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Medium: Etching
Midnight Observatory, Landscape Art, Architectural Art, London Art
Located in Deddington, GB
Midnight Observatory [2012]
limited_edition
etching and aquatint
Edition number 69
Image size: H:20 cm x W:13.5 cm
Complete Size of Unframed Work: H:37.5 cm x W:27.5 cm x D:.03cm
Sold Unframed
Please note that insitu images are purely an indication of how a piece may look
An etching and aquatint depicting the Royal Observatory at midnight in winter, printed from a copper plate in deep blue. This view of the Royal Observatory in Greenwich Park as seen from One Tree hill...
Category
21st Century and Contemporary Contemporary Etching Interior Prints
Materials
Etching, Aquatint
Skowhegan Exterior, American Modernist Abstract Etching
Located in Surfside, FL
Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...
Category
20th Century American Modern Etching Interior Prints
Materials
Etching
Scene Galante au XVIII eme Siecle #2
Located in San Francisco, CA
This artwork titled "Scene Galante au XVIII eme Siecle" c.1930 in an aquatint on paper by French artist Antoine Calbet, 1860-1944. It is hand signed in pencil at the lower right corner. The plate mark (image) size is 9.60 x 12.25 inches, framed size is 16.5 x 19.5 inches. Framed in a wooden gold and black frame, with fabric matting. The artwork is in very good condition, frame and matting are in good condition, frame have some minor dents, matting have a small point of discoloration at upper left.
About the artist.
Antoine Calbet is the son of Marie Singlande and Jean-Baptiste Calbet, landowner at a place called Gaubert.
Trained at the School of Fine Arts in Montpellier by Édouard - Antoine Marsal (1845-1929) where he learned drawing, this illustrator and illustrator, a painter of nudes and gallant scenes, was very popular during his lifetime.
Antoine Calbet is then admitted to the School of Fine Arts in Paris in the studio of Alexandre Cabanel (1823-1889). He was a member of the admission jury of the Beaux-Arts from 1913 to 1930. He began to exhibit in 1880 and became a member of the Society of French Artists . He was the friend of his compatriot of Lot-et-Garonne, the President of the Republic Armand Fallières , for which he drew the menus of his meals, which made him known in Parisian salons.He illustrated works by Jean Lorrain , Henri de Regnier , Pierre Loues 3 and for periodicals like L'Illustration .
Selected museums and collections
Dallas , Dallas Museum of Art : Back woman...
Category
Mid-20th Century Realist Etching Interior Prints
Materials
Aquatint
Don Juan
By Louis Icart
Located in Missouri, MO
Aquating Engraving
Image Size: approx. 20 1/4 x 13 3/8
Framed Size: 28 x 20.5 inches
Pencil Signed Lower Right
Louis Justin Laurent Icart was born in Toulouse in 1890 and died in Paris in 1950. He lived in New York City in the 1920s, where he became known for his Art-Deco color etchings of glamourous women.
He was first son of Jean and Elisabeth Icart and was officially named Louis Justin Laurent Icart. The use of his initials L.I. would be sufficient in this household. Therefore, from the moment of his birth he was dubbed 'Helli'. The Icart family lived modestly in a small brick home on rue Traversière-de-la-balance, in the culturally rich Southern French city of Toulouse, which was the home of many prominent writers and artists, the most famous being Henri de Toulouse-Lautrec.
Icart entered the l'Ecole Superieure de Commerce de Toulouse in order to continue his studies for a career in business, particularly banking (his father's profession). However, he soon discovered the play writings of Victor Hugo (1802-1885), which were to change the course of his life. Icart borrowed whatever books he could find by Hugo at the Toulouse library, devouring the tales, rich in both romantic imagery and the dilemmas of the human condition. It was through Icart's love of the theater that he developed a taste for all the arts, though the urge to paint was not as yet as strong for him as the urge to act.
It was not until his move to Paris in 1907 that Icart would concentrate on painting, drawing and the production of countless beautiful etchings, which have served (more than the other mediums) to indelibly preserve his name in twentieth century art history.
Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard.
In Icart's drawings, one sees the Impressionists Degas...
Category
1920s Art Deco Etching Interior Prints
Materials
Engraving, Aquatint
$2,800 Sale Price
20% Off
Carcere ascura
Located in Fairlawn, OH
Carcere ascura
Etching, 1743
Signed in the plate bottom left corner
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
This image foretells Piranesi's famous set, Carceri (Prisons) which is his next creative effort.
Condition: Horizontal crease midway in the sheet associated with the manufacture of the paper.
Visible watermark verso
Small printer crease in the bottom right below the caption plate.
Image size: 14 1/2 x 9 1/2 inches
Reference: Robison 3 iii/VI
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Etching Interior Prints
Materials
Etching
Danseuse Orientale - b/w Etching by Charles Courtry - 1880s
Located in Roma, IT
Danseuse Orientale is an original artwork realized by Charles Courtry in the second half of the XIX Century.
Original etching after Eugène Delacroix. Artist Proof on laid paper, ava...
Category
1880s Modern Etching Interior Prints
Materials
Etching
The Peasant Settling His Debt
Located in Middletown, NY
Etching on thin, cream laid paper 4 x 3 5/8 inches (100 x 90 mm), with narrow margins, trimmed inside the platemark. Adhesive residue at the top right and left corners, and archival ...
Category
17th Century Old Masters Etching Interior Prints
Materials
Etching
Dan Flavin, Untitled (Triptych): 3 Aquatint Prints, Abstract Art, Minimalism
By Dan Flavin
Located in Hamburg, DE
Dan Flavin (American, 1933-1996)
Untitled (Triptych), 1996-98
Medium: Set of three aquatints on handmade rag paper
Dimensions: each 50 x 40 cm (19.75 x 15.75 in)
Edition of 60: Each ...
Category
Late 20th Century Abstract Etching Interior Prints
Materials
Aquatint
Points of Departure: Mary's Turn, by Peter Milton
By Peter Milton
Located in Palm Springs, CA
Peter Milton’s Mary’s Turn reimagines a scene where Mary Cassatt and Edgar Degas engage in a game of billiards, reflecting their real-life friendship and rivalry. Cassatt leans forwa...
Category
1990s Contemporary Etching Interior Prints
Materials
Etching, Engraving
Jonas Wood, Bball Studio - Etching incl. Book and Bag, 2019, Signed Print
By Jonas Wood
Located in Hamburg, DE
Jonas Wood, Bball Studio from 2019 depicts the studio that Wood rented from Ed Ruscha from 2007-2017. This limited edition encompasses an etching in a cardboard case, a hardback edit...
Category
21st Century and Contemporary Contemporary Etching Interior Prints
Materials
Etching
'Surreal Boudoir', San Francisco Bay Area Modernist, Atelier 63 Woman Artist
Located in Santa Cruz, CA
Created circa 1975 and stamped, verso, with certification of authenticity for Jane Voitle Mellin (American, born 1952).
Paper dimensions: 17.25 x 12 inches
An atmospheric, sugar-lift aquatint showing a young woman seated at a claw foot table...
Category
1970s Etching Interior Prints
Materials
Paper, Aquatint
Interiors I: Family Reunion — A penetrating scene with a hidden homage to Eadwea
By Peter Milton
Located in Middletown, NY
Interiors I: Family Reunion
1984
Resist ground etching and engraving on BFK Rives wove paper, 20 x 36 inches (501 x 913 mm), full margins. Signed, titled, dated and numbered 49/175 in pencil, lower margin. In excellent condition with minor mat tone. A luminous, rich, and well-inked impression of this haunting image, with astonishing detail and depth. Framed handsomely under museum grade glass with archival materials in a solid wood frame with silver finish. [Milton 107]
Intended to be a stand alone image in its inception, Family Reunion ended up spawning seven additional images, and became a sort of Primo Pensiero in the sprawling, masterpiece suite now known as Interiors. The suite took eight years to complete, and consists of works of varying format, psychological intensity, and subject matter. The thematic darkness in the eight images waxes and wanes, and Milton intentionally included several interlude works to lighten the tension he felt while composing several of the darker images. The first two in the series, Family Reunion, and Hotel Paradise Café, were meant to be companion pieces. The equilibrium of each composition is anchored on a central brooding figure; a man (perhaps based on a Thomas Eakins portrait of the American anthropologist Frank Hamilton...
Category
1980s American Modern Etching Interior Prints
Materials
Etching, Engraving
"Waiting for Rehearsal"
By Paul Cadmus
Located in Astoria, NY
Paul Cadmus (American, 1904-1999), "Waiting for Rehearsal", Etching on Paper, signed in pencil lower right, titled and numbered edition "138/175" lower left, and blind stamped "Pelav...
Category
Mid-20th Century Modern Etching Interior Prints
Materials
Etching, Paper
Scene Galante au XVIII eme Siecle #1
Located in San Francisco, CA
This artwork titled "Scene Galante au XVIII eme Siecle" c.1930 in an aquatint on paper by French artist Antoine Calbet, 1860-1944. It is hand signed in pencil at the lower right corner. The plate mark (image) size is 9.60 x 12.25 inches, framed size is 16.5 x 19.5 inches. Framed in a wooden gold and black frame, with fabric matting. The artwork is in very good condition, frame and matting are in good condition, frame have some minor dents, matting have a small point of discoloration at upper left.
About the artist.
Antoine Calbet is the son of Marie Singlande and Jean-Baptiste Calbet, landowner at a place called Gaubert.
Trained at the School of Fine Arts in Montpellier by Édouard - Antoine Marsal (1845-1929) where he learned drawing, this illustrator and illustrator, a painter of nudes and gallant scenes, was very popular during his lifetime.
Antoine Calbet is then admitted to the School of Fine Arts in Paris in the studio of Alexandre Cabanel (1823-1889). He was a member of the admission jury of the Beaux-Arts from 1913 to 1930. He began to exhibit in 1880 and became a member of the Society of French Artists . He was the friend of his compatriot of Lot-et-Garonne, the President of the Republic Armand Fallières , for which he drew the menus of his meals, which made him known in Parisian salons.He illustrated works by Jean Lorrain , Henri de Regnier , Pierre Loues 3 and for periodicals like L'Illustration .
Selected museums and collections
Dallas , Dallas Museum of Art : Back woman...
Category
Mid-20th Century Realist Etching Interior Prints
Materials
Aquatint
Daylilies, by Peter Milton
By Peter Milton
Located in Palm Springs, CA
Peter Milton’s Daylilies is a haunting meditation on memory, mortality, and the layered complexity of personal and cultural history. Like much of Milton’s work, the print operates le...
Category
1990s Contemporary Etching Interior Prints
Materials
Etching, Engraving
$10,000 Sale Price
20% Off
Radical Parliament; "Plan to Assassinate Her Magestie's Ministers."
Located in Middletown, NY
An image of the last major insurrection in Great Britain, known as Guy Fawkes's Cato Street Conspiracy.
London: Thomas Mclean, 1835. Etching with hand colo...
Category
Mid-19th Century Victorian Etching Interior Prints
Materials
Watercolor, Etching
18th Century Etching of Ancient Roman Architectural Objects by Giovanni Piranesi
Located in Alamo, CA
A. Tigna Protensa Super Media Epistylia, B. Praecisiones Tigorum Quaqua Versus Extrinsectus Apparentium, C. Opae Extremitates Tigorum Contintes, Fig. I, plate 88 from "Vasi, Candelab...
Category
Mid-18th Century Old Masters Etching Interior Prints
Materials
Etching
Günther Förg, Hora - Etching, 1999, Abstract Art, Minimalism, Signed Print
By Günther Förg
Located in Hamburg, DE
Günther Förg (German, 1952-2013)
Hora, 1999
Medium: Etching on rag paper
Dimensions: 82 x 63 cm (32 x 24.75 in)
Edition of 99 + 12 AP: Hand-signed and numbered
Condition: Mint
Category
21st Century and Contemporary Abstract Etching Interior Prints
Materials
Etching
Europa, by Peter Milton
By Peter Milton
Located in Palm Springs, CA
Resist Ground Etching and Engraving from a Copper Plate on BFK Rives, Somerset Buff, Wove Paper
Medium: Resist Ground Etching & Engraving
Edition of 125
Year: 1982
One o...
Category
1980s Contemporary Etching Interior Prints
Materials
Engraving, Etching
Sweeny and A Nightingale - Original Bay Area Etching inspired by T.S. Eliot
Located in Soquel, CA
Sweeny and A Nightingale - Original Bay Area Etching
Lively etching based on T.S. Eliot's poem "Sweeney among the Nightingales" by John S. Cheatham (American.) A woman who is nude e...
Category
1990s Contemporary Etching Interior Prints
Materials
Etching, Printer's Ink, Paper
'Evening Encounter', San Francisco Bay Area Modernist, Atelier 63 Woman Artist
Located in Santa Cruz, CA
Created circa 1975 and stamped, verso, with certification of authenticity for Jane Voitle Mellin (American, born 1952).
Paper dimensions: 13.25 x 19.75 inches
A atmospheric, sugar-...
Category
1970s Etching Interior Prints
Materials
Paper, Aquatint
Monstrosities of 1822; Plate 5
Located in Middletown, NY
London: Thomas McLean, 1835. Third Edition. Etching with hand coloring in watercolor on cream wove paper, 9 1/2 x 13 3/4 inches (240 x 348 mm), full margins. With light, fresh color....
Category
Early 19th Century Victorian Etching Interior Prints
Materials
Etching, Watercolor
Mr. B- “seeking the Bubble reputation"
Located in Middletown, NY
from The Sailor’s Progress, Plate 5
London: Thomas McLean, 1835. Second Edition. Etching with hand coloring in watercolor on cream wove paper, 1835. 8 1/4 x 11 1/2 inches (250 x 354 mm), full margins. With the quote from The Corsair, A Tale, Canto I...
Category
Early 19th Century Victorian Etching Interior Prints
Materials
Watercolor, Etching
The Root of King’s Evil, NB To cure the Constitution of this evil, the axe ...
Located in Middletown, NY
A beautiful image of fellowship and esprit de corp with bright handcoloring in watercolor.
London: Thomas Mclean, August 1st, 1835. Second Edition. Etching with handcoloring in water...
Category
Early 19th Century Victorian Etching Interior Prints
Materials
Watercolor, Etching
Intérieur à Pressy, by Erik Desmazieres
Located in Palm Springs, CA
Medium: Etching, aquatint & roulette
Year: 1991
Image Size: 24.63 X 39.63 inches
Edition Size: 90
Signed and numbered in pencil by the artist
Image of a Paris apartment, showing the...
Category
1990s Contemporary Etching Interior Prints
Materials
Etching, Aquatint
$1,400 Sale Price
43% Off
Monstrosities of 1824; Plate 7
Located in Middletown, NY
London: Thomas McLean, 1835. Third Edition. Etching with hand coloring in watercolor on cream wove paper, 1818 (published August 1st, 1835) 9 1/2 x 13 3/4 inches (240 x 348 mm), full...
Category
Mid-19th Century Victorian Etching Interior Prints
Materials
Etching, Watercolor
Frontispiece from "Carceri d'Invenzione" - Etching by G. B. Piranesi - 1749/59
Located in Roma, IT
Carcere d'Invenzione is an original Modern Artwork realized by Giovan Battista Piranesi (Mogliano Veneto, 1720 - Rome, 1778).
Original Etchin...
Category
Mid-18th Century Modern Etching Interior Prints
Materials
Etching
This Print Wishes to Be On the Other Side of This Wall, Contemporary Art
Located in Hamburg, DE
Laure Prouvost (French, b. 1978)
This Print Wishes to Be On the Other Side of This Wall, 2016
Medium: Etching on wove paper
Dimensions: 60 x 45...
Category
21st Century and Contemporary Contemporary Etching Interior Prints
Materials
Etching
London Dandies-or- Monstrosities of 1816, Scene, Hyde Park, from Monstrosities
Located in Middletown, NY
London: Thomas McLean, 1818. Third Edition. Etching with hand coloring in watercolor on cream wove paper (published August 1st, 1835), 9 7/8 x 14 inches ...
Category
Early 19th Century Victorian Etching Interior Prints
Materials
Watercolor, Etching
The MoMA Library
By Xiaoze Xie
Located in Surfside, FL
This piece is part of an ongoing project entitled "Fragmentary Views" (2001 - Present) by Xiaoze Xie, which is a series of paint-compositions based upon photographs of found newspape...
Category
21st Century and Contemporary Contemporary Etching Interior Prints
Materials
Aquatint
The Card Players, Late 18th Century British Etching
Located in London, GB
Etching laid on paper
Image size: 3 1/4 x 3 1/4 inches (8 x 8 cm)
This etching is after a work by Adriaen van Ostade, a 17th century Dutch artist.
This wonderful etching shows a gr...
Category
Late 18th Century Etching Interior Prints
Materials
Etching
Those... Plants Howard Hodgkin red orange green etching watercolour gouache
Located in New York, NY
Around each corner of the print, a brilliant stripe of green outlines the image field, as if the viewer were looking through an eye, or peering through a frame. The back of a figure’...
Category
Late 20th Century Abstract Etching Interior Prints
Materials
Watercolor, Gouache, Etching
Interiors IV: Hotel Paradise Cafe
By Peter Milton
Located in San Francisco, CA
Artist: Peter Milton (American, 1930-)
Title: Interiors IV: Hotel Paradise Café
Year: 1987
Medium: Resist-ground etching and engraving on copper
Paper: BFK Rives
Image size: 23.5 x ...
Category
1980s Realist Etching Interior Prints
Materials
Paper, Etching
Mr. B. on the Middle Watch- "cold blows the wind & the rain's coming on."
Located in Middletown, NY
From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 3)
London: Thomas McLean, 1835. Etching with handcoloring in watercolor on cream wove pa...
Category
Mid-19th Century Victorian Etching Interior Prints
Materials
Etching, Watercolor
At the Cafe : Sharing a Drink - Original Etching
Located in Paris, IDF
Marcel GROMAIRE (1892-1971)
At the Cafe : Sharing a Drink
Original etching
Printed signature in the plate
On vellum, 28.5 x 38 cm (c. 11 x 15 in)
INFORMATION: This etching is authe...
Category
Late 20th Century Cubist Etching Interior Prints
Materials
Etching
Knackers
Located in New Orleans, LA
Binyon 232 - A fine impression in fine condition in an edition of 55 signed and inscribed by the artist.
Strang was a prolific printmaker and across his lifetime produced over 750 o...
Category
1890s Modern Etching Interior Prints
Materials
Etching
$175 Sale Price
40% Off
Returning to the Stable.
Located in Storrs, CT
Returning to the Stable. 1920. Drypoint. Appleby 64. 8 3/4 x 12 1/4 (sheet 11 7/16 x 16 1/8). Edition 100. A rich impression printed on cream laid paper wi...
Category
1920s Modern Etching Interior Prints
Materials
Drypoint, Etching
$800 Sale Price
36% Off
Le Curé de Cucignan
Located in Middletown, NY
A lovely, dark impression with excellent provenance.
Paris: Lemerre, 1880.
Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 4). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733).
[Bourcard 112]
A note regarding the provenance:
J. H. de Bois was a well known late-19th century modern art...
Category
1880s French School Etching Interior Prints
Materials
Drypoint, Etching, Aquatint, Laid Paper
Anglo Parisian Salutations, or Practice par Excellence!
Located in Middletown, NY
A beautiful image of fellowship and esprit de corp with bright handcoloring in watercolor.
London: Thomas Mclean, August 1st, 1835. Second Edition. Etching with handcoloring in water...
Category
Early 19th Century Victorian Etching Interior Prints
Materials
Watercolor, Etching
The Silent Pie
By John Sloan
Located in Middletown, NY
Etching on cream wove paper, 5 3/8 x 4 1/4 inches (135 x 107 mm), signed in the plate, lower right. Third state (of 3), from the novel The Flower Girl, vol. 2. by Paul de Kock. In go...
Category
Early 20th Century American Modern Etching Interior Prints
Materials
Handmade Paper, Etching
A Scene in the New Farce —as performed at the Royalty Theater
Located in Middletown, NY
A Scene in the New Farce —as performed at the Royalty Theater
London: George Humphrey, 1821.
Etching and engraving on cream wove paper with extensive hand coloring in watercolor. 9 5/8 x 13 3/4 inches (244 x 348 mm), trimmed at the platemark. A beautiful impression of this large, intricate print...
Category
Early 19th Century Etching Interior Prints
Materials
Watercolor, Engraving, Etching
Les Belles et La Bête I: The Rehearsal
By Peter Milton
Located in Middletown, NY
Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish.
[Milton 98].
Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...
Category
1970s American Modern Etching Interior Prints
Materials
Engraving, Archival Paper, Etching
Stanwick Churchyard
Located in Middletown, NY
Etching on cream wove paper, 2 3/8 x 3/14 inches (61 x 83), full margins. Signed, dated and inscribed "IV" in the artist's hand. In very good condition. Fletcher states only two tria...
Category
Mid-20th Century American Modern Etching Interior Prints
Materials
Handmade Paper, Etching, Aquatint
Jewelry Choir Stalls of the Cathedral of St Cecilia, Albi; The Reredos
Located in Middletown, NY
Etching with aquatint on cream wove paper, 1 3/4 x 5 inches (178x 127 mm), full margins. Signed, dated and inscribed "Ed. 150" in pencil, lower margin. Second state (of 3), before th...
Category
Mid-20th Century American Modern Etching Interior Prints
Materials
Etching, Handmade Paper, Aquatint
La diligence de Beaucaire
Located in Middletown, NY
Paris: Lemerre, 1880.
Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 3). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733).
[Bourcard 110].
A note regarding the provenance:
J. H. de Bois was a well known late-19th century modern art...
Category
1880s French School Etching Interior Prints
Materials
Laid Paper, Drypoint, Etching, Aquatint
Leaden Hall Market, London, colour aquatint, 1809, after Thomas Rowlandson
Located in Melbourne, Victoria
Colour aquatint by JC Stadler after Thomas Rowlandson and Auguste Pugin.
From the series 'Microcosm of London', published by Rudolf Ackermann, the great Regency publisher of fine c...
Category
Early 19th Century Naturalistic Etching Interior Prints
Materials
Aquatint
Desirable Garden, by Yuji Hiratsuka
Located in Palm Springs, CA
Signed, titled, and numbered by the artist. Extravagant multi-colored blossoms fill the image in this etching by Yuju Hiratsuka. While Hiratsuka's images have some resemblance to tr...
Category
2010s Contemporary Etching Interior Prints
Materials
Etching, Aquatint
Les Vieux (The Elders)
Located in Middletown, NY
A lovely, dark impression with excellent provenance.
Paris: Lemerre, 1880.
Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Fourth state (of 5). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733).
[Bourcard 113].
A note regarding the provenance:
J. H. de Bois was a well known late-19th century modern art...
Category
1880s French School Etching Interior Prints
Materials
Etching, Drypoint, Aquatint
Scott's Antiques
Located in San Francisco, CA
This artwork titled "Scotts Antiques" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered...
Category
Late 20th Century American Realist Etching Interior Prints
Materials
Etching
Interiors VII: The Train from Munich
By Peter Milton
Located in Middletown, NY
Interiors VII: The Train from Munich
Robert E. Townsend, 1991.
Resist ground etching and engraving with hand refinement in charcoal, pencil, stabilo, and eraser on BFK Rives white wove paper, 20 x 36 inches (507 x 914 mm), full margins. Signed, titled, dated and numbered 51/175 by the artist in pencil, lower margin. A brilliant, inky impression with luminous light and gradient tones. In excellent condition with one extremely minor and superficial spot of light tan adhesive residue on the verso, unobtrusive and not visible on the recto, with no other visible defects. With the blind stamp of the printer, Robert E. Townsend in the lower left margin. An especially fine impression in superb condition. [Milton 113].
When asked about this work in particular, Milton expressed that his favorite images were his darkest images, in theme, mood, and in ink. Milton, who has said that his work is infused with a postmodern awareness of the past, has focused here in a deeply personal way on a segment of history that continues to haunt us all. The work, published in 1991, evokes one of the darkest periods of European history, the eroding and erasing of European culture under fascism, and the eventual total loss of humanity. The Train from Munich is an especially relevant and emotional work for Milton, who created the piece for his wife, Edith, who escaped Munich in 1939 as a child on the fabled Kinderstransport. The Kinderstransport was a desperate rescue effort on the part of the British government to save as many Jewish children as possible by railway before borders closed on the precipice of the Second World War. Children left their parents behind, and boarded the trains alone, leaving the impending doom of Nazi Germany, they arrived in Great Britain as refugees. More than 10,000 children escaped the holocaust via the Kinderstransport. In Train from Munich, the image itself holds an almost immeasurable amount of symbolism; each inch of the matrix is a successful effort to confront this history in a way that is poignant through a series of motifs. We see the Café disappearing into a ghostlike memory of the past, an allegory to the disintegration of culture, while through the windows we can see a rampant, snarling dog; a portrait of Hitler's shepherd, Blondi. Blondi isn't the only notable figure in the composition. Milton has pointed out that the fading figure of the doorman at the Hotel Metropole is modeled after the artist and intellectual Marcel Duchamp, and the face of the young girl peering...
Category
1990s American Modern Etching Interior Prints
Materials
Charcoal, ABS, Engraving, Etching
Bernard Sanders, (Lovers)
Located in New York, NY
Clearly Sanders (1906-1967) was a master at these minimalist figurative prints. It's all about atmosphere and tension.
Perhaps reflecting the print here, (Lovers), he, in fact, w...
Category
Early 20th Century American Modern Etching Interior Prints
Materials
Drypoint, Etching
Still Life with Flowers original signed etching by J. D. van Caulaert
Located in Paonia, CO
Still Life of flowers is an original signed etching by J. D. van Caulaert published by Camila Lucas inc , Sidney Lucas, NYC. In good condition with vibrant colors . A ligh...
Category
20th Century Expressionist Etching Interior Prints
Materials
Etching
Ancient Roman Medici Marble Vase: An 18th Century Etching by Piranesi
Located in Alamo, CA
This large 18th century etching by Giovanni Battista Piranesi is entitled "Vaso antico di Marmo adornato di eccellenti Sculture si nella parte anteriere che nell' opposta, le quail r...
Category
1770s Old Masters Etching Interior Prints
Materials
Etching
Synagogue Duke's Palace Houndsditch by Th. Sunderland after Pugin & Rowlandson
Located in Middletown, NY
A faithful architectural rendering of the earliest Ashkenazi synagogue constructed in London; built about 1690, and subsequently destroyed in the Blitz, 1941.
London: Rudolph Ackerm...
Category
Early 19th Century English School Etching Interior Prints
Materials
Handmade Paper, Engraving, Aquatint
Graham Clarke (b.1941) - 20th Century Etching, Excelsior
Located in Corsham, GB
Graham Clarke (b.1941) Original etching in colour. 'Excelsior'. Pencil signed below plate lines. Editioned 249/300. On paper.
Category
20th Century Etching Interior Prints
Materials
Etching
Un Sculpteur de Paris
Located in Middletown, NY
Etching and drypoint on cream laid Van Gelder Zonen watermarked paper, 8 7/8 x 6 1/2 inches (220 x 164 mm), full margins. Signed, titled, and inscribed "ed. 100" in pencil, lower mar...
Category
Early 20th Century Modern Etching Interior Prints
Materials
Laid Paper, Drypoint, Etching
Young Girl in Dressing Room - Original Handsigned Lithograph - 140ex
By Andre Minaux
Located in Paris, IDF
Andre MINAUX
Young Girl in Dressing Room
Original stone lithograph
Handsigned in pencil
Numbered / 140 ex
On vellum 60 x 50 cm (c. 24 x 20 inch)
Bears blind stamp of the editor (Pe...
Category
Mid-20th Century Cubist Etching Interior Prints
Materials
Etching, Aquatint
Bernard Sanders, (Mesopotamian Figure)
Located in New York, NY
Clearly Sanders was looking at ancient Mesopotamian figures. Even the elaborate feathered wings can be found there -- made about 5000 years ago!
There's an initial 'S' in the plate...
Category
Early 20th Century American Modern Etching Interior Prints
Materials
Etching, Drypoint
"500 Calories al mode" The Perfect Meal - Menu - Dessert - Collograph Watercolor
Located in Soquel, CA
"500 Calories al mode" The Perfect Meal - Menu - Dessert - Collograph Watercolor
The artwork "500 Calories al mode" by Betty Swift, created one of a group show at San Francisco Stat...
Category
1980s American Modern Etching Interior Prints
Materials
Watercolor, Laid Paper, Etching
Master B. Finding things are not exactly what he expected-
Located in Middletown, NY
From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 2)
Etching with handcoloring in watercolor on cream wove paper, 1835. 210 x 290 mm; 8 3/...
Category
Mid-19th Century Victorian Etching Interior Prints
Materials
Watercolor, Etching
Etching interior prints for sale on 1stDibs.
Find a wide variety of authentic Etching interior prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add interior prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Robert A. Birmelin, George Cruikshank, Peter Milton, and Franco Gentilini. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching interior prints, so small editions measuring 0.1 inches across are also available Prices for interior prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $250,000, while the average work can sell for $788.