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Medium: Engraving
Christ's College, Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
Greville Smyth Cedar
Located in Deddington, GB
This print considers how we view the contemporary sublime landscape and how easy it can be to experience when we take the time to look. We often don’t have to travel far: parks in ci...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Drypoint
Great St Mary's, University of Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
The Church of St Mary the Virgin, Cambridge (1690)
Engraving
38 x 47 cm
Loggan's view of Great St Mary's from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
Mezzotint Etching Botanical Print 'Mantle' Signed AP Jungle Image
By Richard Hricko
Located in Surfside, FL
Richard Hricko has exhibited internationally in museums, galleries and juried competitions, including the National Academy Museum in New York, Glynn Vivian Art Museum in Wales, and G...
Category
20th Century Contemporary Engraving Landscape Prints
Materials
Mezzotint, Etching
Old Putney Bridge
Located in New York, NY
James Whistler (1834-1903), Old Putney Bridge, 1879, etching and drypoint, signed in pencil with a large, elaborate shaded butterfly, lower right and inscribed imp (also signed with the butterfly in the plate), printed in dark-brown/black ink on laid paper, watermark ProPatria, an impression in Glasgow’s seventh (final) state, published by The Fine Art Society, probably printed in 1881, 8x 11 3/4 inches, sheet 12 1/8 x 16 1/8 inches. Reference: Kennedy 178; Glasgow 185.
Provenance: Kraushaar Gallery, New York
A fine impression, with wide margins.
The Fine Art Societys relationship with Whistler began with the new etchings of the Thames he made in 1879, following a visit from Ernest Brown who had joined the staff of the gallery. The plate is on a large scale and shows the change in the artists approach to the Thames since the etchings he had made in Wapping and the docks in the summer of 1859. The central motif is the old bridge, by this stage somewhat dilapidated. It was shortly to be demolished and replaced by the new bridge of Cornish granite...
Category
Late 19th Century Impressionist Engraving Landscape Prints
Materials
Drypoint, Etching
Southwark Cathedral engraving c. 1753 for Stow's Survey of London
Located in London, GB
To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...
Category
1750s Realist Engraving Landscape Prints
Materials
Engraving
Magdalene College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Magdalene College, Cambridge (1690)
Engraving
38 x 43 cm
Loggan's view of Magdalene from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
David Loggan: New College, Oxford 1690 engraving
By David Loggan
Located in London, GB
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David Loggan (1634-1692)
New College...
Category
1690s Realist Engraving Landscape Prints
Materials
Engraving
Pacific Ocean Currents, Handmade Cyanotype Seascape in Blue, Waves Landscape
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
"Pacific Ocean Currents" is a handmade cyanotype print of rough water texture resembling Pacific Ocean swell.
Details:
+ ...
Category
2010s Realist Engraving Landscape Prints
Materials
Paper, Emulsion, Engraving, Etching
1804 Etching St George's Chapel Windsor Castle Architectural Prince Harry Meghan
Located in London, GB
From a series of architectural prints of St George's Chapel; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller."
Frederick Nash (1782-1856) Drawn and etched
Engraved by F C Lewis
Arches and Columns
London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804
55x39cm
Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton...
Category
Early 1800s Realist Engraving Landscape Prints
Materials
Engraving, Etching
St Catharine's College, Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
St Catharine's College, Cambridge (1690)
Engraving
35 x 46 cm
Loggan's view of St Catharine's College, Cambridge from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
AMERICAE - Sive Novi Orbis, Nova Descriptio
Located in Santa Monica, CA
ABRAHAM ORTELIUS (1527 - 1598)
AMERICAE SIVE NOVI ORBIS, NOVA DESCRIPTIO, 1587 (1603) (Van Den Broecke 11, Burden 64; Schwartz & Ehrenberg 69)
Engraving. A very good, well printed...
Category
16th Century Old Masters Engraving Landscape Prints
Materials
Engraving
David Loggan Brasenose College Oxford Collegium Aenei Nasi Print 1675 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
LITHOGRAPHS Greenwich Village NYC, Signed Mezzotint, Art Gallery, Photorealism
By John Baeder
Located in Union City, NJ
LITHOGRAPHS Greenwich Village NYC by the American photorealist artist John Baeder is a limited edition mezzotint printed using hand printmaking techniques on archival, cream colored ...
Category
1970s Photorealist Engraving Landscape Prints
Materials
Mezzotint
Degas, Famille Cardinal, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size: 8.5 x 6.25 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the ...
Category
1940s Impressionist Engraving Landscape Prints
Materials
Engraving
$956 Sale Price
20% Off
Vue du Chateau de Frasne, Franche Comté
Located in Middletown, NY
Paris: Charles Hullmandel, circa 1850.
Lithograph with engraving on white wove paper, 9 7/8 x 7 1/2 inches (250 x 190 mm), the full sheet. In good condition with some minor scattere...
Category
Mid-19th Century French School Engraving Landscape Prints
Materials
Handmade Paper, Engraving, Lithograph
David Loggan Bodleian Library Oxford Aerial view 1675 engraving Bibliotheca
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
Night Scene
Located in London, GB
Etching, aquatint and engraving in colours, 1980, on mould-made Lana paper, signed and dated in pencil, numbered from edition of 32 (there were also 12 artist's proofs), published by Tyler Graphics, Ltd., New York,with their blindstamp, 53 x 54.1 cm. (20 x 21 1/4 in.)
Catalogue Raisonne: Corlett 170; Tyler, 1987, cat no. 354:RL22
‘Night Scene’ is one of six intaglio prints Roy Lichtenstein...
Category
1980s Abstract Engraving Landscape Prints
Materials
Engraving, Etching, Aquatint
David Loggan: Great St Mary's Church Cambridge University engraving 1690
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
1690s Realist Engraving Landscape Prints
Materials
Engraving
Carrieri
By Veronique Bonnardel
Located in Palm Springs, CA
Signed and numbered in pencil from the edition of 9. Finely detailed Black and white landscape of trees along the top of a rocky outcropping.
Veronique Bonnardel was born in 1961 i...
Category
Early 2000s Contemporary Engraving Landscape Prints
Materials
Engraving
$160 Sale Price
20% Off
Salvador Dali, Le Cerf Malade Signed Etching Engraving, Color Lithograph Pochoir
Located in Surfside, FL
An original signed drypoint etching with color pochoir by Spanish artist Salvador Dali titled "La Cerf Malade", depicting a stag deer, from the Portfolio: Le Bestiaire de la Fontaine...
Category
1970s Surrealist Engraving Landscape Prints
Materials
Color, Drypoint, Etching
John Knox House in Edinburgh
Located in Middletown, NY
London: Fine Art Trade Guild, c1900.
Etching with drypoint on cream laid paper with a deckle edge 11 1/2 x 8 1/4 inches (290 x 208 mm); sheet 15 x 11 5/8 inches (380 x 294 mm), full...
Category
Early 20th Century English School Engraving Landscape Prints
Materials
Laid Paper, Drypoint, Etching
View at Ifley, near Oxford, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'View at Ifley, near Oxford'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series ...
Category
Late 18th Century Naturalistic Engraving Landscape Prints
Materials
Engraving, Etching, Aquatint
Marshland
By Peter Milton
Located in San Francisco, CA
This artwork titled "Marshland" 1962, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, dated, titled and numbered 31/40 in pe...
Category
Mid-20th Century American Modern Engraving Landscape Prints
Materials
Drypoint, Etching
The Oxford Almanack 1744, engraving by Joseph Skelton after G Vertue
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
1740s Engraving Landscape Prints
Materials
Engraving
North & South America: A 17th Century Hand-colored Map by Jansson & Goos
Located in Alamo, CA
A 17th century hand-colored map of North & South America entitled "Americae Descriptio" by the cartographer Johannes Jansson, published in Jansson's Atlas Minor in Amsterdam in 1628....
Category
1620s Engraving Landscape Prints
Materials
Engraving
$1,020 Sale Price
20% Off
"Reverie"
Located in Astoria, NY
James Jacques Joseph Tissot (French, 1839-1906), "Reverie", Etching and Drypoint on Laid Paper, 1889, silvered wood frame. Image: 9" H x 4.5" W; frame: 14.75" H x 10" W. Provenance: ...
Category
1880s Engraving Landscape Prints
Materials
Laid Paper, Drypoint, Etching
Sidney Sussex College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
J.H. Woods’ Fruit Shop, Chelsea
Located in New York, NY
James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches.
A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions.
watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.)
This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate.
According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...
Category
1880s Impressionist Engraving Landscape Prints
Materials
Drypoint, Etching
La Promenade Sur Le Port
Located in New York, NY
Jean-Emile Laboureur (1877-1943), La Promenade Sur Le Port, 1933, engraving, signed in pencil lower left. Reference: Godefry 482, Sylvain Laboureur 482, second state (of 2); from the...
Category
1930s Modern Engraving Landscape Prints
Materials
Engraving
Laurie and Whittle - 1794 Engraving, A General View of the City of Lisbon
Located in Corsham, GB
A vibrant and captivating print depicting an expansive view of Lisbon, with ships sailing in the foreground. Inscribed within the plate below the image. On paper.
Category
Early 18th Century Engraving Landscape Prints
Materials
Engraving
Rue De Toiles, Bourges
Located in Middletown, NY
Etching with drypoint in blackish brown ink on antique cream laid paper with a large crown and crescent moon watermark, 8 1/2 x 4 3/4 inches (215 x 119 mm); sheet 14 1/2 x 10 3/4 inc...
Category
Mid-19th Century French School Engraving Landscape Prints
Materials
Laid Paper, Drypoint, Etching
Sandy Shore with Foam, Nautical Cyanotype Print on Watercolor Paper, Beach Coast
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype of a Sandy Shore with Foam.
Details:
+ Title: Sandy Shore with Foam
+ Edition Size: 100
+ Stamped and Certificate of Aut...
Category
2010s Realist Engraving Landscape Prints
Materials
Marble
Laburnums and Battersea
Located in New York, NY
Theodore Roussel, Laburnums and Battersea, etching and drypoint, 1889/1890 and 1898; signed in the plate lower right, and signed in pencil on the tab, with the inscription IMP. Hausb...
Category
Late 19th Century Realist Engraving Landscape Prints
Materials
Drypoint, Etching
Matinée Avenue de Clichy
Located in Middletown, NY
Drypoint etching on buff wove paper, 9 1/2 x 10 3/4 inches (240 x 271 mm) full margins. Signed in the image, lower left. With the "Musée Louvre Chalcographie" blind stamp in the lowe...
Category
Early 20th Century French School Engraving Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Picasso, Pour Roby, Noir (Bloch 680; Cramer 57), L'Âge de Soleil (after)
Located in Southampton, NY
Engraving on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, L'Âge de Soleil, 1950. Published by Robert J. Godet, Paris; rendered by ...
Category
1950s Modern Engraving Landscape Prints
Materials
Engraving
$1,436 Sale Price
20% Off
Paysage au Buttes-Chaumont (2nd Planche), 1920-21
Located in New York, NY
Jean-Emile Laboureur (1877-1943) etching and engraving Paysage au Buttes-Chaumont (2nd Planche), 1920-21, signed and numbered ( 38/55) in pencil. Reference: Sylvain Laboureur 205. In very good condition with wide margins (remains of old hinging on margin verso, some showing through not near image). On white wove paper, 7 7/8 x 9 1/4, the sheet 10 x 13 1/2 inches, archival matting.
A fine, fresh and clear impression of this important cubist-influenced scene.
Jean-Emile Laboureur was born in Nantes in 1877. He traveled to Paris in 1895 intending to study law at the Sorbonne, but found himself drawn to the nearby famed Academie Julian, and although he never officially matriculated there, he became immersed in the Parisian art scene. Laboureur then traveled widely, staying for periods in the US and London, and studying classic art and printmaking in Italy and Germany. Although he had moved back to Paris by 1910, a time when analytical cubism was emerging in the work of Picasso and Braque, he continued working in an abstract, modernist mode, waiting until about 1913 or shortly thereafter to invent a cubist idiom all his own.
Cubism remained an important theme for Laboureur, a theme he varied, sometimes using it as a strong design or compositional component, sometimes only as a subtle background element. In Paysage aux Buttes...
Category
1920s Cubist Engraving Landscape Prints
Materials
Engraving, Etching
The Last Supper, from The Passion of Christ
By Hendrick Goltzius
Located in Middletown, NY
Engraving on cream laid paper, 8 x 5 3/8 inches (203 x 137 mm), trimmed at the platemark. A fine impression with a Coat of Arms watermark. Second state, after the addition of the Frederick de Witt...
Category
16th Century Old Masters Engraving Landscape Prints
Materials
Engraving, Laid Paper
Brabant Apple: A 19th Century Hand-colored Engraving by Augusta Innes Withers
By Augusta Innes Withers
Located in Alamo, CA
This early 19th century hand-colored stipple engraving by Augusta Innes Withers entitled "The Brabant Bellefleur Apple" was plate 10 published in London in the 'Transactions of the H...
Category
1810s Naturalistic Engraving Landscape Prints
Materials
Engraving
“Fjärden” (Expansive Archipelago Landscape)
Located in Stockholm, SE
Oskar Bergman (Stockholm 1879–1963 Saltsjöbaden)
“Fjärden” (Expansive Archipelago Landscape)
Signed "Oskar Bergman" in pencil
Drypoint etching
image size: 17.5 x 25 cm (6 7/8 x 9 7...
Category
1910s Naturalistic Engraving Landscape Prints
Materials
Paper, Drypoint, Etching
New York Skyline
By Louis H. Ruyl
Located in Middletown, NY
Etching with drypoint on cream wove paper with deckle edges, 4 3/8 x 12 3/4 inches (233 x 323 mm); sheet 9 1/2 x 15 3/4 inches (240 x 338 mm), full margins. Signed and numbered 4/75 ...
Category
Early 20th Century American Modern Engraving Landscape Prints
Materials
Handmade Paper, Etching, Drypoint
The Bridge of Sighs, Venice, by Walter Henry Sweet & John Shapland
Located in Middletown, NY
Etching with engraving on cream laid paper with a partial watermark, 12 x 8 1/4 (305 x 210 mm); sheet 16 3/4 x 11 inches (425 x 280 mm), full margins. Signed by both Sweet and Shapla...
Category
Early 20th Century American Modern Engraving Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching, Engraving
Veduta della Piazza del Popolo
Located in Middletown, NY
Ruga, Pietro (after Luigi Magozza). Veduta della Piazza del Popolo. Rome: Giacomo Antonelli, 1825. Engraving with hand coloring in watercolor on cream wove paper with a "PM" watermar...
Category
Early 19th Century Italian School Engraving Landscape Prints
Materials
Watercolor, Handmade Paper, Engraving
Mornings with Judd (Second state)
By Peter Milton
Located in Middletown, NY
Lift ground and hard ground etching and engraving on Murillo white wove paper, 18 x 24 inches (455 x 608 mm), full margins. Signed, dated, titled and numbered 60/100 in pencil, lower margin. Printed and published by the artist. In very good condition with minor age tone and scattered light surface soiling on the verso. Framed handsomely in an original Kulicke welded aluminum frame with the embossed maker's mark. [Milton 61].
Milton revisited this image in 1974 during an experiment to explore collage and the process of contact printing a high resolution photo-transparency directly onto a copper plate. He printed a small detail transparency of Mornings with Judd onto the existing plate, alongside it's larger self, and broke through to a new photo-resist approach, which Milton described as "piquant and irresistible," in his essays appearing in Robert Flynn...
Category
1970s American Modern Engraving Landscape Prints
Materials
Engraving, Etching, Archival Paper
Map of the World: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "A New & Correct Chart of All The Known World Laid down according to Mercator's Projection" by Emanuel Bowen. It was published in 1744 in London in John Harris's "Navigantium atque Itinerantium Bibliotheca" or "A Complete Collection of Voyages and Travels". This highly detailed and colorful map depicts the world. as it was known in the mid 18th century. A majority of the northern and central portions of Canada and America are left blank due to the purity of knowledge at the time this map was published.
The map is embellished with four Compass Roses in the lower left, lower center, lower right and center, along with many rhumb lines. There a is a decorative title cartouche in the upper left. This colorful, attractive, historical and interesting 1744 map presents the entire world on Mercator's projection as it was understood in the middle part of the 18th century, before the landmark explorations of Captain’s Cook, Vancouver, Wilkes and others. It is an example of a nautical chart, a type of map that was designed specifically for use by mariners. The map is centered on the equator and includes both the Eastern and Western Hemispheres. The continents of North America, South America, Europe, Africa, and Asia are depicted, as well as various islands in the Atlantic, Pacific, and Indian Oceans. The map is laid out according to the Mercator projection, a type of cylindrical map projection that was developed in the 16th century by Flemish cartographer Gerardus Mercator. This projection has the advantage of preserving angles and shapes, making it useful for navigation. The map presents a paucity of inland detail, particularly for the Americas, but major cities, geographical landmarks, and regions are included. Ocean currents and Tradewinds are identified, as well as the magnetic declination lines or magnetic variance, which refers to the difference between true north and compass north. The continents are color coded, enhancing the beauty of this map. The three compass roses indicate the directions of the cardinal points.
The depiction of the western coast of America, the Pacific and Australia are interesting. There was very little exploration of Australia between the navigations of William Damper in 1699 and Tobias Furneaux in 1773. Most of the maps detail relies on the 17th century Dutch expeditions to Australia's western coast, by Abel Tasman and William Janszoon. Van Diemen's Land (Tasmania) and New Guinea appear connected to the Australian continent. New Zealand appears as a single landmass. North of New Zealand there is a landmass labelled 'Ter d' St. Esprit' which probably represents the New Hebrides Islands. This map precedes the accurate exploration of the South Pacific and east coast of Australia by Captain James Cook later in the 18th century. The map includes ‘Drakes' Port,' the site where Sir Francis Drake supposedly landed in 1579 during his 1579 circumnavigation of the globe. Here he claimed territory for England, restocked, and repaired his vessels. Drake named the region New Albion. The exact location of Drake's Port is a cartographic mystery. Drake's Harbor is believed to be in the region of San Francisco Bay, Bodega Bay, San Pablo Bay...
Category
Mid-18th Century Old Masters Engraving Landscape Prints
Materials
Engraving
$1,020 Sale Price
20% Off
Michel Grove, Sussex English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Michel Grove, Seat of Thomas Walker Esq'.
Michel Grove was a house in Sussex which Humphrey Repton was commissioned to landscape.
Published by Rudo...
Category
Early 19th Century Victorian Engraving Landscape Prints
Materials
Engraving, Etching, Aquatint
Église Saint Laurent
Located in Middletown, NY
Paris, Delpech.
Lithograph with engraving on cream wove paper, 11 7/8 x 8 inches (299 x 203 mm), unevenly trimmed but full margins, the full sheet. In good condition with two paper ...
Category
Mid-19th Century English School Engraving Landscape Prints
Materials
Handmade Paper, Engraving, Lithograph
Composition, Portrait de A. Decaris, Albert Decaris
Located in Southampton, NY
Engraving on vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Portrait de A. Decaris, 1953. Published by Editions d'Art Manuel Bruker, Paris; printed by Ateliers Rigal, Paris, January 30, 1953. Excerpted from the volume (translated from French), The present portrait of Albert Decaris was completed to print on January 30, 1953 for typography by Zichieri; for engraving by Rigal. The edition has been set at 250 on vélin de Rives. The first twenty examples are suites on annam of all the engravings.
ALBERT DECARIS (1901-1988) was a French artist, engraver, painter and Olympic Gold Medallist. Decaris was the first illustrator of luxury art books such as Le Chant de Mon Voyage vers la Grèce by Léon Cathlin, Combourg by Chateaubriand, Les Discours des Misères de ce Temps by Ronsard and Les Destinées by Alfred de Vigny. Decaris joined the infamous group called FVHJ at age 24.
In the 1930s, Decaris began engraving postage stamps, resulting in more than 500 such designs, for various postal services, notably French and African. Stamp collectors...
Category
1950s Modern Engraving Landscape Prints
Materials
Engraving
$716 Sale Price
20% Off
Départ Pour La Pêche (Maison de Campagne des Environs de Naples) /// Old Masters
Located in Saint Augustine, FL
Artist: Jean Daullé (French, 1703-1763)
Title: "Départ Pour La Pêche (Maison de Campagne des Environs de Naples)"
Circa: 1740
Medium: Original Engraving on watermarked laid paper
Lim...
Category
1740s Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving
The beloved feeds among the lilies (Field 71-17J; M&L 477), Dalí
Located in Fairfield, CT
Title: The beloved feeds among the lilies (Field 71-17J; M&L 477), from the portfolio, The song of songs of King Solomon
Year: 1971
Medium: Etching printed in colours with gilding on...
Category
1970s Surrealist Engraving Landscape Prints
Materials
Engraving
$2,800 Sale Price
20% Off
University College, Oxford David Loggan 1675 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
University College, Oxford (1675)
Engraving
29 x 40 cm
Loggan's view of Univ from the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
(after) John Constable mezzotint "Mill Stream"
By David Lucas
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London ...
Category
1850s Engraving Landscape Prints
Materials
Mezzotint
Meissen, Germany : A Large Framed 18th Century Map by Petrus Schenk
Located in Alamo, CA
This is a hand-colored 18th century map of the Meissen region of Germany, entitled "Geographischer Entwurff Derer Aemmter Meissen als Creys-Procuratur-Schul-und Stiffts-Ammt benebst ...
Category
Mid-18th Century Old Masters Engraving Landscape Prints
Materials
Engraving
David Loggan Cambridge View Frontispiece Cantabrigia engraving 1715
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
1710s Realist Engraving Landscape Prints
Materials
Engraving
David Loggan Hertford College Oxford Hart Hall engraving 1675 Aula Cervina
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Hart Hall - now Hertford College - Oxford - Aula Cervina
Engraving
28x39cm
Loggan was born to English and Scottish parents, a...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
1776 Navigational chart/map of the Delaware bay and river including Philadelphia
Located in Philadelphia, PA
JOSHUA FISHER
(AMERICAN, EIGHTEENTH CENTURY)
A Chart of Delaware Bay and River, 1776
Printed for John Bennet and Robert Sayer, London
Engraving on pape...
Category
1770s Realist Engraving Landscape Prints
Materials
Paper, Engraving
(after) John Constable mezzotint "East Bergholt"
By David Lucas
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London ...
Category
1850s Engraving Landscape Prints
Materials
Mezzotint
L'Hostel de Chevreuse, French town house in Paris, mid 17th century engraving
Located in Melbourne, Victoria
'L'Hostel de Chevreuse'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings an...
Category
Mid-18th Century Rococo Engraving Landscape Prints
Materials
Engraving
Times Square I (the neon signs in Manhattan's Times Square)
By Art Werger
Located in New Orleans, LA
Times Square I is a montage of large neon signs that dominate Manhattan's Times Square. This impression is pencil signed, titled and dated and is #40 ...
Category
Early 2000s American Modern Engraving Landscape Prints
Materials
Mezzotint
$205 Sale Price
41% Off
Le Marché aux Puces
Located in Middletown, NY
Published in Paris by Chalcographie Louvre around 1910. Drypoint etching on buff wove paper, 7 x 11 inches (175 x 278 mm) full margins. With the "Musée Louvre Chalcographie" blind st...
Category
Early 20th Century French School Engraving Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Engraving landscape prints for sale on 1stDibs.
Find a wide variety of authentic Engraving landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include David Loggan, Adriaen Collaert, David Lucas, and Salvador Dalí. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Engraving landscape prints, so small editions measuring 0.01 inches across are also available