials
Etching
At the Cafe : Sharing a Drink - Original Etching
Located in Paris, IDF
Marcel GROMAIRE (1892-1971)
At the Cafe : Sharing a Drink
Original etching
Printed signature in the plate
On vellum, 28.5 x 38 cm (c. 11 x 15 in)
INFORMATION: This etching is authe...
Category
Late 20th Century Cubist Etching Interior Prints
Materials
Etching
19th Century Hand Coloured Etching after 'Ancient Rome'
Located in Toronto, ON
After William Turner's painting 'Ancient Rome; Agrippina Landing with the Ashes of Germanicus' from 1839, etched by Arthur Willmore. This scene with the moon visible dung the day is ...
Category
19th Century Romantic Etching Interior Prints
Materials
Etching
$175 Sale Price
50% Off
La Parade
Located in Middletown, NY
Etching on wove Japon paper, 8 5/8 x 9 1/4 inches (219 x 235 mm), wide margins. Signed, titled, and numbered 6/75 in pencil, lower margin, and with the Dietrich & Cie éditeurs blinds...
Category
Early 20th Century French School Etching Interior Prints
Materials
Handmade Paper, Etching
Ancient Roman Medici Marble Vase: An 18th Century Etching by Piranesi
Located in Alamo, CA
This large 18th century etching by Giovanni Battista Piranesi is entitled "Vaso antico di Marmo adornato di eccellenti Sculture si nella parte anteriere che nell' opposta, le quail r...
Category
1770s Old Masters Etching Interior Prints
Materials
Etching
Danseuse Orientale - b/w Etching by Charles Courtry - 1880s
Located in Roma, IT
Danseuse Orientale is an original artwork realized by Charles Courtry in the second half of the XIX Century.
Original etching after Eugène Delacroix. Artist Proof on laid paper, ava...
Category
1880s Modern Etching Interior Prints
Materials
Etching
Au coin du feu - Original b/w Etching by Armand Queyroy - End of 19th Century
Located in Roma, IT
Au coin du feu is a beautiful original etching realized by Armand Queyroy (1830 -1893), printed on ivory colored paper by Delatre, Paris.
This is an original print signed on plate o...
Category
Late 19th Century Naturalistic Etching Interior Prints
Materials
Etching
L'Obelisco di Villa Celimontana, Rome - Etching by D. Amici - 19th Century
Located in Roma, IT
L'Obelisco di Villa Celimontana, Rome is an etching artwork realized in 1839 by the Italian artist Domenico Amici (1808-1877).
Signed on plate on the lower right margin.
Good co...
Category
19th Century Modern Etching Interior Prints
Materials
Etching
Mr. B. Masthead- or, enjoying the fresh air for the 304th time
Located in Middletown, NY
From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 4)
London: Thomas Mclean, 1835. Etching with handcoloring in watercolor on cream wove p...
Category
Mid-19th Century Victorian Etching Interior Prints
Materials
Watercolor, Etching
The Root of King’s Evil, NB To cure the Constitution of this evil, the axe ...
Located in Middletown, NY
A beautiful image of fellowship and esprit de corp with bright handcoloring in watercolor.
London: Thomas Mclean, August 1st, 1835. Second Edition. Etching with handcoloring in water...
Category
Early 19th Century Victorian Etching Interior Prints
Materials
Watercolor, Etching
Mr. B- “seeking the Bubble reputation"
Located in Middletown, NY
from The Sailor’s Progress, Plate 5
London: Thomas McLean, 1835. Second Edition. Etching with hand coloring in watercolor on cream wove paper, 1835. 8 1/4 x 11 1/2 inches (250 x 354 mm), full margins. With the quote from The Corsair, A Tale, Canto I...
Category
Early 19th Century Victorian Etching Interior Prints
Materials
Watercolor, Etching
La diligence de Beaucaire
Located in Middletown, NY
Paris: Lemerre, 1880.
Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 3). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733).
[Bourcard 110].
A note regarding the provenance:
J. H. de Bois was a well known late-19th century modern art...
Category
1880s French School Etching Interior Prints
Materials
Laid Paper, Drypoint, Etching, Aquatint
A 1951 Etching of the Mercantile Exchange - Chicago by Artist Kent Hagerman
Located in Chicago, IL
A 1951 etching of the historic "Mercantile Exchange - Chicago" by Artist Kent Hagerman. Image size: 11" x 13 3/4". Archivally matted matted to 14" x 18".
Kent Hagerman, also known...
Category
1950s American Modern Etching Interior Prints
Materials
Paper, Etching
"500 Calories al mode" The Perfect Meal - Menu - Dessert - Collograph Watercolor
Located in Soquel, CA
"500 Calories al mode" The Perfect Meal - Menu - Dessert - Collograph Watercolor
The artwork "500 Calories al mode" by Betty Swift, created one of a group show at San Francisco Stat...
Category
1980s American Modern Etching Interior Prints
Materials
Watercolor, Laid Paper, Etching
Peter Doig, Fisherman (from Black Palms) - 2004, Etching, Signed Print
By Peter Doig
Located in Hamburg, DE
Peter Doig (born 1959 in Edinburgh)
Fisherman, 2004
Series: From the “Black Palms” portfolio
Medium: Etching in colors, on 250g/qm Zerkall paper
Medium: 53.5 × 38 cm (21 1/10 × 15 in...
Category
21st Century and Contemporary Contemporary Etching Interior Prints
Materials
Etching
Thinking Aloud in the Museum of Modern Art, Hodgkin, abstract black and white
Located in New York, NY
Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary...
Category
Late 20th Century Abstract Etching Interior Prints
Materials
Etching
Camera sepolcrale
Located in Fairlawn, OH
Camera sepolcrale
Etching 1743
Signed in the bottom left corner
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Condition: Excellent
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 20 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Etching Interior Prints
Materials
Etching
Intérieur à Pressy, by Erik Desmazieres
Located in Palm Springs, CA
Medium: Etching, aquatint & roulette
Year: 1991
Image Size: 24.63 X 39.63 inches
Edition Size: 90
Signed and numbered in pencil by the artist
Image of a Paris apartment, showing the...
Category
1990s Contemporary Etching Interior Prints
Materials
Etching, Aquatint
$1,400 Sale Price
43% Off
Waking Up, Signed Modern Portrait Etching by Andre Minaux
By Andre Minaux
Located in Long Island City, NY
Waking Up
Andre Minaux, French (1923–1986)
Etching, signed and numbered in pencil
Edition of 25/45
Image Size: 15.5 x 15.5 inches
Frame Size: 31.75 x 27.7...
Category
1970s Modern Etching Interior Prints
Materials
Etching
Young Girl in Dressing Room - Original Handsigned Lithograph - 140ex
By Andre Minaux
Located in Paris, IDF
Andre MINAUX
Young Girl in Dressing Room
Original stone lithograph
Handsigned in pencil
Numbered / 140 ex
On vellum 60 x 50 cm (c. 24 x 20 inch)
Bears blind stamp of the editor (Pe...
Category
Mid-20th Century Cubist Etching Interior Prints
Materials
Etching, Aquatint
William Hogarth's "Analysis of Beauty": A Set of Two Framed 18th C. Engravings
Located in Alamo, CA
The two plates in this set were created utilizing both engraving and etching techniques by William Hogarth in 1753, originally as illustrations of his book on aesthetics, entitled "Analysis of Beauty". Due to their popularity, these plates were later published separately. The publication line in the lower right reads: "Designed, Engraved, and Publish'd by Wm. Hogarth, March 5th 1753, according to Act of Parliament." Hogarth's original copper plates were refurbished where needed by James Heath and engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's copper plates were used for printing. Most were melted during World War I for the construction of bombs.
These large folio sized "Analysis of Beauty" engravings are presented in antiqued gold-colored frames with double mats; the outer silk mats are light brown-colored and the inner mats are dark brown. Each frame measures 27.38" x 31.25" x 1.13". There is one tiny spot in the right margin of plate 1 and another in the lower margin; the latter could be from the printing process. The prints are otherwise in excellent condition.
The "Analysis of Beauty" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Fine Arts Museums of San Francisco.
The first engraving (Plate 1) depicts a courtyard of statues which is filled with some of the most famous works of classical sculpture. The most important sculptures are surrounded by less impressive works. The Medicean Venus (#13) is in the center with a statue of Julius Caesar (#19) to the right, elevated on a pulley with a short, overdressed Brutus stands over the falling Caesar. The Apollo Belvedere (#12) is next. A judge stands to the right with his foot on a cherub (#16). Another crying cherub holds a gallows and wipes his tears with the judge's robe.
A sphinx (#21) and the drunken Silenus (#107) are below the Venus. Michaelangelo's torso (#54) and a statue of Antonius (#6) are seen in the foreground. The Farnese Hercules (#3) and a bust of another Hercules (#4) under two statuettes of Isis are also included in the scene.
The key to these objects is included in the form of a serpentine line winding around a cone (#26), Hogarth's "Line of Beauty". For Hogarth the winding line is an essential element of beauty in art. Hogarth's theory of beauty is communicated in this plate.
Plate 2 is thought to represent the Wanstead Assembly, with the Earl of Tynley and his household. It is an adaptation of a scene in the Happy Marriage series, which complements Hogarth's Marriage à la Mode...
Category
Mid-18th Century Old Masters Etching Interior Prints
Materials
Engraving, Etching
Representation of Norman Pavers, engraving by William Fowler , 1802
By William Fowler
Located in Melbourne, Victoria
'Representation of Norman Pavers in the Possession of H Rooke Esq. FAS'
Aquatint with original hand-colouring, 1802, by William Fowler (artist, engraver and publisher) (1761–1832).
...
Category
Early 19th Century Medieval Etching Interior Prints
Materials
Etching, Aquatint
Monstrosities of 1824; Plate 7
Located in Middletown, NY
London: Thomas McLean, 1835. Third Edition. Etching with hand coloring in watercolor on cream wove paper, 1818 (published August 1st, 1835) 9 1/2 x 13 3/4 inches (240 x 348 mm), full...
Category
Mid-19th Century Victorian Etching Interior Prints
Materials
Etching, Watercolor
Ruine di Sepolcro antico
Located in Fairlawn, OH
Ruine di Sepolcro antico
Etching, 1743
Signed in the plate bottomleft in the caaption plate
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Coniditon: Excellent/Very good
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 17 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Etching Interior Prints
Materials
Etching
A Scene in the New Farce —as performed at the Royalty Theater
Located in Middletown, NY
A Scene in the New Farce —as performed at the Royalty Theater
London: George Humphrey, 1821.
Etching and engraving on cream wove paper with extensive hand coloring in watercolor. 9 5/8 x 13 3/4 inches (244 x 348 mm), trimmed at the platemark. A beautiful impression of this large, intricate print...
Category
Early 19th Century Etching Interior Prints
Materials
Watercolor, Engraving, Etching
The Parlour
Located in Llanbrynmair, GB
’The Parlour’
By Richard Bawden
Medium - Etching
Signed - Yes
Edition - 33/85
Size - 775mm x 570mm
Richard Bawden 1936
Painter and printmaker, born i...
Category
Late 20th Century Other Art Style Etching Interior Prints
Materials
Etching
Bow Street Office: Rowlandson Hand-colored Engraving from Microcosm of London
Located in Alamo, CA
An early 19th century print entitled "Bow Street Office", an illustration (Plate 11) from "The Microcosm of London", published in London in 1808 by R. Acker...
Category
Early 1800s Other Art Style Etching Interior Prints
Materials
Aquatint, Etching
Radical Parliament; "Plan to Assassinate Her Magestie's Ministers."
Located in Middletown, NY
An image of the last major insurrection in Great Britain, known as Guy Fawkes's Cato Street Conspiracy.
London: Thomas Mclean, 1835. Etching with hand colo...
Category
Mid-19th Century Victorian Etching Interior Prints
Materials
Watercolor, Etching
Monstrosities of 1822; Plate 5
Located in Middletown, NY
London: Thomas McLean, 1835. Third Edition. Etching with hand coloring in watercolor on cream wove paper, 9 1/2 x 13 3/4 inches (240 x 348 mm), full margins. With light, fresh color....
Category
Early 19th Century Victorian Etching Interior Prints
Materials
Etching, Watercolor
Interiors I: Family Reunion — A penetrating scene with a hidden homage to Eadwea
By Peter Milton
Located in Middletown, NY
Interiors I: Family Reunion
1984
Resist ground etching and engraving on BFK Rives wove paper, 20 x 36 inches (501 x 913 mm), full margins. Signed, titled, dated and numbered 49/175 in pencil, lower margin. In excellent condition with minor mat tone. A luminous, rich, and well-inked impression of this haunting image, with astonishing detail and depth. Framed handsomely under museum grade glass with archival materials in a solid wood frame with silver finish. [Milton 107]
Intended to be a stand alone image in its inception, Family Reunion ended up spawning seven additional images, and became a sort of Primo Pensiero in the sprawling, masterpiece suite now known as Interiors. The suite took eight years to complete, and consists of works of varying format, psychological intensity, and subject matter. The thematic darkness in the eight images waxes and wanes, and Milton intentionally included several interlude works to lighten the tension he felt while composing several of the darker images. The first two in the series, Family Reunion, and Hotel Paradise Café, were meant to be companion pieces. The equilibrium of each composition is anchored on a central brooding figure; a man (perhaps based on a Thomas Eakins portrait of the American anthropologist Frank Hamilton...
Category
1980s American Modern Etching Interior Prints
Materials
Etching, Engraving
Günther Förg, Hora - Etching, 1999, Abstract Art, Minimalism, Signed Print
By Günther Förg
Located in Hamburg, DE
Günther Förg (German, 1952-2013)
Hora, 1999
Medium: Etching on rag paper
Dimensions: 82 x 63 cm (32 x 24.75 in)
Edition of 99 + 12 AP: Hand-signed and numbered
Condition: Mint
Category
21st Century and Contemporary Abstract Etching Interior Prints
Materials
Etching
The Peasant Settling His Debt
Located in Middletown, NY
Etching on thin, cream laid paper 4 x 3 5/8 inches (100 x 90 mm), with narrow margins, trimmed inside the platemark. Adhesive residue at the top right and left corners, and archival ...
Category
17th Century Old Masters Etching Interior Prints
Materials
Etching
Backlighting
Located in New Orleans, LA
"Backlighting" was issued in an edition of 50.
Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa) in 1962, he com...
Category
1990s Contemporary Etching Interior Prints
Materials
Etching
"Pomme d' Amour" Mid-Century Modern Aquatint Floral Original by Anne Walker
By Anne Walker
Located in Soquel, CA
"Pomme d' Amour" Mid-Century Modern Aquatint embossed Floral "Sept Tomate Original by Anne Walker
Mid-Century Modern Aquatint of the Pomme d’amour or ‘Love Apple’ by Anne Walker (Be...
Category
Mid-20th Century Post-War Etching Interior Prints
Materials
Laid Paper, Aquatint, Woodcut
Jewelry Choir Stalls of the Cathedral of St Cecilia, Albi; The Reredos
Located in Middletown, NY
Etching with aquatint on cream wove paper, 1 3/4 x 5 inches (178x 127 mm), full margins. Signed, dated and inscribed "Ed. 150" in pencil, lower margin. Second state (of 3), before th...
Category
Mid-20th Century American Modern Etching Interior Prints
Materials
Etching, Handmade Paper, Aquatint
Jan Oytenbogaert
Located in San Francisco, CA
This artwork titled Jan Uytenbogaert" 1639 is an etching on paper After Rembrandt Van Rijn, 1606-1669, plate engraved By French renown engraver Charles Armand Durand, 1831-1905. Sign...
Category
17th Century Realist Etching Interior Prints
Materials
Etching
Sportsmen
Located in Storrs, CT
Sportsmen. 1908. Etching and drypoint. Exsteens 271.i/ii. 11 1/4 x 5 3/4 (sheet 17 3/8 x 12 1/4). Series: Les Bars. From the first state edition of 30 proofs with the remarque sketch...
Category
Early 1900s Post-Impressionist Etching Interior Prints
Materials
Drypoint, Etching
$800 Sale Price
54% Off
Moody Vintage Print - TV with Two Figures style of Edward Hopper
Located in Soquel, CA
Moody Vintage Print - TV with Two Figures style of Edward Hopper
Print of an interior scene with a tv stand, side table, lamp, and lifting weights. The tv screen reflects the tops o...
Category
1990s Etching Interior Prints
Materials
Paper, Etching
General Washington Saying Farewell to His Officers in Fraunces Tavern, New York
Located in Soquel, CA
General Washington Saying Farewell to His Officers in Fraunces Tavern, New York
This etching, 'General Washington Saying Farewell to His Officers in Fraunces Tavern, New York', was ...
Category
1930s American Impressionist Etching Interior Prints
Materials
Laid Paper, Etching
In the Atelier - Etching by Giacomo Manzù - 1968
Located in Roma, IT
In the Atelier is an original etching realized by Giacomo Manzù in 1968.
Hand Signed and numbered. Edition 26/125.
Excellent condition.
Giacomo Manzù (Bergamo, 1908- Ardea, 1991),...
Category
1960s Contemporary Etching Interior Prints
Materials
Etching
Les Belles et La Bête I: The Rehearsal
By Peter Milton
Located in Middletown, NY
Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish.
[Milton 98].
Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...
Category
1970s American Modern Etching Interior Prints
Materials
Engraving, Archival Paper, Etching
Le Curé de Cucignan
Located in Middletown, NY
A lovely, dark impression with excellent provenance.
Paris: Lemerre, 1880.
Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 4). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733).
[Bourcard 112]
A note regarding the provenance:
J. H. de Bois was a well known late-19th century modern art...
Category
1880s French School Etching Interior Prints
Materials
Drypoint, Etching, Aquatint, Laid Paper
The Smithy
Located in Middletown, NY
A warm composition, in theme and tone; the creaky timber interior of a 19th century Scottish blacksmith's shop.
Etching and drypoint on cream laid Japan paper, 8 x 10 inches (202 x ...
Category
Late 20th Century Modern Etching Interior Prints
Materials
Laid Paper, Drypoint, Etching
Bernard Sanders, (Mesopotamian Figure)
Located in New York, NY
Clearly Sanders was looking at ancient Mesopotamian figures. Even the elaborate feathered wings can be found there -- made about 5000 years ago!
There's an initial 'S' in the plate...
Category
Early 20th Century American Modern Etching Interior Prints
Materials
Drypoint, Etching
Mr. B. on the Middle Watch- "cold blows the wind & the rain's coming on."
Located in Middletown, NY
From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 3)
London: Thomas McLean, 1835. Etching with handcoloring in watercolor on cream wove pa...
Category
Mid-19th Century Victorian Etching Interior Prints
Materials
Etching, Watercolor
The Silent Pie
By John Sloan
Located in Middletown, NY
Etching on cream wove paper, 5 3/8 x 4 1/4 inches (135 x 107 mm), signed in the plate, lower right. Third state (of 3), from the novel The Flower Girl, vol. 2. by Paul de Kock. In go...
Category
Early 20th Century American Modern Etching Interior Prints
Materials
Handmade Paper, Etching
Sadlers Wells Theatre, London, colour aquatint, 1809, after Rowlandson and Pugin
Located in Melbourne, Victoria
Colour aquatint by Bluck after Thomas Rowlandson and Auguste Pugin.
From the series 'Microcosm of London', published by Rudolf Ackermann, the great Regency publisher of fine colour...
Category
Early 19th Century Naturalistic Etching Interior Prints
Materials
Aquatint
Etching interior prints for sale on 1stDibs.
Find a wide variety of authentic Etching interior prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add interior prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Robert A. Birmelin, George Cruikshank, Peter Milton, and Franco Gentilini. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching interior prints, so small editions measuring 0.1 inches across are also available Prices for interior prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $250,000, while the average work can sell for $788.