Engraving Landscape Prints
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Style: Modern
Medium: Engraving
Landscape in Auvers, The Farm - Original drypoint
By Paul Cézanne
Located in Paris, FR
Paul Cezanne
Landscape in Auvers, the farm
Original drypoint, 1873
Unsigned as usual
Edition of 600 copies
On vellum, size 33 x 25 cm (c. 13 x 9,9 in)
REFERENCE :
- Catalog raiso...
Category
1870s Modern Engraving Landscape Prints
Materials
Etching, Drypoint
Picasso, Femme assise et deux danseuses, La Chèvre-Feuille (after)
Located in Auburn Hills, MI
Engraving and Zincograph on vélin Lafuma-Navarre paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Chèvre-Feuille, 1943. Published b...
Category
1940s Modern Engraving Landscape Prints
Materials
Engraving
Picasso, Composition, La Chèvre-Feuille (after)
Located in Auburn Hills, MI
Engraving and Zincograph on vélin Lafuma-Navarre paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Chèvre-Feuille, 1943. Published b...
Category
1940s Modern Engraving Landscape Prints
Materials
Engraving
Picasso, Deux femmes, La Chèvre-Feuille (after)
Located in Auburn Hills, MI
Engraving and Zincograph on vélin Lafuma-Navarre paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Chèvre-Feuille, 1943. Published b...
Category
1940s Modern Engraving Landscape Prints
Materials
Engraving
Picasso, Visages, La Chèvre-Feuille (after)
Located in Auburn Hills, MI
Engraving and Zincograph on vélin Lafuma-Navarre paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Chèvre-Feuille, 1943. Published b...
Category
1940s Modern Engraving Landscape Prints
Materials
Engraving
Picasso, Trois baigneuses, La Chèvre-Feuille (after)
Located in Auburn Hills, MI
Engraving and Zincograph on vélin Lafuma-Navarre paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Chèvre-Feuille, 1943. Published b...
Category
1940s Modern Engraving Landscape Prints
Materials
Engraving
Picasso, Danseuse, La Chèvre-Feuille (after)
Located in Auburn Hills, MI
Engraving and Zincograph on vélin Lafuma-Navarre paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Chèvre-Feuille, 1943. Published b...
Category
1940s Modern Engraving Landscape Prints
Materials
Engraving
Albers, Composition, Josef Albers Zeichnungen Drawings (after)
By Josef Albers
Located in Auburn Hills, MI
Engraving on smooth wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Josef Albers Zeichnungen Drawings, 1956. Published ...
Category
1950s Modern Engraving Landscape Prints
Materials
Engraving
Albers, Composition, Josef Albers Zeichnungen Drawings (after)
By Josef Albers
Located in Auburn Hills, MI
Engraving on smooth wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Josef Albers Zeichnungen Drawings, 1956. Published ...
Category
1950s Modern Engraving Landscape Prints
Materials
Engraving
Albers, Composition, Josef Albers Zeichnungen Drawings (after)
By Josef Albers
Located in Auburn Hills, MI
Engraving on smooth wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Josef Albers Zeichnungen Drawings, 1956. Published ...
Category
1950s Modern Engraving Landscape Prints
Materials
Engraving
Albers, Composition, Josef Albers Zeichnungen Drawings (after)
By Josef Albers
Located in Auburn Hills, MI
Engraving on smooth wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Josef Albers Zeichnungen Drawings, 1956. Published ...
Category
1950s Modern Engraving Landscape Prints
Materials
Engraving
Albers, Composition, Josef Albers Zeichnungen Drawings (after)
By Josef Albers
Located in Auburn Hills, MI
Engraving on smooth wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Josef Albers Zeichnungen Drawings, 1956. Published ...
Category
1950s Modern Engraving Landscape Prints
Materials
Engraving
Albers, Composition, Josef Albers Zeichnungen Drawings (after)
By Josef Albers
Located in Auburn Hills, MI
Engraving on smooth wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Josef Albers Zeichnungen Drawings, 1956. Published ...
Category
1950s Modern Engraving Landscape Prints
Materials
Engraving
Albers, Composition, Josef Albers Zeichnungen Drawings (after)
By Josef Albers
Located in Auburn Hills, MI
Engraving on smooth wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Josef Albers Zeichnungen Drawings, 1956. Published ...
Category
1950s Modern Engraving Landscape Prints
Materials
Engraving
Albers, Composition, Josef Albers Zeichnungen Drawings (after)
By Josef Albers
Located in Auburn Hills, MI
Engraving on smooth wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Josef Albers Zeichnungen Drawings, 1956. Published ...
Category
1950s Modern Engraving Landscape Prints
Materials
Engraving
Albers, Composition, Josef Albers Zeichnungen Drawings (after)
By Josef Albers
Located in Auburn Hills, MI
Engraving on smooth wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Josef Albers Zeichnungen Drawings, 1956. Published ...
Category
1950s Modern Engraving Landscape Prints
Materials
Engraving
Albers, Composition, Josef Albers Zeichnungen Drawings (after)
By Josef Albers
Located in Auburn Hills, MI
Engraving on smooth wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Josef Albers Zeichnungen Drawings, 1956. Published ...
Category
1950s Modern Engraving Landscape Prints
Materials
Engraving
Albers, Composition, Josef Albers Zeichnungen Drawings (after)
By Josef Albers
Located in Auburn Hills, MI
Engraving on smooth wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Josef Albers Zeichnungen Drawings, 1956. Published ...
Category
1950s Modern Engraving Landscape Prints
Materials
Engraving
Albers, Composition, Josef Albers Zeichnungen Drawings (after)
By Josef Albers
Located in Auburn Hills, MI
Engraving on smooth wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Josef Albers Zeichnungen Drawings, 1956. Published ...
Category
1950s Modern Engraving Landscape Prints
Materials
Engraving
Metzinger, Femme à sa Toilette (Metzinger, AM-18-013), Du cubisme (after)
By Jean Metzinger
Located in Auburn Hills, MI
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...
Category
1940s Modern Engraving Landscape Prints
Materials
Drypoint
Duchamp, Le Cheval, Composition, Du cubisme (after)
Located in Auburn Hills, MI
Etching, Engraving, Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published ...
Category
1940s Modern Engraving Landscape Prints
Materials
Drypoint, Engraving, Etching
Gris, Composition, Du cubisme (after)
By Juan Gris
Located in Auburn Hills, MI
Etching, Engraving on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagn...
Category
1940s Modern Engraving Landscape Prints
Materials
Etching, Engraving
Léger, Composition, Du cubisme (after)
Located in Auburn Hills, MI
Aquatint, Engraving on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compag...
Category
1940s Modern Engraving Landscape Prints
Materials
Aquatint, Engraving
Laurencin, Tête de jeune fille (Marchesseau 250), Du cubisme (after)
Located in Auburn Hills, MI
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...
Category
1940s Modern Engraving Landscape Prints
Materials
Drypoint
Picabia, Composition, Du cubisme (after)
Located in Auburn Hills, MI
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...
Category
1940s Modern Engraving Landscape Prints
Materials
Drypoint
Gleizes, Composition, Du cubisme (after)
Located in Auburn Hills, MI
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...
Category
1940s Modern Engraving Landscape Prints
Materials
Drypoint
Derain, Figure, Du cubisme (after)
By André Derain
Located in Auburn Hills, MI
Etching, Engraving on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagn...
Category
1940s Modern Engraving Landscape Prints
Materials
Engraving, Etching
Ancient Landscape II (Ancient City)
Located in Fairlawn, OH
Ancient Landscape II (Ancient City)
Etching and drypoint, 1953-55
Signed and titled in pencil by the artist (see photos)
Annotated: "E130 A/1" in pencil lower right
Estate stamp vers...
Category
1950s American Modern Engraving Landscape Prints
Materials
Drypoint
The Old Smyth Gate, Charleston, South Carolina
By Alfred Hutty
Located in Middletown, NY
A view of the gateway to Simmons-Edwards House (14 Legare Street), also known as the Pineapple Gate House.
Etching with drypoint on watermarked "Hand Made" laid paper, signed in pen...
Category
Early 20th Century American Modern Engraving Landscape Prints
Materials
Laid Paper, Drypoint, Etching, Handmade Paper
Still Night (Brooklyn brownstones on 7th Avenue off Flatbush Avenue)
Located in New Orleans, LA
In "Still Night", Frederick Mershimer depicts a row of brownstone houses on Seventh Avenue near Flatbush Avenue between Park and Stirling Places. Mershimer remembers that as he was ...
Category
1980s American Modern Engraving Landscape Prints
Materials
Mezzotint
Landscape - Etching by J. F. Raffaelli - Late 19th Century
Located in Roma, IT
Etching and drypoint. Hand signed.
Very good condition.
Category
Late 19th Century Modern Engraving Landscape Prints
Materials
Drypoint, Etching
Colosseum (First State)
Located in Middletown, NY
Copper plate engraving on cream wove paper, 18 1/4 x 13 3/8 (462 x 338 mm), full margins. Signed in pencil, lower right. Edition of 20. First state (of 2). Minor uniform toning, and ...
Category
Mid-20th Century American Modern Engraving Landscape Prints
Materials
Engraving, Handmade Paper
Steps to the Grand Canal, St. Mark's in the distance, Venice.
Located in Middletown, NY
A lovely view of Venice from the water.
Etching with drypoint on antique cream laid paper with a large figural watermark, signed in pencil, lower right. 14 1/4 x 11 inches (362 x 280...
Category
Early 20th Century American Modern Engraving Landscape Prints
Materials
Laid Paper, Drypoint, Etching
The Helmsman
Located in Storrs, CT
The Helmsman. 1925. Etching. Hurst 130. 7 x 10 7/8 (sheet 11 x 5). Trial proof, apart from the edition of 75 An extremely rich impression printed cream wove paper. An exceptionally r...
Category
1920s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
'Mountain Trees' — 1930s Southwestern Regionalism
Located in Myrtle Beach, SC
Bertha Landers, 'Mountain Trees', etching and drypoint, c. 1938, edition not stated but small. Signed and titled in pencil.
A fine, richly-inked impres...
Category
1930s American Modern Engraving Landscape Prints
Materials
Drypoint, Etching
'Soaring Steel' — 1920s Realism, Chicago Cityscape
Located in Myrtle Beach, SC
Samuel Chamberlain, 'Soaring Steel', drypoint, 1929, edition 100, Chamberlain and Kingsland 79. Signed, titled, and numbered '64/100' in pencil. Annotated '48.00' in pencil, in the artist's hand, bottom right margin. A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 3/8 to 1 7/8 inches), in excellent condition. Matted to museum standards, unframed.
The subject of the print is the construction of the Daily News Building in Chicago, Illinois.
Image size 12 1/4 x 9 1/2 inches (311 x 241 mm); sheet size 15 1/2 x 12 3/8 inches (394 x 314 mm).
Impressions of this work are held in the collections of the Art Institute of Chicago, Boston Public Library, Crystal Bridges Museum of American Art, Museum of Modern Art, New York Public Library, University of Michigan Museum of Art, Smithsonian American Art Museum, and the Western Australia Museum.
ABOUT THE ARTIST
'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints.
Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist.
Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm...
Category
1920s American Modern Engraving Landscape Prints
Materials
Drypoint
Low Country (South Carolina)
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance.
A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...
Category
Early 20th Century American Modern Engraving Landscape Prints
Materials
Archival Paper, Drypoint, Etching
'Manhattan Old and New' —1920s Realism, Cityscape
Located in Myrtle Beach, SC
Samuel Chamberlain, 'Manhattan Old and New', drypoint, 1929, edition 100, Chamberlain and Kingsland 81. Signed, titled, and numbered '81/100' in pencil. Titled and annotated '30.00' in pencil, in the artist's hand, bottom margin. Matted to museum standards, unframed.
A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 1/2 to 2 1/4 inches), in excellent condition.
The subject of the print is the lower Manhattan cityscape just before the Depression.
Image size 8 3/4 x 6 13/16 inches (222 x 173 mm); sheet size 12 3/4 x 10 inches (324 x 254 mm).
Impressions of this work are held in the collections of the National Gallery of Art and the Zimmerli Art Museum.
ABOUT THE ARTIST
'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints.
Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist.
Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm Osborne...
Category
1920s American Modern Engraving Landscape Prints
Materials
Drypoint
Ludgate Hill
Located in Middletown, NY
Etching with drypoint and aquatint on light cream wove paper, 5 1/2 x 5 inches (140 x 122 mm), full margins. Signed in pencil in the lower margin. One of a total of 400 signed impres...
Category
Early 20th Century Modern Engraving Landscape Prints
Materials
Drypoint, Etching, Aquatint
'The East River', Brooklyn Bridge — Mid-Century Realism, New York City
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur (1897-1988), 'The East River', drypoint, edition 65, 1946. Signed, titled, and annotated 'A. Jones Proof 1946' in pencil. Signed and dated in the plate, lower ...
Category
1940s American Modern Engraving Landscape Prints
Materials
Drypoint
City Hall Tower, Rothenburg, Germany.
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. Some small, scattered light spots...
Category
Early 20th Century Modern Engraving Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Market Square, Rothenburg, Germany
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. In good condition with minor mat t...
Category
Early 20th Century Modern Engraving Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Tynemouth Castel - Etching by Edward Francis Finden - 1845
Located in Roma, IT
Tynemouth Castel is an etching realized in 1845 by Edward Francis Finden.
Signed on the plate.
Titled on the lower center, from the series of "Ports of Great Britain"
The artwork...
Category
1840s Modern Engraving Landscape Prints
Materials
Etching, Engraving
Fishermen - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Fishermen is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Good conditions with foxing.
The artwork is realize...
Category
Late 19th Century Modern Engraving Landscape Prints
Materials
Etching, Engraving
Scarborough - Etching by Edward Francis Finden - 1845
Located in Roma, IT
Scarborough is an etching realized in 1845 by Edward Francis Finden.
Signed on the plate.
Titled on the lower center, from the series of "Ports of Great Britain"
Good conditions ...
Category
1840s Modern Engraving Landscape Prints
Materials
Etching, Engraving
The Nursing - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Nursing is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Good conditions with foxing.
The artwork is realized through s...
Category
Late 19th Century Modern Engraving Landscape Prints
Materials
Etching, Engraving
Delayed (suburban New Jersey commuter walks thru rain because bus is late)
By Art Werger
Located in New Orleans, LA
"Delayed" is an edition of 100.
Art Werger creates a memory of his boyhood home in suburban New Jersey. It's late, cold and rainy as this woman raises her umbrella to brave the wal...
Category
21st Century and Contemporary American Modern Engraving Landscape Prints
Materials
Mezzotint
Ponte della Trinità, Florence
Located in Middletown, NY
Etching and drypoint on tissue-thin cream laid paper, 6 5/8 x 8 1/8 inches (167 x 205 mm), full margins. Signed in pencil in the lower right margin, and inscribed "Ponte Trinità, Flo...
Category
Early 20th Century Modern Engraving Landscape Prints
Materials
Laid Paper, Drypoint, Etching
Abbey of Arbroath - Engraving by Thomas Higham - 1838
Located in Roma, IT
Abbey of Arbroath is an engraving on paper realized by T. Higham in 1838.
The artwork is in good condition.
The artwork is depicted in a well-balanced composition.
Category
1830s Modern Engraving Landscape Prints
Materials
Engraving
Meeting - Etching by Hégésippe Moreau - 1838
Located in Roma, IT
Meeting is a lithograph on paper realized by Hégésippe Moreau in 1838.
The artwork is in good condition.
Hégésippe Moreau (1810-1838) was a French lyric poet. The romantic myth was...
Category
1830s Modern Engraving Landscape Prints
Materials
Engraving
Hull - Engraving by Edward Francis Finden - 1838
Located in Roma, IT
Hull is an engraving on paper realized by W.Finden in 1838.
The artwork is in good condition.
The artwork is depicted in a well-balanced composition.
Category
1830s Modern Engraving Landscape Prints
Materials
Engraving
Berwick - Engraving by Edward Francis Finden - 1838
Located in Roma, IT
Berwick Head is an engraving on paper realized by W.Finden in 1838.
The artwork is in good condition.
The artwork is depicted in a well-balanced composition.
Category
1830s Modern Engraving Landscape Prints
Materials
Engraving
Aberdeen - Engraving by Samuel Bradshaw - 1838
Located in Roma, IT
Aberdeen is an Etching on paper realized by S. Bradshaw in 1838.
The artwork is in good condition.
The artwork is depicted in a well-balanced composition.
Category
1830s Modern Engraving Landscape Prints
Materials
Engraving
Harwich - Engraving by Edward Francis Finden - 1838
Located in Roma, IT
Harwich is an engraving on paper realized by E. Finden in 1838.
The artwork is in good condition.
The artwork is depicted in a well-balanced composition.
Category
1830s Modern Engraving Landscape Prints
Materials
Engraving
Newhaven Pier - Engraving by Robert Brandard - 1838
Located in Roma, IT
Newhaven Pier is an engraving on paper realized by R. Brandard in 1838.
The artwork is in good condition.
The artwork is depicted in a well-balanced composition.
Category
1830s Modern Engraving Landscape Prints
Materials
Engraving
Dundee - Engraving by Charles James Richardson - 1838
Located in Roma, IT
Dundee is an engraving on paper realized by C. Richardson in 1838.
The artwork is in good condition.
The artwork is depicted in a well-balanced composition.
Category
1830s Modern Engraving Landscape Prints
Materials
Engraving
Banff - Engraving by Robert Waths - 1838
Located in Roma, IT
Banff is an engraving on paper realized by R. Waths in 1838.
The artwork is in good condition.
The artwork is depicted in a well-balanced composition.
Category
1830s Modern Engraving Landscape Prints
Materials
Engraving
Flamborough Head - Engraving by Edward Francis Finden - 1838
Located in Roma, IT
Flamborough Head is an engraving on paper realized by E.Finden in 1838.
The artwork is in good condition.
The artwork is depicted in a well-balanced composition.
Category
1830s Modern Engraving Landscape Prints
Materials
Engraving
Engraving landscape prints for sale on 1stDibs.
Find a wide variety of authentic Engraving landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include David Loggan, Adriaen Collaert, David Lucas, and Salvador Dalí. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Engraving landscape prints, so small editions measuring 0.01 inches across are also available
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