Art WergerTimes Square I (the neon signs in Manhattan's Times Square)2005
2005
About the Item
- Creator:Art Werger (1955, American)
- Creation Year:2005
- Dimensions:Height: 5.88 in (14.94 cm)Width: 5.88 in (14.94 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:1stDibs: LU84136041162
Art Werger
Art Werger was born in Ridgewood, New Jersey, in 1955. He received a bachelor of fine arts degree from the Rhode Island School of Design, in 1978 and a master of fine arts degree from the University of Wisconsin, in 1982. From 1982 to 2000, he was a professor of art at Wesleyan College, in Macon, Georgia. Since 2000, he has been the director of foundations and professor of printmaking at Ohio University, in Athens, Ohio. Werger’s impressive, intense prints invite audiences to assume new perspectives and consider the unfolding scene, as though they were casual bystanders. He encourages viewers to develop their interpretations of the action. Werger thrives on dealing with the technical complexities of print media. He most often uses mezzotint, a type of intaglio printmaking, where the artist works from dark to light. Werger carefully refines his images to reflect the precision of this process. His prints have received many awards and have been displayed in numerous international and national exhibitions. They are included in corporate and museum collections, such as the Corcoran Gallery of Art in Washington, D.C., Boston Public Library, Brooklyn Museum, Philadelphia Museum of Art and the Museum of Fine Arts in Boston.
- ShippingRetrieving quote...Ships From: New Orleans, LA
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- Foggy Night (the way home or a Stephen King setting)By Carol WaxLocated in New Orleans, LAThis impression is #22 Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mez...Category
2010s American Modern Landscape Prints
MaterialsEngraving, Mezzotint
- Into the Night (a lone male emerges from a subway stop by the Flatiron Building)By Frederick MershimerLocated in New Orleans, LAA lone figure emerges out of bright lights streaming from a subway entrance at the corner of 23rd and Broadway near the Flatiron Building and Madison Square Park. He has just exited the uptown...Category
Early 2000s American Modern Figurative Prints
MaterialsMezzotint
- Rooftops (the harbor and skyline of NYC from Brooklyn rooftop)By Frederick MershimerLocated in New Orleans, LAMoody, mysterious, majestic – these are some of the ways to describe the mezzotints of Frederick Mershimer. His images travel through the serenity of a Brooklyn neighborhood on a sti...Category
Early 20th Century American Modern Landscape Prints
MaterialsMezzotint, Aquatint
- Delayed (suburban New Jersey commuter walks thru rain because bus is late)By Art WergerLocated in New Orleans, LA"Delayed" is an edition of 100. Art Werger creates a memory of his boyhood home in suburban New Jersey. It's late, cold and rainy as this woman raises her umbrella to brave the wal...Category
21st Century and Contemporary American Modern Figurative Prints
MaterialsMezzotint
- ListeningBy Art WergerLocated in New Orleans, LAListening is a 2000 mezzotint that is signed by the artist. Art Werger’s lyrical suburban scenes are evocative of boyhood summer evenings while his city images are fraught with tens...Category
21st Century and Contemporary American Modern Figurative Prints
MaterialsMezzotint
- Carpe Diem IBy Mikio WatanabeLocated in New Orleans, LAthis impression is #46 from edition of 50 Mezzotint artist Mikio Watanabe was born in 1954 in Japan and currently lives in France. He is most known for his elegant, evocative black ...Category
Early 2000s American Modern Animal Prints
MaterialsMezzotint
- Wren's CityBy Joseph PennellLocated in Storrs, CTWren's City. 1909. Mezzotint. Wuerth 504. 10 x 11 7/8 (sheet 12 3/8 x 14 3/8). Printed on laid wove paper. A rich impression printed by the artist. Signed and annotated 'imp' in penc...Category
Early 1900s American Modern Landscape Prints
MaterialsMezzotint
- Irving Guyer, Christmas Trees on Second Street (NYC)By Irving GuyerLocated in New York, NYPhiladelphia-born Irving Guyer attended the Art Students League and worked in New York City before moving to California. This print is signed and titled i...Category
1930s American Modern Figurative Prints
MaterialsEtching, Drypoint
- Ontario St. Grading and Temporary RampsBy Louis Conrad RosenbergLocated in Fairlawn, OHOntario St. Grading and Temporary Ramps Drypoint, August 1929 Signed in pencil lower right (see photo) From: The Cleveland Set (23 plates), this being No. 13 Edition: Small A brilliant example of American industrial art. A wonderful, rich impression, with lots of burr and contrasts. Louis Conrad Rosenberg 1890-1983 An American architectural etcher and engraver of the 1920's and 1930's era, Louis Conrad Rosenberg first studied at the Massachusetts Institute of Technology. He then enrolled at the Royal College of Art, London, to study etching techniques under Malcolm Osborne...Category
1920s American Modern Landscape Prints
MaterialsDrypoint
- Cincinnati Union Terminal, Perspective From EastBy Louis Conrad RosenbergLocated in Fairlawn, OHCincinnati Union Terminal, Perspective From East Drypoint, 1930-1931 Signed in pencil lower right (see photo) Initialed and dated the the plate above the pencil signature From: Cincinnati Series (8 Plates), this No. 2 Edition: 155, completed May 4, 1931 Delivered to Fellheimer & Wagner, 1931 Louis Conrad Rosenberg 1890-1983 An American architectural etcher and engraver of the 1920's and 1930's era, Louis Conrad Rosenberg first studied at the Massachusetts Institute of Technology...Category
1930s American Modern Landscape Prints
MaterialsDrypoint
- Western Hills Viaduct Under ConstructionBy Louis Conrad RosenbergLocated in Fairlawn, OHWestern Hills Viaduct Under Construction Drypoint, June 1931 Signed in pencil lower right (see photo) Initialed and dated in the plate lower right above pencil signature (see photo) From: Cincinnati Series, 1930-1931, 8 plates, this No. 5 Small edition, not specified From Greenfield Hill Condition: Excellent Image/Plate size: 8 1/2 x 15 1/4 inches Sheet size: 11 1/4 x 18 1/2 inches Louis Conrad Rosenberg 1890-1983 An American architectural etcher...Category
1930s American Modern Landscape Prints
MaterialsDrypoint
- Low Country (South Carolina)By Elizabeth VernerLocated in Middletown, NYAn enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...Category
Early 20th Century American Modern Landscape Prints
MaterialsArchival Paper, Drypoint, Etching