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Medium: Etching
Sleeping cat - Original Etching, Handsigned
By Mily Possoz
Located in Paris, IDF
Mily POSSOZ
Sleeping cat, c. 1930
Original etching
Handsigned in pencil
Limited /40 copies
On Rives vellum 20 x 15"
INFORMATIONS : Bears the blind stamp...
Category
Early 20th Century Modern Etching Interior Prints
Materials
Etching
Howard Hodgkin Late Afternoon in the Museum of Modern Art abstract black white
Located in New York, NY
Abstract black, white and tan print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract.
Late Afternoon in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36/100. Signed by the artist, numbered 36/100, and dated 79 lower center in red crayon. Printed from the same plate as Early Evening in the Museum of Modern Art. Published by Petersburg Press.
This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Hodgkin used his hand as a mark-making tool, combining these textures with loose and urgent brushwork.
Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Part of a series of four prints reflecting on a visit to the Museum...
Category
Late 20th Century Abstract Etching Interior Prints
Materials
Etching
'Cosmic Embrace', San Francisco Bay Area Modernist, Atelier 63 Woman Artist
Located in Santa Cruz, CA
Stamped verso with certification of authenticity for Jane Voitle Mellin (American, born 1952). and created circa 1975.
An atmospheric, sugar-lift aquatint showing a young woman, nude and reclining, appearing suspended within an astrologically-appointed room of ambiguous dimension.
An elegant use of a difficult medium by this North Carolina and San Francisco Bay Area...
Category
1970s Surrealist Etching Interior Prints
Materials
Paper, Aquatint
Ufizzi Gallery etching by Julian Trevelyan
Located in London, GB
To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...
Category
1960s Etching Interior Prints
Materials
Etching
The Lovers - Etching and Aquatint by Franco Gentilini - 1970s
Located in Roma, IT
The Lovers is an etching and aquatint realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s.
From the serie "The Tarots" Dry stamp by Il Cigno Stamperia d’Arte.
H...
Category
1970s Contemporary Etching Interior Prints
Materials
Etching, Aquatint
Garden With Henry, by Peter Milton
By Peter Milton
Located in Palm Springs, CA
Medium: Resist Ground Etching & Engraving
Image Size: 9.5 x 12 inches
Year: 1993
Signed, titled and numbered by the artist, this print was specially made by Milton to accom...
Category
Early 2000s Contemporary Etching Interior Prints
Materials
Engraving, Etching
Marchand Courtyard, French Quarter, Old New Orleans (Signed)
Located in New Orleans, LA
A signed etching by the justifiably famous New Orleans French Quarter artist Eugene Loving, in an edition of 200. It depicts in wonderful detail one of ...
Category
Early 20th Century Etching Interior Prints
Materials
Etching
Waking Up, Signed Modern Portrait Etching by Andre Minaux
By Andre Minaux
Located in Long Island City, NY
Waking Up
Andre Minaux, French (1923–1986)
Etching, signed and numbered in pencil
Edition of 25/45
Image Size: 15.5 x 15.5 inches
Frame Size: 31.75 x 27.7...
Category
1970s Modern Etching Interior Prints
Materials
Etching
"Sum of the Parts" - Abstract Etching in Ink on Paper (#3/20)
By Doris Warner
Located in Soquel, CA
"Sum of the Parts" - Abstract Etching in Ink on Paper (#3/20)
Dark abstract print by Doris Ann Warner (American, 1925-2010). This piece is dark and saturated, with three rows of three similarly shaped objects. They are somewhat rectangular, but with rounded corners, like stacked rocks...
Category
1980s Abstract Impressionist Etching Interior Prints
Materials
Paper, Ink, Etching
Dog in an Interior - Original Etching Mid 20th Century
Located in Roma, IT
Dog in an Interior is an original etching, splendid abstract artwork realized by an Anonymous artist of the XX century. The state of preservation of the artwork is very good.
Sheet dimension: 31.5x 22.5 cm.
The artwork represents an abstract scenery with stong emotion created by lines, an Expressionistic style of creation mixed with abstract expression. The shadowy figure of dog...
Category
Mid-20th Century Etching Interior Prints
Materials
Etching
'Evening Encounter', San Francisco Bay Area Modernist, Atelier 63 Woman Artist
Located in Santa Cruz, CA
Created circa 1975 and stamped, verso, with certification of authenticity for Jane Voitle Mellin (American, born 1952).
Paper dimensions: 13.25 x 19.75 inches
A atmospheric, sugar-...
Category
1970s Surrealist Etching Interior Prints
Materials
Paper, Aquatint
Le Legacy from Historia de Don Quichotte de la Mancha, Etching by Salvador Dali
Located in Long Island City, NY
Artist: Salvador Dali, Spanish (1904 - 1989)
Title: Le Legacy from Historia de Don Quichotte de la Mancha
Year: 1981
Medium: Etching on Arches, signed and numbered in pencil
Edition:...
Category
1980s Surrealist Etching Interior Prints
Materials
Etching
La diligence de Beaucaire
Located in Middletown, NY
Paris: Lemerre, 1880.
Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 3). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733).
[Bourcard 110].
A note regarding the provenance:
J. H. de Bois was a well known late-19th century modern art...
Category
1880s French School Etching Interior Prints
Materials
Laid Paper, Drypoint, Etching, Aquatint
Chez Le Patissier - Original Etching by J.E. Laboureur - 1924
Located in Roma, IT
Hand signed. Signed and titled on plate.
Very good conditions.
This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 50 years ago by an a...
Category
1920s Modern Etching Interior Prints
Materials
Etching
Les Vieux (The Elders)
Located in Middletown, NY
A lovely, dark impression with excellent provenance.
Paris: Lemerre, 1880.
Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Fourth state (of 5). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733).
[Bourcard 113].
A note regarding the provenance:
J. H. de Bois was a well known late-19th century modern art...
Category
1880s French School Etching Interior Prints
Materials
Etching, Drypoint, Aquatint
Le Curé de Cucignan
Located in Middletown, NY
A lovely, dark impression with excellent provenance.
Paris: Lemerre, 1880.
Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 4). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733).
[Bourcard 112]
A note regarding the provenance:
J. H. de Bois was a well known late-19th century modern art...
Category
1880s French School Etching Interior Prints
Materials
Drypoint, Etching, Aquatint, Laid Paper
Gauguin - Aquatint Etching by David Bumbeck
Located in Long Island City, NY
Gauguin
David Bumbeck, American (1940)
Date: 1983
Etching, signed, numbered, dated, and titled in pencil
Edition of 41/100
Image Size: 14.5 x 17.5 inches
Size: 19 x 22 in. (48.26 x 5...
Category
1980s Surrealist Etching Interior Prints
Materials
Etching, Aquatint
The Smithy
Located in Middletown, NY
A warm composition, in theme and tone; the creaky timber interior of a 19th century Scottish blacksmith's shop.
Etching and drypoint on cream laid Japan paper, 8 x 10 inches (202 x ...
Category
Late 20th Century Modern Etching Interior Prints
Materials
Laid Paper, Drypoint, Etching
Interiors I: Family Reunion — A penetrating scene with a hidden homage to Eadwea
By Peter Milton
Located in Middletown, NY
Interiors I: Family Reunion
1984
Resist ground etching and engraving on BFK Rives wove paper, 20 x 36 inches (501 x 913 mm), full margins. Signed, titled, dated and numbered 49/175 in pencil, lower margin. In excellent condition with minor mat tone. A luminous, rich, and well-inked impression of this haunting image, with astonishing detail and depth. Framed handsomely under museum grade glass with archival materials in a solid wood frame with silver finish. [Milton 107]
Intended to be a stand alone image in its inception, Family Reunion ended up spawning seven additional images, and became a sort of Primo Pensiero in the sprawling, masterpiece suite now known as Interiors. The suite took eight years to complete, and consists of works of varying format, psychological intensity, and subject matter. The thematic darkness in the eight images waxes and wanes, and Milton intentionally included several interlude works to lighten the tension he felt while composing several of the darker images. The first two in the series, Family Reunion, and Hotel Paradise Café, were meant to be companion pieces. The equilibrium of each composition is anchored on a central brooding figure; a man (perhaps based on a Thomas Eakins portrait of the American anthropologist Frank Hamilton...
Category
1980s American Modern Etching Interior Prints
Materials
Engraving, Etching
INTERIORS VII: THE TRAIN FROM MUNICH
By Peter Milton
Located in Portland, ME
Milton, Peter (American, born 1930). INTERIORS VII: THE TRAIN FROM MUNICH. Milton 113. Resist-ground etching and engraving on copper, 1991. Edition of 175. Signed and dated in pencil. Printed on BFK Rives paper. 20 x 36...
Category
1990s Etching Interior Prints
Materials
Engraving, Etching
Peter Doig, Fisherman (from Black Palms) - 2004, Etching, Signed Print
By Peter Doig
Located in Hamburg, DE
Peter Doig (born 1959 in Edinburgh)
Fisherman, 2004
Series: From the “Black Palms” portfolio
Medium: Etching in colors, on 250g/qm Zerkall paper
Medium: 53.5 × 38 cm (21 1/10 × 15 in...
Category
21st Century and Contemporary Contemporary Etching Interior Prints
Materials
Etching
La Negresse (The Negress)
Located in Fairlawn, OH
La Negresse (The Negress)
Etching & drypoint, 1909
Unsigned (as issued in the portfolio)
From the album "Les Bars" (8 plates plus cover illustration)
Editi...
Category
Early 1900s Art Nouveau Etching Interior Prints
Materials
Etching
L'Obelisco di Villa Celimontana, Rome - Etching by D. Amici - 19th Century
Located in Roma, IT
L'Obelisco di Villa Celimontana, Rome is an etching artwork realized in 1839 by the Italian artist Domenico Amici (1808-1877).
Signed on plate on the lower right margin.
Good co...
Category
19th Century Modern Etching Interior Prints
Materials
Etching
Au coin du feu - Original b/w Etching by Armand Queyroy - End of 19th Century
Located in Roma, IT
Au coin du feu is a beautiful original etching realized by Armand Queyroy (1830 -1893), printed on ivory colored paper by Delatre, Paris.
This is an original print signed on plate o...
Category
Late 19th Century Naturalistic Etching Interior Prints
Materials
Etching
Ancient Roman Medici Marble Vase: An 18th Century Etching by Piranesi
Located in Alamo, CA
This large 18th century etching by Giovanni Battista Piranesi is entitled "Vaso antico di Marmo adornato di eccellenti Sculture si nella parte anteriere che nell' opposta, le quail r...
Category
1770s Old Masters Etching Interior Prints
Materials
Etching
Jewelry Choir Stalls of the Cathedral of St Cecilia, Albi; The Reredos
Located in Middletown, NY
Etching with aquatint on cream wove paper, 1 3/4 x 5 inches (178x 127 mm), full margins. Signed, dated and inscribed "Ed. 150" in pencil, lower margin. Second state (of 3), before th...
Category
Mid-20th Century American Modern Etching Interior Prints
Materials
Etching, Handmade Paper, Aquatint
Camera sepolcrale
Located in Fairlawn, OH
Camera sepolcrale
Etching 1743
Signed in the bottom left corner
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Condition: Excellent
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 20 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Etching Interior Prints
Materials
Etching
Arnulf Rainer, Gelbes Meer - 1997, Signed Etching, Abstract Print
Located in Hamburg, DE
Arnulf Rainer (Austrian, born 1929)
Gelbes Meer, 1997
Medium: Etching on grey wove paper
Dimensions: 50 x 65 cm
Edition of 35: Hand-signed and numbered
Condition: Excellent
Category
20th Century Abstract Etching Interior Prints
Materials
Etching
Günther Förg, Hora - Etching, 1999, Abstract Art, Minimalism, Signed Print
By Günther Förg
Located in Hamburg, DE
Günther Förg (German, 1952-2013)
Hora, 1999
Medium: Etching on rag paper
Dimensions: 82 x 63 cm (32 x 24.75 in)
Edition of 99 + 12 AP: Hand-signed and numbered
Condition: Mint
Category
21st Century and Contemporary Abstract Etching Interior Prints
Materials
Etching
Les Belles et la Bête: Before the Hunt
By Peter Milton
Located in Middletown, NY
Resist ground etching and engraving on cream wove paper, 22 x 39 inches (558 x 990 mm), full margins. Signed, titled, dated, and numbered 27/160 in pencil, lower margin. With the blindstamp of the printer, Robert E. Townsend, in the lower left margin. A beautiful, richly inked impression of this highly detailed, large image. In very good condition with minor mat tone, extremely minor scattered light surface soiling, and one pin-point sized dot of brown discoloration on the lower left margin, recto, well outside of image area.
[Milton 99].
Milton states that there is a metaphorical evolution at the root of his body of graphic work, and with Les Belles et la Bête, Before the Hunt, he found himself at a crossroads that he viewed as a sort of artistic adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. The image is brimming with fantastical images and metaphors for the confrontation of sexual exploration; a Freudian analyst appears in the left of the image, scattered tableaus of paired figures...
Category
1970s American Modern Etching Interior Prints
Materials
Archival Paper, Engraving, Etching
The Woman and the Street
By Marc Chagall
Located in Fairlawn, OH
The Woman and the Street
Etching, 1927-1930
Signed in the plate lower right corner (see photo)
From: The Fables of La Fontaine, Plate 84
From the deluxe portfolio edition of 40 examp...
Category
1920s French School Etching Interior Prints
Materials
Etching
A Framed 18th C. Piranesi Etching of an Ancient Marble Vase from Hadrian's Villa
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi is entitled "Vaso antico di Marmo adornato di eccellenti Sculture si nella parte anteriere che nell' opposta, le ...
Category
1770s Old Masters Etching Interior Prints
Materials
Etching
Richard Tuttle, Homesick as a Nail: Set of Etching and Screenprint, Abstract Art
Located in Hamburg, DE
Richard Tuttle (American, born 1941)
Homesick as a Nail, 1998
Medium: Set of 1 drypoint etching on wove paper and 1 silkscreen, printed in five colors on acetate on both sides, with ...
Category
20th Century Minimalist Etching Interior Prints
Materials
Etching, Screen
Carcere ascura
Located in Fairlawn, OH
Carcere ascura
Etching, 1743
Signed in the plate bottom left corner
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
This image foretells Piranesi's famous set, Carceri (Prisons) which is his next creative effort.
Condition: Horizontal crease midway in the sheet associated with the manufacture of the paper.
Visible watermark verso
Small printer crease in the bottom right below the caption plate.
Image size: 14 1/2 x 9 1/2 inches
Reference: Robison 3 iii/VI
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Etching Interior Prints
Materials
Etching
Jenny Holzer, AKA: Portfolio of 5 Etchings, Contemporary Art, Signed Print
By Jenny Holzer
Located in Hamburg, DE
Jenny Holzer (American, b. 1950)
AKA, 2006
Medium: Set of five etchings, on Magnani Pescia paper (with title page, sheets loose, in original black silk-covered portfolio case)
Dimens...
Category
21st Century and Contemporary Contemporary Etching Interior Prints
Materials
Etching
"Pomme d' Amour" Mid-Century Modern Aquatint Floral Original by Anne Walker
By Anne Walker
Located in Soquel, CA
"Pomme d' Amour" Mid-Century Modern Aquatint embossed Floral "Sept Tomate Original by Anne Walker
Mid-Century Modern Aquatint of the Pomme d’amour or ‘Love Apple’ by Anne Walker (Be...
Category
Mid-20th Century Post-War Etching Interior Prints
Materials
Laid Paper, Aquatint, Woodcut
A Scene in the New Farce —as performed at the Royalty Theater
Located in Middletown, NY
A Scene in the New Farce —as performed at the Royalty Theater
London: George Humphrey, 1821.
Etching and engraving on cream wove paper with extensive hand coloring in watercolor. 9 5/8 x 13 3/4 inches (244 x 348 mm), trimmed at the platemark. A beautiful impression of this large, intricate print...
Category
Early 19th Century Etching Interior Prints
Materials
Watercolor, Engraving, Etching
The So-Called Tempio della Tosse, Near Tivoli. Interior Upright
Located in Fairlawn, OH
The So-Called Tempio della Tosse, Near Tivoli. Interior Upright (Veduta interna del Tempio della Tosse)
"Temple of the Cough"
Etching, 1764
Signed in the plate
From: Vedute di Roma...
Category
1760s Old Masters Etching Interior Prints
Materials
Etching
The Peasant Settling His Debt
Located in Middletown, NY
Etching on thin, cream laid paper 4 x 3 5/8 inches (100 x 90 mm), with narrow margins, trimmed inside the platemark. Adhesive residue at the top right and left corners, and archival ...
Category
17th Century Old Masters Etching Interior Prints
Materials
Etching
Endless
Located in Palm Springs, CA
Signed and numbered by the artist, edition of 10.
From the Colophon page: "This book is dedicated to the mosaic floor of the Basilica of San Marco in Venice. The most beautiful cap...
Category
Early 2000s Contemporary Etching Interior Prints
Materials
Etching
Still Life with Flowers original signed etching by J. D. van Caulaert
Located in Paonia, CO
Still Life of flowers is an original signed etching by J. D. van Caulaert published by Camila Lucas inc , Sidney Lucas, NYC. In good condition with vibrant colors . A ligh...
Category
20th Century Expressionist Etching Interior Prints
Materials
Etching
Europa, by Peter Milton
By Peter Milton
Located in Palm Springs, CA
Resist Ground Etching and Engraving from a Copper Plate on BFK Rives, Somerset Buff, Wove Paper
Medium: Resist Ground Etching & Engraving
Edition of 125
Year: 1982
One o...
Category
1980s Contemporary Etching Interior Prints
Materials
Engraving, Etching
The Fortune - Etching and Aquatint by Franco Gentilini - 1970s
Located in Roma, IT
The Fortune is an etching and aquatint realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s.
From the serie "The Tarots" Dry stamp by Il Cigno Stamperia d’Arte.
...
Category
1970s Contemporary Etching Interior Prints
Materials
Etching, Aquatint
Young Girl in Dressing Room - Original Handsigned Lithograph - 140ex
By Andre Minaux
Located in Paris, IDF
Andre MINAUX
Young Girl in Dressing Room
Original stone lithograph
Handsigned in pencil
Numbered / 140 ex
On vellum 60 x 50 cm (c. 24 x 20 inch)
Bears blind stamp of the editor (Pe...
Category
Mid-20th Century Cubist Etching Interior Prints
Materials
Etching, Aquatint
Cuarta Pared, Doble Teatro, Sin Titulo 1, Sin Titulo 2
Located in New York, NY
set of 4 lithographs with etching
signed and numbered lower right
published by Polígrafa, Barcelona
Descended from immigrants and raised during the brutal period of military dictat...
Category
1990s Contemporary Etching Interior Prints
Materials
Etching, Lithograph
Farmers enjoying a barn dance with a violinist and a bagpiper.
Located in Middletown, NY
Etching on cream laid paper mounted to a cream laid paper support, 9 x 12 7/8 inches (230 x 327 mm), thread margins. Three small areas of light skinning with one extremely small hole...
Category
Mid-17th Century Old Masters Etching Interior Prints
Materials
Etching, Laid Paper
Man By a Radiator
By Clifford Isaac Addams
Located in Columbia, MO
Clifford Isaac Addams (May 25, 1876 – November 7, 1942) was an American painter and etcher, and a protégé of James McNeill Whistler.
Category
Early 20th Century Modern Etching Interior Prints
Materials
Drypoint, Etching
Radical Parliament; "Plan to Assassinate Her Magestie's Ministers."
Located in Middletown, NY
An image of the last major insurrection in Great Britain, known as Guy Fawkes's Cato Street Conspiracy.
London: Thomas Mclean, 1835. Etching with hand colo...
Category
Mid-19th Century Victorian Etching Interior Prints
Materials
Watercolor, Etching
Coexistence, by Yuji Hiratsuka
Located in Palm Springs, CA
Signed, titled, and numbered by the artist. A young woman with with an elaborate necklae holds a flower hiding her face. While Hiratsuka's images have some resemblance to traditiona...
Category
2010s Contemporary Etching Interior Prints
Materials
Etching, Aquatint
La Parade
Located in Middletown, NY
Etching on wove Japon paper, 8 5/8 x 9 1/4 inches (219 x 235 mm), wide margins. Signed, titled, and numbered 6/75 in pencil, lower margin, and with the Dietrich & Cie éditeurs blinds...
Category
Early 20th Century French School Etching Interior Prints
Materials
Handmade Paper, Etching
Mr. B. on the Middle Watch- "cold blows the wind & the rain's coming on."
Located in Middletown, NY
From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 3)
London: Thomas McLean, 1835. Etching with handcoloring in watercolor on cream wove pa...
Category
Mid-19th Century Victorian Etching Interior Prints
Materials
Watercolor, Etching
Intérieur à Pressy, by Erik Desmazieres
Located in Palm Springs, CA
Medium: Etching, aquatint & roulette
Year: 1991
Image Size: 24.63 X 39.63 inches
Edition Size: 90
Signed and numbered in pencil by the artist
Image of a Paris apartment, showing the...
Category
1990s Contemporary Etching Interior Prints
Materials
Etching, Aquatint
La Lampe Polonoise
Located in Fairlawn, OH
La Lampe Polonoise
Aquatint, 1771
Signed and dated in the plate lower left
Condition: Yellowing to the sheet
Image size: 6 1/8 x 8 1/8 inches
Reference: Hedou 147 ii/II
Provenance: C...
Category
1770s Old Masters Etching Interior Prints
Materials
Aquatint
Renée Mauperin; Ten Etchings, Complete Set for novel by Goncourt Brothers
Located in Middletown, NY
Renée Mauperin; Ten Etchings, Complete Set for the Illustrations to the Novel by Edmond and Jules de Goncourt 1882
Paris: G. Charpentier et Cie, 1882-1884.
The complete set of ten ...
Category
Late 19th Century Realist Etching Interior Prints
Materials
Etching
Mr. B- “seeking the Bubble reputation"
Located in Middletown, NY
from The Sailor’s Progress, Plate 5
London: Thomas McLean, 1835. Second Edition. Etching with hand coloring in watercolor on cream wove paper, 1835. 8 1/4 x 11 1/2 inches (250 x 354 mm), full margins. With the quote from The Corsair, A Tale, Canto I...
Category
Early 19th Century Victorian Etching Interior Prints
Materials
Watercolor, Etching
The Parlour
Located in Llanbrynmair, GB
’The Parlour’
By Richard Bawden
Medium - Etching
Signed - Yes
Edition - 33/85
Size - 775mm x 570mm
Richard Bawden 1936
Painter and printmaker, born i...
Category
Late 20th Century Other Art Style Etching Interior Prints
Materials
Etching
Anglo Parisian Salutations, or Practice par Excellence!
Located in Middletown, NY
A beautiful image of fellowship and esprit de corp with bright handcoloring in watercolor.
London: Thomas Mclean, August 1st, 1835. Second Edition. Etching with handcoloring in water...
Category
Early 19th Century Victorian Etching Interior Prints
Materials
Watercolor, Etching
Interiors VII: The Train from Munich
By Peter Milton
Located in Middletown, NY
Interiors VII: The Train from Munich
Robert E. Townsend, 1991.
Resist ground etching and engraving with hand refinement in charcoal, pencil, stabilo, and eraser on BFK Rives white wove paper, 20 x 36 inches (507 x 914 mm), full margins. Signed, titled, dated and numbered 51/175 by the artist in pencil, lower margin. A brilliant, inky impression with luminous light and gradient tones. In excellent condition with one extremely minor and superficial spot of light tan adhesive residue on the verso, unobtrusive and not visible on the recto, with no other visible defects. With the blind stamp of the printer, Robert E. Townsend in the lower left margin. An especially fine impression in superb condition. [Milton 113].
When asked about this work in particular, Milton expressed that his favorite images were his darkest images, in theme, mood, and in ink. Milton, who has said that his work is infused with a postmodern awareness of the past, has focused here in a deeply personal way on a segment of history that continues to haunt us all. The work, published in 1991, evokes one of the darkest periods of European history, the eroding and erasing of European culture under fascism, and the eventual total loss of humanity. The Train from Munich is an especially relevant and emotional work for Milton, who created the piece for his wife, Edith, who escaped Munich in 1939 as a child on the fabled Kinderstransport. The Kinderstransport was a desperate rescue effort on the part of the British government to save as many Jewish children as possible by railway before borders closed on the precipice of the Second World War. Children left their parents behind, and boarded the trains alone, leaving the impending doom of Nazi Germany, they arrived in Great Britain as refugees. More than 10,000 children escaped the holocaust via the Kinderstransport. In Train from Munich, the image itself holds an almost immeasurable amount of symbolism; each inch of the matrix is a successful effort to confront this history in a way that is poignant through a series of motifs. We see the Café disappearing into a ghostlike memory of the past, an allegory to the disintegration of culture, while through the windows we can see a rampant, snarling dog; a portrait of Hitler's shepherd, Blondi. Blondi isn't the only notable figure in the composition. Milton has pointed out that the fading figure of the doorman at the Hotel Metropole is modeled after the artist and intellectual Marcel Duchamp, and the face of the young girl peering...
Category
1990s American Modern Etching Interior Prints
Materials
Charcoal, ABS, Engraving, Etching
Etching interior prints for sale on 1stDibs.
Find a wide variety of authentic Etching interior prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add interior prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Robert A. Birmelin, George Cruikshank, Peter Milton, and Franco Gentilini. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching interior prints, so small editions measuring 0.1 inches across are also available Prices for interior prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $250,000, while the average work can sell for $788.