Matthaeus Merian Art

Artist: John Hutchins (English, 1698-1773) Title: "Southwest View of Sherborne Abbey Church" (Plate 15) Portfolio: The History and Antiquities of the County of Dorset Year: 1861-1870...

This is an exclusive handprinted limited edition cyanotype of gorgeous rolling clouds. Details: + Title: Dense Rolling Clouds + Year: 2025 + Edition Size: 100 + Stamped and Certifi...

Artist: Thomas Dunham Whitaker (English, 1759-1821) Title: "East View of Peel Castle" (Vol. 2, Plate 41) Portfolio: An History of Richmondshire, in the North Riding of the County of York; together with those parts of the Everwicschire of Domesday which form The Wapentakes of Lonsdale, Ewecross, and Amunderness, in the Counties of York, Lancaster, and Westmoreland Year: 1822, (published 1823) (First edition) Medium: Original Engraving on wove paper Limited edition: Unknown Printer: Thomas Davison, London, England Publisher: Longman, Hurst, Rees, Orme & Brown, London, England; Hurst, Robinson, & Co., London, England; Robinson & Hernaman, Leeds, England Framing: Not framed, but matted with hand decorated archival French matting and shrink-wrapped Matted size: 15.57" x 19.07" Sheet size: approx. 10.63" x 16.13" Image size: 7" x 11" Condition: Has been stored away for decades. A strong impression in excellent condition Notes: Provenance: private collection - Aspen, CO. Engraved by English artist John Roffe (1769-1850) after a drawing by English artist John Buckler (1770-1851). Comes from Whitaker's two volume "An History of Richmondshire", (1818-1823) (First edition), which consists of 45 engravings. Printed from one copper plate in one color: black. Old price tag lower center. Peel Castle is a castle in Peel in the Isle of Man, originally constructed by Norwegians. The castle stands on St Patrick's Isle, which is connected to the town by a causeway. It is now owned by Manx National Heritage and is open to visitors during the summer. Biography: Thomas Dunham Whitaker (8 June 1759 – 18 December 1821) was an English clergyman and topographer who was Vicar of Whalley, from 1809 and Blackburn, from 1818. He undertook landscape improvements in the Cliviger area, and oversaw the planting of approximately half a million trees between 1785 and 1815, winning the gold medal of the Society of Arts for planting 64,000 larches in one year. Born at Raynham, Norfolk, on 8 June 1759, he was the son of William Whitaker (1730–1782), curate of Raynham, Norfolk, and his wife Lucy, daughter of Robert Dunham, and widow of Ambrose Allen. In 1760, his father moved to his ancestral house at Holme, in the township of Cliviger, Lancashire, and the boy was, in November 1766, placed under the care of the Rev. John Shaw of Rochdale. In November 1774, after spending a short time with the Rev. William Sheepshanks of Grassington in Craven, he was admitted to St John's College, Cambridge, and went into residence in October 1775. He took the degree of LL.B. in November 1781. His intention to enter the legal profession changed on the death of his father in the following year, when he settled at Holme. Whitaker was ordained in 1785, but remained without pastoral charge until 1797, when he was licensed to the perpetual curacy of Holme Chapel, where he had rebuilt the chapel at his own cost in 1788. He completed his degree of LL.D. in 1801. In 1809 he became vicar of the extensive parish of Whalley, Lancashire. The rectory of Heysham, near Lancaster, was presented to him in January 1813. He resigned it in 1819. On 7 November 1818 he became vicar of Blackburn, a benefice he retained, together with Whalley, until his death. When settled at Holme he instituted a local literary club. He had influence with the people of his parishes, and on several occasions exerted it to quell disturbances, particularly at Blackburn in 1817. For his 'patriotic services' he was presented with a public testimonial in April 1821. He was also very interested in topography and forestry, writing books on the subjects. In 1818, he was elected a Fellow of the Royal Society as "a Gentleman well versed in various Branches of Natural Knowledge being desirous of becoming a Fellow of the Royal Society". Whitaker married Lucy, daughter of Thomas Thoresby of Leeds, on 13 January 1783. The couple had several children, of whom one, Robert Nowell Whitaker, also became vicar of Whalley. Whitaker died at Blackburn vicarage on 18 December 1821, and was interred at Holme. A monument raised by public subscription was placed in the Church of St Mary and All Saints, Whalley in 1842. His library was sold at Sotheby's in 1823, and his coins and antiquities, with the exception of his Roman altars...

Artist: Johannes "Jan" Kip (Dutch, 1652/3-1722) Title: "The West Prospect of the Cathedral of York" (Vol. 3, Plate 31) Portfolio: Britannia Illustrata / Le Nouveau Théâtre de la Grande Bretagne Year: 1715-1724 (Third edition) Medium: Original Engraving and Etching on cream laid paper Limited edition: Unknown Printer: Joseph Smith, London, UK Publisher: Joseph Smith, London, UK Sheet size: 19.25" x 24.19" Image size: 16.75" x 22.5" Reference: "London Illustrated 1604-1850" - Adams No. 22; Crace No. 201; Brunet IV No. 114; Lowndes No. 1277; Lewine page 263-264 Condition: With centerfold as issued. Some light toning and foxing mainly in margins, and some light edgewear. Has been professionally stored away for decades. It is otherwise a strong impression in very good condition Rare Notes: Provenance: private collection - Ross-on-Wye, UK. Engraved by Dutch artist Johannes "Jan" Kip (1652/3-1722) after a drawing by Dutch artist Leonard Knyff or Leendert Knijff (1650-1722). Comes from Kip's six volume (including Supplement and 'Atlas Anglois') "Britannia Illustrata" / Le Nouveau Théâtre de la Grande Bretagne", (1724-1728) (Third edition), which consists of 394 engravings and etchings. Printed in one color from one copper plate: black. Biography: Johannes "Jan" Kip (1652/53 in Amsterdam - 1722 in Westminster) was a Dutch draftsman, engraver and print dealer. Together with Leonard Knyff, he made a speciality of engraved views of English country houses. Kip was a pupil of Bastiaen Stopendaal (1636–1707), from 1668 to 1670, before setting up on his own; his earliest dated engravings are from 1672. In April 1680, at the age of 27, he married Elisabeth Breda in Amsterdam. After producing works for the court of William of Orange in Amsterdam, Kip followed William and Mary to London and settled in St. John Street in Farringdon, where he conducted a thriving printselling business. He also worked for various London publishers producing engravings after such artists as Francis Barlow (c. 1626–1704) and Caius Gabriel Cibber (1630–1700), largely for book illustrations. He made several engraved plates for Awnsham & John Churchill's "A Collection of Voyages & Travels" (first published 1704). He signed the African scenes in volume V of the 1732 edition as "J. Kip". His most important works were the large fold-out folio illustrations for "Britannia Illustrata", 1708; for the 65 folio plates he engraved for the antiquary Sir Robert Atkyns, "The Ancient and Present State of Glostershire", 1712 (1st edition); and for "Le Nouveau Théâtre de la Grande Bretagne ou description exacte des palais de la Reine, et des Maisons les plus considerables des des Seigneurs & des Gentilshommes de la Grande Bretagne", 1715, an extended reprint in collaboration with other artists. The linked careers of Jan Kip and Leonard Knyff made a specialty of engraved views of English country houses, represented in detail from the bird's-eye view, a pictorial convention for topography. Their major work was "Britannia Illustrata: Or Views of Several of the Queens Palaces, as Also of the Principal seats of the Nobility and Gentry of Great Britain, Curiously Engraven on 80 Copper Plates", London (1707, published in the winter of 1708–9). The volume is among the most important English topographical publications of the 18th century. Architecture is rendered with care, and the settings of parterres and radiating avenues driven through woods or planted across fields, garden paths, gates and toolsheds are illustrated in detail. The images are staffed with figures and horses, coaches pulling into forecourts, water...

Artist: Francis Grose (English, 1731-1791) Title: "Bar Gate, Southampton" (Vol. III, Plate 32) Portfolio: The Antiquarian Repertory: A Miscellaneous Assemblage of Topography, History...

Artist: John Hutchins (English, 1698-1773) Title: "Came, the Seat of the Hon. Lionel Damer" (Plate 48) Portfolio: The History and Antiquities of the County of Dorset Year: 1796-1815 ...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Three Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10.13" x 16.75" Image size (each): approx. 7" x 11.88" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Artist: Colen Campbell (Scottish, 1676-1729) Title: "Powis House in Ormond Street London" (Vol. 1, Plate 42) Portfolio: Vitruvius Britannicus; or The British Architect, Containing th...

Artist: Francis Grose (English, 1731-1791) Title: "The Bishop of Durham's Palace at Auckland" (Vol. IV, Plate 12) Portfolio: The Antiquarian Repertory: A Miscellaneous Assemblage of ...

Artist: Colen Campbell (Scottish, 1676-1729) Title: "St Peters Church at Rome" (Vol. 1, Plate 6) Portfolio: Vitruvius Britannicus; or The British Architect, Containing the Plans, Ele...

Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Cockersand Abbey" (Plate 148) Portfolio: Buck's Antiquities or Venerable Remains of Above 400 Castles...

Artist: Henri Le Sidaner (French, 1862-1939) Title: "La Nappe Rose (The Pink Tablecloth)" Portfolio: Henri Le Sidaner (Camille Mauclair) *Issued unsigned, though signed by Le Sidaner...