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Engraving Landscape Prints

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Medium: Engraving
Chateau Valeri, French chateau, garden estate plan, mid 17th century engraving
Located in Melbourne, Victoria
'Chateau Valeri' Copper-line engraving by Matthaeus Merian. From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings and citie...
Category

Mid-18th Century Rococo Engraving Landscape Prints

Materials

Engraving

Engraving of a British Fox Hunting Scene "The Pink Of Condition"
Located in Alamo, CA
The engraving "The Pink Of Condition" by George Wright was published in London in 1909. It depicts the beginning of a British fox hunting scene. The ...
Category

Early 1900s Naturalistic Engraving Landscape Prints

Materials

Engraving

The plan of St. Martin's Church, St. Martin in the Fields
Located in Middletown, NY
London: Society of Antiqauries London, 1744. Engraving on buff wove paper with a large heraldic watermark with Strasbourg lily with a crown and shied and the letters LVG, 9 1/2 x 14 ...
Category

Mid-18th Century English School Engraving Landscape Prints

Materials

Handmade Paper, Engraving

Cairo with Murad Bey's Palace: A Hand-colored Aquatint & Engraving by L. Mayer
Located in Alamo, CA
This is a hand-colored aquatint and engraving entitled "Principal Square in Grand Cairo, with Murad Bey's Palace", published in London by R. Bowyer in 1801. The print was created by ...
Category

Early 19th Century Romantic Engraving Landscape Prints

Materials

Engraving, Aquatint

Palazzo dell'Angelo
Located in Middletown, NY
Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...
Category

1930s American Modern Engraving Landscape Prints

Materials

Etching, Drypoint

Le chateau de Chillon, Switzerland by Albert Emil Kirchner - Engraving 20x27 cm
Located in Geneva, CH
Engraving by Albert Emil Kirchner Dutch artist born in 1813 and died on 1885 He have 176 registered auctions. The oldest was in 1989 and the most recent in 2022 The theme of the engraving is one of the most famous castle in Switzerland "le chateau...
Category

1850s Realist Engraving Landscape Prints

Materials

Engraving

Les Arcades, Dieppe France (the arches along coastline of a town in Normandy)
Located in New Orleans, LA
The image show a panoramic view of the architectural arches and the boats in the harbor of Dieppe in Normandy France. Dieppe was occupied by German naval and army forces after the f...
Category

Early 20th Century Modern Engraving Landscape Prints

Materials

Drypoint, Etching

The Way Home. A Winter Evening
Located in Middletown, NY
A beautiful, dark impression of a bucolic cow path. Etching with drypoint on heavy cream wove paper, 6 5/8 x 9 7/8 inches (174 x 248 mm), full margins. Uniform light brown discolorat...
Category

Late 19th Century English School Engraving Landscape Prints

Materials

Drypoint, Handmade Paper, Etching

Lafitte's Blacksmith House (a bar named for a pirate on Bourbon St, New Orleans)
Located in New Orleans, LA
Lafitte's Blacksmith Shop is a New Orleans landmark at 941 Bourbon St. Like most New Orleans legends, history of Lafitte's Blacksmith Shop is a gumbo of tru...
Category

Early 2000s Contemporary Engraving Landscape Prints

Materials

Mezzotint, Aquatint

The Helmsman
Located in Storrs, CT
The Helmsman. 1925. Etching. Hurst 130. 7 x 10 7/8 (sheet 11 x 5). Trial proof, apart from the edition of 75 An extremely rich impression printed cream wove paper. An exceptionally r...
Category

1920s Modern Engraving Landscape Prints

Materials

Drypoint, Etching

London Bridge.
Located in Storrs, CT
London Bridge, London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 9 7/8 x 17 1/4). Mat line; otherwise fine condition. A rich impression with dryp...
Category

1920s Modern Engraving Landscape Prints

Materials

Drypoint, Etching

Set of Four French Antique Marine Prints
Located in Lake Worth Beach, FL
Set of Four Antique Marine engravings plates hand colored. Each measure 18x21x1 framed. Benard Direxit is a French 19Th Century artist, engraver. Benar...
Category

Mid-19th Century French School Engraving Landscape Prints

Materials

Engraving

Degas, Au Salon, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.25 x 8.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the...
Category

1940s Impressionist Engraving Landscape Prints

Materials

Engraving

Moths in Their Natural Landscape: Antique Hand-colored Engraving by Moses Harris
Located in Alamo, CA
This is a hand-colored engraving depicting the natural history of Pinkunderwing Moths, Cream Spotted Tyger Moths in their natural botanical environment, which is plate 4 from Moses H...
Category

Mid-19th Century Realist Engraving Landscape Prints

Materials

Engraving

Pool of Bethesda, Jerusalem: A Hand-colored Aquatint & Engraving by L. Mayer
Located in Alamo, CA
This is a hand-colored aquatint and engraving entitled "Pool of Bethesda, Jerusalem", published in London by R. Bowyer in 1804. The print was created by Thomas Milton (1743-1827) from drawings by Luigi Mayer. This beautiful, detailed, original engraving is printed on deluxe J. Whatman paper with very wide left and right margins. There is a watermark "1801" indicating the year the paper was made. The sheet measures 11.25" high and 16" wide. There is a small faint spot in the upper margin on the left and a tiny faint spot in the right upper corner and another in the left lower corner. The engraving is otherwise in excellent condition with vibrant colors throughout the image. "The Pool of Bethesda...
Category

Early 19th Century Romantic Engraving Landscape Prints

Materials

Engraving, Aquatint

At the Crossroads (color), by Art Werger
Located in Palm Springs, CA
A spectacular view from above of a major cross roads in a town where some large gathering of people or protest is happening. Werger's mezzotint prints are masterful at capturing a mo...
Category

2010s Contemporary Engraving Landscape Prints

Materials

Mezzotint

The Flight into Egypt 17th century engraving after Rubens by Lucas Vorsterman
By Peter Paul Rubens
Located in London, GB
To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Lucas Vorsterman (1595 - 1675) after Peter Paul Rubens (1577 - 1640) The Fligh...
Category

1620s Realist Engraving Landscape Prints

Materials

Engraving

Engraving after POUSSIN by JAZET 19th French classical landscape 17th
Located in PARIS, FR
Jean Pierre Marie JAZET Paris, 1788 - Paris, 1871 (after Nicolas POUSSIN) Color engraving 46 x 63.5 cm (59 x 74 cm for the sheet)
Category

19th Century French School Engraving Landscape Prints

Materials

Engraving

Autumn Light
Located in Deddington, GB
This print of a tree uses litho printed kitakata chine collé to depict the warmth and colour of early autumnal sunlight. The depth of the blacks along with the layering, allude to th...
Category

2010s Contemporary Engraving Landscape Prints

Materials

Drypoint

Caunga Cucumber Plant: A 17th Century Botanical Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a rare 17th century engraving of a plant entitled "Caunga" by the Dutch botanist Hendrik van Rheede tot Drakenstein, plate 6 from his 'Hortus Indicus Malabaricus' (Garden of Malabar), published in Amsterdam in 1686 by Johann van Someren. The engraving depicts the caunga plant, also known as Inca cucumber or horned squash, which is a climbing vine that produces edible, cucumber-like fruits. Rheede's 19th century publication featured illustrations of exotic plants and fruits labelled with script in the upper right corner in Latin, Malay, Arabic, and Sanskrit. Hortus Indicus Malabaricus is believed to be the earliest comprehensive published work on the flora of Asia and the tropics. The 17th century treatise featured important illustrations of 740 plants of the region, including Indian medicinal plants. The engraving is printed on 17th century laid, chain-linked paper, watermarked with an elaborate crown design. The sheet measures 15.25" high by 18.88" wide. There is a central fold, as issued. There is a small dark spot on the left which appears to represent a paper inclusion which occurred when the hand-made paper was produced. The print is otherwise in excellent condition. There are additional Rheede botanical engravings from his 'Hortus Indicus Malabaricus' publication that are listed on my 1stdibs storefront and online website. These would make for an impressive display grouping. A discount is available for purchase of two or more of the prints. Hendrik Adriaan van Rheede tot Drakenstein...
Category

Late 17th Century Naturalistic Engraving Landscape Prints

Materials

Engraving

New Staines Bridge, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'New Staines Bridge' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aquat...
Category

Late 18th Century Naturalistic Engraving Landscape Prints

Materials

Engraving, Etching, Aquatint

Landscape, Modern Drypoint with Embossing by Alena Kučerová
Located in Long Island City, NY
Alena Kucerova, Czech (1935 - ) - Landscape, Year: 1971, Medium: Drypoint with Embossing, Signed, numbered, and dated in pencil, Edition: 1/100, Image Size: 10.5 x 15 inches, Siz...
Category

1970s Modern Engraving Landscape Prints

Materials

Drypoint, Etching

Rising Tide
Located in Palm Springs, CA
Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to complete. His seascapes and ocean prints are from the California coastline. Sign...
Category

Early 2000s Contemporary Engraving Landscape Prints

Materials

Mezzotint

Requiem
Located in Palm Springs, CA
Scene of cliffs shaped by the waaves of the california coastline. Suggestions of human forms can be seen in some rock formations. Werger's mezzotint prints are masterful at capturin...
Category

Early 2000s Contemporary Engraving Landscape Prints

Materials

Mezzotint

Turbulence (black and white version), by Art Werger
Located in Palm Springs, CA
A spectacular wave breaking under a stormy sky . Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to complete. Signed and numbered f...
Category

2010s Contemporary Engraving Landscape Prints

Materials

Mezzotint

Flowering Crinum Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Crinum Arenarium" (Water-Island Sand Crinum), plate 2355, published in London in 1822 in William...
Category

1820s Naturalistic Engraving Landscape Prints

Materials

Engraving

Seventy Percent Chance
Located in Palm Springs, CA
Medium: Mezzotint Year: 2023 Edition: 50 Image Size: 11.75 x 17.5 inches Pedestrians sheltering from the rain under umbrellas in an urban downtown setting, Art Werger’s prints show...
Category

21st Century and Contemporary Contemporary Engraving Landscape Prints

Materials

Mezzotint

Andres Rueda Spanish Artist 1997 Original Hand Signed silkscreen on canvas
Located in Miami, FL
Andrés Rueda (Spain, 1956) 'Tarde gris', 1997 silkscreen on canvas 21.3 x 28.8 in. (54 x 73 cm.) Edition of 75 ID: RUE1222-001-075 Unframed Hand-signed by author
Category

1990s Contemporary Engraving Landscape Prints

Materials

Paper, Engraving, Screen

Greyhound
Located in Columbia, MO
Greyhound 1773-1802 Engraving 14 x 10 inches Framed: 24 x 21 inches
Category

1770s Naturalistic Engraving Landscape Prints

Materials

Engraving

Butterflies & Moths in a Landscape: 18th C. Hand-colored Engraving by M. Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving depicting the natural history of butterflies and moths, which is plate 10 from Moses Harris' publication "The Aurelian: ...
Category

Mid-18th Century Engraving Landscape Prints

Materials

Engraving

Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Southampton, NY
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category

1950s Modern Engraving Landscape Prints

Materials

Drypoint, Etching

Admirable Butterflies, Magpie Moths: A Hand-colored Engraving by Moses Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the Admirable Butterfly and the Small Magpie Moth, which is plate 6 from Moses Harris' publication "The Aure...
Category

Mid-19th Century Realist Engraving Landscape Prints

Materials

Engraving

Fall Der Engel - Vintage Héliogravure by Franz von Bayros - 1921 ca.
Located in Roma, IT
Fall Der Engel is a black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, as is remembered Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe, ...
Category

1920s Symbolist Engraving Landscape Prints

Materials

Engraving

Betel Nut Palm: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of a flowering Betel Nut Palm plants, which is finished with hand-coloring. It is entitled "Fagus Fau Buch,...
Category

Mid-18th Century Naturalistic Engraving Landscape Prints

Materials

Engraving, Mezzotint

Vatican Hallway designed by Raphael: 18th C. Hand-colored Engraving by Volpato
Located in Alamo, CA
This is an original 18th century hand-colored copper-plate engraving by Giovanni Volpato after a drawing by Camporesi. It was the frontispiece for volume one of the rare and valuable...
Category

Late 18th Century Old Masters Engraving Landscape Prints

Materials

Engraving

Baroque 17th century German fountain design engraving print by Boeckler
Located in Melbourne, Victoria
17th century German fountain design Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas Beckley (...
Category

Mid-17th Century Baroque Engraving Landscape Prints

Materials

Engraving, Etching

Three Engravings Depicting Sailing Yachts Competing in 1885 America's Cup Trials
Located in Alamo, CA
Three woodcut engravings produced in 1885 to commemorate the sailing yacht trials competition to determine the team to represent the United States in the America's Cup races off the New Jersey coast in that same year. These three beautiful woodcut engravings are part of a group of six equally attractive prints, all framed identically in gold scrolled wood frames with pleasing light grey French mats, each with a medium grey band. Each frame measures 16.13" x 17.25" x 0.5". See Item Reference #LU117325094852 to view the other three prints in this series. These prints may be purchased individually for $1,075/each, as a set of three for $2,875/3 or as a set of six for $5,575/6. Three American racing yachts, the Puritan, the Priscilla and the Bedouin, participating in the 1885 America’s Cup trials off the coast of New Jersey are shown in their qualifying races. The Puritan, owned by several members of the Eastern Yacht Club...
Category

1880s Other Art Style Engraving Landscape Prints

Materials

Engraving

Greville Smyth Pine
Located in Deddington, GB
This print considers how we view the contemporary sublime landscape and how easy it can be to experience when we take the time to look. We often don’t have to travel far: parks in cities, the coastline and stars in the night sky. The mature Scots Pine tree pictured...
Category

2010s Contemporary Engraving Landscape Prints

Materials

Drypoint

Flowering Houseleek Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Sempervivum Smithii" (Hispid-Stemmed Tree Houseleek), plate 1980, published in London in 1818 in...
Category

1810s Naturalistic Engraving Landscape Prints

Materials

Engraving

Autumn Pine
Located in Deddington, GB
This print of a pine tree uses kitakata chine collé to depict the warmth and colour of early autumnal light. This body of work is based on the book by Suzanne Simard, Finding the Mo...
Category

2010s Contemporary Engraving Landscape Prints

Materials

Drypoint

Flowering Houseleek Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Sempervivum Glutinosum" (Clammy Houseleek), plate 1963, published in London in 1818 in William C...
Category

1810s Naturalistic Engraving Landscape Prints

Materials

Engraving

"In the Forest" Aquatint - Mid Century Engraving Landscape
Located in Soquel, CA
Charming vintage Aquatint/etching titled "In the Forest" from the Paris Etching Society by French artist Pierre Maulin (France, late 19th-early 20th Cent...
Category

1930s Impressionist Engraving Landscape Prints

Materials

Paper, Ink, Engraving, Aquatint

Moths and a Lady Bug in a Landscape: A Hand-colored Engraving by Moses Harris
Located in Alamo, CA
This is a hand-colored engraving depicting the natural history of moths and a lady bug, which is plate 22 from Moses Harris' publication "The Aurelian: or Natural History of English Insects; Namely Moths & Butterflies", first published in London in 1766 and this from an 1840 edition. The engraving depicts the natural history developmental stages of the Burnished Brass Moth, the Dark Gothic...
Category

Mid-19th Century Realist Engraving Landscape Prints

Materials

Engraving

Piccadilly Circus, London, etching by Frederick Farrell, circa 1920
Located in Melbourne, Victoria
Signed in pencil below the image by the artist. Blind stamps of etching societies lower left just under the image. Frederick Farrell was a Scottish etcher specializing in architectu...
Category

1920s Other Art Style Engraving Landscape Prints

Materials

Drypoint, Etching

Bassenthwaite Water, from the Western Side, Lake District C19th English aquatint
Located in Melbourne, Victoria
'Bassenthwaite Water, from the Western Side' Aquatint by William Green, 1804 William Green of Ambleside was a Lake District draughtsman, soft ground e...
Category

Early 19th Century Naturalistic Engraving Landscape Prints

Materials

Engraving, Aquatint

Early 20th Century Santo Domingo Landscape Etching Proof
Located in Soquel, CA
Prize winning 1923 Dry Point Etching of Santo Domingo by George "Pop" Hart. Wonderful early 20th century modern etching of the Santo Domingo, capital of Dominican Republic by Georg...
Category

1920s Contemporary Engraving Landscape Prints

Materials

Laid Paper, Drypoint, Etching

Untitled - Engraving by Ossi Czinner - 1990
Located in Roma, IT
Burin engraving on Magnani-Pescia paper. Paper size 39cmx29,5cm, work size 22cmx17,5cm. Excellent condition, no defects. OSSI CZINNER - Central European artist, graphic designer and...
Category

1990s Contemporary Engraving Landscape Prints

Materials

Engraving

Banana Plants: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is a striking original antique colored botanical mezzotint and line double page engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 1. Musa,...
Category

Mid-18th Century Naturalistic Engraving Landscape Prints

Materials

Engraving, Mezzotint

Tournai (Tournay), Belgium: A 16th Century Hand-colored Map by Braun & Hogenberg
Located in Alamo, CA
This is a 16th century original hand-colored copperplate engraved map of Tournai, Belgium, entitled "Tornacum" by Georg Braun & Franz Hogenberg, in volume IV of their famous city atlas "Civitates Orbis Terrarum", published in Cologne or Augsberg, Germany in 1575. The map provides a bird's-eye view of the walled city of Tournai, the second oldest city in Belgium. It lies approximately one hour by car southwest of Brussels or from Ghent. The names of thirty of its streets, prominent buildings, churches and squares are listed in a key within a strap-work cartouche in the lower left. These locations are numbered in the key corresponding to their locations on the map. This colorful map of Tournai (Tornacum or Tournay as it was called in the 16th century) includes the title in Latin in a cartouche in the upper center. Three crests are present across the upper map. A man and two woman are standing on a hill in the foreground in the lower right dressed in the style of 16th century upper class residents of the town. This is an English translation of an excerpt of Braun's description of Tornai: “Tornacum or Turnacum is a city in Gallia Belgica, situated on the Schelde in the territory of the Nervii, called Tournai by its French inhabitants, but Dorneck by the Germans. Tournai has always been a large and powerful city, with an abundance of goods and commercial activities and wonderfully resourceful craftsmen, who invent new articles every day, and although some of these go out of use they constantly conceive of other new things, both useful and delightful, so that they have at all times something that provides work and a means of livelihood for the poor." ReferencesVan der Krogt 4, 4435, State 1; Taschen, Braun and Hogenberg...
Category

16th Century Old Masters Engraving Landscape Prints

Materials

Engraving

After P. Fourdrinier - 19th Century Engraving, Ruins of Baalbek
Located in Corsham, GB
This architectural drawing showcases the intricate details of a classical column and entablature, focusing on the ornate pediment and frieze. The original plate was created in 1757 ...
Category

19th Century Engraving Landscape Prints

Materials

Engraving

Greville Smyth Cedar
Located in Deddington, GB
This print considers how we view the contemporary sublime landscape and how easy it can be to experience when we take the time to look. We often don’t have to travel far: parks in ci...
Category

2010s Contemporary Engraving Landscape Prints

Materials

Drypoint

Branches Purple, Limited edition print, Landscape, Tree, Nature art
Located in Deddington, GB
Scots Pine drypoint etching printed onto Japanese gampi tissue and backed onto German Hahnemule printmaking paper. This print depicts a mature pine tree, standing proud from the rest...
Category

2010s Contemporary Engraving Landscape Prints

Materials

Drypoint, Etching

Gleizes, Composition, Du cubisme (after)
Located in Southampton, NY
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...
Category

1940s Modern Engraving Landscape Prints

Materials

Drypoint

West View of St Nicholas Chapel, Westminster Abbey, architecture aquatint
Located in Melbourne, Victoria
Colour aquatint by John Bluck (active 1791-1819) after Auguste Pugin (1762-1832). Architectural interior with superb original colour. From 'Westminster Abbey', published by Rudolf A...
Category

Early 19th Century Naturalistic Engraving Landscape Prints

Materials

Engraving, Etching, Aquatint

Ancient Rome /// Joseph Mallord William Turner City River Landscape Engraving
Located in Saint Augustine, FL
Artist: (after) Joseph William Mallord Turner (English, 1775-1851) Title: "Ancient Rome" Portfolio: The Turner Gallery: A Series of Sixty Engravings From The Principal Works of Josep...
Category

1860s Victorian Engraving Landscape Prints

Materials

Engraving

View of the village and Lake Brientz by Johann Ludwig Aberli - Engraving 30x42
Located in Geneva, CH
Work on paper
Category

Mid-18th Century Realist Engraving Landscape Prints

Materials

Engraving

Degas, Au Salon, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.25 x 8.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the...
Category

1940s Impressionist Engraving Landscape Prints

Materials

Engraving

Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82). From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain...
Category

Late 18th Century Italian School Engraving Landscape Prints

Materials

Engraving, Mezzotint, Etching

Blueberry Field Near Eggemoggin Beach
Located in Palm Springs, CA
This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement...
Category

21st Century and Contemporary Contemporary Engraving Landscape Prints

Materials

Mezzotint

John Speede, Map of the County of Surrey, described and divided into hundreds
Located in London, GB
To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Speed/Speede (1551/2-1629) The County of Surrey Described and Divided into Hundreds Engraving with later hand colouring and text to the reverse.  Dated to c.1650 36 x 49 cm Probably the most famous early English mapmaker, John Speed's early life is somewhat of an enigma. He is believed to have trained as a rolling-press printer, but he was at heart an historian granted a sinecure in the Customs House by Queen Elizabeth to indulge his passion, later becoming a Fellow of the Society of Antiquaries. His first maps were historical, of the Holy Land 'Canaan as it was Possessed both in Abraham and Israels Dayes' and of England and Ireland recording 'all their Civill Warres since the Conquest'. In 1611 he published his 'Hostory of Great Britaine' which he regarded as his magnum opus, but it was the companion atlas 'Theatre of the Empire of Great Britaine' that - as the first printed atlas of Great Britain - sealed his reputation. William Rogers engraved the first map, 'the County Palatine of Chester' in about 1600, but following his untimely death the task of engraving was passed to Jodocus Hondius of Amsterdam. By 1612 the atlas was complete, the maps famed for their decorative elements. Many have town plans - Britain's first series of such plans - and descriptive text was printed to the reverse until the 1676 edition. Later printings (up until 1770) were issued without this text. By 1627 it has become a part of a world atlas 'Prospect of the Most Famous Parts of the World'. During the 17th century the plates passed through the hands of a series of publishers, the 1676 edition of Thomas Bassett and Richard Chiswell being regarded as its high point with the inclusion for the first time of a series of important maps. For the first half of the eighteenth century they were firmly established in the hands of the Overton family. This particular edition originally featured in The Theatre Of The Empire Of Great Britaine. It features attractive inset views of the long-since destroyed Richmond...
Category

17th Century Realist Engraving Landscape Prints

Materials

Engraving

Engraving landscape prints for sale on 1stDibs.

Find a wide variety of authentic Engraving landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include David Loggan, Adriaen Collaert, David Lucas, and Salvador Dalí. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Engraving landscape prints, so small editions measuring 0.01 inches across are also available

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