Engraving Landscape Prints
151
to
194
937
271
155
220
765
527
19
919
254
89
41
15
Overall Height
to
Overall Width
to
247
223
81
79
48
10
7
5
3
2
2
2
750
353
324
218
216
135
126
89
88
85
81
76
74
72
62
61
57
56
52
48
390
276
587
95
8
23
76
49
25
17
109
135
17
25
205
39
25
23
18
17
4,688
3,020
2,471
1,348
1,314
Medium: Engraving
Southill in Bedfordfloire (English Castles and Landscapes)
Located in Columbia, MO
T. Hearne
Southill in Bedfordfloire (English Castles and Landscapes)
Hand-colored engraving by W. Watts
7 x 5 inches, 10.25 x 8.25 (framed)
Category
18th Century Engraving Landscape Prints
Materials
Etching, Engraving
Set of 4 Ancient Greek Monuments Pantheon Athens Antique French Engravings Set
Located in Cirencester, Gloucestershire
Set of 4 Antique French Black & White Engravings
Ancient Greek views and monument landmarks including the Pantheon, Athens.
each paper : 9 x 12 inches...
Category
19th Century Renaissance Engraving Landscape Prints
Materials
Engraving
Cambridgeshire map 17th century engraving by John Speed
By John Speed
Located in London, GB
To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller."
John Speed (1551 or 1552 - 1629)
Map of Cambridgeshire
Engraving with later hand colouring
39 x 53 cm
A beautifully coloured map of Cambridgeshire, with an antique description...
Category
1610s Engraving Landscape Prints
Materials
Engraving
"Harbour Scene, " Engraving Landscape signed by Claude Gellee (Le Lorrain)
Located in Milwaukee, WI
"Harbour Scene" is an engraving by Claude Gellee (Le Lorrain). The artist signed the piece in plate lower left.
7 3/4" x 9 5/8" art
18 1/8" x 20 1/4" frame
Biography
Claude Lorra...
Category
Mid-17th Century Old Masters Engraving Landscape Prints
Materials
Engraving
Christ Church, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
Trees and Snow II
By Peter Milton
Located in Palm Springs, CA
Medium: lift-ground etching and engraving
Edition: 15
Year: 1961
Plate: zinc 9 x 15 inches (22.9 x 38.1 cm)
Paper: Murillo, 16 x 21 inches (40.6 x 53.3 cm)
Signed, titled and number...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Etching, Engraving
The Helmsman
Located in Storrs, CT
The Helmsman. 1925. Etching. Hurst 130. 7 x 10 7/8 (sheet 11 x 5). Trial proof, apart from the edition of 75 An extremely rich impression printed cream wove paper. An exceptionally r...
Category
1920s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
Statue d'Homme d'État
Located in Middletown, NY
Wood engraving on extremely fine onion skin paper, signed in ink and numbered 13/35. 10 3/4 x 7 inches (272 x 177 mm), full margins. From the special ...
Category
Late 19th Century French School Engraving Landscape Prints
Materials
Engraving, Handmade Paper
Impressions of Italy - Italian Views
Located in London, GB
This complete set of fifty etchings, aquatints and drypoints are each hand signed by the artist "Edgar Chahine" at the lower left margins.
The folio was printed by A. Routy, Paris an...
Category
Early 1900s Engraving Landscape Prints
Materials
Etching, Aquatint, Drypoint
The Monument of London in Remembrance of the Dreadful Fire of 1666
Located in Middletown, NY
Bowles, Thomas III (after John Donowell)
John Bowles & Richard Wilkinson, 1751.
Steel engraving with extensive hand coloring in watercolor on cream wove paper, 10 1/4 x 16 inches (...
Category
Mid-18th Century English School Engraving Landscape Prints
Materials
Watercolor, Handmade Paper, Engraving
Carrieri
Located in Palm Springs, CA
Signed and numbered in pencil from the edition of 9. Finely detailed Black and white landscape of trees along the top of a rocky outcropping.
Veronique Bonnardel was born in 1961 i...
Category
Early 2000s Contemporary Engraving Landscape Prints
Materials
Engraving
Les Piler, by JMM Mathieux-Marie
Located in Palm Springs, CA
Signed, titled and numbered, from the edition of 180. The base and parapets of a bridge.
Mathieux-Marie was born in Paris in 1947 and has been honored throughout his career with awa...
Category
1970s Contemporary Engraving Landscape Prints
Materials
Drypoint
University of Oxford Oxonia Illustrata 1675 engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
1670s Old Masters Engraving Landscape Prints
Materials
Engraving
'Mountain Trees' — 1930s Southwestern Regionalism
Located in Myrtle Beach, SC
Bertha Landers, 'Mountain Trees', etching and drypoint, c. 1938, edition not stated but small. Signed and titled in pencil.
A fine, richly-inked impres...
Category
1930s American Modern Engraving Landscape Prints
Materials
Drypoint, Etching
'Soaring Steel' — 1920s Realism, Chicago Cityscape
Located in Myrtle Beach, SC
Samuel Chamberlain, 'Soaring Steel', drypoint, 1929, edition 100, Chamberlain and Kingsland 79. Signed, titled, and numbered '64/100' in pencil. Annotated '48.00' in pencil, in the artist's hand, bottom right margin. A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 3/8 to 1 7/8 inches), in excellent condition. Matted to museum standards, unframed.
The subject of the print is the construction of the Daily News Building in Chicago, Illinois.
Image size 12 1/4 x 9 1/2 inches (311 x 241 mm); sheet size 15 1/2 x 12 3/8 inches (394 x 314 mm).
Impressions of this work are held in the collections of the Art Institute of Chicago, Boston Public Library, Crystal Bridges Museum of American Art, Museum of Modern Art, New York Public Library, University of Michigan Museum of Art, Smithsonian American Art Museum, and the Western Australia Museum.
ABOUT THE ARTIST
'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints.
Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist.
Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm...
Category
1920s American Modern Engraving Landscape Prints
Materials
Drypoint
Map of Northumberland by Joan Blaeu
Located in London, GB
To see our other original maps, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want....
Category
1660s Engraving Landscape Prints
Materials
Engraving
Trees (Trees in Circle)
Located in Fairlawn, OH
Trees (Trees in Circle)
Etching & drypoint with monotype inking, 1953-1955
Signed in pencil
An unrecorded trial proof, printed on heavy wove proofing paper at Atelier 17, before the ...
Category
1950s Abstract Engraving Landscape Prints
Materials
Drypoint, Etching, Monotype
Low Country (South Carolina)
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance.
A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...
Category
Early 20th Century American Modern Engraving Landscape Prints
Materials
Archival Paper, Drypoint, Etching
Greyhound
Located in Columbia, MO
Greyhound
1773-1802
Engraving
14 x 10 inches
Framed: 24 x 21 inches
Category
1770s Naturalistic Engraving Landscape Prints
Materials
Engraving
Diptych of Silks, Classic Blue Sensual Shapes, Cyanotype on Watercolor Paper
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
Details:
+ Title: Late Night Adventurous Duo (of Silks)
+ Year: 2022
+ Edition Size: 20
+ Stamped and Certificate of Auth...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Photographic Film, Emulsion, Watercolor, C Print, Color, Engraving, Lith...
Equestrian Scene
Located in Belgrade, MT
This lithograph is a piece from my private collection of 20th Century School of Paris era artists. It is hand signed by the artist and numbered, Guilde de la Gravure, and is in very ...
Category
Early 20th Century Contemporary Engraving Landscape Prints
Materials
Oil, Engraving, Lithograph
'Manhattan Old and New' —1920s Realism, Cityscape
Located in Myrtle Beach, SC
Samuel Chamberlain, 'Manhattan Old and New', drypoint, 1929, edition 100, Chamberlain and Kingsland 81. Signed, titled, and numbered '81/100' in pencil. Titled and annotated '30.00' in pencil, in the artist's hand, bottom margin. Matted to museum standards, unframed.
A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 1/2 to 2 1/4 inches), in excellent condition.
The subject of the print is the lower Manhattan cityscape just before the Depression.
Image size 8 3/4 x 6 13/16 inches (222 x 173 mm); sheet size 12 3/4 x 10 inches (324 x 254 mm).
Impressions of this work are held in the collections of the National Gallery of Art and the Zimmerli Art Museum.
ABOUT THE ARTIST
'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints.
Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist.
Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm Osborne...
Category
1920s American Modern Engraving Landscape Prints
Materials
Drypoint
The First Map of Oxford engraving by William Williams after Ralph Agas
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
William Williams (active 1724 - 1733) after Ralph Agas (c. 1540 - 1621)
The First Map of Oxford (1733)
Engraving
47 x 54 cm
In 1578, Ralph Agas drew the first ever map of Oxford, studded with the first colleges of the University. In 1733 it was engraved by William Williams for publication in the Oxonia Depicta, a book of illustrations depicting similar views as David Loggan's volume of engravings.
Ralph Agas was an English surveyor and cartographer. He was born in Suffolk and lived there throughout his life, although he travelled regularly to London. He began to practise as a surveyor in about 1566, and has been described as "one of the leaders of the emerging body of skilled land surveyors". regular work consisted of drawing up local estate maps...
Category
1730s Engraving Landscape Prints
Materials
Engraving
Jesus College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
1690s Realist Engraving Landscape Prints
Materials
Engraving
The Divinity School, University of Oxford David Loggan 1675 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
Fountains of Rome; Fontana e castello dell'Acqua
Located in Middletown, NY
Rome: Giovanni Giacomo De Rossi, 1625.
Etching and engraving on cream laid paper, 8 3/8 x 11 1/4 inches (222 x 286 mm), full margins. In good condition with some light yellow discol...
Category
Early 17th Century Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving, Etching
ON THE ISLAND
By Thomas Willoughby Nason
Located in Portland, ME
Nason, Thomas. ON THE ISLAND. BPL 213. Wood engraving, 1937. Inscribed "Ed. 80" and signed and dated in pencil. 5 3/8 x 10 inches (image), 10 1/4 x 13 1/2 inches (sheet). In excellen...
Category
1930s Engraving Landscape Prints
Materials
ABS, Engraving, Woodcut
Ludgate Hill
Located in Middletown, NY
Etching with drypoint and aquatint on light cream wove paper, 5 1/2 x 5 inches (140 x 122 mm), full margins. Signed in pencil in the lower margin. One of a total of 400 signed impres...
Category
Early 20th Century Modern Engraving Landscape Prints
Materials
Drypoint, Etching, Aquatint
Fountains of Rome
Located in Middletown, NY
A charming scene with romping dogs and spectators watching the cascading water play a trick on an unsuspecting man who is sprayed as he descends the steps, as the fountain was design...
Category
Early 17th Century Old Masters Engraving Landscape Prints
Materials
Engraving, Etching, Laid Paper
John Harris After Thomas Badeslade - 18th Century Engraving, Deane House
Located in Corsham, GB
A delightful bird's eye view of Deane House Kent, engraved by John Harris after an original drawing by British illustrator Thomas Badeslade. The engraving shows a detailed view of th...
Category
Early 18th Century Engraving Landscape Prints
Materials
Engraving
Sutton Nicholls - Framed 18th Century Engraving, Devonshire Square
By Sutton Nicholls
Located in Corsham, GB
A bird's eye view of Devonshire Square, engraved by British master Sutton Nicholls. Published according to the act of Parliament in 1754 for Stow's Survey of London. This detailed en...
Category
Early 18th Century Engraving Landscape Prints
Materials
Engraving
Christ Church, Oxford 18th century engraving by John Dadley after Edward Dayes
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
1790s Engraving Landscape Prints
Materials
Engraving
Pembroke College, Oxford 1705 engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Pembroke College, Oxford (1705)
Engraving
31 x 44 cm
Loggan's view of Pembroke from the second edition of the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
Magdalen College, Oxford Tower and Bridge 18th century engraving by James Basire
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
1790s Engraving Landscape Prints
Materials
Engraving
Dark Beach Sunrise, Blue Nautical Cyanotype, Watercolor Paper, Vertical Seascape
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
"Dark Beach Sunrise" is a handmade cyanotype print portraying beautiful sunrise reflection on the beach.
Details:
+ Titl...
Category
2010s Realist Engraving Landscape Prints
Materials
Marble
"Moor Tower" and "Kirkham Priory" from "Buck's Antiquities" /// Architecture UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Moor Tower" (Plate 173) and "Kirkham Priory" (Plate 328)
Portfolio: Buck's Antiquities or Venerable R...
Category
1720s Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
'The East River', Brooklyn Bridge — Mid-Century Realism, New York City
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur (1897-1988), 'The East River', drypoint, edition 65, 1946. Signed, titled, and annotated 'A. Jones Proof 1946' in pencil. Signed and dated in the plate, lower ...
Category
1940s American Modern Engraving Landscape Prints
Materials
Drypoint
"St. Martin's Abbey" and "Lady's Chappel" from "Buck's Antiquities" /// British
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "St. Martin's Abbey" (Plate 333) and "Lady's Chappel" (Plate 331)
Portfolio: Buck's Antiquities or Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales
Year: 1726-1739
Medium: Set of Two Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: Unknown
Publisher: Robert Sayer, London, UK
Reference: Lowndes page 303-304; Upcott page 33
Sheet size (each): approx. 11.13" x 18.25"
Image size (platemark) (each): approx. 7.5" x 14.5"
Condition: "St. Martin's Abbey" has a minor crease to upper left corner and repaired edge wear to lower right corner. "Lady's Chappel" has faint toning to sheet and minor soiling in margins. They are both otherwise strong impressions in excellent condition
Notes:
Comes from Samuel and Nathaniel Buck's three volume portfolio "Buck's Antiquities" or "Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales" (1726-1739), which consists of 428 engravings. Both "St. Martin's Abbey" and "Lady's Chappel" have unidentified watermarks in the center of their sheets. They both also have "Liverpool Free Public Library" chop mark/blind stamps at bottom center of their sheets. Old price pencil inscribed in margins.
Saint Martin's Abbey is a community of Roman Catholic Benedictine monks who follow the Rule of St Benedict...
Category
1720s Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
"Conisborough Castle" and "Morlashe Castle" from "Buck's Antiquities" /// UK Art
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Conisborough Castle" (Plate 323) and "Morlashe Castle" (Plat...
Category
1720s Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
City Hall Tower, Rothenburg, Germany.
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. Some small, scattered light spots...
Category
Early 20th Century Modern Engraving Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
(after) John Constable mezzotint "Summer Evening"
By David Lucas
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). This impression was printed in 1831 on laid paper for the "English Landscape" series. Image size: 5 1/2...
Category
1830s Engraving Landscape Prints
Materials
Mezzotint
Rycote House, Oxfordshire engraving by Henry Winstanley
Located in London, GB
To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller."
Henry Winstanley (1644 - 1703)
Rycote House, Oxfordshire
Engraving
19 x 44 cm
...
Category
Early 17th Century Engraving Landscape Prints
Materials
Engraving
"Cockersand Abbey" and "Sandal Castle" from "Buck's Antiquities" /// British Art
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Cockersand Abbey" (Plate 148) and "Sandal Castle" (Plate 340...
Category
1720s Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
"Louth Park Abbey" and "Easby Abbey" from "Buck's Antiquities" /// Architecture
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Louth Park Abbey" (Plate 172) and "Easby Abbey" (Plate 324)
Portfolio: Buck's Antiquities or Venerabl...
Category
1720s Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
"Knaresborough Castle" and "Sawley Abbey" from "Buck's Antiquities" /// British
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Knaresborough Castle" (Plate 330) and "Sawley Abbey" (Plate ...
Category
1720s Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
Planetary And Scatologic Vision
Located in San Francisco, CA
Artist: Salvador Dali (Spanish surrealist, 1904-1989)
Title: Planetary and Scatologic Vision
Year: 1974
Medium: Engraving with embossing and color lithograph
Edition: Numbered...
Category
Late 20th Century Surrealist Engraving Landscape Prints
Materials
Engraving, Lithograph
"Oakham Castle" and "Nottingham Park/Castle" from "Buck's Antiquities" /// UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Oakham Castle" (Plate 242) and "Nottingham Park/Castle" (Plate 226)
Portfolio: Buck's Antiquities or ...
Category
1720s Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
From the heights II - New York
Located in PARIS, FR
It is certainly the most appropriate translation of Pascale Hémery’s work, which takes a look at the places visited on a daily basis and during her travels abroad. This look is the...
Category
21st Century and Contemporary Contemporary Engraving Landscape Prints
Materials
Engraving
From the height jaune, New-York
Located in PARIS, FR
It is certainly the most appropriate translation of Pascale Hémery’s work, which takes a look at the places visited on a daily basis and during her travels abroad. This look is the s...
Category
21st Century and Contemporary Contemporary Engraving Landscape Prints
Materials
Engraving
L'échappée belle
Located in PARIS, FR
It is certainly the most appropriate translation of Pascale Hémery’s work, which takes a look at the places visited on a daily basis and during her travels abroad. This look is the...
Category
21st Century and Contemporary Contemporary Engraving Landscape Prints
Materials
Engraving, Linocut
From the height rouge, New-York
Located in PARIS, FR
It is certainly the most appropriate translation of Pascale Hémery’s work, which takes a look at the places visited on a daily basis and during her travels abroad. This look is the s...
Category
21st Century and Contemporary Contemporary Engraving Landscape Prints
Materials
Engraving
Persiae, Armeniae, Natoliae et Arabiae Descriptio per Frederick deWit 1666 map
Located in Paonia, CO
Map of Persiae, Armeniae, Natoliae et Arabiae Descriptio per F de Wit 1688 engraving from: Atlas Contractus Orbis Terrarum Praecipuas ac Novissimas Complectens Tabulas. Amsterdam, N. Visscher, 1656-77. (Koeman III, Vis5-8) This highly decorative map of the Middle East is by the Dutch engraver, publisher, and map seller...
Category
1660s Realist Engraving Landscape Prints
Materials
Engraving
Break in the Thunderstorm
By Martin Lewis
Located in New York, NY
Martin Lewis (1881-1962, Break in the Thunderstorm, drypoint, 1930, signed and titled in pencil (also signed in the plate in a rectangle lower left). Reference: McCarron 86, second s...
Category
1930s Realist Engraving Landscape Prints
Materials
Drypoint
Market Square, Rothenburg, Germany
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. In good condition with minor mat t...
Category
Early 20th Century Modern Engraving Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Ramshackle Barn (de-accessioned from the Denver Art Museum)
By Asa Cheffetz
Located in New York, NY
Asa Cheffetz
Ramshackle Barn (de-accessioned from the Denver Art Museum), ca. 1929
Wood-engraving
Pencil signed, numbered 27/100 and titled by the artist on the front
13 × 10 1/4 inches
Unframed - affixed to matting
De-accessioned from the collection of the Denver Art Museum
Asa Chaffetz, "the engraver's engraver"
This is the original numbered wood engraving from 1929; not a later re-print
This print was honorable mention in the International Exhibition of prints, Art Institute of Chicago, 1929
Exhibited: New England engraved: The prints of Asa Cheffetz: An Exhibition of his wood engraving & an exploration of his life as an artist. Springfield, MA: Museum of Fine Arts, 1984 (A different example)
Asa Cheffetz Biography:
Born in Buffalo, New York, Cheffetz studied at the School Of The Museum Of Fine Arts in Boston under Philip Leslie Hale...
Category
1920s Realist Engraving Landscape Prints
Materials
Engraving
"Pendragon Castle" and "Lincoln Castle" from "Buck's Antiquities" /// British UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Pendragon Castle" (Plate 312) and "Lincoln Castle" (Plate 170)
Portfolio: Buck's Antiquities or Vener...
Category
1720s Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
Chepstow Castle ( on a limestone cliff above the River Wye in Wales)
Located in New Orleans, LA
The magnificent printed works of the Yorkshire artist, Percival Gaskell have only been fully rediscovered in recent years. Percival Gaskell rose to prominence whilst working together with Sir Frank Short in the engraving school at the Royal College of Art in London during the first two decades of the 20th century. A true painter-printmaker, Percival Gaskell developed a sensitivity to atmospheric tone which is displayed in an air of timeless beauty throughout his printed works.
(sheet 24 x 20 1/2). A fine impression with tone printed in warm brown/black ink on chine appliqué mounted on white wove paper, and a backing board. Signed in pencil. Superb signed proof impression printed in warm-brownish-black ink. One of Gaskell's best large scale mezzotints.
The speed with which William the Conqueror committed to the creation of a castle at Chepstow is testament to its strategic importance. There is no evidence for a settlement there of any size before the Norman invasion of Wales, although it is possible that the castle site itself may have previously been a prehistoric or early...
Category
1940s English School Engraving Landscape Prints
Materials
Mezzotint, Etching
Tynemouth Castel - Etching by Edward Francis Finden - 1845
Located in Roma, IT
Tynemouth Castel is an etching realized in 1845 by Edward Francis Finden.
Signed on the plate.
Titled on the lower center, from the series of "Ports of Great Britain"
The artwork...
Category
1840s Modern Engraving Landscape Prints
Materials
Etching, Engraving
Engraving landscape prints for sale on 1stDibs.
Find a wide variety of authentic Engraving landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include David Loggan, Adriaen Collaert, David Lucas, and Salvador Dalí. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Engraving landscape prints, so small editions measuring 0.01 inches across are also available
Recently Viewed
View AllMore Ways To Browse
Lake George Ny
Alpes Maritimes
Landscape Winery Painting
Oak Tree Oil Painting
Dog On Beach Painting
Landscape Oil Painting 1800
Landscape Winter Colorado
H Meyer
Large Pastoral Oil Paintings
Gloves M
Set Of 8 Architectural Prints
Fluorescent Yellow
Cook London
D Hart
Feline Painting
Oil Used In Windmills
Stormed Book
Texas Bendors