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Medium: Engraving
Degas, La Fete de la Patronne, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size: 6.625 x 7.375 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From t...
Category
1940s Impressionist Engraving Landscape Prints
Materials
Engraving
Set of Two Mezzotint Engravings from Constable's "English Landscape Scenery"
By John Constable
Located in Saint Augustine, FL
Artist: (after) John Constable (English, 1776-1837)
Title: "Salisbury Cathedral from the Meadows" (Plate 13) and "Stoke by Nayland, Suffolk" (Plate 40)
Portfolio: English Landscape S...
Category
1850s Victorian Engraving Landscape Prints
Materials
Engraving, Mezzotint
(after) John Constable mezzotint "Summer Evening"
By David Lucas
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). This impression was printed in 1831 on laid paper for the "English Landscape" series. Image size: 5 1/2...
Category
1830s Engraving Landscape Prints
Materials
Mezzotint
Ludgate Hill
Located in Middletown, NY
Etching with drypoint and aquatint on light cream wove paper, 5 1/2 x 5 inches (140 x 122 mm), full margins. Signed in pencil in the lower margin. One of a total of 400 signed impres...
Category
Early 20th Century Modern Engraving Landscape Prints
Materials
Drypoint, Etching, Aquatint
Tree, Manhattan
By Martin Lewis
Located in New York, NY
Martin Lewis (1881-1962), Tree, Manhattan, drypoint, 1930, signed in pencil lower right [also signed in the plate lower left]. Reference: McCarron 87, only state; 91 recorded impress...
Category
1930s American Realist Engraving Landscape Prints
Materials
Drypoint
"Torksey Hall" and "Newark Castle" from "Buck's Antiquities" /// Architecture UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Torksey Hall" (Plate 179) and "Newark Castle" (Plate 226)
Portfolio: Buck's Antiquities or Venerable ...
Category
1720s Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
Composition, L'amour du plus lointain, James Coignard
Located in Auburn Hills, MI
Engraving on vélin papier à la cuve du Moulin Richard de Bas paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, L'amour du plus lointain, neuf gravures...
Category
1960s Post-War Engraving Landscape Prints
Materials
Engraving
MANHATTAN MINARETS
Located in Portland, ME
Tittle, Walter. MANHATTAN MINARETS. Drypoint, 1931. Titled, lower left and signed, lower right. Edition of 75. 14 1/2 x 8 7/8 inches (plate), 17 3/4 x 11 1/8 inches (sheet). In excel...
Category
1930s Engraving Landscape Prints
Materials
Drypoint
Cadiz Island: A Framed 17th Century Hand-colored Map from Blaeu's Atlas Major
Located in Alamo, CA
This is a 17th century hand-colored map entitled "Insula Gaditana Isla de Cadiz" from Johannes (Joan) Blaeu's Atlas Maior, published in Amsterdam in 1662.
The map provides an excellent plan of Cadiz Island on the southwest coast of Spain, with its harbor, fortifications, agricultural fields and several surrounding salt processing areas. Numerous sailing ships of various sizes are included in and around the harbor and bay, including five large sailing ships, as well as twenty-four smaller ships. There is a small compass rose overlying the bay. The bridge to the mainland from the island is shown on the right. There is an extremely ornate and colorful title cartouche in the lower left, with its mythological figures reminiscent of Raphael’s Galatea fresco at the Villa Farnesina in Rome. The vibrant colors are vividly preserved. The master colorist tried to emulate a painting by using various tones to create a three-dimensional effect.
Blaeu's name is present in the plate in the lower right. Blaeu stated in his description of Cadiz: “The main wealth of the islanders consists of salt, which they harvest, and
the tuna fisheries.”
This 17th century hand-colored map is framed in an ornate, partially textured bronze-colored wood frame and glazed with UV protected conservation glass. There is a vertical center fold, as issued. There is a faint crease in the lower right and faint color offset on the left from the right side of the map, resulting from having been in an atlas for hundreds of years. Small foci of paint are present in the upper portion of the left margin and in the left corner margin. The map is otherwise in very good condition.
Due in large part to their powerful trade empire, the Dutch became known for cartography in the seventeenth century. This period is considered the Golden Age of Dutch cartography. Their publishing houses produced the highest quality work in Europe, particularly those maps and charts of foreign lands, and Dutch map-making set the bar for cartographic accuracy and artistry into the early-eighteenth century. Some of the most well-known cartographers worked in Amsterdam during this period. Perhaps the most famous of these was the Blaeu family. Willem Janszoon Blaeu, set up shop in Amsterdam. His son, Johannes (Joan), succeeded him upon his death in 1638, continuing in his father’s position as Hydrographer to the Dutch East India Company and selling maps to the public. The Blaeu map presses, located near Amsterdam’s Dam Square...
Category
Mid-17th Century Old Masters Engraving Landscape Prints
Materials
Engraving
The Gate, Chelsea
Located in New York, NY
Theodore Roussel (1847-1926), The Gate, Chelsea; etching and drypoint, 1889-1890, signed on the tab and inscribed imp [also signed in the plate lowere right]. Reference: Hausberg 33, fourth state (of 4), from the total printing of about 43 impressions. In excellent condition, trimmed by the artist all around on the plate mark except for the tab, 8 1/8 x 6 1/2 inches.
A fine impression, printed on a light cream wove paper with plate tone (wiped to brighten the gate and doorway area) and substantial burr in the drypoint work.
According to Hausberg, “The gate and house behind it still stand today at No. 4 Cheyne Walk...
Category
1880s Impressionist Engraving Landscape Prints
Materials
Drypoint, Etching
'Monday in Wick Haven' original linoleum cut print by Howard Thomas
Located in Milwaukee, WI
In this image, Howard Thomas presents the viewer with a domestic interior. The image is dominated by the figure of a black woman, resting her arm on an ironing board. To the right, the tool of her task dangles a chord above a checker tiled floor. Beyond, though a window, neighboring homes fill the landscape. The careful line-work of the linocut adds a sense of expressionism to the scene, but the image nonetheless falls into the Social Realism that captivated most American artists during the Great Depression.
This print was published in 1936 as part of the Wisconsin Artists' Calendar for the year 1937, which included 52 original, hand-made prints – one for each week of the year.
6 x 5 inches, image
10 x 7.13 inches, sheet
12.37 x 12.43 inches, frame
Entitled "Monday in Wick Haven" lower left (covered by matting)
Inscribed "Linoleum Cut" lower center (covered by matting)
Artist name "Howard Thomas" lower right (covered by matting)
Framed to conservation standards using 100 percent rag matting and museum glass, all housed in a silver gilded moulding.
Quaker-born in Ohio, Thomas trained in the Midwest at Ohio State University and the Chicago Art Institute. He taught in the Art Department of the Milwaukee State Teachers College (now University of Wisconsin-Milwaukee) where he became good friends with Carl Holty, Edward Boerner, Robert von Neumann...
Category
1930s American Modern Engraving Landscape Prints
Materials
Engraving, Linocut
Christ Crowned with Thorns, from The Passion of Christ
By Hendrick Goltzius
Located in Middletown, NY
Engraving on cream wove paper, 8 x 5 3/8 inches (203 x 137 mm), narrow to thread margins. First state (of 2). A fine impression with archival paper adhered at left top and bottom cor...
Category
Early 17th Century Old Masters Engraving Landscape Prints
Materials
Engraving
Degas, Famille Cardinal, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size: 8 x 6.25 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the vo...
Category
1940s Impressionist Engraving Landscape Prints
Materials
Engraving
Untitled - Original Drypoint by Eugene Corneau - XX Century
Located in Roma, IT
Untitled is an original artwork realized by Eugène Corneau during the 1930s.
Etching and drypoint on paper. Monogram in pencil on the lower left.
Excellent conditions.
Precious an...
Category
20th Century Modern Engraving Landscape Prints
Materials
Drypoint
Turbulence (color version), by Art Werger
By Art Werger
Located in Palm Springs, CA
A spectacular wave breaking under a stormy sky . Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to complete. Signed and numbered f...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Mezzotint
L’Hiver a Paris ou La Neige a Paris
Located in New York, NY
Felix Buhot (1847-1898), L’Hiver a Paris ou La Neige a Paris, 1879, etching, aquatint, drypoint, roulette. [signed and dated in the plate Felix Buhot Par...
Category
1870s Realist Engraving Landscape Prints
Materials
Drypoint, Etching, Aquatint
“Fjärden” (Expansive Archipelago Landscape)
Located in Stockholm, SE
Oskar Bergman (Stockholm 1879–1963 Saltsjöbaden)
“Fjärden” (Expansive Archipelago Landscape)
Signed "Oskar Bergman" in pencil
Drypoint etching
image size: 17.5 x 25 cm (6 7/8 x 9 7...
Category
1910s Naturalistic Engraving Landscape Prints
Materials
Paper, Drypoint, Etching
L’île Lacroix, à Rouen
Located in New York, NY
Camille Pissarro (1830-1903), L’île Lacroix, à Rouen, etching, aquatint, maniere grise, drypoint, burnishing, c. 1887. Signed and numbered (No. 1) in pencil lower left, annotated 1...
Category
1880s Impressionist Engraving Landscape Prints
Materials
Drypoint, Etching, Aquatint
Arrest of Christ, Engraving, a. Karel van Mander, p. by Gheyn, Passion of Chris
Located in Greven, DE
The arrest of Christ; Judas embraces Christ as a group of soldiers apprehend Him; Christ places His hand on the fearful Malchus who sits on the ground holding a lamp; Peter grips his sword; one of the soldiers holds up a flaming torch; after Karel van Mander
The scene is out of a set of 13 engravings "Passion of Christ"
Engraving
Published by: Jacques de Gheyn...
Category
17th Century Northern Renaissance Engraving Landscape Prints
Materials
Engraving
Composition, L'amour du plus lointain, James Coignard
Located in Auburn Hills, MI
Engraving on vélin papier à la cuve du Moulin Richard de Bas paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, L'amour du plus lointain, neuf gravures...
Category
1960s Post-War Engraving Landscape Prints
Materials
Engraving
Degas, Le Coucher, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size: 6.5 x 4.75 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the ...
Category
1940s Impressionist Engraving Landscape Prints
Materials
Engraving
Degas, Les Femmes, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size: 4.75 x 6.5 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the ...
Category
1940s Impressionist Engraving Landscape Prints
Materials
Engraving
The Queen of Great Britain arriving in Portsmouth 25 May 1662 & The Arrival in L
Located in Middletown, NY
Two images of Queen Catharina of Braganza; one before her marriage to King Charles II, the other after, as Queen of Great Britian. Engraved by Matthiäus Merian, father of Maria Sybli...
Category
Mid-17th Century Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving
Cartusia Bruxellensis Monastery in Brussels: A 17th C. Hand-colored Engraving
Located in Alamo, CA
This is a 17th century hand-colored copperplate engraving entitled "Cartusia Bruxellensis" by Lucas Vorsterman, the Younger, after a drawing by Jacob van Werden or Jacques van Weerden, published in 1659 in Antonius Sanderus' book 'Chorographia sacra Brabantiae sive celebrium aliquot in ea provincia ecclesiarum et coenobiorum descriptio . . . Brussel' (A sacred chorography of Brabant, or a description of several famous churches and convents in that province). It also appeared in other publications by Sanderus. In the 17th century, Brussels was within the Duchy of Brabant.
This engraving depicts a bird's-eye view of the Scheut Carthusian Monastery in Brussels. Scheut is a district of Anderlecht, a municipality of Brussels, Belgium. The monastery housed monks, who took a vow of silence, in 20 rooms. There is a central courtyard with trees and shrubs. Monks are depicted strolling along its pathways. The cells for the friars are in the middle the cloister. There are people along the streets in the foreground and to the right of the large, imposing monastery. Some are on horseback, others are walking. In the lower right, what appears to be a dog pulls a small cart containing barrels, possibly of beer or wine. Districts and neighborhoods are labelled in the background, including Scheut, Anderlecht and Ransfort. A very ornate cartouche in the lower left contains Latin and the artist's attribution. Another decorative cartouche in the upper central area contains the title.
This beautifully hand-colored and detailed engraving is printed on laid, chain-linked paper with wide, full margins. The sheet measures 17.25" high and 21.25" wide. It has Latin text on the verso. It has a central vertical fold, as issued, which is reinforced on the verso. Two small spots in the lower margin may actually represent drops of watercolor paint used to color the engraving. It is otherwise in very good condition.
Antonius Sanderus (1586-1664) was a Flemish Catholic cleric and historian. He was born "Antoon Sanders", but Latinized his name like many writers and scholars of his time. He was the author of several books, including 'Chorographia Sacra Brabantiae', which was illustrated with this engraving.
Lucas Vorsterman the Younger (1624-between 1666 & 1676) was a Flemish Baroque engraver and draughtsman. He produced engravings after the work of contemporary painters and for books by Antwerp publishers.
Jacob van Werden or Jacques van Weerden (active 1643-1669), was a Flemish draughtsman, cartographer, military engineer and archer who was active in the Habsburg Netherlands. His drawings were used as designs for prints executed by various printmakers. He worked on maps, topographical views, historical scenes, portraits and book illustrations. He had a career as a military engineer and a member of the guard of the Spanish King. He advised on various military engineering projects and was an engineer of the Spanish army...
Category
Mid-17th Century Old Masters Engraving Landscape Prints
Materials
Engraving
Shadows, Garage at Night
By Martin Lewis
Located in New York, NY
Martin Lewis (1881-1962, Shadows, Garage at Night, drypoint, 1928, signed in pencil lower right [also signed in the plate lower right]. Reference: McCarron 69, only state, from the t...
Category
1930s American Realist Engraving Landscape Prints
Materials
Drypoint
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Auburn Hills, MI
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category
1950s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
Don't Invite the Ringling to Dinner (color version)
By Art Werger
Located in Palm Springs, CA
Medium: Mezzotint
Year: 2024
Edition: 25
Image Size: 11.75 x 17.5 inches
Scene of jugglers in dining room juggling plates in this comical print from Werger's Circus series of prints...
Category
21st Century and Contemporary Contemporary Engraving Landscape Prints
Materials
Mezzotint
Degas, La Pianiste et le Chanteur, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size: 6.75 x 5 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the vo...
Category
1940s Impressionist Engraving Landscape Prints
Materials
Engraving
Le Bourg de Batz
Located in New York, NY
William Strang (1859-1921), Le Bourg de Batz, etching and drypoint on copper, 1913, signed in pencil lower right [also signed and dated in the plate]. Refere...
Category
1910s Realist Engraving Landscape Prints
Materials
Drypoint, Etching
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811)
Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury"
Portfolio: Collections for the History of Worcestershire
Year: 1781-1782 (First edition)
Medium: Set of Four Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: John Nichols, London, UK
Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK
Reference: Upcott III, page 1330
Sheet size (each): approx. 10" x 16.5"
Image size (each): approx. 6.88" x 11.75"
Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition
Notes:
Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark.
Biography:
Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London.
Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names.
He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour.
On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category
1780s Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving
Colorful Parrot: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a parrot bird entitled "La Perruche-Ara, de Cayenne (Parrot)" by Francois Nicolas Martinet, plate 864 from 'Histoire Naturelle des Oiseaux' in ass...
Category
1760s Naturalistic Engraving Landscape Prints
Materials
Engraving
David Loggan All Souls College, Oxford Engraving 1675
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634-1692)
All Souls College...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
City Hall Tower, Rothenburg, Germany.
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. Some small, scattered light spots...
Category
Early 20th Century Modern Engraving Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Donald Baechler Blue Spruce 2005 (Donald Baechler prints)
Located in NEW YORK, NY
Donald Baechler, Blue Spruce, 2005
A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting.
Medium: Aquatint and drypoint, on ...
Category
Early 2000s Contemporary Engraving Landscape Prints
Materials
Drypoint, Aquatint
Shere Mill Pond II (Large Plate)
Located in New York, NY
Seymour Haden (1818-1910), Shere Mill Pond II (Large Plate), etching and drypoint, 1860, signed in pencil lower right [also signed in the plate lower right]. Schneiderman 37, sixth state (of 9). In generally good condition (see note below) with margins, on a cream/ivory laid paper, 7 x 13 1/2, the sheet 8 1/8 x 13 3/4 inches.
A very good impression, with rich burr especially in the reeds toward the right.
Provenance: Frederick Keppel and Co., New York, NY.
Illustrated: Guichard, British...
Category
1860s Impressionist Engraving Landscape Prints
Materials
Drypoint, Etching
Hope, by Art Werger
By Art Werger
Located in Palm Springs, CA
A spectacular view of the sun breaking through the clouds above waves crashing on an ocean shore. Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story ...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Mezzotint
Jardin d'Evasion, François Houtin
Located in Palm Springs, CA
Signed and titled in pencil by the artist from the edition of 80. This is a great example of the texture and tone that can be achieved with drypoint.
In keeping with the best Italia...
Category
1980s Contemporary Engraving Landscape Prints
Materials
Drypoint
An Inland View; in Atooi ( Hawaii ) 1784 Captain Cook engraving by John Webber
By John Webber
Located in Paonia, CO
An Inland View in Atooi ( Hawaii ) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. This engraving depicts ...
Category
1780s Realist Engraving Landscape Prints
Materials
Engraving
Group of Four Mezzotint Hunting Plates.
Located in London, GB
4 mezzotint engravings by and after Ridinger (c.55 x 43 cm.) with margins on all sides.
[Published: Augsburg, 1750].
A fine group showing 2 male and 2 female hunters along with the ...
Category
1750s Naturalistic Engraving Landscape Prints
Materials
Handmade Paper, Engraving, Mezzotint
Four 18th Century Optical views of Paris etc.; "Vue des Rives de la Seine ....
Located in Middletown, NY
Four 18th Century Optical views
"Vue des Rives de la Seine prise du Pont Neuf à Paris"
"Vue de la Place de l'Hôtel de Ville et du Phare à Calais"
"Vue de Paris prise du Port de la Co...
Category
Mid-18th Century French School Engraving Landscape Prints
Materials
Watercolor, Handmade Paper, Engraving
Les Belles et la Bête: Before the Hunt
By Peter Milton
Located in Middletown, NY
Resist ground etching and engraving on cream wove paper, 22 x 39 inches (558 x 990 mm), full margins. Signed, titled, dated, and numbered 27/160 in pencil, lower margin. With the blindstamp of the printer, Robert E. Townsend, in the lower left margin. A beautiful, richly inked impression of this highly detailed, large image. In very good condition with minor mat tone, extremely minor scattered light surface soiling, and one pin-point sized dot of brown discoloration on the lower left margin, recto, well outside of image area.
[Milton 99].
Milton states that there is a metaphorical evolution at the root of his body of graphic work, and with Les Belles et la Bête, Before the Hunt, he found himself at a crossroads that he viewed as a sort of artistic adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. The image is brimming with fantastical images and metaphors for the confrontation of sexual exploration; a Freudian analyst appears in the left of the image, scattered tableaus of paired figures...
Category
1970s American Modern Engraving Landscape Prints
Materials
Archival Paper, Engraving, Etching
Swainson's Warbler: A Framed Original Hand-colored Audubon Folio Bird Engraving
Located in Alamo, CA
This is an original John James Audubon hand-colored folio sized lithograph entitled "Swainson's Warbler, Male, Sylvicola Swainsonia, Tree: Vulgo, White Oak", No. 10, Plate 50, from A...
Category
Mid-19th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
Le Pont
Located in Middletown, NY
Etching, engraving, roulette and drypoint on watermarked BFK Rives wove paper, 5 x 8 3/4 inches (126 x 222 mm), full margins. Signed and numbered 4/32 in pencil, lower margin. Minor ...
Category
Early 20th Century French School Engraving Landscape Prints
Materials
Drypoint, Etching, Engraving
Temple of the Dea Tussis
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive resi...
Category
Early 19th Century English School Engraving Landscape Prints
Materials
Handmade Paper, Engraving, Etching, Aquatint
Rudolf Häsler, The El, 1981, stipple engraving
Located in New York, NY
The Swiss-born Rudolf Häsler (1927-1999) lead a varied and busy artistic life, living and working in his native Switzerland, the United States, Spain, where he died, and for an exten...
Category
1980s Contemporary Engraving Landscape Prints
Materials
Engraving
Lemons "Limon Peretto": An Early 18th Century Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of lemons by Johann Christoph Volkhamer, entitled "Limon Peretto" from his publication "Nurmbergische ...
Category
Early 18th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
Labyrinth
Located in Llanbrynmair, GB
’Labyrinth’
By William Crozier
Medium - Carborundum printmaking, collagraph process
Edition - 47/80
Signed - Yes
Size - 509mm x 407mm
Date - 2007
Condition - Excellent. 10 out of 10....
Category
21st Century and Contemporary Abstract Expressionist Engraving Landscape Prints
Materials
Lithograph, Mezzotint
Lemons "Cedro Ditela Multiforme": An 18th C. Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of lemons by Johann Christoph Volkhamer entitled "Cedro a Ditela o Multiforme" from his publication "Nurmbergische He...
Category
Early 18th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
L'Isle de France: A Hand-colored 17th Century Map by De Wit
Located in Alamo, CA
This colorful and detailed 17th century hand-colored copperplate map by Frederick De Wit was published in Amsterdam between 1666 and 1760. The map depicts the Île-de-France, which is one of the ancient provinces of France. Paris is located in the center of the map, with Versailles to the southwest The map extends from Rouen in the west to Reims in the east. The area around Paris, the Véxin Français, was the original domain of the king of France. Other areas were ruled by French feudal lords. For example, the Véxin Normand area was the domain of the Duke of Normandy...
Category
Early 18th Century Old Masters Engraving Landscape Prints
Materials
Engraving
La Fumée du Bateau
Located in New York, NY
A very good impression of this color drypoint and aquatint. Third state (of 3). Edition of 150. Signed and inscribed "No. 25" in pencil, lower right.
Category
1910s Impressionist Engraving Landscape Prints
Materials
Color, Drypoint, Aquatint
The South West Prospect of London – English School 18th century
Located in Middletown, NY
A stunning 18th century optical view of London from the Thames.
London: 1760.
Copper plate engraving with hand coloring in watercolor on cream laid paper with a large circular wate...
Category
Mid-18th Century English School Engraving Landscape Prints
Materials
Watercolor, Handmade Paper, Engraving
Two Women by a River by Paulémile Pissarro - Wood Engraving
Located in London, GB
SOLD UNFRAMED
Two Women by a River by Paulémile Pissarro (1884 - 1972)
Wood engraving
12.5 x 17.3 cm (4 ⅞ x 6 ¾ inches)
Signed lower left, Paulémile - Pissarro and numbered lower r...
Category
20th Century Impressionist Engraving Landscape Prints
Materials
Wood, Engraving
The South East Prospect of Westminster Bridge
By Alfred Benjamin Cole
Located in Middletown, NY
After Giovanni Antonio Canal, called Canaletto
Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age.
The print is wrongly titled "The South East Prospect of Westminster Bridge...
Category
Mid-18th Century English School Engraving Landscape Prints
Materials
Laid Paper, Engraving, Watercolor
"A Dance in Otaheite" (Tahiti), Engraving from Captain Cook's 3rd Voyage
By John Webber
Located in Alamo, CA
"A Dance in Otaheite" (Tahiti) is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It is a plate in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell.
Two women and two men wearing ceremonial costumes, performing a dance outdoors standing on a mat. Three men are playing the drums in the background, in front of a thatched roof building. An audience of men are sitting on both sides of the stage. By the time Webber arrived in Tahiti, 'south sea' imagery had become familiar. Webber gave concentrated attention to dance. He had the opportunity to distinguish the Tahitian dance from the more formalized dancing of Tonga. Whereas they seem to have called to mind the more formal dances of antiquity, the Tahitian dancing aroused memories of peasant and folk dancing.
This engraving is professionally framed in Koa wood. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa.
The print is in excellent condition.
There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and double mats (LU117324682432, LU117324684052, LU117324684062). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included.
Hawaii was discovered by Captain Cook during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
Category
1780s Realist Engraving Landscape Prints
Materials
Engraving
Le Tour de Clermont en Dauphine apartenant a Monsieur de Tonnerre
Located in Middletown, NY
Etching and engraving on handmade cream laid paper, 3 7/8 x 6 7/8 inches (97 x 173 mm), full margins. In good condition, consistent with age. Several small notations in pencil in t...
Category
18th Century Old Masters Engraving Landscape Prints
Materials
Handmade Paper, Laid Paper, Engraving, Etching
At the Crossroads (color), by Art Werger
By Art Werger
Located in Palm Springs, CA
A spectacular view from above of a major cross roads in a town where some large gathering of people or protest is happening. Werger's mezzotint prints are masterful at capturing a mo...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Mezzotint
Rising Tide
By Art Werger
Located in Palm Springs, CA
Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to complete. His seascapes and ocean prints are from the California coastline. Sign...
Category
Early 2000s Contemporary Engraving Landscape Prints
Materials
Mezzotint
Duchamp, Le Cheval, Composition, Du cubisme (after)
Located in Auburn Hills, MI
Etching, Engraving, Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published ...
Category
1940s Modern Engraving Landscape Prints
Materials
Etching, Engraving, Drypoint
Engraving landscape prints for sale on 1stDibs.
Find a wide variety of authentic Engraving landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include David Loggan, Adriaen Collaert, David Lucas, and Salvador Dalí. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Engraving landscape prints, so small editions measuring 0.01 inches across are also available